Top 1200 Audience Of One Quotes & Sayings - Page 2

Only an individual can imagine, invent, or create. The whole audience of art is an audience of individuals.

If you individualize an audience, it helps up the stakes of your responsibility to that audience.

A cult classic is one that has been fully embraced by an alternative audience, not the popular audience.

I don't only cater a film to the male audience but also the female audience.

When you put the musical in front of an audience, you get to see how the audience reacts.

In theatre, the main objective is to make the art happy, not the audience! If you have to choose between the audience and the art, always choose the second! You must know that the audience will always pull you down; resist it and fly at the heights like an eagle!

Your audience gives you everything you need. They tell you. There is no director who can direct you like an audience.

It's wonderful to be part of a film that really reaches an audience's mind and an audience's heart.

In a live setting, the audience is trapped and can't leave. That really makes the audience be with you and laugh more because you're there.

Do you need an audience to create work, or does not having an audience liberate you and make you a truer artist?

I don't have any sense of an audience when I'm writing. I don't consider the audience. Because all I'm interested in is the problem on the page.

I still have a pretty lively audience in German and across Europe. And I continue to say, 'Thank you, God,' for making me smart enough to avoid getting hit by trucks and going out and finding myself an audience abroad. Which includes Asia - from Jakarta to Japan. Working hard at finding an audience abroad.

I'm always trying to bring unusual content to a different audience - a non-art-world audience.

Fast fashion communicates to a different audience, to a younger audience.

The potential audience seems to be dwindling in the states. I was kind of embarrassed for the band because of the size of the audience.

I almost never try to make the audience comfortable. I wouldn't want that if I were in the audience.

An audience will let you know if a song communicates. If you see them kind of falling asleep during the song, or if they clap at the end of a song, then they're telling you something about the song. But you can have a good song that doesn't communicate. Perhaps that isn't a song that you can sing to people; perhaps that's a song that you sing to yourself. And some songs are maybe for a small audience, and some songs are for a wide audience. But the audience will let you know pretty quickly.

I don't believe in elitism. I don't think the audience is this dumb person lower than me. I am the audience.

My audience doesn't agree with me on everything, but I love my audience, because they're totally okay with us having a dialogue.

We have a rock audience, classical audience, metal, pop - everything. We unite them all.

Don’t try to visualize the great mass audience. There is no such audience—every reader is a different person.

The problem is never the audience, it has always been the distribution. The digital space is proof that the audience is quite accepting.

Making a show is also economics. Because the irony is, or the shame of it is, you cannot create a show instantaneously. It needs to be massaged. You need to see who is relating to who. How is it working with the audience? You need to give it a chance for the audience to find it, because there are so many outlets. And the audience doesn't know where to go.

Acting is bad acting if the actor himself gets emotional in the act of making the audience cry. The object is to make the audience cry, but not cry yourself. The emotion has to be inside the actor, not outside. If you stand there weeping and wailing, all your emotions will go down your shirt and nothing will go out to your audience. Audience control is really about the actor

The one thing that I love about the live audience is the energy level. Like, from the minute of cast introductions, it's just constant energy being traded back and forth. When you do something funny, the audience laughs; when you're being serious, you can, like, feel the tension going through the audience.

Kids audience is a brilliant audience. If you've got an audience of adults standing up and clapping, or you've got an audience of kids standing up and clapping, I know which one I'd choose.

Like I always tell people, I don't pander to any audience, but you have to play to your audience.

I can't dumb down for the audience because I believe my audience is at least as smart as I am.

Museums have these great collections and the reality is they attract a regional audience not a national audience.

With a comedy, it's so important to see it with an audience and an audience who really wants to be there and is enthusiastic, otherwise it can be quite a traumatizing experience.

With an audience it's now, there are no editors around. It's just me and the audience and it's what I like best.

If you start censoring what you're interested in for the audience, you don't give the audience enough credit.

If I can get the audience to connect with the characters emotionally - and they love who they are, they love the larger-than-life situation that they're in, but most of all get the audience invested in the characters - then I always feel like I can sort of put them in the most outrageous circumstances, and the audience is okay to go with that.

When you define the audience, the performer becomes what the audience wants. Politicians do that all the time.

I have the audience I deserve. Or at least I have the audience that represents the kind of people that I like.

Usually, I'm just pleasing myself and I have very similar tastes I think to an audience, what that core audience really likes.

When you are able to make a living with your job as an artist, that means you have an audience and you have to thank this audience.

An artist should write for himself & not for an audience. If the audience likes it, great. If not, they can keep away.

The kind of audience that watches 'Matlock' is ideal for a lead-in to the affiliates' newscast in the afternoon. That audience is older.

I'm comfortable having a specific audience to write to. I like the idea that my audience doesn't see what I do as controversial.

If the audience knew what they wanted then they wouldn't be the audience, they would be the artist.

As long as I can make that audience one thing, one unit, then I'm okay with it. But, sometimes, the bigger the audience, the weirder it gets.

When someone says "that resonates with me" what they are saying is "I agree with you" or "I align with you." Once your ideas resonate with an audience, they will change. But, the only way to have true resonance is to understand the ones with whom you are trying to resonate. You need to spend time thinking about your audience. What unites them, what incites them? Think about your audience and what's on their mind before you begin building your presentation. It will help you identify beliefs and behavior in your audience that you can connect with. Resonate with.

'Full House' was the first time I had ever been in front of a live audience. I said a line I had rehearsed with my mom, and they laughed. It was wild. To have that energy of the live audience was like, Whaaat? Feeding off that live audience was, to a 4 or 5 year old, a high.

The next time I write a play - in order to get audience trust for a particular sort of tragic line, I'll try to bring the audience a good distance before that. Part of that is allowing comic moments to occur. I had been afraid of that - that once the audience started laughing in the play, they would never stop.

You turn the computer into the storyteller and the player into the audience, like in the old days when the storyteller would actually respond to the audience, rather than just having the audience respond to the storyteller. I had an enormous amount of fun, actually, working on that.

Even if there are people around to help you, you don't suffer with an audience; you don't triumph with an audience.

What looks absolutely fabulous in rehearsal can fall flat in front of an audience. The audience dictates what you do or don't change.

I have no interest in making music solely for a white audience. If that's what our audience is, I don't really feel responsible for that.

There's a tremendous audience out there for popular music. It's a bigger audience than for movies.

Is it perfect? Absolutely not! But there was an audience for 'Wicked,' and our producers were smart enough to reach that audience.

I think as a standup performer you have to feel the audience. So the audience kind of dictates what they get, you know?

I don't like to chase an audience. You can smell when someone is chasing an audience and it's not good.

I need an audience way more than an audience needs me.

In working out our callings, we are to perform for one audience, the audience of One.

As much as I'd like to think and as much as people mistakenly think my audience is blue collar people in the heart of America, my audience is basically, in the States, an NPR audience. I play college towns in the summer because that's who comes to see me.

The whole point is you're telling a story to an audience. So when there's no audience, it's like cinematic masturbation.

If an audience is loud and in a party mode, that's an audience that can absorb comedy.

I can't wait to bring #LizaOnDemand to my YouTube audience and hopefully a new audience, too.

Audience today like an honest approach to cinema; if you try to please the audience they come to know.