Top 1200 Ancient History Quotes & Sayings - Page 18

Explore popular Ancient History quotes.
Last updated on November 18, 2024.
When I started working on women's history about thirty years ago, the field did not exist. People didn't think that women had a history worth knowing.
I'm a historian by training and by conviction. And so the thing that has throughout informed my thinking about international relations is history. I think, for example, the reason that I was perhaps able to see sooner than some others that the Soviet Empire in Eastern Europe was decaying--if not disintegrating--was that I came to it through history and through Germany, rather than through Sovietology and through Moscow. And therefore the starting point was that no empire in history has lasted forever, and this one won't either.
Once we begin to speak of men mixing their labour with the earth, we are in a whole world of new relations between man and nature, and to separate natural history from social history becomes extremely problematic.
Besides numerous science courses, I had the opportunity to study philosophy, the history of architecture, economics, and Russian history in courses taught by extraordinarily knowledgeable professors.
History is important. More than any other topic, it is about us. Whether one deems our present society wondrous or awful or both, history reveals how we got to this point.
History is not life, but since only life makes history, the union of the two is obvious. — © Louis D. Brandeis
History is not life, but since only life makes history, the union of the two is obvious.
Throughout Pixar's history, we've had major meltdowns and crises. It's happened throughout our history: you reach a certain point, it doesn't work, and you start all over again.
The history of thought, and therefore all history, is the re-enactment of past thought in the historian's own mind.
However rich we may become in knowledge of the deeper causes of historical results, we forgo all understanding of history if we forget this inner continuity,--i.e., the conscious intentions of the participants in history-making and their consciously known successes.
Our main inspiration [with Alix MacKenzie], I think, came from the Field Museum of Natural History, because they had pieces which were selected not for art content but for their relationship to the anthropological history of mankind.
History will only ever be partial, to a large extent history tells us what we think should be remembered and what should be forgotten, I find that really problematic.
The history of human opinion is scarcely anything more than the history of human errors.
For it is in the millions of small melodies that the truth of history is always found, for history only matters because of the effects we see or imagine in the lives of the ordinary people who are caught up in, or give shape to, the great events.
A phone tree isn't an ancient form of political organizing, but you have to call every person.
The student is to read history actively and not passively; to esteem his own life the text, and books the commentary. Thus compelled, the muse of history will utter oracles as never to those who do not respect themselves.
I am a nationalist, and a Pan-Africanist, first and foremost. I was well grounded in history before ever taking a history course. I did not spend much formal time in school - I had to work.
For me, 'Parmanu' was an awakening of sorts. The film is about a covert mission. It's sometimes unbelievable that we get to recreate a part of history and live an incident that made history and changed the way our country was perceived.
"Are we alone in the universe?" This is a question which goes back to the dawn of history, but for most of human history it has been in the province of religion and philosophy. Fifty or something years ago, however, it became part of science.
From ancient to modern times, the human animal knows how to find fighting. — © Brad Meltzer
From ancient to modern times, the human animal knows how to find fighting.
It's very important that all the supporting characters feel like they've existed in the world, that they've had a history, and they'll go on to have a history within the scope of the story rather than just popping up and then disappearing.
Imagination, whatever may be said to the contrary, will always hold a place in history, as truth does in romance. Has not romance been penned with history in view?
There's something ancient and inevitable about this desire to do whatever you can to protect your child.
I prefer my history dead. Dead history is writ in ink, the living sort in blood.
The Cross of Christ is the crux of history. Without the Cross, history cannot be defined or corrected.
Hegel was right when he said that we learn from history that man can never learn anything from history.
The history of mankind is the history of our misunderstandings with god, for he doesn't understand us, and we don't understand him.
That's why history is not an answer to our problem, because history complicates, enlarges every problem of human existence. Now, the eighteenth and nineteenth centuries didn't believe this.
Except for the people who were there that one day they discovered the polio vaccine, being part of history is rarely a good idea. History is one war after another with a bunch of murders and natural disasters in between.
I'm a strong believer that you can build great companies in time of both greed and fear. But you have to be paying attention and operating under the right assumptions. You don't have to believe history repeats itself, but you should accept that history rhymes.
There are younger directors, and anybody over 30 is ancient to them, because they're not that old.
'Ida' doesn't set out to explain history. That's not what it's about. The story is focused on very concrete and complex characters who are full of humanity with all its paradoxes. They're not pawns used to illustrate some version of history or an ideology.
Think about it: you've already related it down to something that somebody else can understand. If art relates to something - it's like Picasso, it's like Mondrian - it's not. Art's supposed to be what it is. Using a reference of art history might help for some kind of sales, but it doesn't really help anybody. Art is what it is; it cannot be footnoted, until it enters the world. Then it has a history. Then the footnotes are the history, not the explanation.
The vital thing for me is to integrate the history from above with the history from below because only in that way can you show the true consequences of the decisions of Hitler or Stalin or whomever on the ordinary civilians caught up in the battle.
For 'Portillo's Hidden History of Britain,' I arranged to meet men and women who were witnesses to history - ordinary people who were caught up in extraordinary events.
People tend to pay too little attention to history - the history of Silicon Valley and American business - and think they're the first people to come across a problem.
There is no scent so pleasant to my nostrils as that faint, subtle reek which comes from an ancient book.
It is unfortunate that so much of the history of Africa has been written by conquerors, foreigners, missionaries and adventurers. The Egyptians left the best record of their history written by local writers.
Adam Clayton Powell's entire political career has to be looked at in the entire context of the American history and the history of, and the position of the Afro- American or negro in American history. [He] has done a remarkable job in fighting for rights of black people in this country. On the other hand, he probably hasn't done as much as he could or as much as he should because he is the most independent negro politician in this country.
For the qualities of sheer wit and humor, Swift had no superior, ancient or modern.
History does nothing, possesses no enormous wealth, fights no battles. It is rather man, the real, living man, who does everything, possesses, fights. It is not History, as if she were a person apart, who uses men as a means to work out her purposes, but history itself is nothing but the activity of men pursuing their purposes.
The talking oak To the ancient spoke. But any tree Will talk to me. — © Mary Carolyn Davies
The talking oak To the ancient spoke. But any tree Will talk to me.
The shadows of twilight grow, And the tiger’s ancient fierceness In my veins begins to flow.
Let ancient times delight other folk, I rejoice that I was not born till now.
The tragedy of film history is that it is fabricated, falsified, by the very people who make film history.
Hegel was right when he said that we learn from history that men never learn anything from history.
That men do not learn very much from the lessons of history is the most important of all the lessons of history.
The history of human use of plants, mushrooms, and animals for their psychedelic effects is far older than written history, and probably predates the appearance of the modern human species.
A paradox: the same century invented history and photography. But history is a memory fabricated according to positive formulas, a pure intellectual discourse which abolishes mythic time; and the photograph is a certain but fugitive testimony.
Breaking the silence Of an ancient pond, A frog jumped into water - A deep resonance.
As someone who has long loved history and reads a lot of history, especially when you get a distance like 130 years, these people can seem almost mythical, and you need something tangible to make them real.
... the ancient joy of helping the tribe to survive is constantly rekindled in the engineer's heart.
For many people during many centuries, mankind's history before the coming of Christianity was the history of the Jews and what they recounted of the history of others. Both were written down in the books called the Old Testament, [the Torah] the sacred writings of the Jewish people ... They were the first to arrive at an abstract notion of God and to forbid his representation by images. No other people has produced a greater historical impact from such comparatively insignificant origins and resources.
You always need a textural landscape. I think that's what fashion is about, and I think when you come to a brand and you're trying to re-instill its history, the history only comes through being personal.
As artists, our primary function is not to be educators - but we are at a time in history, where for us, our history needs to give context for stories that we hope to tell down the road.
I think storytelling in general is how we really deeply know things. It's ancient. — © Ellen Ullman
I think storytelling in general is how we really deeply know things. It's ancient.
History within itself cannot be transcended. ... In history itself there are only relative victories.
History knew the truth. History was the most inhuman product of humanity.It scooped up the whole of human will and, like the goddess Kali in Calcutta, dripped blood from its mouth as it bit and crunched.
There are too many people in the world as it is, but the supply of ancient manuscripts is severely limited.
I am interested in the possibility that we are going to be wrong in the same way that history has indicated that mankind always is. It seems as though the history of ideas is the history of being wrong. And to me, that is a kind of continuum. It's a continual path that shows we don't always know something, but we're always shifting to a path that makes us feel more comfortable in the moment, even if that shift is wrong, and a new shift is destined to happen again.
The question of the composition of perceptible objects is one which already occupied the mind of the ancient Greeks.
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