Top 1200 Audio Visual Quotes & Sayings - Page 3

Not only is writing more important than ever, but visual literacy is vital. We don't teach enough design, art, visual things. We have to recognize what we're seeing. It matters if you send someone a cluttered design. It matters more than ever.

My books are offered through Podiobooks.com and the iTunes Music Store as free audio downloads. I don't sell them.

I guess my guilty pleasure would be listening to the British audio versions of the 'Harry Potter' books.

If LPs were replaced by cassettes and then audio cds and now digital media... That is inevitable. No point in lamenting.

Being from Philadelphia, 'Parents Just Don't Understand' was a big deal - I have audio of my brother and me singing that song.

We have so much access to video and audio recording equipment that it's kind of the new pen and paper.

Well, whether it's on film or on TV, you don't want to throw too many curves at your audio and video guys.

You always like to be the collaborator. I don't want to take over the movie, because if I want to do that, I should really become a director because then you have the control of everything, basically. I'm very happy to just be the visual part of it, doing the visual part of the movie.

For creating the Texan accent, I would listen to Sissy Spacek and watch her in 'Badlands.' I downloaded the audio of that whole film and listened to that.

If you hear that my soul mate still tells one or more of his exes he loves her, I want to know. Audio recording is preferable.

I feel that every day, all of us now are being blasted by information design. It's being poured into our eyes through the Web, and we're all visualizers now; we're all demanding a visual aspect to our information. There's something almost quite magical about visual information. It's effortless; it literally pours in.

Visual artists choreograph dances for the eyes, guiding visual journeys in specific ways. But when presented with little or nothing, the journeys of the eyes become erratic and finally still their restless searching. The eye and mind and heart grow quiet, come to rest, and begin to understand their own functioning more deeply.

In fact, even during the audio release of 'Papanasam,' I said that I have reached a stage where I want to relax and travel, but work keeps coming.

I think anyone who knows the audio process knows what mixing and mastering is.

Audio virology is not a metaphor. It is to be taken literally. It maps real processes of mutation, transmission, contagion and memory within music culture.

Brand-image campaigns establish contact with the subconscious of the consumer below the word level. They do this with visual symbols instead of words, Mr. Martineau says, because the visual symbols are far more significant. They communicate faster. They are more direct. There is no work, no mental effort. Their sole purpose is to create images and moods.

It's a natural thing for us to be working on content and finding ways to implement, whether it's visuals or the partnerships to go along with the audio.

We want PC makers to have better audio because these things are used as home stereos by a lot of people, and that makes it suck.

A written word gets preserved in so many forms. But movies which comprise of both audio and visuals have to be done with care and a lot more details.

People aren't going to support an artist just because they have an audio file. They have to feel a real connection.

I want to see the guitar in a non-linear sense that encompasses tones, arrangements, songwriting, audio production, and everything else - you have to do it all.

I want to do more audio originals because I think that it is a fascinating medium. If you think about it, this is original storytelling.

Cinema is a visual language, and you're always looking for visual metaphors for things. You know, if I was writing a play about Howard Hughes, I could have him give a monologue about how he's terrified to touch a doorknob. But on screen, you know, working with Marty Scorsese in 'The Aviator,' that became the series of images that told a story.

I think that if someone told me I could have been a visual artist, I might have been a visual artist instead. And if I'd known I could have done art history, I would have done that. But I just didn't know.

For women... bras, panties, bathing suits, and other stereotypical gear are visual reminders of a commercial, idealized feminine image that our real and diverse female bodies can't possibly fit. Without these visual references, each individual woman's body demands to be accepted on its own terms. We stop being comparatives. We begin to be unique.

In between that time, I've done book narrating, you know, books on tape for Dove Audio.

I studied audio engineering at university. The background I am from, music was never seen as a viable career; it was always a hobby.

I often envy my friends who are visual artists. Visual artists have other things to work with. Other media. I envy my sculptor friends: they have hunks of matter. Marble. Wood. It's physical, which I find very appealing. What we have is nothing, is just glaringly blank.

There could be no filmmaking without industrywide agreement on frame rates, lenses, and audio recording equipment.

Since I shoot, record audio and edit, I was able to begin the filming without hiring a crew and create a sample to show broadcasters and grant organizations.

My favourite stuff is visual, and I always want to work with visual artwork. I think it depends on the person, but for me, photographs of an image of something interesting or inspiring is worth a lot more than words to me. I think every concept I've come up with and turned into films or that will be hopefully become a film comes from images first.

Films are 50 percent visual and 50 percent sound. Sometimes sound even overplays the visual.

In my case, the listener is often in an automobile driving to work. You can concentrate on the road while still getting an audio message that can be riveting.

I hate when there's a deleted scene on a DVD with no explanation, or you have to go out of your way to find an alternate audio track.

Madonna, I think, is the greatest visual musical artist that we've ever had. If you look at her photo log, the photographers that she was able to work with throughout her career framed her in the proper way. It was the proper context. It was that visual that made sure that everything was gonna cut through in a certain way.

I created an online program that has audio lessons and PDF worksheets and two hours of video. So it's like a course you can do at home. And people are loving it and getting jobs from it.

To put the matter in Aristotelian terminology, visual impressions are prior in the order of being to concepts pertaining to physical color, whereas the latter are prior in the order of knowing to concepts pertaining to visual impressions.

Erwin Schrodinger has explained how he and his fellow physicists had agreed that they would report their new discoveries and experiments in quantum physics in the language of Newtonian physics. That is, they agreed to discuss and report the non-visual, electronic world in the language of the visual world of Newton.

I kind of got popular as a spoken word artist, and I ended up doing some ads and audio stuff for Nike and Sprite.

As a child, I would say that I wanted to become a dancer to honour music. For me, dancing is the physical translation of the audio recording.

You must study their deliveries, their use of their bodies, their timing, and their use of audio and vocal effects.

I think that audio and video over the internet in the sense of teleconferencing and telephone calls. Maybe we'll actually have picture phone through your work station.

I believe... we were told that the 'Bluetooth AirPods', whatever they are, can be used on anything that supports Bluetooth audio.

Their brilliant audio expert, who is a marine biologist, should really be looking after Flipper

I think there are some things I am unable to fully express with my visual work, and the music is what fills that void. At the same time, I don't think you can fully appreciate the music without the anchor of the visual work.

The best way way to get a visual image is not to think of a visual image.

I'm a studio guy. That's really what I love the most. I'm so fascinated with audio gear and recording techniques and whatnot, it's pretty mesmerizing.

Singers who are dependent on digital audio pitch correction software cannot last more than two-three songs.

For me, audio books was about when you can't actually physically get hold of a book, like when you're driving. It's a fantastic companion on a long journey.

If you could make telly as good as radio, it would be amazing - audio can do things so easily that television can't.

I think it's somewhere in my head, in my travel space, and it just comes out. It's a visual thing that happens unintentionally. People will tell me, "You do realize you just spoke with that accent, right?" And I'll go, "Oh, did I?" So it's not something I think about. As we talk, I have a visual about my speech and it just comes out like that. If that makes any sense!

You have to make rough decisions with sequencing and work within the limitations of having good audio for 15 minutes on a vinyl side.

I'm a big fan of David Sedaris; I love all his books and have them all on audio and e-reader, in addition to hard copies.

When I first start writing a song, I usually write the title first, then the song, and I'll sing the song in my head and think of a visual of the song. If I can't think of a visual behind the song, I'll throw the song away.

So a more sensible thing it seemed to me was to go to Silicon Valley and be pushing on the technology companies to accelerate the use of audio and music in computers.

N.W.A. were the first great rap audio documentarians of the problems in our inner cities.

I bought an audio technician mic and Pro Tools SE, the demo version and was recording in the basement.

I think every writer has their waves of inspiration and their ways of doing things. But writing is very difficult for me. It's something I haven't practiced as diligently as my visual art. I've been doing visual art because I think it's easier for me to construct, whereas words are very difficult.

I do remember seeing Audio Adrenaline and The Newsboys, basically Christian rock, because that was what I was allowed to see by my parents.

I credit Podiobooks and the free audio podcasts for helping me develop the audience I needed when I started selling my books in text forms.