Top 65 Armani Quotes & Sayings

I had worked in PR for Giorgio Armani and Ralph Lauren and I always wanted to do something in design - and I really wanted to do jewelry.

Actually I am very glad that people can buy Armani - even if it's a fake. I like the fact that I'm so popular around the world.

Armani makes a fantastic lip gloss called 'Beige 100.'

My favourite designer is Mulberry - their bags are lovely, but their clothes are amazing, I don't think people realise. I love D&G, Fendi, Moschino, Chanel, Armani - all the classics!

I love Armani Face Fabric, Make Up For Ever HD, Rodial Skin Tint and Charlotte Tilbury.

It's incredible to be working with Mr Armani and his team at Emporio Armani. I feel an affinity to the brand ethos and have been a long time admirer of their designs.

It's as if you were interested in fashion and your neighbor when you were growing up happened to be Giorgio Armani.

I am an Armani and a Dolce & Gabbana kind of a person.

I sometimes apply eyeliner - Giorgio Armani Smooth Silk Eye Pencil in #1 Black - and smudge it with my fingers really quickly to give it a little lift, almost a cat eye. It's all about giving a lift now.

When I started Giorgio Armani in the mid-'70s, I realized that women needed a way to dress that was equivalent to that of men - something that would give them dignity, an attitude that would help them handle their work life.

I couldn't feel good about myself hanging out in Armani clothes when my girlfriend can't even pay her heating bill. I'd feel foul and I'd be embarrassed.

Armani is a fashion house that I think is iconic and beautiful.

I get really frustrated when people say that a collection is not very 'Armani.' Iconic status can be like a pair of handcuffs, especially if, like me, you wish to continually stretch yourself creatively, as Warhol did.

Before, being a model, it was just a job, and I was making fun of it. But today, I take my career more seriously. The fact that a reader may buy an Armani item because she'd seen it on me in a magazine is very important to me. So much so that I intend to launch my own label.

When you think of the blur of all the brands that are out there, the ones you believe in and the ones you remember, like Chanel and Armani, are the ones that stand for something. Fashion is about establishing an image that consumers can adapt to their own individuality. And it's an image that can change, that can evolve. It doesn't reinvent itself every two years.

Good suits don't come from anywhere, though - I mainly wear Armani, Louis Vuitton and Burberry.

I always have separated myself from my critiques of collections. My judgment is not about whether I would wear it - but how the collection stands in the lexicon of an established designer. As I am a maximalist, not a minimalist, I don't wear Armani or Celine - but I so appreciate what they have achieved.

You don't want to be that parent - the one who dresses his kid in a cloth sack when all the other kids are in Armani cloth sacks - especially in a time like ours, when materialism is not only rampant and ascendant but is fast becoming the only game in town.

At 17, I joined Olimpia Milano, the club my dad played for. Giorgio Armani was the sponsor. Everyone wanted to play for Milano because of him. They called him Re Giorgio, King Giorgio. We'd spend entire days at his stores, getting measured and fitted for suits.

Motorcycle garb is the way I looked to Warhol. Then came the Armani suits.

I will be very sad if I ever get to the point where I think, 'Oh no, another dress from Armani.' I want to be still screaming my head off when it arrives.

The first year I had money, I really went shopping. I got really caught up in it. I bought all my brothers sets of luggage, and I bought 'em winter coats from Giorgio Armani - winter coats. And I got a pair of socks from this brother.

I love wearing Aqua de Gioia by Armani, and Chanel.

When I get dressed, I do wear Armani.

Armani's clothes are beautiful and modern and I love him.

Armani was a natural fit. And who doesn't like to be invited to Milan and be greeted by Mr. Armani himself? He's one of the hardest working persons I know - very inspiring.

When...has a mugging case ever heard a defense attorney claim, 'Your Honor, the victim was dressed in an Armani suit and wearing a Rolex. Clearly he was begging to be assaulted.'

The Classic Notting Hill junkie, i.e; Armani underwear, Pink's shirt and Burberry belt tourniquets

My go-to products are a Tom Ford tinted moisturiser, an Armani foundation and a Smashbox mascara.

As a journalist, I cannot help imagining with excitement a new era with a face-off between Hedi Slimane at YSL and Raf Simons at Dior - a magnificent battle of style and wills to echo the Armani/Versace, Gucci/Prada or even Chanel/Schiaparelli face-offs of earlier years. But I remind myself that this is not a game of chess.

I have several [favorite clothes designers], but I like to wear Akris, Oscar De La Renta and Giorgio Armani.

When I first started going on the red carpet, I wore a lot of Armani, but I didn't really have my own style apart from that. I think I was just lazy.

If I eat at the Emporio Armani Caffe, my favorite thing to order is risotto or pasta with tomato sauce in winter; in summer, I prefer a Caprese salad, Parmigiano cheese flakes, or some truly fresh ricotta cheese.

I like to think that when an athlete wears Armani, it makes him or her feel confident, and as we all know, confidence is fundamental to winning in any competition.

I always have Giorgio Armani's Luminous Silk Foundation, Bobbi Brown's Jenna lipstick, and my Estee Lauder Double Wear Concealer.

My brands all are unique in terms of their spirits, but they have the same Armani stamp. There is a level of taste which runs through every single product. Sitting side by side, they are perhaps more stimulating than they would be just on their own. It gives a new idea, a new proposal, a new perspective.

All my work at Armani is based primarily on my personal vision of style, and while I differentiate between the look and mood of my various labels, I am never overly concerned with being 'on trend.'

I wore Armani Prive to Cannes, and that was incredible. The craftsmanship is something I never understood until I wore it: the structure, the integrity of the fabrics, the colours, how things photograph.

I think for the women of today, because we work and go around a lot, Armani is ideal - simple and elegant at the same time. It's not eccentric, and everything he does is very subtle. For the evening, I like Gianfranco Ferre. There's a lot of fantasy and creativity in his clothes.

I like Armani Exchange, Guess, Rock & Republic. There's a lot of places. I'm not too picky. I like to be trendy, and I like to look good.

I’m not interested in changing either my suit or my car or whatever with every change in fashion. That’s irrelevant. I don’t judge myself or my friends by their fashions. Of course, I don’t approve of people who are sloppy and unnecessarily shabby or dishevelled… But I’m not impressed by a US$5,000 or US$10,000 Armani suit.

I really like Armani Luminous Silk Foundation in the winter because it has SPF, and it's still important to protect your skin from the sun in the wintertime. I'm also really into also vera - just organic, natural aloe vera gel that I put on all over my skin to moisturize.

Generally speaking, I'm a jeans, T-shirt and boots man but I do own an Armani suit, which gets a regular outing. It's nothing fancy - just a classic, well-cut suit with clean lines and beautiful tailoring. It's timeless and you can mix and match it with anything to dress up or dress down.

Chanel makes an incredible red lip, and Tarte makes the best nude colors! I also love Giorgio Armani lipsticks - the Rouge d'Armani.

For an everyday look, I use Chanel Soleil Tan de Chanel as blush, or the Summer 2013 Bronzing Palette that a makeup artist from Armani gave to me - I love Armani makeup.

It looks like Armani and Cartier went to war.

I wear everything from hip-hop baggy pants to beautiful Armani dresses. I also like to mix vintage clothing with designer pieces.

We've become a little spoiled with menswear in particular because, of course, we've come off a period in the '70s and '80s when Armani, which is very soft, dominated menswear. And we've become obsessed with comfort. I actually don't like that.

My style really comes down to me trying to be efficient by wearing what's going to get me the most out of the world. Whether that means wearing an Armani suit or an H&M dress, that's what I'm going to wear.

Youth culture adopts Armani and adapts it in its own way, as befits youthful enthusiasm.

I don't care about the Guggenheim. The Guggenheim isn't involved in anything that I am interested in. I don't care about motorcycles and Armani suits.

John Kerry announced his plan for how to handle those poor naked prisoners. His wife is going to buy them all a $1,000 Armani suit.

I love Armani for his classic cuts at times, and then also like Manish Arora's madness and Roberto Cavalli's play of colors.

My goal in a couple of years is to try to build a successful fashion house like Armani or Versace. I want that more than anything.

I am not looking like Armani today and somebody else tomorrow. I look like Ralph Lauren. And my goal is to constantly move in fashion and move in style without giving up what I am.

So Colleen Atwood introduced me to Armani for the fabric and the dyes - what made Armani, Armani, beyond his motion-picture credentials. It was Cerruti after that. And then Zegna.

I love a guy in a suit - someone who puts on his nice Armani pants.

Whiz Galliano whip whip the Armani In the drip drip lick lick like a lolly

Working with Mr. Armani is such an incredible experience because he's so creative and such a visionary, and Linda Cantello is amazing and a true artist.

In my opinion, Armani, better than any other designer, does great things for the female form. And a pair of Levis does great things for the male physique. Not that I look.