Top 1200 American Music Quotes & Sayings - Page 4

I was born an American, I live like an American, I will die an American.

An American Idol is someone who knows how to change people's lives through music.

It is from the blues that all that may be called American music derives it most distinctive characteristics.

Michael Jackson fundamentally altered the terms of the debate about African American music.

We should really focus on an American First agenda, and these climate pacts and climate regulations have been designed to not necessarily give American workers and the American environment a head start. It really gives our competition a greater ability to compete internationally and disadvantage American companies.

Art in America should be American, drawn from American sources, memorializing American achievement.

Hip-hop is interesting, but American pop music doesn't have the kind of diversity that the UK does.

I think early on I was really into ambient music and like American original Emo.

I didn't want to be on screen not nailing an American accent. It's an insult to an American! There are plenty of great American actors who can already do an American accent, so me, coming in and stealing their roles, the one thing I have to perfect is the accent. So for years I practiced. And we're lucky because the whole world is raised on a library of American movies. I would pretend to be Jim Carrey, and, I say Robin Williams now because he's in my mind, but those actors really inspired us to be crazy and be theatrical.

When I was growing up, music was music and there were no genres. We didn't look at it as country music. Popular music in Tuskegee was country music. So I didn't know it in categories. It was the radio.

No, I’m not an American. I’m one of the 22 million black people who are the victims of Americanism. One of the … victims of democracy, nothing but disguised hypocrisy. So, I’m not standing here speaking to you as an American, or a patriot, or a flag-saluter, or a flag-waver - no, not I. I’m speaking as a victim of this American system. And I see America through the eyes of the victim. I don’t see any American dream; I see an American nightmare.

I think what we took away from first hearing about the punk stuff in England and then the early American punk stuff was a sense of self-definition and also sort of playing music for music's sake and being part of a family for family's sake.

My purpose is to make sure that we protect every American, wherever that American is, and if an American is calling out for help, whether it's in Benghazi or at the border, then we ought to be able to answer it.

He revolutionized music videos. Before Michael Jackson, MTV refused to play African-American artists.

To me music is music. A person of faith, a person that calls themselves a Christian, they are the Christian and they make music. Some music has more to do about God than other music, but in reality what makes the difference between "secular" and "Christian" music is simply a marketing channel.

I think there's a pride of what a real American can be. I mean, I'm a transplant, but I've got American kids and an American wife, and when I go back to England I feel more like an American, the way I look at the world, is more from an American perspective at this point. I've traveled every state 30 or 40 times, and have met an amazing array of people, and I have found Americans to be among the most kind and tolerant people I have ever met.

Israel is the largest American aircraft carrier in the world that cannot be sunk, does not carry even one American soldier, and is located in a critical region for American national security.

I don't know why people have to categorize things in music under music. It's music and it's music and it's music. When you start putting genres on things, I think it's completely ridiculous, and I hate that.

Music means communication to me. I say 'listen you people out there, listen to my music, let's be one.' Music is a friend to me when I am lonely, when I am blue. You can't define music 'cause music is cosmos and it knows no barrier or definition. You have to feel music to dig it.

Music is a performing art, as any Native American will tell you. It isn't there in the score.

I was born an American; I will live an American; I shall die an American.

I'd be happy if people said that I did a little bit to raise the dignity and recognition of the greatness of African-American music.

I'm not an American but I have always had the outsiders' respect for the American people and the American way.

When I talk of primordial innocence, I hear it in Sufi music with the nay flute. I see it in Coptic icons, in most traditional art, particularly art of the American Indian. I find the texts extraordinarily beautiful and very childlike and very simple. I've been particularly interested in American Indian texts.

With a few exceptions like Kraftwerk, most great 20th century Western music is in some way American-based. And the great paradox of America, the paradox that distills America, is that this greatest of American contributions to humanity, this American contribution that probably has influenced more people around the world for the good, that probably has brought more people around the world unqualified joy, was born of America's greatest evil, slavery. Or one of the two great evils anyway, counting the European extinction of those who were on the continent first.

American art, like the American language and American education, was as far as possible sexless.

I'm obviously an American citizen. My parents are American citizens. But I'm not looked at as an American.

The real reason Jews don't have more Hanukkah music is that, historically, American Jewish singer-songwriters were too busy making Christmas music. 'White Christmas,' 'Rudolph the Red-Nosed Reindeer,' 'Silver Bells' and 'The Christmas Song (Chestnuts Roasting)' were all written by Jews.

It's not enough to be American. You always have to be something else, Irish-American, German-American, and you'd wonder how they'd get along if someone hadn't invented the hyphen

The American Republic and American business are Siamese twins; they came out of the same womb at the same time; they are born in the same principles and when American business dies, the American Republic will die, and when the American Republic dies, American business will die.

Of course when you are a kid you listen to what your parents had around. A lot of gospel, jazz. Now when I started to listen to music on my own it was around the time of the birth of rock and roll. Shortly thereafter I started to get into more blues and more traditional rootsy American music.

You can't get a better education in what it is to write songs until you listen to American soul music.

I'm an only child and an American and am wholly in favor of uniqueness of voice in everything, especially music and writing.

My mother was American, and my father was from the Caribbean, and there was a big open door into the world of humanity and music.

My style of music is the great American songbook meets the pop world of the Seventies and Eighties.

When I started playing the bass, I became kind of fascinated by it and started investigating various styles of bass playing, and I was really struck with funk music, mainly American funk music - Stanley Clarke, Funkadelic and that kind of stuff. That comes out in a couple of songs like 'Barbarism Begins at Home.'

Together we can save American lives, American jobs, and American futures.

I would be happy if I could meet some musicians interested in different acoustics and traditional music. Maybe I will find some Native American or Latin tunes. Anything. Even maybe a great heavy metal guitar player or drummer, and we can do something wild together. My next step is making more music without formats or borders. Not just simple songs or doing covers, but music with more ideas. I think it will again be a synthesis with something else.

I believe the history of American music is just as important as anything political because it's changed generations of people.

Back then and later on when I was in NEU! and Harmonia I was too much preoccupied with my own music to be aware of the German music scene, let alone following it actively. But changes which were happening with S.o.S. (namely the development of individual ideas and the effort to distinguish from the Anglo- American rock patterns) also helped me recognize other musicians within my immediate vicinity.

Regarding the current Broadway revival of The Music Man, Jay Nordlinger wrote: There will always be those who sniff that the show is "feel good"-but, oh, it feels good to feel good. And the main reason The Music Man feels so good is that it is good-a great American musical.

Hildegard von Bingen conveys spiritual ecstasy, if we're talking of Western music. What bothers me about Western music is that it doesn't have an esoteric dimension in the way the music of the East has, whether it be Byzantine chant, the music of the Sufis, or Hindu music.

My influences are jazz, blues, European classical music; they are rock music and pop music. So many kinds of music. World music from different countries like India and China. I think that would be a shame not to take advantage and do something... not unique, because I don't have this pretension.

Im not an American but I have always had the outsiders respect for the American people and the American way.

America's exceptionalism, American leadership, the American model, the American values are not [first with Donald Trump] - they're something that end at the border.

My own personal theory is that all popular music, in whatever form it is, to me, it all comes from Africa. Whether it's filtered through America or whatever - African-American. But I still think there's something in that roots music that's very, very African, and I think that's what unites people.

I did a little bit to raise the dignity and recognition of the greatness of African-American music.

Music has been so healing in my life, so the fact that my music could be that for someone else is the best gift of my whole career. People have told me that they got married to my music, divorced to my music, and played my music while they were having their baby.

I think Marvin Gaye is one of the greatest American music icons. His 'What's Going On' is as fresh today as when he did it.

When I first envisioned 'Funny Games' in the mid-1990s, it was my intention to have an American audience watch the movie. It is a reaction to a certain American cinema, its violence, its naivety, the way American cinema toys with human beings. In many American films, violence is made consumable.

American music is something the rest of the world wants to listen to. Our job is to make sure they pay for it.

It's a new day at the Department of Interior, and we need to examine what makes the most sense for the American people. These are American resources and American treasures, and we need to make sure we're providing the right kind of protection, oversight and stewardship of these resources for the American people.

Since the age of 12, all my musical thinking has been influenced by Afro-American music.

I didn't grow up watching film but as a Ukrainian-American, music and stories and dance are crucial.

English urban artists were very used to making secondhand American music, and I thought that was boring.

I'm American. Very American. Like, I-might-have-biscuits-and-sausage-gravy-for-dinner American.

It is from the blues that all that may be called American music derives its most distinctive character.

There were eras of English music where people tried to rap in American accents and we lost our way.

There is a definite Chinese pop sound developing, but I was shocked at how influenced it is by American music.

If you think about portraying Americans, for example, in a Russian film, it all depends on where the American is from, if they went to school or not, and if they're well-educated or not. Is it an American from Texas, or an American from Brooklyn? Things would change with the vocabulary and the accent.