Top 1200 American Experience Quotes & Sayings

My subject matter was a genuine sort of experience that came out of my life, particularly the American world in which I was privileged to be . . . . I would really think of the bakery counters, of the way the counter was lit, where the pies were placed, but I wanted just a piece of the experience. From when I worked in restaurants . . . [it was] always poetic to me.

I'm an American, but being a black American, my experience is a particular one, my struggles have been particular.

I feel like one of the things that is central to American life is the religious experience, and I think that the experience of being Muslim in America is as valid and as important a perspective on the religious experience of America as evangelical Christianity or Judaism - whatever it may be.

Presently, the Commission for Commemorating 350 Years of American Jewish History has been brought about to encourage and sponsor a variety of historical activities that advance our understanding of the American Jewish experience as it marks this milestone anniversary.

There is a problem in America. An Irish or Polish American can write a story and it's an American story. When a Black American writes a story, it's called a Black story. I take exception to that. Every artist has articulated to his own experience. The problem is that some people do not see Blacks as Americans.

It used to be that the highest ambition of American novelists was to write 'the Great American Novel,' that great white whale of American fiction that would encompass all the American experience in one great book.

Our individualism is rooted in our very nature. It is based on conviction born of experience. Equal opportunity, the demand for a fair chance, became the formula of American Individualism because it is the method of American achievement.

I have heard earnest American sociologists say that American children have a right to the divorce experience as an enriching element of an advanced civilisation.

What does Washington experience have to do with meeting the needs of the American people?

High school is such a shared experience in North American culture.

I've been in America for almost ten years. I've had many parts of the American experience. I've been all over this country and seen many different parts of it. It's just that I'm not an American. I've never become an American. I'm talking about the whole thing-psychologically, citizenship, the whole trip. Of course I've definitely been influenced by America-I'm definitely influenced by the music and the culture.

Growing up as an Asian American, we're lucky to have two sentences in a history book about the Chinese-American experience.

I'm proud to be an American, I'll tell you. What a program and what a place and what an experience.

I think what I'm doing is quintessentially American because I'm not American - even though I am on the verge of getting my American passport next week - I have a fantasy of what is American. Big spaces, Marlon Brando, James Dean, easy living.

One thing I really hate is experience. Experience for me doesn't work. Everybody's talking about experience this, experience that.

To fully understand the black immigrant experience in the U.S., we must understand it not in contrast to the African-American experience, but central to it.

The American War of Independence is the expulsion of the intrusive elements, alien to the American essence. If American reality is the reinvention of itself, whatever is found in any way irreducible or unassimilable is not American.

You know, in 1975 I couldn't get a job in New York City because I was American. The kitchens were predominantly run by French, Swiss, German, and basically I got laughed at. I had education, I had experience, but got laughed at because I was American.

There are artists in Belgium who try to imitate American artists. But it's like, if you're Belgian pretending to be American, you won't be better than the American because you aren't American. You have to do your own stuff.

I wanted to identify that the black experience is American experience.

There's the National Organization for Women feminist faction, there's the NAACP liberal African-American faction, there's the La Raza Hispanic faction. They're pitted against each other and it runs so contrary to the E pluribus unum American middle class experience.

There is no way that we know what is going on between the African American and the Asian American. We don't understand what an Indigenous American is. We don't understand what a Latino American is

The black immigrant experience in the U.S. must be understood not in contrast to the African American experience but as an integral part of it.

One thing that sticks in my mind is that jazz means freedom and openness. It's a music that, although it developed out of the African American experience, speaks more about the human experience than the experience of a particular people.

No place epitomizes the American experience and the American spirit more than New York City.

I wish reporters were more in tune to the difference between the Asian experience and the Asian-American experience. I think often they lump the two together and think that when I talk about Asian-American narratives that they can cite 'Crouching Tiger, Hidden Dragon' or 'Mulan' as proof of concept when it's a different experience.

I've got nothing against any individual American, except that there aren't any. They're always Irish-American, African-American... There's never an American-American you can blame.

I'm a Democrat because I want every American to have a fair shot at the American Dream. That's what ties it all together for me, and in my experience, that means recognizing that no one is dealing with life one 'issue' at a time.

You see the one thing I've always maintained is that I'm an American Indian. I'm not a Native American. I'm not politically correct. Everyone who's born in the Western Hemisphere is a Native American. We are all Native Americans. And if you notice, I put American before my ethnicity. I'm not a hyphenated African-American or Irish-American or Jewish-American or Mexican-American.

An auctioneer is such a uniquely American thing. I keep thinking in my head, perhaps it's not as American as I think, but it feels so Southern. It feels so American. Like, hundreds of years of American tradition is involved in it.

Undeniably the American art form, too. And yet more and more, we see films made that diminish the American experience and example. And sometimes trash it completely.

I think that the American people are curious about who a candidate is, what their background is, who their family is, what their faith experience has been, their education, their work experience. All of those are factors that voters look at because they want to take a measure of the individual.

Growing up in the U.S., I was certainly deeply aware of the power of American media, specifically Hollywood and television, in terms of broadcasting a particular vision of what the American experience was like. As someone coming from a war that was a preoccupation of Americans in the 1980s, it did strike me that since we were a part of that war, we should have a chance to talk about ourselves.

The American experience works when people embrace a set of shared values, you come, you work hard, you embrace these values and you're as American as anybody that came on the Mayflower.

I've made it my mission to make movies starring African American actors and about the African American experience and put them in the mainstream. They're very universal stories I've told - every movie I've done.

The Gaian mind is what were calling the psychedelic experience. Its an experience of the living fact of the entelechy of the planet - and without that experience we wander in a desert of bogus ideologies. But with that experience the compass of the self can be set.

I am very happy here [on Cuba], but I feel I have work to do in the United States. It's where I can identify with the total world struggle for socialism. But I think as a North American, as a Black North American, I have certain understandings - certain contributions - to make that are unique to the North Amerian experience.

My writing is a lens into the possibilities of the American experience.

If you're not willing to work, you're never going to be able to experience the American Dream.

Certainly Christianity is an experience, but equally clearly the validity of ane experience has to be tested. There are people in lunatic asylums who have the experience of being the Emperor Napoleon or a poached egg. It is unquestionably an experience, and to them a real experience, but for all that it has no kind of universal validity. It is necessary to go far beyond simply saying that something comes from experience. Before any such thing can be evaluated at all, the source and character of the experience must clearly be investigated.

I am extremely grateful for my 'American Idol' experience, and I enjoyed every bit of it.

The experience of the gangster as an experience of art is universal to Americans. There is almost nothing we understand better or react to more readily or with quicker intelligence. In ways that we do not easily or willingly define, the gangster speaks for us, expressing that part of the American psyche which rejects the qualities and the demands of modern life, which rejects Americanism itself.

My one thought is to get out of New York, to experience something genuinely American.

I don't really identify with America, I don't really feel like an American or part of the American experience, and I don't really feel like a member of the human race, to tell you the truth. I know I am, but I really don't. All the definitions are there, but I don't really feel a part of it. I think I have found a detached point of view, an ideal emotional detachment from the American experience and culture and the human experience and culture and human choices.

There is an imagined thing called black culture. But culture is a construction. It is learned behavior, not innate. The black American experience is the American experience.

The African-American experience is one of the most important threads in the American tapestry.

My experience of American politics is that people raise issues, and they get addressed in an effective but imperfect way. But that's sort of the American system: Mind the problem and worry it, and then we attack it with overwhelming power and put it away - and that's the end of that problem.

Talk to me 20 years ago and I had a complete sense of illegitimacy as an American Muslim. I felt like I wasn't authentic. But I don't understand and I don't believe or subscribe to this idea that I don't have a right to speak as a Muslim because I'm an American. Being Muslim is to accept and honor the diversity that we have in this world, culturally and physically, because that's what Islam teaches, that we are people of many tribes. I think the American Muslim experience is of a different tribe than the Saudi Muslim world, but that doesn't make us less than anyone else.

The African-America n experience is one of the most important threads in the American tapestry.

The Afro-American experience is the only real culture that America has. Basically, every American tries to walk, talk, dress and behave like African Americans.

We're the curator for the African-American experience for the past, present and future. That's my job.

My only experience with American things is through movies.

For many American-Jewish writers, the dominant motifs have been cultural, secular, sometimes comic, often satirical. Writing about the religious component of Judaism, I found my own themes independent of the New York experience and the immigrant experience.

I was deeply moved by Richard Blanco's reading of his inaugural poem-a timely and elegant tribute to the great diversity of American experience. And now comes this fine meditation on his experience of coming to poetry, of making the poem and the months surrounding its making-a testament to the strength and significance of poetry in American culture, something not always seen or easily measured. Today Is For All of Us, One Today is a necessary intervention into the ongoing conversation about the role of poetry in public life.

This American Jewish music is a new experience for us at least consciously.

I decided early on that I wanted to participate in the greater American experience, rather than the parochial one in Mississippi. But I have an urge as a writer to meld the Southern experience into the larger American one.

For American philo-Semites, the Jewish experience wasn't just one minority experience among many, but a signal and elevated case.

I'm first generation American, and my parents were both from Nigeria. And so I always say that I'm literally an African American. So my last name is Famuyiwa, it's different. And so that was a part of my experience from people not being able to pronounce it to not sort of having sort of a shared, common history with a lot of the kids that I was growing up with because my parents were from Africa.

Baseball is the exponent of American Courage, Confidence, Combativeness, American Dash, Discipline, Determination, American Energy, Eagerness, Enthusiasm, American Pluck, Persistency, Performance, American Spirit, Sagacity, Success, American Vim, Vigor, Virility.

You can be a Polish American, or an Arab American, or a Greek American but you can't be English American. Why not?