Top 231 Armstrong Quotes & Sayings - Page 4

I think the important thing to understand first and foremost about Michael Jackson is that he was the international emblem of the African American blues spiritual impulse that goes back through slavery - Jim Crow, Jane Crow, up to the present moment, through a Louis Armstrong, through a Ma Rainey, through a Bessie Smith, all the way to John Coltrane, Aretha Franklin and Nina Simone.

If you listen to Louis Armstrong from 1929, you will never hear anything better than that really, and you will never hear anything more free than that.

Lance Armstrong showed up, and I started talking to him; I saw all these people with cancer who followed him to Paris for the Tour de France, and I saw the difference he was making in their lives. That put it together for me...having it be not so much about me, but [my being] a vehicle for it.

Mooooon!” said the Ogre. “Tranquility …” Then he pointed at the full moon. “Neil Armstrong walked in a sea of Tranquility.” Then he added, “It’s made of cheese. But you have to take off the plastic before you put it on a burger.” Mickey sighed. “What’s his story?” the wraith asked. “He’s chocolate,” Mikey said.

Then there are some minor points that strike me as suggestive - for instance, the position of Mrs. Hubbard's sponge bag, the name of Mrs. Armstrong's mother, the detective methods of Mr. Hardman, the suggestion of Mr. MacQueen that Ratchett himself destroyed the charred note we found, Princess Dragomiroff's Christian name, and a grease spot on a Hungarian passport.

I think I copied my style from Louis Armstrong. Because I used to like the big volume and the big sound that Bessie Smith got when she sang ... So I liked the feeling that Louis got and I wanted the big volume that Bessie Smith got. But I found that it didn't work with me, because I didn't have a big voice. So anyway between the two of them I sorta got Billie Holiday.

I was the first person to tweet from space, but now every astronaut tweets from space and does Instagram and Snapchat and Face - they have Facebook going. I think it's more of a personal relationship they have with space now. They see it as more obtainable than me watching my superhero Neil Armstrong and Buzz Aldrin walking on the moon. It's like, there's no way I can do that.

For me, the passion of being an astronaut was ignited at an early age. I have this recollection of looking at a picture of the Apollo program - Neil Armstrong standing on the Moon - then looking at the night sky and realizing that, right where I was looking, people stood and looked back at the Earth. Even as a fairly young child, that was not lost on me, and it inspired me to pursue my dream. I didn't know if I would ever become an astronaut, of course, and the odds are not in your favour, but I just kept it in the back of my mind and tried to keep those options open.

If you want something bad enough, you've got to make a bold move. Just make sure you clear the bold move with the people whose lives it's going to affect. Like George Washington, had to get all those guys who the British killed to agree to die. Neil Armstrong, had to crank a couple of elbows into Buzz Aldrin's face mask to make sure he got on the moon first. And Christopher Titus, well, he worked his dad for five grand. Ha ha. Who can't support who ? I know, it's complicated.

I love Ray Charles. He can still teach everybody a lot about how to make great music. Not necessarily how to make hits, but how to make great music. Of course, part of it is his incredible talent. Who are the greatest jazz singers in the world? Louis Armstrong, Billie Holiday and Ray Charles.

I was an eight-year-old kid when I watched the first Apollo Moon Landing way back in 1969 and there was something about that moment that really stuck in my head. I'd always been interested in space and flying and I was building model rockets and model airplanes, but something about that moment, I can remember like it was yesterday watching the Apollo Lunar Lander approach the surface of the Moon and then later watching Neil Armstrong and Buzz Aldrin take the first steps on the Moon, and something that day started the dream for me that, hey, I want to be like those guys.

The New York that Frank Sinatra sang about, people will never know that place. The New Orleans that Louis Armstrong sang about is the New Orleans that's still there - it's preserved.

My school music teacher, Al Bennest, introduced me to jazz by playing Louis Armstrong's record of "West End Blues" for me. I found more jazz on the radio, and began looking for records. My paper route money, and later, money I earned working after school in a print shop and a butcher shop went toward buying jazz records. I taught myself the alto saxophone and the drums in order to play in my high school dance band.

I write about what hoaxers do, but I also want us to think about what believers do. Why do we want to believe a story like James Frey's 'A Million Little Pieces?' Why did we want to believe that Lance Armstrong really did all these things that, looking back, seemed impossible?

The guitar is a means of expressing music, When you get into the emotional side of it, then it's not the guitar that matters so much as the music itself. But the guitar is the vehicle I use. It's how I express myself. As for the emotional side, music takes up where language leaves off. To try and verbalize what music says, emotionally and spiritually, is futile. Let me put it this way, Louis Armstrong once said if you've got to ask, you'll never know.

I am black; I am in total fusion with the world, in sympathetic affinity with the earth, losing my id in the heart of the cosmos -- and the white man, however intelligent he may be, is incapable of understanding Louis Armstrong or songs from the Congo. I am black, not because of a curse, but because my skin has been able to capture all the cosmic effluvia. I am truly a drop of sun under the earth.

I was less angry at [Carl] Armstrong, though I was angry at the people who came to his trial: Dan Ellsberg, who ordinarily I respected a lot; Philip Berrigan; the guy who teaches at Princeton still - I can't remember his name. And they were saying - well, they were saying, really, what Arthur Koestler had people saying on "Darkness at Noon." The means were unfortunate and, sadly, someone died, but the end is what is important and this was a great symbolic - something or other - sign against the war in Vietnam.

Once there was Louis Armstrong blowing his beautiful top in the muds of New Orleans; before him the mad musicians who had paraded on official days and broke up their Sousa marches into ragtime. Then there was swing, and Roy Eldridge, vigorous and virile, blasting the horn for everything it had in waves of power and logic and subtlety - leaning into it with glittering eyes and a lovely smile and sending it out broadcast to rock the jazz world.

It hadn't really percolated through my brain that I was going to see real, live TV from the surface of the Moon, and boy, oh, boy, had that Saturn V launch been exciting! And then, there it was - late at night, sitting up, watching, and there was Neil Armstrong actually standing on the surface of the Moon.

I saw a guy wearing a "What Would Jesus Do?" bracelet and a Lance Armstrong bracelet, and he went up to this blind kid and rubbed his eyes, and the kid could see. But he wasn't used to the light, 'cause it was bright, and he walked into traffic and was killed instantly. Okay, the people that are laughing right now? I'm gonna call you guys half-full. Because you're focusing on the important part of the story: the bracelets are working.

I've never felt Truth was Beauty. Never. I've always felt that people can't take too much reality. I like being in Ingmar Bergman's world. Or in Louis Armstrong's world. Or in the world of the New York Knicks. Because it's not this world. You spend your whole life searching for a way out. You just get an overdose of reality, you know, and it's a terrible thing. I'm always fighting against reality.

It wasn't about wanting to die or having nothing left to live for; it was about letting go. You live your life doing what you're supposed to do, following the rules, following your conscience no matter what your gut tells you - and most times, that's okay. Control is good. It allows you to believe in certainty and absolutes, like lining up the perfect shot. But when you hold on for so long, and hold on so tight, every once in a while you have to close your eyes and jump." Kelley Armstrong - Exit Strategy

The first arrival of earthly life on another celestial body ranks as an epochal event not only for our generation, but in the history of our planet. Neil Armstrong was at the cusp of the Apollo programme. This was a collective technological effort of epic scale, but his is the one name sure to be remembered centuries hence.

A scene of Mahabharata where the Surya Devta(Sun God)would come to bless Kunti with a baby The child watching this on TV says "I have been taught that Neil Armstrong had taken several days to reach the moon.Surya Devta took only half a minute to land up in the Kunti's room; that too, he didn't even need a rocket-he had simply walked. Science and Sanskrit had always appeared contradicting subjects to me at school:-)

As a card-carrying space nerd and NASA's chief scientist, I love space movies, from 'Star Trek' to 'Star Wars' to my all-time favorite - 'The Dish', an Australian comedy that celebrates that first moment when Neil Armstrong stepped down onto the surface of our moon.

Billie Joe Armstrong of Green Day always says we were influences on him, because he does melodic but distorted, like what we were doing. The Ramones were doing it. We were doing it. The Buzzcocks, all those bands.

According to Life & Style, Lance Armstrong was seen canoodling with fitness model Kim Strother, and the night before, he was with Ashley Olsen. He's going from bar to bar picking up women - how does he get them home? Does he put them on the handlebars, or does he have a banana seat?

There's a steady forward march of a creative process that some of us stay with and don't give up - that should be an admirable thing - from Louis Armstrong to Charlie Parker to Miles to Ornette and some people who are not even known today - some kids coming up - people who are out to change the world.

I had a checklist in my mind of the things that make a biography practical. Is the source material centralized? Is it easy to find? Are there new primary sources that no one has ever had access to? Are all the sources in English? If they're not, are they in a language that you speak? And I realized that not only is Armstrong the most important figure of Jazz in the 20th Century, but he's a perfect subject for a biography for all of these reasons. I had always loved his music and I had been fascinated in him as a personality. And that's really the key to writing a biography.

The extent of his influence across jazz, across American music, and around the world has such continuing stature that he is one of the few who can easily be mentioned with Stravinsky, Picasso and Joyce. His life was the embodiment of one who moves from rags to riches, from anonymity to internationally imitated innovator. Louis Daniel Armstrong supplied revolutionary language that took on such pervasiveness that it became commonplace, like the light bulb, the airplane, the telephone.

I didn't really get that good at cutting because I didn't have those three years of gestating and nurturing my skills in the bedroom. I was kind of, like, out and playing in clubs after three of four months, because I was pushy with promoters. But I would just listen to the radio - Stretch Armstrong and Red Alert - and then I would go hang out with Mayhem, who did the WNYU hip-hop show.

Carl Armstrong was one of those people in the anti-war years who had been so convinced of the righteousness of their cause that he and some friends decided they would blow up a building at the University of Wisconsin, in which they said research was being done to help the war against the Vietnamese. What they blew up at three or four in the morning was a young scientist, who was married and had a couple of kids, who wasn't working on war stuff at all. And he was killed.

The name Derek Jeter is made for stardom. He's got an infectious smile, and he's so handsome and well-behaved. He's just a fine young man who does everything right. He's like Jack Armstrong and Frank Merriwell, guys I grew up rooting for. Some guys come along who just measure up.

Coinbase is 'the' brand in the Bitcoin space. Their founder Brian Armstrong was amongst the first good entrepreneurs to emerge in this space. While others championed ideological or underground/illicit interests, Brian saw an opportunity to change the world for the better and build a big business out of it.

Armstrong, sitting in the commander's seat, spacesuit on, helmet on, plugged into electrical and environmental umbilical's, is a man who is not only a machine himself in the links of these networks, but is also a man sitting in (what Collins is later to call) a 'mini-cathedral.' a man somewhat more than a pilot, somewhat more than a superpilot, is in fact a veritable high priest of the forces of society and scientific history concentrated in that mini cathedral, a general of the church of the forces of technology.

Im probably the only one in the world you can name thats worked with Billie Holiday, Louie Armstrong, Ella, Duke, Miles, Dizzy, Ray Charles, Aretha, Michael Jackson, rappers. Fly Me to the Moon was played on the moon by Buzz Aldrin. Sinatra. Paul Simon. Tony Bennett. Im the only one.

I'm probably the only one in the world you can name that's worked with Billie Holiday, Louie Armstrong, Ella, Duke, Miles, Dizzy, Ray Charles, Aretha, Michael Jackson, rappers. 'Fly Me to the Moon' was played on the moon by Buzz Aldrin. Sinatra. Paul Simon. Tony Bennett. I'm the only one.

In a whirlwind, Reagan quickly knocked off fifty more push-ups, flipped, and did thirty crunches, then turned and landed a kick that dented the metal door. "I'm feeling sick, too, and look at me. What if Babe Ruth had said 'Time to Rest'? Or Michael Phelps? Or Neil Armstrong? Come on, guys–what are we?" "Hungry," Natalie said. "Sleepy," Alistair added. "Grumpy," Fiske said. "Sneezy," Phoenix piped up. "Shot," Nellie said.

What [Louis Armstrong] does is real, and true, and honest, and simple, and even noble. Every time this man puts his trumpet to his lips, even if only to practice three notes, he does it with his whole soul.

I grew up in the Great Depression, and the jazz artists and Dixieland musicians were at the core of our communications and enjoyment. They were not passing fancies. They are something that is, and will be, listened to again and again. I have a space of reverence for some of those old jazz stars such as Sydney Bechet and Louis Armstrong.

Lance Armstrong pushes the envelope in terms of the human experience. You can have a personal best, you can push your own envelope. For Lance, the person pushing him is him. The only person he's competing with, I think, is himself. To push that limit to the next step. There's a lot to learn from him. Lots.

To commemorate the 40th anniversary of the moon landing, the three astronauts from Apollo 11 visited the White House. Neil Armstrong and Buzz Aldrin were allowed to set foot inside the White House, while Michael Collins was forced to drive around in circles outside.

More and more we are taught something throughout our growing up, our education, and continuously, no matter how much we believe in this thing, something comes up that forces us to revise our entire belief system. No matter whom you idolize, it turns out that Louis Armstrong collected vast amounts of pornography.

New Yorkers know how to borrow wildly. You know, Louis Armstrong was not a New York musician. He went from New Orleans to Chicago to New York, and when he arrived here, he taught those New Yorkers. New York needs that infusion.

Fate has ordained that the men who went to the moon to explore in peace will stay on the moon to rest in peace. These brave men, Neil Armstrong and Edwin Aldrin, know that there is no hope for their recovery. But they also know that there is hope for mankind in their sacrifice.

On July 20th, 1969, Buzz Aldrin and Neil Armstrong took the most expensive selfie in history. As the apex of an 8-year, $130 billion effort, they posed in front of a camera and took a shot designed to do one thing - to show our free enterprise democratic system was better than the rigid, authoritarian system that wanted to destroy us.

If anybody was Mr. Jazz it was Louis Armstrong. He was the epitome of jazz and always will be. He is what I call an American standard, an American original. ... I merely took the energy it takes to pout and wrote some blues. ... I don't need time, I need a deadline. ...There are two kinds of music. Good music, and the other kind. ... Music is my mistress, and she plays second fiddle to no one.

No matter what age we are, regress to a certain youthfulness with people we've known our whole lives, especially our parents. And since I've written the brothers as young people a lot - most notably Archer & Armstrong #0 and the upcoming Book of Death: Legends of the Geomancer #4 , it comes very naturally to me.

Work on causal theories of knowledge - early work by Armstrong, and Dretske, and Goldman - seemed far more satisfying. As I started to see the ways in which work in the cognitive sciences could inform our understanding of central epistemological issues, my whole idea of what the philosophical enterprise is all about began to change. Quine certainly played a role here, as did Putnam's (pre-1975) work in philosophy of science, and the exciting developments that went on in that time in philosophy of mind.

You've got different people that have different views of New Orleans. When you say 'New Orleans,' you have people who just think of the Neville Brothers. You've got people that think of Louis Armstrong. You say 'New Orleans,' and you've got people that think of Lil' Wayne.

When the other kids started calling me nicknames, I knew everything was all right. I have a pretty big mouth, so they hit on that and began calling me Gatemouth or Satchelmouth, and that Satchelmouth has stuck to me all my life, except that now it's been made into 'Satchmo' - 'Satchmo' Armstrong.