Top 406 Arc Quotes & Sayings - Page 5

I don't want to play the girlfriend who's there because she's the girlfriend. And. That's. Her. Job. I want to play women and girls who are active and strong and who have a character arc and make decisions and have a rich background.

The more closely [the German army] converged on [Stalingrad], the narrower became their scope for tactical manoeuvre as a lever in loosening resistance. By contrast, the narrowing of the frontage made it easier for the defender to switch his local reserves to any threatened point on the defensive arc.

I asked my designer friend, Sam Klemick, to make a headdress for me, drawing inspiration from 1920s headpieces, Athena and Joan of Arc. Before each show, I have this quiet meditative moment where I put the headdress on and gather my thoughts and strength.

Don't you know how much I hero-worshiped you when I was a kid? You were Marie Curie crossed with Emily Bronte crossed with Joan of Arc to me when I was ten. And when i told you that, you said my cultural references were the sign of a colonized mind.

You can perfect genius because genius is not perfection. On his level and his practice and his methodology, it's almost inhuman. So, that's been a fantastic arc to play, and boy does it go somewhere in this series.

There is an arc of spontaneous revolts, beautiful in their creative beginnings, which traverses boundaries and borders and creates new solidarities and imaginations but which under the whip of the forces of order and strategies to buy-off sectors of the revolt becomes fragmented.

The properties of people and the properties of character have almost nothing to do with each other. They really don't. I know it seems like they do because we look alike, but people don't speak in dialogue. Their lives don't unfold in a series of scenes that form a narrative arc.

Comedy to the Senate? Well, there certainly hasn't been a satirist or a political satirist who's done that. So, that really was uncharted territory during the campaign. But I think it's a good thing. Some people thought that it was an odd career arc, but to me it made absolute sense.

Marriage fascinates me: how we negotiate its span, how we change within it, how it changes itself, and why some relationships survive and others do not. There isn't a single marriage that couldn't provide enough narrative arc for a novel.

I was nervous when I first started True Blood because if you do a play or a movie, you know the complete arc of the character. You can see the end. But with a show like True Blood, you don't know what's going to happen.

Joan of Arc was born 600 years ago. Six centuries is a long time to continue to mark the birth of a girl who, according to her family and friends, knew little more than spinning and watching over her father's flocks.

I recently did a play, Athol Fugard's 'Coming Home' at Long Wharf Theatre, where I played one character throughout - I sat at a table and didn't have any costume changes. Following one character's arc from beginning to end is a whole different mindset.

I don't work with an outline, except a vague one in my head, a general idea of character, place, arc... I'm like a composer with a symphony in their head: I can hear the music, I just have to figure out how to put it down on paper. But I don't always know where my stories are going when I begin.

Changers are characters who alter in significant ways as a result of the events of your story. They learn something or grow into better or worse people, but by the end of the story they are not the same personalities they were in the beginning. Their change, in its various stages, is called the story's emotional arc.

If my career continues along its current arc, people will probably look at me and see a writer who is obsessed with the relationship between rich and poor and with how the rich somehow or other always manage to betray the poor, even when they don't mean to.

Closing the gate is meant to be a season-long arc, but the questions that come up in the quest, and the series of reveals and discoveries, are meant to start being the under-pinings for questions, secrets and things that will be explored in future seasons.

In a way, all Scandinavian movies are descendants of the original Scandinavian Christian-metaphor movie, Danish director Carl Dreyer's 1928 'The Passion of Joan of Arc,' one of the seven or eight best films ever made and impossible to watch more than once.

It's the same kind of preparation you do for something like this you do for anything. It doesn't matter if it's a drama or a comedy, the need to get the emotion and the character arc across is way harder in something like this so was more of a preparation.

When you allow an animator to focus on a portion of the film and really understand the arc of the scene, what's happening with the characters, they can make choices all along the way that reinforce the main points of the scene. They really get to know what's happening.

It's scary times for humanity, it seems. But as my octogenarian father tells me, "The world has seen harder times, and the world will survive." The arc of history is long, and the mess we're currently making is just a blip.

I'm looking for a charismatic character - somebody who you just want to look at and listen to and whom the camera likes. I'm also looking for a narrative arc: Something is going to happen, and there will be a question that will make you wonder what happens at the end.

If life was an arc of light that began in darkness, ended in darkness, the first part of his life had happened in ordinary glare. Here it was as though he had found a polarized lens that deepened and intensified all seen through it.

I miss theater. I miss living the arc of the character, from curtain to curtain, and I miss the immediate audience response.

With my personal work I prefer not to work from storyboards because being a director, producer and animator in one person I don't have to communicate my idea to anyone else, I can keep the feeling of the story, the story arc and structure in my head.

Sanchez looked at me and we locked eyes a second too long. There was nothing I could do about it. The signal went out. A moment of clear, silent hostility passed between us as hotly charged and unintentional as a thousand-volt arc through a squirrel.

When I started thinking about 'Mr. Robot,' I thought about it as a movie, and I thought about the complete arc, and that is the one story I'm going to tell.

If you're a novelist, you have sort of themes that run throughout novels. You start a novel and you finish a novel. With record-making in the singer-songwriter world or whatever it is that I do, it's a little different because there is no specific arc that is necessarily, like it's not a concept record.

The experience with 'The Knick' is a singular experience. That experience taught me a lot about acting and about being on camera for extended periods of time to try to create a character arc that travels.

Above all there's a love which is real, the ultimate love. We merge not only physically, but mentally and spiritually, in arc-line, aura and subtle body. We amalgamate with each other. That is real love.

A man's longest purposes will be his best purposes. It is true, life is short and uncertain; but it is better to live on the short arc of a large circle than to describe the whole circumference of a small circle.

The thing about writing in America is that writers in America have an arc. You enter writing as a career, you expect to be successful, and really it's the wrong thing. It's not a profession.

The first Knightfall story is four issues, and it is extremely focused and intense. People who have read, say, the 'Cats In the Cradle' arc in 'Secret Six' will get some idea of the primal tone of this story. It doesn't let up at all, and it ends in a new place.

He was losing her incrementally. It might be a few stray hairs listless on the pillow, or the crescents of bitten fingernails tossed behind the headboard, or a dark shape dissolving in soap. As a net is no more than holes tied together, they were bonded by what was no longer there." (ARC p. 63)

I don't for a minute think that Hitler is like Joan of Arc. But I think that at that deep level of tropisms, Hitler or Stalin must have experienced the same tropisms as anyone else.

In a play, you know where you start and end and all the stops you have to do, but in television, you can't construct this carefully planned out arc for your character. You often get a script and you're shooting it two days later, and you don't know what's going to happen next. It's one of the harder things that I've done.

Unlike a novel, where you expect a different kind of arc that leaves us with a somber sense of resolution, I think a story in some ways as like a train window: being able to watch the landscape pass for a certain amount of time. And then your stop arrives, and you have to leave.

He whom you see-along the downward arc- was William, and the land that mourns his death, for living Charles and Frederick, now laments; now he has learned how Heaven loves the just ruler, and he would show this outwardly as well, so radiantly visible.

We're actually saying, here's a principle that I'd like to arc toward. That's a very different role in life. I didn't expect [Barack] Obama to go to the root of things. I didn't expect him to have a principled position on anything. I mean, just pay some moderate attention to the guy.

It's one huge arc right until you're in your early 20s. You're always changing and always learning, but it's very much that chapter in your life: fall crazy in love, become extremely angry at little things. It's a tumultuous time.

From an animation perspective, it doesn't get better than Pixar. You're working so much in the blind because the huge circle of collaborators that's required to pull off a film like this means that you are just one small arc in that large circle. The level of trust that you have to give into is significant.

I would never be essentialist about sexuality and structure, but I do think there's a way in which this male-arc has been talked about as the only structure, and kind of a stand-in for even the word structure, instead of looking at other forms.

In 'Tintin,' it's like a live-action role. You're living and breathing and making decisions for that character from page 1 to page 120, the whole emotional arc. In an animated movie, it's a committee decision. There are 50 people creating that character. You're responsible for a small part.

We are having the 100th anniversary of 2015 year of the first in the nation primary in New Hampshire. And these voters take their responsibility very seriously. They like to kick the tires. They get the most up close and personal look in the entire arc of the campaign at the candidates. And debates are time consuming.

When I hear the piano played in a compositional way, like in a songwriter's way in a compositional way, there's a certain arc to that that I love.

The iron arc of the avoiding journey Curves back upon my weakness at the end; Whether the faint light spark against my face Or in the dark my sight hide from my sight, Centre and circumference are both my weakness.

The brilliant Schiller was wrong in his Joan of Arc when he said against stupidity the gods themselves contend in vain. It is actually by means of the gods that we make our stupidity and gullibility into something ineffable.

I love the fact that there's an evolution in your understanding and the difference between the first time you play the role and last time you play the role - there's an incredible arc and that's wonderful.

The great thing about being an actor in a film is that you're able to start knowing exactly where you're going to finish and really paint something in between. You can work to know the arc you need to build. Whereas in television, it is open-ended, and you're constantly guessing. There are pros and cons to both.

Astronomers have been bewildered by the theory of an expanding universe, but there is no less expansion in the moral infinite of the universe of man. As far as the frontiers of science are pushed back, over the extended arc of these frontiers one will hear the poet's hounds on the chase.

A creative person can suddenly realize it's not 90 minutes. They haven't got to do three acts, they haven't got to do the arc, but they can do other things. I think just as novellas turned into novels, I think that television series can begin to have that depth.

But I plucked a new, different, worldly soul for myself -- maybe a soul I found in the spray thrown up by the surge of that distant African river as it plummets onto black rocks and sends up into the sun a permanent arc of a rainbow.

Hathi Ram's journey intrigued me. He is a very vulnerable character. I was never offered such a role of a man who is a failure in life and is desperate to prove himself. It was a good change for me to play someone with such a nice arc and so many shades to his personality.

Getting the audience to cry for the Terminator at the end of T2, for me that was the whole purpose of making that film. If you can get the audience to feel emotion for a character that in the previous film you despised utterly and were terrified by, then that's a cinematic arc.

I look for two things when I am about to launch into a book. First, there has to be a dramatic arc to the story itself that will carry me, and the reader, from beginning to end. Second, the story has to weave through larger themes that can illuminate the world of the subject.

Joan of Arc had style. Jesus had style.

It's a long arc and a long storyline, and I think it leaves us in a great place to see how we interact again, whether that be for The Defenders, Jessica Jones Season 2, or whatever. We'll see. I don't know.

It’s possible, I’m moving through the hard veins of heavy mountains, like an arc, alone; I’m so deep inside, I see no end in sight, and no distance: everything is getting near and everything near is turning to stone.

The only way for white folks to reclaim the full arc of their humanity, the full trajectory of their ethical content, of their ethical identity, is to surrender the white innocence that prevents them from being fully mature.

Ryan is Deadpool. Look, Ryan Reynolds, he's gone through that same career arc; the guy is ridiculously talented. He has a huge, huge passion for 'Deadpool.'

At the heart of any successful film is a powerful story. And a story should be just that: a narrative with a beginning, middle, and end, powerful protagonists that audiences can identify with, and a dramatic arc that is able to capture and hold viewers' intellectual and emotional attention.