Top 1200 Art Projects Quotes & Sayings - Page 2

I can be out auditioning but a lot of times it's word of mouth more than anything - having worked on other projects with people who might see you and recommend for other projects and vice versa.

I was really grateful for the photography classes, the art classes, and the video classes. They would let me skip all my other classes and stay and work on my projects.

I'd have to say that the things that mean the most to me are the examples of original comic art that I'm able to look at every day, most of them either by notable friends and/or for projects that I've worked on.

Basically, I thought for a very long time that making music and art projects, that that was just something that I did, and real life was separate. And I'm starting to realize that the things that I do, making music and art and photography and all that, it's not just something that I do. It's who I am. So I don't think I'll ever be able to stop. It's like that curse that you live with, this thing that you love but you also hate it at the same time. It brings you a lot of joy but also a lot of heartbreak.

I really want to be associated with great projects and character driven projects and films. I have to feed my soul, and keep feeling like an artist and keep being challenged.

The thing I learned was the lack of coordination in research projects in the world and therefore you will have gaps in what we could possibly learn from these research projects.

In a media landscape that has grown in unimaginable ways, there are more projects that have come along now than ever. While the number of projects has grown, many players are vying for that audience.

When I was living in the projects, I had a mop stick for my horse. I wanted to be Gene Autry or Roy Rogers, so I would ride my mop through the projects.

Art is the suitcase of history, carrying the essentials. Art is the life buoy of history. Art is seed, art is memory, art is vaccine.

Retire from your job but never from meaningful projects. If you want to live a long life, you need eustress, that is, a deep sense of meaning and of contribution to worthy projects and causes, particularly, your intergenerational family.

Fine art, that exists for itself alone, is art in a final state of impotence. If nobody, including the artist, acknowledges art as a means of knowing the world, then art is relegated to a kind of rumpus room of the mind and the irresponsibility of the artist and the irrelevance of art to actual living becomes part and parcel of the practice of art.

Some infrastructure projects clearly require massive, coordinated investment - interstate highways or a new trans-Hudson tunnel, for instance. Others don't have to. We should be unafraid of pilot projects and learning.

Families don't make projects for five years, they make projects for generations.

Projects meant living with blacks and Puerto Ricans, but that's what we wanted. Living in the projects, we've met so many wonderful, wonderful people.

I've always juggled a lot of projects because at least half the projects you do get shelved. So you have to do a lot of things in order for things to move forward.

While many federal agencies are engaged with international partners on science and technology projects, there is a need to coordinate these projects across our government network and to identify opportunities for additional beneficial collaborations.

I am looking for projects that challenge me, make me uncomfortable, and also projects that are in the hands of the right team. Then it's up to me to take a leap of faith.

The studio does projects all over the world, and in each place, we focus on trying to make a project specific to that place. We take a different perspective everywhere we work - our passion is public projects, wherever they are.

All of the significant art of today stems from Conceptual art. This includes the art of installation, political, feminist and socially directed art.

To people in my industry I'm usually a guy that tries to generate his own projects and I remain very elusive when people try and attach me to big projects.

I worked on human rights projects in Haiti, Cameroon, and East Asia, and the bigger ones tended to do with agriculture. My role was to make sure that there was equity that remained at the base of those projects, with the workers. I had a couple of different lives.

In art school we're always taught that art is an end in itself - art for art's sake, expressing yourself, and that that's enough.

Has it led you to the conclusion that photography is an art ? Or it is simply a means of recording ? "I'm glad you asked that. I've been wanting to say this for years. Is cooking an art ? Is talking an art ? Is even painting an art ? It is artfulness that makes art, not the medium itself. Of course photography is an art - when it is in the hands of artists."

We've run out of good projects. This is not a money issue... If these oil companies had fantastic projects, they'd be out there [developing new fields].

Kickstarter has shifted from funding creative projects to funding products and videogames; the biggest funded are consumer electronics and video game projects.

I love actors, and I love projects that give them space and room, and I aim for these projects where the characters are that important.

I think my masks reference artists who reference primitivism. They're not directly connected to tribal arts. I think they look more like third-grade art projects.

We have several projects in the pipeline, but one of the rules we set for ourselves is we don't want to solicit or announce any projects that aren't ready for publication. I'm personally really tired of reading about titles that never come out.

Instead of putting Americans to work, the Teamsters have been busy yanking members off projects and idling construction projects from California to Indiana to New York in order to shake down employers.

As the art of reading (after a certain stage in one's education) isthe art of skipping, so the art of being wise is the art of knowing what to overlook.

The costs of badly-run NASA projects are paid for with cutbacks or delays in NASA projects that didn't go over budget. Hence the guilty are rewarded and the innocent are punished.

People so far have been very fond of the Robert Altman movie, as I am, and when one things goes well it shines light on your other projects and now I seem to have a number of projects that are moving forward.

There is no such thing as abstract art, or else all art is abstract, which amounts to the same thing. Abstract art no more exists than does curved art yellow art or green art.

I am not just sitting and reading everything because honestly sometimes the scripts that appeal to me are projects that are not good projects, but I just really like the script or the characters.

I try to make sure the projects that I choose are something that will teach me something new, either about myself or about my art.

There's a lot to the story. And there are a lot of things I've learned about myself and about love, and I'm really grateful for the lessons, and I hope I can share that through art. I look for projects that allow me to do that, whether it's music or acting.

Art is difficult. It's not entertainment. There are only a few people who can say something about art - it's very restricted. When I see a new artist I give myself a lot of time to reflect and decide whether it's art or not. Buying art is not understanding art.

There is in fact no such thing as art for art's sake, art that stands above classes, art that is detached from or independent of politics. Proletarian literature and art are part of the whole proletarian revolutionary cause.

I really enjoy being behind the camera. A ton of projects I've done that are my most favorite projects would be where I actually executive produce and I'm behind the camera.

The Clean Water Act wasn't designed to allow states to drag out decisions for years or use their Section 401 authority to veto projects of national significance when the projects wouldn't impact water quality.

Trying to apply formal methods to all software projects is just as bad as trying to apply code-and-fix development to all projects.

Great art - or good art - is when you look at it, experience it and it stays in your mind. I don't think conceptual art and traditional art are all that different.

In the early 1990s, when a lot of the developing world opened up to international capital flows... they ended up in very good long-term projects, but projects that weren't going to pay off for five or 10 or 20 years.

I'm able to do my television projects and movie projects that I really want to explore. For me, it's not about the money, it's not about the fame. I love creating.

I've definitely enjoyed myself more on the projects where I've played a good person, rather than on the projects where I've played somebody who is morally compromised.

I learned to focus my energy on high-quality, long-term projects rather than lower-quality projects with quicker payoffs.

My journalist sensibilities have guided me toward the types of projects I've gone for, even though the projects have been fairly diverse. It always has to have that interesting to attract me, I think.

What makes art Christian art? Is it simply Christian artists painting biblical subjects like Jeremiah? Or, by attaching a halo, does that suddenly make something Christian art? Must the artist’s subject be religious to be Christian? I don’t think so. There is a certain sense in which art is its own justification. If art is good art, if it is true art, if it is beautiful art, then it is bearing witness to the Author of the good, the true, and the beautiful

Power projects are differently placed to road projects. There's difference stress across different companies across different groups based on their leverage levels.

Recognize when your peak energy occurs during the day. Allocate the most difficult projects to that period. Work on easy projects at low-energy times

We have been spending beyond our means, we are going to focus on the projects that we committed to in the election but importantly if there is additional projects or new things that come up they have to have a business case, they have to work and they can't impose financial stress on families and private individuals and businesses.

I choose projects that resonate with me on some personal level and projects that I'm afraid to do. If I'm afraid to do them, then I usually say yes, because it means that I'm not ready to go there and deal with certain aspects of the script.

I come from a hut, from a hut I went to the projects, from the projects I went to a mansion so you out there you have ABSOLUTLY NO EXCUSE!

The transaction cost approach maintains that some projects are easy to finance by debt and ought to be financed by debt. These are projects for which physical-asset specificity is low to moderate.

I am open to keep on discovering new interesting projects, and little by little I have been coming across very beautiful projects with very affectionate directors.

All our projects are like fabulous expeditions. The story of each project is unique. Our projects have no precedent.

It's about very talented writers, directors, producers, and actors being in a position for their projects to be supported, but there's just not enough black projects being made.

I teach a lot - I teach at the UCLA and USC graduate film programs - and a lot of those projects are my students' projects that I act in or I do a cameo.

The projects that I end up doing, that I want to be involved with in any way, have always been projects that will be impactful, for the most part, to my people - to black people.

I always have a ton of projects in mind. On my ToodleDo list, I divide projects into those I'm actively working on, those I'm not doing but believe I will do, and those that sound good, but who knows if I'll ever get to them.