Top 102 Artifacts Quotes & Sayings - Page 2

The faux now of Twitter updates and things pinging at you - all the pulses from digitality that we try to keep up with because we sense that there's something going on that we need to tap into - are artifacts, or symptoms of living in this atemporal reality. And it's not any worse than living in the 'time is money' reality that we're leaving.

Disney is a huge presence when it comes to fairy tales because he’s made of them such brilliant artifacts in terms of movie-making. But it’s very hard to ignore what he’s done to them. I'm not interested in denigrating Disney or even commenting on him very much. I'm more interested in seeing what I can do with the stories myself.

In a sense, my grandmother was living in the Iron Age. There was no system of writing among the nomads. Metal artifacts were rare and precious.... The first time she saw a white person my grandmother was in her thirties: she thought this person's skin had burned off.

You cannot build a cultural identity without the images and sounds of your culture. Most countries in the third world - poor countries - they've lost their memories. Because everyday, films and cultural artifacts disappear. Film is also a memory - of the character and imagination of a culture.

A big part of making music is the discovery aspect, is the surprise aspect. That's why I think I'll always love sampling. Because it involves combining the music fandom: collecting, searching, discovering music history, and artifacts of recording that you may not have known existed and you just kind of unlock parts of your brain, you know?

What I really love is modern political history. I love the research process, whether it's digging through old newspaper stories, artifacts from election campaigns or TV stories and being able to recreate moments in history that - when you look back at them now - you can get to that question of how did we get here.

Human artifacts not only include material structures and objects, such as buildings, machines, and automobiles, but they also include organizations, organizational structures like extended families . . . tribes, nations, corporations, churches, political parties, governments, and so on. Some of these may grow unconsciously, but they all originate and are sustained by the images in the human mind.

I think the more music becomes something you could simply download and have on your iPod, I think to a lot of people that is plenty, but to some people, they still want these artifacts that are touchable, and you can smell them, and look at them, and hold them and just have other dimensions of experience with this music.

Science, is the creation by humans of a particular paradigm and methodology for discovering truth and understanding reality. Hence it can never fully reflect the hidden face of humanity, its creator, in the same sense that a computer can never become fully human or know what it means to be human: however sophisticated, these machines will forever remain mere artifacts of humanity.

The dead spacecraft in orbit have become a permanent fixture around our planet, not unlike the rings of Saturn. They will be the longest-lasting artifacts of human civilization, quietly circling the Earth until the sun turns into a red giant about 5 billion years from now.

LSD was not a pharmacological agent generating exotic experiences by its interaction with the neurophysiological processes in the brain. This remarkable substance was clearly an unspecific catalyst of the deep dynamics of the human psyche. The experiences induced by it were not neurochemical artifacts, symptoms of a toxic psychosis as mainstream psychiatrists called it, but genuine manifestations of the human psyche itself.

I love the idea of carrying on some kind of tradition using some of the artifacts from people that touched my life. They're a continuum, too. I still use my father's tools and some of my grandfather's tools. There's a very romantic streak in me. I confess, I'm a romantic, but I like the idea.

The widespread inability to understand technological artifacts as fabricated entities, as social and cultural phenomena, derives from the fact that in retrospect only those technologies that prove functional for a culture and can be integrated into everyday life are 'left over.' However, the perception of what is functional, successful and useful is itself the product of social and cultural--and last but not least--political and economic processes. Selection processes and abandoned products and product forms are usually not discussed.

[The] dynamics of computational artifacts extend beyond the interface narrowly defined, to relations of people with each other and to the place of computing in their ongoing activities. System design, it follows, must include not only the design of innovative technologies, but their artful integration with the rest of the social and material world.

I don't use work from the past as a literal guide; rather, those artifacts reinforce a view that simple images can communicate with wide audiences over time. Icon design is like solving a puzzle, trying to marry an image and idea that, ideally, will be easy for people to understand and remember.

Creativity is an innate function in a human being, as we see in tribal peoples, who spent their considerable leisure time making religious artifacts and sacred art. That is what I would call a direct culture, in that everybody in it is directly in touch with all the elements, both of the culture and of the environment.

As a species, we tend to live in environments where our own artifacts dominate. The way we shape our environment and are in turn shaped by it is a key theme in my fiction - indeed, it's a key part of a great deal of science fiction.

A civilization without retail bookstores is unimaginable. Like shrines and other sacred meeting places, bookstores are essential artifacts of human nature. The feel of a book taken from the shelf and held in the hand is a magical experience, linking writer to reader.

Like I'm dragging bundles of old clothes? I'm carrying artifacts that breathe fire. I'm talking about a language of smoke. These are three-dimensional creatures that can mate. I'd no more leave them go by the side of the trail than I would my child. I'll carry them until someone amputates my arms.

In other words, all these things you might cling to, Catholicism, democratic ideals, Hasidism, Marxism, Freudianism, all of these things are exposed [through use of psychedelics] as simply quaint cultural artifacts, painted masks and rattles assembled by people of good intent but clearly not great grasp of the situation.

There are hidden contradictions in the minds of people who "love Nature" while deploring the "artificialities" with which "Man has spoiled Nature.'" The obvious contradiction lies in their choice of words, which imply that Man and his artifacts are not part of "Nature" : but beavers and their dams are.

Photography is much more about elimination than inclusion. The images we make with a lens typically eliminate ninety percent of our field of view and everything that is out of our field of view. The shutter slices time, eliminating all moments before and after it opens and closes. Three dimensions are reduced to two. And in some cases color is removed. How can we call these kinds of artifacts unaltered?

What I think about when I frequent the Museum of Natural History, the Metropolitan [Museum of Art], and I look at these artifacts that are taken out of context and how we're forced to view them as objects, as relics, as sculpture- static. But what's interesting is what it allows me to do in my head in terms of imagining what the possibilities are or imagining the role in which they played within a particular culture which I'm fascinated by.

One of the big changes at the heart of Web 2.0 is the shift from the creation of software artifacts, which is what the PC revolution was about, to the creation of software services. These are services that ultimately, if they are successful, will require competencies of operation, of scale, and the like.

We see films all the time, whether they have access to all kinds of intellectual property or artifacts, and the one thing that they don't get is story. So I think whether you're talking about a biopic or an action film or a science-fiction film that has all the CGI in the world, if you're not trying to connect with an audience, it doesn't really matter.

Evolving Culture, Reality, as we perceive it, is largely shaped by the artifacts, both material and symbolic, of thought, thought that leads to creative manifestation in form and color. With that in mind, it might be suggested that the visual artist, - from commercial designer to fine art painter - has much to do with most things that enter your everyday visuals, and thus form a major portion of one's reality and, certainly, how this culture manifests and evolves.

Many of the artifacts of my house had become potential devices for my own destruction: the attic rafters (and an outside maple or two) a means to hang myself, the garage a place to inhale carbon monoxide, the bathtub a vessel to receive the flow from my opened arteries. The kitchen knives in their drawers had but one purpose for me.

The dead spacecraft in orbit have become a permanent fixture around our planet, not unlike the rings of Saturn. They will be the longest-lasting artifacts of human civilization, quietly circling Earth until the Sun turns into a Red Giant, about five billion years from now.

I have shown that those who deplore Artificial Intelligence are also those who deplore the evolutionary accounts of human mentality: if human minds are non-miraculous products of evolution, then they are, in the requisite sense, artifacts, and all their powers must have an ultimately mechanical explanation. We are descended from macros and made of macros, and nothing we can do is beyond the power of huge assemblies of macros.

If you make something, it's an artifact. It's something that somebody or some corporate entity has caused to come into being. A great many human beings have thought about each of the artifacts that surround us. Different degrees of intelligence and attention have been brought to bear on anything.

It's a response from Donald Trump [to the Pope]. It says, "If and when the Vatican is attacked by ISIS..." Their primary thing... You've seen what they've done all over the Middle East. Their primary goal is to get to the Vatican. That would be their ultimate trophy. They want to do what they won't to all of these magnificence artifacts and all of the beautiful museums that they've totally destroyed all over the Middle East, right?

Engineers use knowledge primarily to design, produce, and operate artifacts. ... Scientists, by contrast, use knowledge primarily to generate more knowledge.

I have a lot of artifacts - books on witchcrafts and talismans. I have a big, big collection of original occult books from the 1800s and 1700s, and some of the oldest books on apparitions and vampires. All original printings. It's not that I'm a crazy believer, I just find it to be amazing research material.

Will highly comprehensible code, by virtue of being easy to modify, inevitably be supplanted by increasingly less elegant code until some equilibrium is achieved between comprehensibility and fragility? Perhaps simple on the outside/fragile on the inside can be an effective survival strategy for evolving artifacts.

All musical talent is absent in me, to the point of being unable to play board games that require you to hum a tune while others guess what it is, since all my humming sounds the same. Musical instruments have always seemed like alien artifacts to me, even as I really admire anyone who can play one.

Chloe-lass: If I'm not here with you now, I'm beyond this life, for 'tis the only way I'll ever let you go. ... I hoped I loved you well, sweet, for I know even now that you are my brightest shining star. I knew it the moment I saw you. Ah, lass, you so adore your artifacts. This thief covets but one priceless treasure: You. Dageus -In a letter

I collect old first and second World War artifacts and things. I'm a little secret history nerd. I've been lucky enough to do quite a few war movies too so I've taken little things off each film.

Naked I came into the world, but brush strokes cover me, language raises me, music rhythms me. Art is my rod and staff, my resting place and shield, and not mine only, for art leaves nobody out. Even those from whom art has been stolen away by tyranny, by poverty, begin to make it again. If the arts did not exist, at every moment, someone would begin to create them, in song, out of dust and mud, and although the artifacts might be destroyed, the energy that creates them is not destroyed.

The history of the Jews has been written overwhelmingly by scholars of texts - understandably given the formative nature of the Bible and the Talmud. Seeing Jewish history through artifacts, architecture and images is still a young but spectacularly flourishing discipline that's changing the whole story.

So much of what we know, and what we think we know, about the land has first passed through someone's lens. The interesting thing is to make use of this history, not merely to be absorbed into it. For me, landscape photographs begin as the artifacts of personal moments. They get interesting when they become cultural commentary.

I finally managed to try to do away with myself, as neatly and concisely as possible. I would rather die young leaving various accomplishments, some work, my friendship with you, and some other artifacts intact, instead of pell-mell erasing all of these delicate things.

Photography is inherently an analytic discipline. Where a painter starts with a blank canvas and builds a picture, a photographer starts with the messiness of the world and selects a picture. A photographer standing before houses and streets and people and trees and artifacts of a culture imposes an order on the scene - simplifies the jumble by giving it structure. He or she imposes this order by choosing a vantage point, choosing a frame, choosing a moment of exposure, and by selecting a plane of focus.