Top 1200 American Music Quotes & Sayings - Page 3

The '60s were a time of great change in American music.

Sun Studios was where so much of American music exploded from.

Asia is the continent rhythm forgot. At best Asian music is off-brand American pop, like Sonny Bono in a karaoke bar. At worst Asian music sounds as if a truck full of wind chimes collided with a stack of empty oil drums during a birdcall contest.

... the connection between imperial politics and culture is astonishingly direct. American attitudes to American "greatness", to hierarchies of race, to the perils of "other" revolutions (the American revolution being considered unique and somehow unrepeatable anywhere else in the world) have remained constant, have dictated, have obscured, the realities of empire, while apologists for overseas American interests have insisted on American innocence, doing good, fighting for freedom.

The American new music scene is remarkably vibrant.

There is no way that we know what is going on between the African American and the Asian American. We don't understand what an Indigenous American is. We don't understand what a Latino American is.

I stumbled into soul music at a very young age. It had something that really spoke to me. Nowadays it's not only American gospel or soul music, it's whenever somebody decides to do music in a way that's honest and passionate. I got into the Motown songs. It had to do with where I come from - we don't really have that where I come from, the sense of mystery and the pain. Sweden has been a wealthy and happy country for some time now. I think I got really drawn to that.

People like to compartmentalise music, especially African-American music, but it's really one thing. One very wide thing. I mean, it's like all those great records by Marvin Gaye and James Brown back in the day - there are tonnes of jazz musicians playing on them.

Every time I make American film I just trust American directors and American writers.

American power should be used not just in the defense of American interests but for the promotion of American principles.

I learned a lot about American history though jazz, and that's why I loved American history when I was in high school. I could hear different stories - the story that they would tell in school, and then the story that I would hear in the music.

The Blues? It's the mother of American music. That's what is is - the source.

I had a fascination with the roots of African American music. That would have been my first education in music. I had a real passion for it. I wanted to play it, sing it. I could sing at a young age, but I started to teach myself bass guitar and started writing when I was 15.

I like American black soul music, that was my first big enthusiasm.

As far as I'm concerned, blues and jazz are the great American contributions to music.

My love for American music and American movies is from an early age. I was 10 or 11 when I heard Fats Domino and Little Richard and Buddy Holly. And the movies, my dad used to take my brother and I to the movies every Friday. It was incredible: we got to see just about every movie that came out for a period of years.

To me, country music's about life. It's about Monday through Friday. It's the blue-collar, 40-hour week, songs about life. It used to have more of a sound, but I think the heart of that's still the same. It's still American music.

I was a weird kid. I shouldve been gay because I listened to a lot of Broadway musicals. I dont know why Im not gay. I listen to a lot of jazz and world music, like African or Cuban music. Something that has vitality to it. A lot of the American stuff just feeds on itself.

The Internet has changed how young people listen to music. Television programs like 'American Idol' changed how people listen to music. It was no longer the songwriters that we celebrated; it was the singers.

I'm an American songbook guy, though I've got eclectic tastes. I really love the American songbook. I've taken up the ukulele, and so you can play 'Five Foot Two' and Hawaiian music, but you can also do some of the great tunes, like 'You Go to My Head,' 'I Guess I'll Hang My Tears Out to Dry,' 'Taking a Chance on Love.'

I think music is one of the hero/sheroes of the African-American existence.

Regarding The Music Man, Jay Nordlinger wrote: The Music Man (for which Willson also wrote the lyrics) is an astonishing creation. It came in a spurt of brilliance. It is shot through with originality, verve, and-why not go all the way?-genius. People love it, can't get enough of it, can't stop performing it-and they are not wrong. For closing in on a half- century now, The Music Man has been performed continually, in every American city, town, and village, and in other parts of the world as well, not excluding Peking.

Above all else, [Benny Goodman] was a great player, one of the greatest American music has produced. He brought his absolute talent and his invincible love of music to the fore every time he played. There are many other things connected to society and ethnicity that are often mentioned in a discussion of Benny Goodman but all of them are connected to his overwhelming affection for the art of the music and the fairness it should be allowed to express.

I don't think there is much American music.

We need American sources of resources, we need American energy, brought to you by American ingenuity and produced by American workers.

There is no way that we know what is going on between the African American and the Asian American. We don't understand what an Indigenous American is. We don't understand what a Latino American is

I'd love it if American kids were listening to Muslim music.

On 'American Idol,' I felt like one of my challenges was picking songs because I've definitely been exposed to a lot of music. So when I went to pick songs, it was difficult for me to choose, but I'd always go to country because country music is so memorable.

I love and admire the American culture and the American dream. I learnt so many things about the American shoe industry and marketing strategies. I caught the secrets of American casual wear, that is elegant and wearable, retro and modern, and mixed it with an Italian touch, luxurious and handmade.

I'm comfortable, culturally I'm American, my perspectives are American, but from an aesthetic perspective do other people look at me and think that I'm American?

The record [American Idiot ] felt special to us, when we recorded it, with all of the artwork and the concept behind it and it being a rock opera, but we didn't really know where it was going to go. It's like I always say, you just follow the music. Not only was American Idiot a special moment for us, but it also led to Ordinary World, too.

American music is always best when it comes from a mixture of things.

Everybody in Germany was for the -German cause. But then, after the war ended, when I heard the first Glenn Miller sound on the radio and these fantastic American music makers, I turned into a jazz fanatic. They called me Benny, after Benny Goodman. So, all of a sudden, the eyes of young Germans were opened to America - everything American was absolutely at the top of the list.

There's somewhat of a real fascination with American bands and American mythology in London, so I think we've tapped into some of that. Maybe because of the way the press works or whatever, they have extremely knowledgeable music fans over there. People who will sit there and talk to you about some record that came out in 1967 out of Memphis that you've never heard before.

I always thought I was singing American folk music.

I believe that blues and jazz are the two uniquely American contributions into music.

Ray Gomez is truly an unsung hero in American music.

My music is music that Christians and Catholics can listen to. Muslims. Buddhists. And non-religious people as well. It's just music. You can look at the music in several different ways. It's music for everybody.

Society wants to categorize everything, but to me it's all African-American music.

Greece is a sort of American vassal; the Netherlands is the country of American bases that grow like tulip bulbs; Cuba is the main sugar plantation of the American monopolies; Turkey is prepared to kowtow before any United States proconsul and Canada is the boring second fiddle in the American symphony.

Skiffle was a name that was attached to what was, in essence, American folk music with a beat.

When I'm playing an American, I don't play Lennie with an American accent. They're American characters who look like me, but they have different voices.

I think America concedes that true American music has sprung from the Negro.

Country music is the combination of African and European folk songs coming together and doing a little waltz right here in the American south. They came together at some cotillion, and somebody snuck a black person into the room, and he danced with a white lady, and music was born.

Western classical music had long known syncopation. But no one had felt compelled to snap his fingers to music before American jazz and musical theater, which sent a previously undiscovered current coursing through the body, demanding outlet.

I was into playing American music, especially the blues.

Jennifer Lopez has been very much in the news because of her divorce from Marc Anthony, also a top singer, a top player in Latin music, her joining the cast of judges on "American Idol." But the music has not been at the forefront.

G.O.O.D. Music is on top because G.O.O.D. Music is the culture. When you think of, you know, just every aspect from music, influence, fashion, art level. If it's not G.O.O.D Music, then it's somebody who was influenced heavily by G.O.O.D. Music.

I talk about life, and I make universal music with an American style - and that's what I do.

People ask me if I'm influenced by British music, and I suppose I grew up listening to mostly British music - from new wave stuff through to heavy metal. Like, when I got into metal, it was Black Sabbath. I never really got into a lot of American rock. I appreciate some of it, but not much! Most of the great new wave music was coming out of Britain, and Germany. So maybe those influences have made their way into my music, and perhaps that's why I have this connection with people in Europe. But maybe it's something cosmic.

This American Jewish music is a new experience for us at least consciously.

I studied trumpet for almost 15 years and was performing with a professional concert marching band in parades and rodeos. I was headed back east to study music, and if I hadn't been intrigued with the Native American flute, I suppose I'd now be jockeying for first chair of the brass section of some orchestra, or perhaps I'd be teaching music in a school system.

I grew up watching American movies. My favorite movies have always been American, since as long as I can remember. I always had this huge respect for American filmmakers and American actors.

You have a history of art-music that you equate with music. That's what I love about that term art-music. It separates itself from music-music, the music people have always made.

The blues has been the foundation of all other American music since the beginning.

There's always peripheral things that you like that you don't know, but starting with whatever his British influences are, are some of my favourite artists, and the American things are what I grew up on as well. In the end, for me, it's those foundations of the music business - those things that are a lot of the foundations of what music today is. You can hear a bit of all of those things that we talk about in almost all music today.

It used to be that the highest ambition of American novelists was to write 'the Great American Novel,' that great white whale of American fiction that would encompass all the American experience in one great book.

Paste may be the last great American music magazine left.

I play American and World music, Texas style.

Most of the best music in American history was made by people with no options.