Top 1121 Audition Quotes & Sayings

I love auditioning. Since “The Notebook” and “Wedding Crashers,” I don’t have to audition anymore, and I miss it. You get to show your interpretation of the character. I get nervous when I don’t audition. What if they hate what I want to do?

I took a plane from New York City to Los Angeles for an audition. I met all the people. After that, I was told to have another audition, but I didn't want to go there again.

I went to the audition for a laugh and got the part for the way I walked down the corridor. There's no justice is there? [on getting a role from an audition

I used to be a wonderful auditioner. When I was living in New York, I'd audition every day. And I like to audition. But then it got to a point where I didn't like it anymore.

The first audition I went out on was because my father was on an audition for a TV show called the 'Gilmore Girls,' and that kind of snowballed a lot of stuff in my life.

There was one female role, which was Emily. When I did the audition, I flubbed up. It was my first audition back from Christmas break, and I flubbed up and was devastated. In the audition room, they were like, "Oh, you did great!," but you never really know. So, I left the audition in tears.

I don't really like to audition, and that works against me. It's bad to be an actor and not like to audition.

I went into the audition room with the mindset that 'Little Fires' was going to be my last audition. I put my all into it, but I didn't get my hopes up.

I was shooting for 'Maaya' when I got a call from John Abraham's office. They told me about the film and asked if I could audition. But since I was shooting, I recorded my audition and sent them the tapes. The next thing I know, I was on board.

Whether it was audition after audition or facing media with little exposure, there were times I hit rock bottom, but then, I am not the one to break. Support of my family helped me sail through those tough times.

If I had even the tiniest scrap of advice to give to a young actor who was figuring out how to audition, I would say don't memorize the script... The reality about auditions is that 98 percent of the results has to do with what you are, not with what you did in the audition.

'Girls' was my first audition. I'd just taken an audition class, and I was excited to implement those tools.

My first professional audition was for a radio play in Manchester. That was the first audition that I got. It was my first paid job, which I think was, like, £150, and I thought it was megabucks.

I think what's universal is the idea of auditioning. It's something that you do in every kind of job market. You audition every time you go on a date, you audition at a job interview, and it's always about trying to put the best version of yourself forward and seeing what sticks and what doesn't.

Very little gets offered to me. I have to audition and bawl my eyes out. For 'Broadchurch,' the scene was Danny lying on the mortuary table. I can't remember the last audition I had where I didn't come out drenched in sweat, puffy-eyed.

When I go to audition for voiceovers, I do dress as if I'm going to an on-camera audition because that's my way of showing that I do care and it means something to me.

My parents spent 16 years hauling my butt to L.A. for audition after audition. I remember always hoping I could help take care of them because they took such good care of me.

In films, I didn't crave the type of attention I had sort of stumbled into in my music career. And I do not audition well. I'm really not good at it. Early on, I did movies like 'Alpha Dog' and 'Black Snake Moan' because the directors didn't ask me to audition.

People automatically assume that because you're an actor, you're a blank canvas 24/7. But I can't wear what everyone else wears. If I went to an audition, I'd wear what the character would wear, but the moment I'm done with the audition or done filming, I go back into my high-waisteds.

It's always a great feeling when I have no regrets regarding an audition that I've done and I feel that way about my audition for Moe in 'Trinkets.'

When you audition for things, there's pressure to go in there with a complete performance, and it's kind of unfair because, if you get it, you'll have rehearsal and talk about it, and you'll have plenty of time with the script. So, for me, I really do feel like an audition is a sketch of what you might do.

It's a weird profession, as I don't really consider myself an actor. I did at one point, and I went and started doing auditions, and I was so useless at them and so demoralised by doing audition after audition and not getting them and also not being able to take it in my stride at all. I just felt crushed and worthless.

I see a project, and I say I want to audition for it, and people let me audition for it. There's a lot to be grateful for.

It's the same challenge as with any other character, adults or not. You want to take time with the kids. You want to tell them in the audition that they have time to exchange ideas. I'm there. It's not someone else who does the audition, but I don't want to audition a thousand children.

It's stressful to keep doing audition after audition after audition. You finish one and go to the next one, and you have to learn lines. For me, I have to work on my accent, so I was getting accent coaching and acting coaching. I wanted to make good impressions.

My agent wanted me to audition for Dumbledore's character after Richard Harris died. I was asked if I would like to audition for it. But I wouldn't audition for it.

I love auditioning. Since 'The Notebook' and 'Wedding Crashers,' I don't have to audition anymore, and I miss it. You get to show your interpretation of the character. I get nervous when I don't audition. What if they hate what I want to do?

When you get out of school, you just go where the wind blows: Here's an audition; there's an audition. And before you know it, you're where you're supposed to be. And that was Second City.

I had sent out 100 audition tapes within 365 days, and then I got the 'Dope' audition. When I sent that out, two days later my manager called me and said they wanted to fly me out to L.A. to audition.

When I was six years old my friend was auditioning for 'Annie,' and I decided I wanted to audition with her. My mom was worried I would fall flat on my face because I'd never opened my mouth to sing, so she sent me to vocal lessons. I did the audition and fell in love with the entire process of a show.

Going into an audition or putting yourself on tape, it's not the easiest thing to do especially because an audition is usually a camera and one person and then you have to bring to life this character.

I went in for an audition [for As Good As It Gets], but the audition was with James L. Brooks. I was the first girl in that morning, and there was a whole waiting room of girls waiting to read for it. So I did my audition, and he asked me to step outside. So I stepped outside, and when he asked me to come back in, he looked at me, and he said, "Well, I'm very excited to work with you on set." And I was, like, "What?" I thought it was a Hollywood blow-off.

No, I went through a process just like I would any other job in which my agent received the breakdown for 'Doctor Who' and I went for my audition. In the original audition, it said you can bring as much to the character, we're looking for what the actor can bring.

I actually got dared to audition for the dance team. All my track-and-field buddies dared me to audition, and I was one of the few guys who did it.

Some might not know that 'What's Happening' was the television version of 'Cooly High.' When I went on the audition, it was an audition for exactly that: the TV version of the movie.

I've always found that I have to audition, but that's a process that I kind of enjoy. I enjoy the challenge, and 'We're The Millers' was the same. It was a long audition process that I had to go through, but I enjoyed the challenge of that.

Louis Walsh, he made me audition for Girls Aloud, he said, 'If you don't, I won't speak to you again.' I was like, 'We don't speak that much anyway.' I went and it all worked out well, I wouldn't have gone to the audition if it wasn't for him.

If I had even the tiniest scrap of advice to give to a young actor who was figuring out how to audition, I would say don't memorize the script The reality about auditions is that 98 percent of the results has to do with what you are, not with what you did in the audition.

My first audition was for Terrence Malick's 'The Tree of Life.' These casting directors came through Texas, and they recruited somewhere around 10,000 kids to come and audition for this movie. They sent me a letter in the mail, and I went and auditioned for this movie.

My mum sent me to an open audition for 'Notes On A Scandal' so I could see quite how many other girls wanted to do this. And I queued up, and I got the job. That was my first-ever audition, and my second was 'Atonement.'

A friend of mine had died, and I went for an audition. It was weird and cathartic: the producer was very excited about the piece, but my brain wasn't working, and it all seemed really pointless and fickle. I told them I didn't want to be there any more, and left. It was the most terrifying and empowering audition experience I've had.

I had this one audition - I won't say the casting director's name, but she was on the phone the whole time I sang. I was literally doing my audition, and she was on the phone. So I guess whatever it is she was ordering for lunch was more important than the high C's I was belting out.

If you put pressure on your kids to book every audition, they won't enjoy it anymore, and they won't book it, either. Also, if they don't want to go to an audition, they shouldn't be forced to go. They have to want to do it.

I hadn't worked for a year when I had my Prison Break audition and it was the easiest audition I've ever had. I got the script on Friday, went to the audition on Monday and got the part on Tuesday. I was shooting the pilot a week later. I didn't have time to be nervous - it happened so quickly.

When I moved to Los Angeles, I was straight out of grad school, and I didn't have a single credit to my name. I knew one person in town - another actor whose name is John Billingsley. I just had to audition and audition and audition. I was plugging away for 15 years. So I earned my stripes!

I actually like to audition. I prefer to audition for something because I don't want to walk onto a stage or a set and [have someone] say, "You are so far away from what I thought you were going to bring in." I would feel more comfortable to audition and say, "Here's my take on it - take it or leave it".

I find the worst audition is the no audition.

I got some pilot scripts and auditioned for a couple other ones, too. It was just a standard audition, where I kept going in to read and went up the ladder, in terms of people who you're performing for during those auditions. Each step of the way, I was happy with that level of audition.

You're going from audition to audition, changing in the backseat, and all that fun stuff that's great to do at one time in your life. That's when the 49-cent taco, as disgusting as it is, really plays into your day. It really helps you out.

You have to have talent. You have to get the audition and then you have to nail the audition.

When I auditioned with Anthony Minghella (The No. 1 Ladies Detective Agency), I loved the audition process, although I hated him for it. Because he had me audition six times for that role. Maybe three hours each. He wanted to see how quickly I could vary.

If I have an audition, I go to the audition in character. I'm in character when I walk in the room. I mean, I'm still sweet to everyone, but I'm very much the character.

I audition for stuff all the time, and what's weird about it is that one's success rate at auditioning doesn't really change. It's sort of at the same ratio of stuff you audition for to things you land.

I like being able to put out my own content instead of just going from audition to audition and just waiting and hoping.

Some people work very closely with a director or a producer on something, and from the get go, they're collaborating. But typically, it's just go in for an audition, do the best you can, and if the phone rings a couple of days after the audition and you get the part, that's great.

I would drive down in my Volkswagen Jetta to Los Angeles and just audition, audition, audition, audition, and hopefully get something. I did that for two years, and the third year I came down, I auditioned for 'How I Met Your Mother.'

Before recording my 'Homeland' audition on my iPhone in my bedroom in Streatham, I hadn't worked or had an audition in the U.K. for nine months.

My agent says, "You have an audition for the next Dustin Hoffman movie, playing a pioneer woman." And I go, "All right!" I passed Barry Levinson in the hall on the way into my audition, and I saw him do a double-take. I think I looked so determined that I got the job right then.

I think the reason why I'm an actress is because I got hooked on the feeling of studying for an audition, going to the audition, and then getting that phone call.

Like every audition I go on, I do my best, but after that, I let it go because, you know, the rejection rate is so great in Hollywood, and I can only control what I do in the audition, and after that it's up to somebody else.