Top 1200 Audio Recording Quotes & Sayings - Page 4

Maybe Carnatic music will become more digital, because it is an audio form. But even then, why do people flock to the December season in Madras? Because they want to see the artiste face-to-face.

I'm relentless when it comes to writing and recording.

Deepfakes - seemingly authentic video or audio recordings that can spread like wildfire online - are likely to send American politics into a tailspin, and Washington isn't paying nearly enough attention to the very real danger that's right around the corner.

But, when we started our product portfolio, we focused the mixed signal requirements first for image processing devices and then in audio applications , targeting our technology into the growing use of digital technology in consumer markets.

If you can understand the humor in the drawing part you'll probably get the humor in the audio part.

The biggest difference for me is that the tales really have no logical outlet, no particular infrastructure in which to present them as you would have with a film festival. There's no IMDb for audio dramas. So there's a lot of work with no particular reward.

I always tell my audiences not to listen to such artists who play audio CDs at their concerts. Such shows shouldn't be called live shows. People like AR Rahman, Sunidhi Chauhan, and Arijit Singh are the ones who hold true concerts.

It's just different discipline, just doing the voice over. I guess I've done about 5 or 6 audio books in the past and I do the animated voice for a show called Fatherhood on Nickelodeon.

I always liked the intensity of the recording.

When we're recording, I always dress up.

Hollywood has its own way of telling stories. I was just telling stories that I was familiar with. And it's what I want to do in the future: I want to take my audio cinema and put it on the screen.

One has to choose between engaging in stylistic research or the mere recording of facts. I feel that a filmmaker must go beyond the recording of facts. Moreover, I believe that Africans, in particular, must reinvent cinema. It will be a difficult task because our viewing audience is used to a specific film language, but a choice has to be made: either one is very popular and one talks to people in a simple and plain manner, or else one searches for an African film language that would exclude chattering and focus more on how to make use of visuals and sounds.

Whenever I can squeeze it in, I'm writing and recording.

All of audio as we know it is an attempt to be more and more perfectly linear. Linearity means higher quality sound. Hypersonic sound is exactly the opposite: it's 100 percent based on non-linearity.

The idea that recording itself is an instrument.

YouTube is a free service that is extremely easy to use. There are no downloads, and hundreds of audio and video formats are instantly converted to Flash, which makes it fast and easy for the community to watch and share video.

I consider the recording studio where I was born.

I love my music and recording people.

Presidential power was overruled by the high bench in July 1974, when President Nixon was ordered to turn over some audio tapes of his White House conversations, including the 'smoking gun' tape of June 23, 1972, that revealing the Watergate cover up.

I love reading - inspirational books, leadership books, biographies. I exercise a lot and put on my audio book. Even If you would offer me a million dollars for my iPod I wouldn't give it to you, because I have some great things on it.

At least 80% of fibre-optic cables globally go via the U.S. This is no accident and allows the U.S. to view all communication coming in. At least 80% of all audio calls, not just metadata, are recorded and stored in the U.S. The NSA lies about what it stores.

I don't like the way recording to digital sounds.

The more we do this, the more the audio-drama format is opening up to us in new ways. So I think there's an experimental element, or at least an confidence in experimenting, that's running though our work now - and it wasn't there in the first season.

For me and my films I want my audience to experience cinema in its full glory. It's not just visual, it's audio as well. It's emotional and I want you to be engaged with not just the scene but with the characters.

Sometimes we need to step back and understand the power of video games. 'Dear Esther' does just that. Through visuals, audio, and narration, this title weaves a story around the player as they explore different areas in the game.

A well-conceived product excels at what it does. It's close to being functionally flawless - like a Ziploc bag, a radio from Tivoli Audio, a Philips Sonicare toothbrush, a Nespresso coffee maker or Google's home page.

If a chemical drug like Viagra is accepted by society and by the world to ignite desire, then what is the problem with my audio-visual drug called cinema which ignites desire? Both are basically doing the same thing!

What I love about podcasting is it's guerilla radio. I don't have to stick to anybody's protocol or format. I can operate my show just like I want to, but at the end of the day, it's just a can of audio whoopa**. My show is built to entertain.

Whether I'm on the road or at home, I get a great deal done on elliptical machines. I use my iPad to conquer my email inbox, listen to audio books, use my Voxer Walkie Talkie app, and read through documents.

The death of the music business was insane, but audio recordings have been around now for maybe 120 years. Books have been around for, what, nine centuries? So they're more entrenched than music.

Images are not only visual. They're also auditory, they involve sensuous impressions, bundles of information that come to us through our senses, and mainly through seeing and hearing: the audio-visual field.

I love recording music.

I've always loved the recording studio.

I am a musician who stopped working with music. Now I work with visual music, or audio-visual music.

I want recording to be fun.

We designed a number of features from the ground up, like custom display and optics technology with very high refresh rates and pixel density. We added integrated 3-D audio, a built-in microphone so you can speak to friends inside virtual worlds, and precise mechanical adjustment systems.

I was born inside the movie of my life. The visuals were before me, the audio surrounded me, the plot unfolded inevitably but not necessarily. I don't remember how I got into the movie, but it continues to entertain me.

I think it's pretty obvious to most people that Napster is not media specific, but I could see a system like Napster evolving into something that allows users to locate and retrieve different types of data other than just MP3s or audio files.

I have a recording that I did of instrumental songs.

N.W.A were the audio-documentarians of their time. They were trying to shock people with the violence of their language and the subjects they were talking about. The fact that they dressed in guerilla outfits like the Black Panthers made them shocking by their appearance as well.

Obviously, the cinematography of films is art, just as a still shot can be art. If I'm watching a Wes Anderson movie, the colour palettes alone, and the way they're painted, could be art. With music, you're a little bit limited, of course, because it's only audio.

I've got a studio at home, and I'm always recording.

Human beings are really attuned to their senses. When you work in film, you are working with the visual and audio senses. An understanding of tactile and other components that go into the creation of those objects are important to making them look real on screen, like a plasma of energy.

For me and my films, I want my audience to experience cinema in its full glory. It's not just visual, it's audio as well. It's emotional, and I want you to be engaged with not just the scene but with the characters.

More and more of my audio fans are asking for audiobook versions - files without the intro/outro/etc that go into the podcasts. More and more want them from Audible.

I do a lot of audio-only interviews at first just to capture a feeling and go deeper, as if you're having the most quiet, intimate conversation you've ever had with someone you love. If I can get that tone of intimacy, then the film will have that.

For some artists the live performance is the chicken before the egg of writing or recording of repertoire. For other artists the writing or recording of repertoire is the chicken before the egg of live performance.

I'm still amazed by the process of recording.

I'm a little bit scared of re-recording.

We, as a team, failed with 'Mister,' as the film failed in many aspects. I clearly know that my fans were deeply hurt, and that is the reason I told them during the audio launch that I will only do films that suit my age and image.

Talking to Lee Child and discovering, from his chapter in The Chopin Manuscript, that he's even more of an audio geek than I am (as his chapter in Chopin proves).

I see no reason for recording the obvious.

But, when we started our product portfolio, we focused the mixed signal requirements first for image processing devices and then in audio applications, targeting our technology into the growing use of digital technology in consumer markets.

Recording should be fun.

I'm just kind of interested in focusing on what I'm interested in and just kind of solidifying it, or at least experimenting, or actualizing some of the experiments that I've had in my head for years, either filmicly or with audio.

But audio is a component of video, so there's always been that anyway, and although we've never expressed a visual side apart from the Grateful Dead movie, I don't find it that remote, you know what I mean? It's a departure of sorts, but it's like a first cousin.

It was more about getting together with other musicians and playing live. I needed to suss out a full set [for the Last Summer tour], and I didn't want to play Fiery Furnaces material. So half of our set was new songs that we ended up recording for this album. And that made such a huge difference - going into the studio after playing a song for two years, knowing it inside-out and having sung it millions of times, and then recording it is a totally satisfying experience. You're suddenly in this controlled environment and you can make it sound exactly as you've been imagining it.

More academics should blog, post videos, post audio, post lectures, offer articles and more. You'll enjoy it: I've had threats and blackmail, abuse, smears and formal complaints with forged documentation.

No, I don't like recording. It's a bore.

Every junkie, he thought, is a recording.