Top 567 Architect Quotes & Sayings - Page 8

A film reflects who you are as a building reflects the soul of its architect. I think what you feel and what you think and what you are is what the film is. It's not for me to talk about.

The job of the architect becomes more difficult in this secular age. Where once he had a god to extol, he now has humans like himself; where once he had "he," he now has "she" and "they.

When I think of a place of worship, I think of a place where one can sit and be reminded of all the things that are important outside our individual lives. To express spirituality, the architect has to think of the original material of architecture, space and light.

As I considered Parker and his absurdist reflection in the Westlake-authored 'Dortmunder' novels, I wrote, 'His natural ability to observe human behavior and to follow an idea, no matter how bizarre, through to its proper, rightful finish echoed the vision of an architect.'

When I started this project, I was a young architect. I was very apprehensive about any changes to the design. Whether I wanted to or not, I learned that you can accept some changes to its form without compromising its intent. But it's a leap of faith that I didn't want to make initially - to put it mildly.

One thing I learn - I've been in practice now for half a century or more, and the most important ingredient for an architect to do a good building is to have a good client. I think a client counts for as much as fifty per cent.

Nature has provided us a spectacular toolbox. The toolbox exists. An architect far better and smarter than us has given us that toolbox, and we now have the ability to use it.

When awareness expands, events that seem random actually aren't. A larger purpose is trying to unfold through you. When you become aware of that purpose- which is unique for each person- you become like an architect who has been handed the blueprint.

I think that the point of being an architect is to help raise the experience of everyday living, even a little. Putting a window where people would really like one. Making sure a shaving mirror in a hotel bathroom is at the right angle. Making bureaucratic buildings that are somehow cheerful.

The art of the dramatist is very like the art of the architect. A plot has to be built up just as a house is built-story after story; and no edifice has any chance of standing unless it has a broad foundation and a solid frame.

Thirty, 40 years ago, more than that now, even, the cook was certainly at the bottom of the social scale. And any mother would've wanted their child to marry a doctor, a lawyer, an architect, not a cook. Now, we are genius, it's different.

I came to America to become an architect. And somewhere along the line while I was still in school, I was lured into theater, and that's how I became interested in theater. My first play was something called 'A Banquet for the Moon.' It was a weird play.

She said she married an architect, who kept her warm and safe and dry. She would like to say she loved the man, but she didn't like to lie.

My parents were both writers - they would type their manuscripts sitting side by side on the veranda of our house near Watford - so I wanted to do something different. I wanted to be a bluegrass singer, an architect, a landscape gardener, or to do something with animals.

To become an Architect in the right sense of the word means that a man shall give his life to it and nothing else, and shall study the work he has to do with enthusiastic interest in every detail pertaining to it, and content himself with nothing less than complete success.

I actually wanted to be an architect when I was a kid, but I did a solid geometry course where we had to build a geodesic dome out of toothpicks, and mine came out looking like an alien space station. I threw it against a wall and gave up.

In the creation of a garden, the architect invites the partnership of the Kingdom of Nature. In a beautiful garden the majesty of nature is ever present, but it is nature reduced to human proportions and thus transformed into the most efficient haven against the aggressiveness of contemporary life.

The same sort of thing happened in my dispute with the National Trust book: Follies: A National Trust Guide, which implied that the only pleasure you can get from Folly architecture is by calling the architect mad, and by laughing at the architecture.

I would not want to form a partnership with an architect who has only a little knowledge of building or a broker who has a limited knowledge of the stock market. Still, we form what we hope to be permanent relationships in love with people who have hardly any knowledge of what love is.

Do you mean to tell me that you're thinking seriously of building that way, when and if you are an architect?" Yes." My dear fellow, who will let you?" That's not the point. The point is, who will stop me?

Cost overruns are not uncommon in architecture, particularly for designs that depart from structural or technological norms, or demand a finer quality of execution than commercial schemes - conditions typical of buildings for cultural institutions. Budgets are exceeded for many reasons, not all of them within an architect's control.

The concept of an "architect" is one of the oldest professions in the world. Whereas, some professions, such as a "lawyer", have their roots in Latin, "Archi - tecton" is actually a Greek word, and much older. Just knowing how old the profession is gives me hope that we will still exist for years to come, even if we are changing.

I am a failed architect, if I'm honest. I got a degree in art history and was about to get another degree, in architecture, but realized I would be terrible at building things because I've got really bad spatial awareness.

I went to visit my father to tell him that I was going to go to college and become an architect - that was my dream. I was like, yeah I graduated from school, but it's not like you showed up for that. But all he was worried about is whether or not I wanted money from him.

No architect troubled to design houses that suited people who were to live in them, because that would have meant building a whole range of different houses. It was far cheaper and, above all, timesaving to make them identical.

A journalist and an information architect face exactly the same problem - how to give shape to the pile of information in front of you in a way that will make it easy and natural for people to comprehend. I can't imagine any better preparation for the work I do now.

Every great architect is - necessarily - a great poet. He must be a great original interpreter of his time, his day, his age.

A true architect is not an artist but an optimistic realist. They take a diverse number of stakeholders, extract needs, concerns, and dreams, then create a beautiful yet tangible solution that is loved by the users and the community at large. We create vessels in which life happens.

Some museum boards think that choosing an architect can be reduced to a science, but it comes down to a matter of taste, pure and simple. A shortlist of prospective designers speaks volumes about the likely outcome. If the candidates' styles are too divergent, the search committee doesn't know what it wants.

The term 'renaissance man' is always bandied about. I don't think that applies to me. You think about Leonardo da Vinci, and he was a painter and a physicist and an architect, and that is a true renaissance man.

When I was 15, we settled in Santa Monica, in a beige suburban ranch house. By then, my father, Ray, was an architect at Welton Becket's firm. He was handy with a pencil and pen. His figurative drawings were very good, and his talent was intimidating.

When you design a building, you start from a general philosophy, and you come down, and you start from detail and come up. Only the theoretical architect believes that you can make the concept and then sometime, somebody will come to build it.

I realize that having a style would be very beneficial for my practice from a marketing standpoint, but I can't do it. I believe my responsibilities as an architect are to design the most appropriate building for the place. Each place has a distinct culture and function, which for me requires an appropriate answer.

Every man is the architect of his own life. He builds it just the way he wants it. However, after he has built what he wants, he sometimes decides that he doesn't like what he has built and looks for someone or something to blame instead of changing himself.

When the Americans are behind you, they're behind you 100%, and this gives you real confidence as an architect. They expect you to lead a building project - to make the kind of big and costly decisions that, in Britain, have been handed over to project managers and cost-cutters.

If you're talking to an architect, he can look at a blank piece of paper, and once the initial design is there, the formula kicks in. Each room should have something unique and different about it - much the same way that in a song, every eight bars or so, a new piece of information should be introduced.

I'm strong-willed. Architects are strong-willed. You get the best results with a strong client and a strong architect working together.

It's often said that if doing something was easy, everyone would be doing it. I think that's particularly true when you're trying to make your mark or architect your own career. There's often not a path to follow.

Michelangelo's contemporaries thought him the greatest artist who ever lived and called him 'divine.' His reputation as sculptor, architect, painter and draughtsman has not subsequently been surpassed, and who is to say his contemporaries were wrong?

I studied graphic design originally. I used to like drawing, and I was quite into technical drawing. I was always interested in the visual medium, but I thought I was going to be an architect or something like that, but it's quite a lonely job.

I think [Nikola Tesla] was always like that. And so it was inevitable that he would be an inventor. Because it was so easy for him to think fourth-dimensionally, dynamically. It wasn't just a static thing with him. In other words, it isn't the way an architect thinks, which is essentially static.

For the best building and planting...the architect and gardener must have some knowledge of each other's business, and each must regard with feelings of kindly reverence the unknown domains of the other's higher knowledge.

My husband and I met on OKCupid. We went out on our little coffee date, and I knew right away he was my husband. He's a handsome, smarty-pants architect from Tokyo. On our first date, I said, 'I wake up like this. I'm Pollyanna Sunshine, and I'm not for everyone'.

Of course, I didn't become an architect, but later on in Iran, I had a lot of contact and discussions with architects because Iran was developing, and I felt we shouldn't destroy the past and copy completely the West, which is the problem in developing countries.

If you take guys like Exequiel Bustillo, the architect who designed the early park infrastructure in Argentina, or the great American architects, these guys had a vision that thrust the national park idea into the public eye.

I came to America to become an architect. And somewhere along the line while I was still in school, I was lured into theater, and that's how I became interested in theater. My first play was something called "A Banquet for the Moon." It was a weird play.

We've taken on health care in a big way in our office, ever since nine years ago when I was paralyzed. I was in eight different hospitals, three different rehab centers, and all the rooms were dreadful. As an architect, designer, and patient, I can do something to help.

I had said bye-bye to acting, in a way, but once an actor, always an actor. Life has got other plans for me. Like, I did not want to be an actor - I wanted to be an architect or astronaut - and 'Daddy' happened, and the rest is history.

Buildings are seldom just buildings in downtown Chicago, they are Examples, and not a city on Earth, I swear, is as knowledgeably preoccupied with architectural meaning. Where else would a department store include in its advertisements the name of the architect who created it, or a newspaper property section throw in a scholarly exposition of theoretical design?

I regard the Masonic institution as one of the means ordained by the Supreme Architect to enable mankind to work out the problem of destiny; to fight against, and overcome, the weaknesses and imperfections of his nature, and at last to attain to that true life of which death is the herald and the grave the portal.

I love to be busy and be challenged. I'm my happiest when I'm under pressure and almost overwhelmed by how much I have to get done. I wish I could say I'm an architect and planned it this way, foresaw doing all these things, but honestly, I've been lucky that things have come across my path and they've worked out well for me.

The vocation, whether it be that of the farmer or the architect, is a function; the exercise of this function as regards the man himself is the most indispensable means of spiritual development, and as regards his relation to society the measure of his worth.

The White House was designed by Hoban, a noted Irish-American architect, and I have no doubt that he believed by incorporating several features of the Dublin style he would make it more homelike for any President of Irish descent. It was a long wait, but I appreciate his efforts.

I think you need to, as an architect, understand the essence of a place and create a building that feels like it resonates with the culture of a place. So my buildings in India or in Kansas City or in Arkansas or in Singapore, they come out different because the places are so different.

When I lived in Beijing in 1996, it was a horizontal city. If you wanted to go out for a burger, if you wanted to really treat yourself, you went to this place called the Jianguo Hotel. The architect had proudly described it as a perfect replica of a Holiday Inn that he had seen in Palo Alto, California.

The architect who first inspired me to follow this profession was Sir John Soane and his Regency home; well, his three homes, now a museum. The place is like an encyclopedia of paintings, antiquities, furniture, sculptures, and drawings.

My mother thought I would have a hard life as a painter. My father thought the highest thing a person could be was an architect. Below that was a painter. So he thought it was much better than being, say, a doctor.

Architecture is not a private affair; even a house must serve a whole family and its friends, and most buildings are used by everybody, people of all walks of life. If a building is to meet the needs of all the people, the architect must look for some common ground of understanding and experience.

If [a woman] insisted on becoming an architect, I would try to dissuade her. If then, she was still determined, I would give her my blessing – she could be that exceptional one.

Architecture has to be greater than just architecture. It has to address social values, as well as technical and aesthetic values. On top of that, the one true gift that an architect has is his or her imagination. We take something ordinary and elevate it to something extraordinary.