Top 1200 Art Music Quotes & Sayings - Page 20

Explore popular Art Music quotes.
Last updated on December 2, 2024.
The fact that biological, or 'natural' rules might help in the creation of a computer generated work of art is interesting, but even a wonderful work of art made in this fashion isn't the same as a person, with all his or her experiences and emotions involved, making art.
People talk about making art films - experimental films. I can make an art film every day of the week. Nothing to it. What's difficult is to combine a commercial film with art.
Cooking in Japan is regarded as an art, like music or painting. Every dish has a reason, including the garnishes. This is cuisine with philosophy, and the apparent simplicity belies centuries of culture.
Art becomes a spiritual process depending upon the degree of commitment that you bring to it. Every experience becomes direct food for your art. Then your art teaches you about life.
It's tough to make music and make it your own, and not have somebody call it something you don't agree with but can't control. Sometimes the press doesn't realize how much power they have and how they can shape somebody's life. I think there's a lot of people just trying to make music and get their art out there, and their heads get f**ked by the press calling them this or calling them that.
I think that's really important, that kids get exposed to music as soon as they can - not necessarily to become musicians, but at least have an outlet. It's an art form that's easily accessible to young ears.
When I was in sixth grade, they slashed the budgets for all of our school art programs, so my grandparents enrolled me in art classes at Worcester Art Museum, which I attended from sixth to 12th grade.
A game may be as integral to a culture, as true an object of human aesthetic appreciation, as admirable a product of creativity as a folk art or a style of music; and, as such, it is quite as worthy of study.
Art can mean a lot of things. At the heart of it, art is doing something you really believe in. Like my wife, she volunteers helping underprivileged kids, that's her art. To me, anything that you do that you truly believe in makes you an artist. It doesn't necessarily mean being a painter or a film maker. That's art, but there's more to it than that. As long as you're pouring your heart and soul into what you're doing, that's the weapon.
When I was at art school, a lot of art education is about art being a means of self-expression, and as an 18-year-old I didn't know if I had a huge amount I wanted to express. It was a big moment when I decided I wanted to shift the emphasis or the intention of my art from something I disgorged myself upon and something that actually fed me or made me see the world or understand the world.
The fact that biological, or "natural" rules might help in the creation of a computer generated work of art is interesting, but even a wonderful work of art made in this fashion isn't the same as a person, with all his or her experiences and emotions involved, making art.
Silence marks time, saturates and shapes African-American art. Silences structure our music, fill the spaces - point, counterpoint - of rhythm, cadence, phrasing. — © John Edgar Wideman
Silence marks time, saturates and shapes African-American art. Silences structure our music, fill the spaces - point, counterpoint - of rhythm, cadence, phrasing.
I listen to music when I write. I need the musical background. Classical music. I'm behind the times. I'm still with Baroque music, Gregorian chant, the requiems, and with the quartets of Beethoven and Brahms. That is what I need for the climate, for the surroundings, for the landscape: the music.
Growing up in the '70s and '80s when my dad had an art gallery, one of the things that frustrated me was the world seemed so tiny, and to appreciate contemporary art, you needed a history of art, a formal education. I was more interested in the people, and that's why I went into the movie business in the first place.
All music is dance music. But when people think of dance music, they think of techno or just house. Anything you can dance to is dance music. I don't care if it's classical, funk, salsa, reggae, calypso; it's all dance music.
If you want to make [your own way in music] it as a player, which is very difficult, as Art Blakey said to me, "We're blessed to have the opportunity to do this." So just keep that in mind.
Enjoy music. Not the kind that rocks and rolls, but the music of the masters, the music that has lived through the centuries, the music that has lifted people. If you do not have a taste for it, listen to it thoughtfully. If you do not like it the first time, listen to it again and keep listening.
The end of lower art is to please, the end of average art is to raise the top, the end of superior art is to free.
In the music world, ageism is a big issue. It's about youth and youth culture. There's no other art form that I know that requires you to be a certain age.
Every season, I absorb everything around m:, the people I see on the street, the discos, the art, the music, and the energy of places from my travels. I mix all of this together, and then I begin to create.
I went to school at the San Francisco Art Institute, thinking I was going to become an art teacher. Within the first six months I was there, I was told that I couldn't be an art teacher unless I became an artist first.
I tried without much success to learn a little of the humanities and the arts, but even passing the courses in art history and music history was a challenge.
My interest in gospel music and liturgical art and Biblically-inspired literature has nothing to do with organised religion and everything to do with human beings trying to figure out their place on this planet.
I think - whether it's music, literature, sport, art, whatever you want - there's nobody who can stop us if we only apply ourselves with the singular objective of being the best in the world.
Up until the last minute, it was art and drawing for me. That was the first real and natural thing I thought I was good at and loved to do. But I developed a similar kind of love for music.
I feel independent music is a true expression of art, whereas in movies the songs are based on various situations and each has a lot of say from the industry people who are associated with the movie.
If you labor heavily upon a work of art, then part of what you are saying is, 'This is a heavy work of art.' If you happen to be trying to say something about lightness, then the art should be light as well.
All the traditional models for doing things are collapsing; from music to publishing to film, and it's a wide open door for people who are creative to do what they need to do without having institutions block their art.
It is essential to do everything possible to attract young people to opera so they can see that it is not some antiquated art form but a repository of the most glorious music and drama that man has created.
The temple of art is built of words. Painting and sculpture and music are but the blazon of its windows, borrowing all their significance from the light, and suggestive only of the temple's uses.
I feel like my art is very eclectic. I have taken my favorite things - be that costume designing, fashion sense, music and video editing - and I threw them all into one big clump. And that's what I do.
When I was a kid and started to be obsessed by art in the 1980s, the art world was in this polarity Warhol/Beuys, Beuys/Warhol. Both expended the notion of art extremely, but in very different ways.
If you look at the history of music, you have classical composers, church music, pop music, etc. Music that's existed for centuries. I think there are some songs that are close to immortal. They will last longer than we will in this lifetime.
The public needs art - and it is the responsibility of a 'self-proclaimed artist' to realize that the public needs art, and not to make bourgeois art for a few and ignore the masses.
I have to say that I reject somewhat the distinction between something called art and something called public art. I think all art demands and desires to be seen.
I guess maybe my art can be said to be a protest. I see things a certain way, and as an artist I’m privileged in that arena to protest or say publicly what I’m thinking about. Maybe the strongest work I’ve done is because it was done with indignation. Considering myself as a feminist, I don’t want my work to be a reaction to what male art might be or what art with a capital A would be. I just want it to be art. In a convoluted way, I am protesting- protesting the usual way art is looked at, being shoved into a period or category.
Diplomacy, n : 1. The patriotic art of lying for one's country. 2. The art of letting someone have your way. 3. The art of saying 'nice doggy' until you can find a rock. A diplomat is a man who always remembers a woman's birthday but never remembers her age.
I love art, my mother is a painter, I majored in art history at Wellesley, and as I was having my second child I was thinking, what am I going to do, I have to do something to keep myself sane, and I began to ask myself, what are the most horrific circumstances under which art can be created?
Art and science create a balance to material life and enlarge the world of living experience. Art leads to a more profound concept of life, because art itself is a profound expression of feeling.
My creativeness stems from my love of music. Music is pure emotion. Music is the infinity sign. Music is self-expression in its purest form - it's how I express my anger, my self-doubt, my love. I think my music is very vulnerable and very expressive, very transparent.
Art is a critical component in a well-rounded education. Art is the level playing field - no matter how rich or poor, tall or short, pretty or ugly to the bone, if you can draw, you can find personal fulfillment and build self-confidence. Art is the highest achievement of mankind.
I was fortunate to be connected with bands who later became pioneers for certain genres of music scenes. And my art went along with them for that ride and became associated with it.
I think there is a big difference between the music business and music. And my relationship is to music, not music business. I think the business will keep changing, but music won't. Music will be there.
I'm really inspired by the interplay of visual art and music, a total artistic environment where there's sound and visuals. When I think about that I get stimulated and excited. It's a feeling that you can't label with words.
The only art form that Americans have created that's recognized around the world is jazz music born in a community that had the peculiar experience of being unfree in a free land.
With few exceptions, music has been for some centuries the art which has devoted itself not to the reproduction of natural phenomena, but rather to the expression of the artist's soul, in musical sound.
Indie music is 'it' now. It's kind of a revolution to the music: 1980s, 1990s music was getting very sanitized; they were complying with the music industry. Music was getting more and more dead in a way. Now, because of the social climate that's very severe, the artists are compelled to start being real. It's really great that indie music is now.
I can't get very excited about a musician who can do Art Tatum because I've got the Art Tatum records. I want to hear him take that and do something that hasn't been done. And there's enough of that going around that keeps the music very exciting. There's so many great young players coming out. I think we're in some kind of renaissance, especially in the rhythm section. I mean the musicians on drums and bass and guitar are really trying to figure out different ways to bring a rhythm section together.
I'm very tolerant of other art and other artists. But what I truly appreciate, what I truly admire in contemporary art, is work that takes on more than it can sometimes handle - art that gets in over its head.
We're not talking about an elite art form from the price point of view. We have a building in L.A. that is incredibly open, exciting, inviting, and all that, and there's no reason for this music not to be part of everybody's everyday life.
The beauty of reality-based art - art underwritten by reality hunger - is that it's perfectly situated between life itself and (unattainable) "life as art". — © David Shields
The beauty of reality-based art - art underwritten by reality hunger - is that it's perfectly situated between life itself and (unattainable) "life as art".
Intellectual culture seems to separate high art from low art. Low art is horror or pornography or anything that has a physical component to it and engages the reader on a visceral level and evokes a strong sympathetic reaction. High art is people driving in Volvos and talking a lot. I just don't want to keep those things separate. I think you can use visceral physical experiences to illustrate larger ideas, whether they're emotional or spiritual. I'm trying to not exclude high and low art or separate them.
My mother's an artist. My father was an artist and so I assumed that was normal growing up in art and the art world and spending our time around the world seeing art, experiencing things. It was great.
I graduated. I did History of Art, you know, all those things - American Studies - and then I went to art school, and I did Joseph Alvarez in the art school.
Art does the same things dreams do. We have a hunger for dreams and art fulfills that hunger. So much of real life is a disappointment. That's why we have art.
It's hard as a person to just put your life out there for the world to judge. That's what music is and what you're supposed to do with the art, live and release it to the world.
All our institutions rest upon business. Without it we should not have schools, colleges, churches, parks, playgrounds, pavements, books, libraries, art, music, or anything else that we value.
I want to explore the art of pleasure in Italy, the art of devotion in India and, in Indonesia, the art of balancing the two. It was only later, after admitting this dream, that I noticed the happy coincidence that all these countries begin with the letter I. A fairly auspicious sign, it seemed, on a voyage of self-discovery.
For me, art really starts with acceptance, self trust. Wherever you come to with art, its perfect. You dont have to come with anything. What you bring to something is the art. Thats where its found. Its found within you.
If you listen to soul music, or R&B music, or Blues music, a lot of that came from church music and spiritual music, and music has always been a really really powerful tool that people have used to get them closer to God - whatever they define God as. And for me that's always been part of what drew me to it and keeps me coming back for more.
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