Top 1200 Art Forms Quotes & Sayings - Page 8

In some ways, jazz is the most precise of art forms and the loosest in the sense that it's all about improvisation, but the musicianship required is kind of insane. To actually play with real jazz musicians is a different level of musicianship that almost has no equal in any other form of music in the world.

I can consider not only great art, but the context in which that art has been created. I can consider the people who paid a price for that art to be created and whether or not I want to appreciate that art on their backs.

Good art however 'immoral' is wholly a thing of virtue. Good art can NOT be immoral. By good art I mean art that bears true witness, I mean the art that is most precise.

In other words, the unique value of the "authentic" work of art has its basis in ritual, the location of its original use value. This ritualistic basis, however remote, is still recognizable as secularized ritual even in the most profane forms of the cult of beauty.

I believe that street photography is central to the issue of photography—that it is purely photographic, whereas the other genres, such as landscape and portrait photography, are a little more applied, more mixed in the with the history of painting and other art forms.

In my opinion, being an all-rounder is good. It is not right that I should be content with qawwali and ignore other forms, since I am basically trained in classical singing. We should be masters of all forms of singing.

The mere mechanical technique of acting can be taught, but the spirit that is to give life to lifeless forms must be born in a man. No dramatic college can teach its pupils to think or to feel. It is Nature who makes our artists for us, though it may be Art who taught them their right mode of expression.

I think for being not unsympathetic that their appearance may also appear, so differently it, must; similarly as with animals, which meet us in very different forms, which look somehow harmonious however all. On exactly such forms I would stand.

In order to figure this artmaking stuff out, it's trial and error and experimentation, and takes some time and hard thinking. Putting work out in many forms and stages is an extension of how I see things. I feel the art process is best served when it invites comments and constructive criticism from people.

The interpretation of thought as ""inner speech" has taken different forms, and has been used to clarify a variety of problems--thus problems pertaining to the logical forms of thought and the connection of thought with things.

I feel the theatre is the most unique one of all [the arts] for collaboration. I feel very fortunate to be in a field where I really do get to have long conversations with the visual artists, the actors, the musicians. It's all art forms rolled into one and I feel very fortunate to be a part of it.

...It is impossible, I say, for the human mind not to believe that there is in all this design, cause, and effect up to an Ultimate Cause-a Fabricator of all things, from matter and motion-their Preserver and Regulator while permitted to exist in their present forms-and their Regenerator into new and other forms.

We want from here to express our solidarity and our support to all the victims of these acts of terrorism and their family members. We reiterate our complete, emphatic rejection of all forms of violence and all forms of terrorism.

Enough of Art. It's Art that kills us. People no longer want to do painting: they make art.

I think America is really well-positioned, because we do train people to be creative and sometimes resist authority, which helps in being an innovator. I think you're going to see for the next phase of the revolution all sorts of wonderful ways of connecting art and literature and journalism into new forms of digital expression.

We do have Museums of African American Art in the United States, and there is a National Museum of Women's Art. However, I believe Latinos are best served by displaying their art next to the art of other groups, particularly North American, European, and even Asian artists.

There are as many archetypes as there are typical situations in life. Endless repetition has engraved these experiences into our psychic constitution, not in the forms of images filled with content, but at first only as forms without content, representing merely the possibility of a certain type of perception and action.

For poets today or in any age, the choice is not between freedom on the one hand and abstruse French forms on the other. The choice is between the nullity and vanity of our first efforts, and the developing of a sense of idiom, form, structure, metre, rhythm, line - all the fundamental characteristics of this verbal art.

What art is, in reality, is this missing link, not the links which exist. It's not what you see that is art; art is the gap.

Forms and rituals do not produce worship, nor does the disuse of forms and rituals. We can use all the right techniques and methods, we can have the best possible liturgy, but we have not worshiped the Lord until Spirit touches spirit.

What has started to interest me is how you use all the different disciplines and tools we have at our disposal, and that includes going into different art forms, like music and movement, because often they can tap into things that characters can't necessarily express through words. Audiences really enjoy that total experience.

Football is an art, like dancing is an art - but only when it's well done does it become an art.

I was on the football team because I wanted to experience the different iconic social classes of high school. So football for me was an attempt to socially integrate in an interesting way. And then I didn't like it anymore and stopped doing it and focused more on drama and science and other forms of art and music.

I'm afraid we get a great deal of our exposure to art through magazines and through slides and I think this is dreadful, this is anti-art because art is direct experience with something in the world and photography is just a rumor, a kind of pornography of art.

I've come to appreciate how special a song is compared to other art forms, because you can carry it around in your head and your heart, and it remains part of you. It just comes as natural as a bird to me, always did. It's the way singer-songwriters make sense of our lives.

The Truth doesn't need your cooperation to exist. All forms of cult, all forms of hype, all forms of delusion do require your participation in order to exist. I've looked into marginal areas of human experience -historical and otherwise- with a rational mind, and what I've found is that doorways into the miraculous are far fewer than the publicists of the New Age would have us believe. On the other hand, they are not as rare as the proponents of radical reductionism and materialism would have us believe. There are doorways out of the mundane.

Atlantis was a highly evolved civilization where the sciences and arts were far more advanced than one might guess. Atlantis was technologically advanced in genetic engineering, computer science, inter-dimensional physics, and artistically developed with electronic music and crystal art forms.

Art shouldn't be something that you go quietly into an art gallery and dip your forelock and say 'I have to be very quiet, I'm in here amongst the art.' It's here, art's everywhere. It's how you use your eyes. It's about the enjoyment of visual things. And it's certainly not for any one group of people.

There's a fun, nostalgic aspect to Legos - people connect to the art on a different level. But it's also a medium that lets me design anything I can imagine. I especially enjoy creating curvy forms using rectangular pieces. Up close, you notice the sharp angles, but when you back away, the corners blend into curves.

I think it's very important for Arts Ministers to purchase art, to attend art, to validate art.

To me there is no past or future in my art. If a work of art cannot live always in the present it must not be considered at all. The art of the Greeks, of the Egyptians, of the great painters who lived in other times, is not an art of the past; perhaps it is more alive today than it ever was.

Since art is merely and ultimately self-expressive, we conclude that the fullest art, the most individual, uninfluenced, unrepressed, uninhibited expression of art is true expression and the true art.

Saltwater heals, healing referring to its various forms; tears, cleanses and heals the soul; sweat, cleanses through labor; the ocean, heals in all its forms.

There are some forms of religion that are bad, just as there's bad cooking or bad art or bad sex, you have bad religion too.

liberty, which means resisting all forms of cultural authoritarianism, be it from the right wing church, black ideologues, black nationalists, or mainstream white media. We have to accent liberty and freedom of expression and thought in all their forms.

I believe entertainment can aspire to be art, and can become art, but if you set out to make art you're an idiot.

We need to make sure that there's art in the school. Why? Why should art be in the school? Because if art isn't in a school, then a guy like Steve Jobs doesn't get a chance to really express himself because in order for art to meet technology, you need art.

There is always a struggle, a striving for something bigger than yourself in all forms of art. And even if you don't achieve greatness, even if you fail, which we all must, everything you do in your work is somehow connected with your attitude toward life, your deepest secret feelings.

I am not a "culture critic" because I am not in any way interested in classifying cultural forms. I am a metaphysician, interested in the life of the forms and their surprising modalities. That is why I have no interest in the academic world.

For the authentic revolutionary conservative, what really counts is to be faithful not to past forms and institutions, but rather to principles of which such forms and institutions have been particular expressions, adequate for a specific period of time and in a specific geographical area.

Minority art, vernacular art, is marginal art. Only on the margins does growth occur.

While appropriation art is critical to art, it's an ambiguous art form in the world of the Supreme Court.

This is what it is the business of the artist to do. Art is theft, art is armed robbery, art is not pleasing your mother.

Amorphous forms [of ice], for example, are found naturally on comets, on asteroids, and the crystalline forms are found on Earth or at least could be made on Earth with enough pressure. Nothing else does this.

It is human agitation, with all the vulgarity of needs small and great, with its flagrant disgust for the police who repress it, it is the agitation of all menthat alone determines revolutionary mental forms, in opposition to bourgeois mental forms.

The very act of representation has been so thoroughly challenged in recent years by postmodern theories that it is impossible not to see the flaws everywhere, in any practice of photography. Traditional genres in particular-journalism, documentary studies, and fine-art photography-have become shells, or forms emptied of meaning.

Art for art's sake is an empty phrase. Art for the sake of truth, art for the sake of the good and the beautiful, that is the faith I am searching for.

The entire 'my art is better than your art' thing really gets under my skin. The fact of the matter is: Your art IS better than my art... at being what it is. So what? It just so happens that my art is better than your art, at being what it is.

Art has a will of its own. It has nothing to do with the taste of the moment or what's expected of you. That's a formula for dead art, or fashionable art.

Darwinism has failed in practice. The whole aim and purpose of Darwinism is to show how modern forms descended from ancient forms, that is, to construct reliable phylogenies [evolutionary family trees]. In this it has utterly failed.

If art is the poetic interpretation of nature, photography is the exact translation; it is exactitude in art or the complement of art. (1854)

It is a truism that as long as man loves but himself and his art he can never attain to the full measure of manhood or reach the sublimest heights of his art. He must seek to love men as brothers and art, not for the sake of art itself, but art as a means toward bringing all men up to that verdant plateau where their souls may be fed in very rejoicing in all that is true, beautiful, and abiding.

Voltaire's novel [Candid] offers us parallel universes, the possibility of entering into alternative worlds existing side by side, and this is something quite modern. Nested narratives and parallel universes are popular at the moment in many different art forms.

When I was in school, they say everybody can do art. And I was, like, a little bit obstinate - not an anarchist, but I was always asking questions. I said, 'Isn't art supposed to be difficult?' If we can all do art, then it's not really art. It's supposed to be difficult.

To be honest, I think, for me, the power is always with art. The art world clearly couldn't happen without art.

art is the most general condition of the Past in the present. ... Perhaps no work of art is art. It can only become art, when it is part of the past. In this normative sense, a 'contemporary' work of art would be a contradiction - except so far as we can, in the present, assimilate the present to the past.

Art is a course in personal development that has no reliable diploma and no known end. The pursuit of art instructs in beauty as well as ugliness, fantasy as well as common sense. Art levels souls and baffles brains. Art softens pain because it is pain. Art gives joy because it is joy.

Classic art was the art of necessity: modern romantic art bears the stamp of caprice and chance.

Works of art, in my opinion, are the only objects in the material universe to possess internal order, and that is why, though I don't believe that only art matters, I do believe in Art for Art's sake.

Art can no longer be art today if it does not reach into the heart of our present culture and work transformatively within it that is, an art which cannot mould society — and through this naturally operate upon the core questions of our society — is not art.