Top 1200 Ancient Art Quotes & Sayings - Page 2

Warhol and other Pop artists had brought the art religion of art for art's sake to an end. If art was only business, then rock expressed that transcendental, religious yearning for communal, nonmarket esthetic feeling that official art denied. For a time during the seventies, rock culture became the religion of the avant-garde art world.

The best teachers, one hopes, don't shout at their students - because they are skilled at wooing as well as demanding the best efforts of others. For the ancient Greeks and Romans, this wooing was a sufficiently fine art in itself to be the central focus of education.

Whereas much of what we know from ancient history is derived from one or two sources, we have no fewer than nine ancient sources, inside and outside the New Testament, corroborating the disciples' conviction that they encountered the resurrected Jesus. That's an avalanche of data.

The secret of the nobility and beauty of great ladies lies in the art with which they can shed their veils. In such situations, they become like ancient statues. If they kept the merest scarf on, they would be lewd. Your bourgeois woman will always try to cover her nakedness.

All of the significant art of today stems from Conceptual art. This includes the art of installation, political, feminist and socially directed art.

Fine art, that exists for itself alone, is art in a final state of impotence. If nobody, including the artist, acknowledges art as a means of knowing the world, then art is relegated to a kind of rumpus room of the mind and the irresponsibility of the artist and the irrelevance of art to actual living becomes part and parcel of the practice of art.

There is in each of us an ancient force that takes and an ancient force that gives. A man finds little difficulty facing that place within himself where the taking force dwells, but it's almost impossible for him to see into the giving force without changing into something other than man. For a woman, the situation is reversed. ... These things are so ancient within us that they're ground into each separate cell of our bodies... It's as easy to be overwhelmed by giving as by taking.

Art is the suitcase of history, carrying the essentials. Art is the life buoy of history. Art is seed, art is memory, art is vaccine.

Classics isn't about the ancient world. It's partly about the ancient world, but it's about our conversation. It's how we try to talk to antiquity.

So an ancient once said, "Accept the anxieties and difficulties of this life". Don't expect your practice to be clear of obstacles. Without hindrances the mind that seeks enlightenment may be burnt out. So an ancient once said, "Attain deliverance in disturbances".

What Art was to the ancient world, Science is to the modern: the distinctive faculty. In the minds of men the useful has succeeded to the beautiful. Instead of the city of the Violet Crown, a Lancashire village has expanded into a mighty region of factories and warehouses. Yet, rightly understood, Manchester is as great a human exploit; as Athens.

So long as painting deals with objective nature, it is an impure art, for recognizability precludes the highest aesthetic emotion. All painting, ancient or modern, moves us aesthetically only in so far as it possesses a force over and beyond its aspect.

Just as the development of earth art and installation art stemmed from the idea of taking art out of the galleries, the basis of my involvement with public art is a continuation of wall drawings.

Prayer is a fine, delicate instrument. To use it right is a great art, a holy art. There is perhaps no greater art than the art of prayer. Yet the least gifted, the uneducated and the poor can cultivate the holy art of prayer.

The Ancient One, as you know, is the master, is the Sorcerer Supreme, and [Doctor] Strange comes to learn how to heal himself and The Ancient One has got the knowledge. And so what you're seeing today is a part of the whole training section when he's learning the moves and digging deep. So it's all about that, it's all about trying to push him to get there.

The Bible is an ancient text from an ancient context. We live thousands of miles and thousands of years away from that context, which also represents different cultures. Archaeology is a modern means of revealing both the lost record of the ancient world, and the historical and social world of the Bible. While the purpose of archaeology is not to prove the historicity of the people and events recorded in Scripture, it can help immeasurably to confirm the historical reality and accuracy of the Bible and to demonstrate that faith has a factual foundation.

Art is freedom. If we don't have that element, we don't feel human anymore. Art is not decoration or a function. Before all that, art is art. This connection to meaning - our inner, intuitive knowledge - is something.

Ancient tradition always depicts a true Chinese musician as blind. Esoterically, this implies that his gift of the divine art is so completely guided by, and dedicated to, hosts of the celestial guardians, that both his sight and consciousness are focused above and beyond the objective world.

Think about what would happen if Indiana Jones and Google Earth had a love child. I use high-resolution and NASA satellites and look for subtle differences on the surface of the earth that locate buried ancient pyramids and towns and ancient tombs, which we then go and excavate.

I am making an Enlightenment Capsule for the audience to meditate inside - virtual reality in which people can experience ancient ideas from the East... But I'm not interested in using ancient things; rather I want to connect them with contemporary life through the technology we have now.

Art is the distortion of an unendurable reality... Art is correction, modification of a situation; art is communication, connection... Art is social, self-sufficient, and total.

Becoming mature is not important for art. Technical perfection is not relevant to art. Precision in art is only achieved by total duty of loyalty. Love, lusciousness, birth and fertility are precise tools of art, like laws.

In every human society of which we know - prehistoric, ancient or modern, whether hunter-gatherer, pastoral, agricultural or industrial - at least some form of art is displayed, and not only displayed, but highly regarded and willingly engaged in.

Women [in ancient Rome] were condemned to the perpetual tutelage of parents, husbands, or guardians; a sex created to please and obey was never supposed to have attained the age of reason and experience. Such, at least, was the stern and haughty spirit of the ancient law . . .

What makes art Christian art? Is it simply Christian artists painting biblical subjects like Jeremiah? Or, by attaching a halo, does that suddenly make something Christian art? Must the artist’s subject be religious to be Christian? I don’t think so. There is a certain sense in which art is its own justification. If art is good art, if it is true art, if it is beautiful art, then it is bearing witness to the Author of the good, the true, and the beautiful

Art is difficult. It's not entertainment. There are only a few people who can say something about art - it's very restricted. When I see a new artist I give myself a lot of time to reflect and decide whether it's art or not. Buying art is not understanding art.

God does not ask for 'religious' art or 'Catholic' art. The art he wants for himself is Art, with all its teeth

We need modern ideas, but we also need ancient wisdom. If we deny ancient wisdom we are making a big mistake.

I find it exciting to get any historical material from the ground. As you know, I love to put ancient Israel and its literature into their ancient contexts. And to rebuild - that is, to me, a very exciting historical task.

I like art with a sense of humor. I don't have a huge art education to understand everything. I don't think that means that art has to be watered down to the lowest common denominator, though. I don't think you have to go to college to be able appreciate great art, but I like art that doesn't take itself too seriously.

Experts in ancient Greek culture say that people back then didn't see their thoughts as belonging to them. When ancient Greeks had a thought, it occurred to them as a god or goddess giving an order. Apollo was telling them to be brave. Athena was telling them to fall in love. Now people hear a commercial for sour cream potato chips and rush out to buy, but now they call this free will. At least the ancient Greeks were being honest.

As the art of reading (after a certain stage in one's education) isthe art of skipping, so the art of being wise is the art of knowing what to overlook.

Something aches at the very core of me, something ancient and deep and stronger than words: the filament that joins each of us to the root of existence, that ancient thing unfurling and resisting and grappling, desperately, for a foothold, a way to stay here, breathe, keep going.

In art school we're always taught that art is an end in itself - art for art's sake, expressing yourself, and that that's enough.

Great art - or good art - is when you look at it, experience it and it stays in your mind. I don't think conceptual art and traditional art are all that different.

The Met is such a powerful place for me because it's a natural connection between the ancient world and the modern world. And when you're dealing with ancient mythology, trying to put a modern spin on it, you really can't do much better than to call on the Met.

Although I do not care for the slogan "art for art's sake", there can be no question that what makes a work of fiction safe from larvae and rust is not its social importance but its art, only its art.

I think . . . that philosophy has the duty of pointing out the falsity of outworn religious ideas, however estimable they may be as a form of art. We cannot act as if all religion were poetry while the greater part of it still functions in its ancient guise of illicit science and backward morals. . . .

Five hundred years before Christ some physicians of ancient India, working under the influence of the Lord Buddha, advanced the art of healing to so perfect a state that they were able to abolish surgery, although the surgery of their time was as efficient, or more so, than that of the present day.

We look at the ancient Greeks with their gods on a mountain top throwing lightning bolts and say, 'Those ancient Greeks. They were so silly. So primitive and naive. Not like our religions. We have burning bushes talking to people and guys walking on water. We're ...sophisticated.'

I'm just a middle-class farm boy from Dodge City, Kansas. And I always thought that acting was art, writing was art, music was art, painting was art, and I've tried to keep that cultural vibe to my life.

[On the ancient Venus figurines:] If the central religious figure was a woman giving birth and not, as in our time, a man dying on a cross, it would not be unreasonable to infer that life and the love of life - rather than death and the fear of death - were dominant in society as well as art.

Bullfighting can be an art Boxing can be an art Loving can be an art Opening a can of sardines can be an art

There is in fact no such thing as art for art's sake, art that stands above classes, art that is detached from or independent of politics. Proletarian literature and art are part of the whole proletarian revolutionary cause.

Gold and iron at the present day, as in ancient times, are the rulers of the world; and the great events in the world of mineral art are not the discovery of new substances, but of new and rich localities of old ones.

There is no such thing as abstract art, or else all art is abstract, which amounts to the same thing. Abstract art no more exists than does curved art yellow art or green art.

Art experts are unfailingly opposed to Art for the simple reason that they are interested in Art - but Art is not interested in Art. Art is interested in life.

It may seem absurd to believe that a 'primitive' culture in the Himalaya has anything to teach our industrialized society. But our search for a future that works keeps spiraling back to an ancient connection between ourselves and the earth, an interconnectedness that ancient cultures have never abandoned.

We believed that there's no such thing as good art or bad art. Art is art. If it's bad, it's something else. It was a much, much harder line in the '50s and '60s than it is now, because the idea of art education didn't exist - they didn't have a fine arts program when I was a kid.

In every ancient culture, there are rituals to mortify the body as a way of understanding that the energy of the soul is indestructible. The more I think about energy, the simpler my art becomes, because it is just about pure presence.

What I like about baroque is the reemergence of pre-Christian religion. The art of baroque mixes ancient pre-Christian myths with Christian imagery and each reflects upon the other.

I don't have the education of an art historian. I've certainly read about art and look at art and have educated myself to some extent. But I'm not a skilled or thorough art historian and I wouldn't call myself an art critic.

We are so fortunate, as Australians, to have among us the oldest continuing cultures in human history. Cultures that link our nation with deepest antiquity. We have Aboriginal rock art in the Kimberley that is as ancient as the great Palaeolithic cave paintings at Altamira and Lascaux in Europe.

I think that the first part of the art is making the art, but when art really becomes art is when it belongs to somebody else.

Contemporary art is based on that an artist is supposed to go into art history in the same way as an art historian. When the artist produces something he or she relates to it with the eye of an art historian/critic. I have the feeling that when I am working it is more like working with soap opera or glamour. It is emotional and not art criticism or history of art.

I think the funny thing about acting for me - and I hold it in a very holy, spiritual way - not to be overly fundamentalist about it, but it's that important to me - is that it is an ancient healing art.

This ancient practice of the Rudrabhishekam, with the chanting of mantras, has been happening since thousands of years. It creates such a deep resonance in our consciousness, because our consciousness is very ancient

Art history is fine. I mean, that's a discipline. Art history is art history, and you start from the beginning and you end up in artist in time. But art is a little bit different. Art is a conversation. And if there's no conversation, what the hell is it about?

Now will I rehearse before you a very ancient Breton Lay. As the tale was told to me, so, in turn, will I tell it over again, to the best of my art and knowledge. Hearken now to my story, its why and its reason.

Art is frightening. Art isn't pretty. Art isn't painting. Art isn't something you hang on the wall. Art is what we do when we're truly alive. An artist is someone who uses bravery, insight, creativity, and boldness to challenge the status quo. And an artist takes it (all of it, the work, the process, the feedback from those we seek to connect with) personally.