Top 1121 Audition Quotes & Sayings - Page 15

I got this secretive, very secretive email from my agent saying, 'You have an audition for Marvel, no one's letting us know what the name of the film is, but are you available on this day? That's all we know.' And I went, 'OK, well, I think it will probably be 'Thor,' because Taika's got it.'

I need work. I still audition for work. I don't get offered things out of nowhere. I have to work hard, still, and I get a lot of rejections. It just goes on and on.

My mom convinced me to audition for 'The X Factor.' And I just said, 'O.K., let me see what it's about. $5 million? Might as well try.' I tried out, and it worked out. I got through top seven out of 200,000, so I'm proud.

It's hard to maintain a sense of dignity in an audition. I have done so many auditions where I've put it out there and have been met with that kind of blank stare - "Great! Thanks! OK! Great work! Thanks for coming in!" At the door I'm thinking, 'What the hell am I doing with my life?'

I need work. I still audition for work. I dont get offered things out of nowhere. I have to work hard, still, and I get a lot of rejections. It just goes on and on.

Being 'ethnically ambiguous', as I was pegged in the industry, meant I could audition for virtually any role. Morphing from Latina when I was dressed in red, to African American when in mustard yellow, my closet filled with fashionable frocks to make me look as racially varied as an Eighties Benetton poster.

'Hedwig' was the first audition my agent ever sent me on. I still have the slip of paper where I wrote down the appointment. I wrote down, 'Headwitch and the Angry Itch. Yitzhak. Croatian ex-drag queen billed as the last Jewess of the Balkans Krystal Nacht.'

I still audition a lot and work really hard to get work. So I don't really walk around feeling like I've made it. My short term goals are really just to be creatively stimulated and to be excited about material I might be working on.

My dad took me for an audition once, to show me, OK, you want to be a child actor, this is what its like. I sang a folk song about donkeys on this West End stage with this big director, and there was a queue of 200 girls all singing Memory. I was terrible. Terrible.

When I was in casting, we would bring somebody in, have them read their lines, maybe give them a few pointers, and hire them, and then once they go to the set and you have a director who's directing them, that performance may not be anywhere near what you had in the audition, either good or bad.

I never don't know my lines. I never take the audition pages into the room. I end up relying on them or looking at them too much, and it makes me feel unprepared, so I always learn my lines without fail.

One of the defense mechanisms I have for the difficulties in the business, one of which is rejection, is that if I do the work, I go in, and I'm prepared and I audition and they don't hire me, I'm always just amazed, thinking, 'Wow! For that money, they could've had Bruce McGill, and they didn't take me? I just think that's amazing.'

My mom thought I might be good for voiceover. She thought I had a cute voice, so maybe I could do a cartoon or something. And while we were looking into that, we also thought I should get into theater acting, so I tried it and the first audition I went on, I booked it. And it kind of just snowballed from there.

The trouble with audition process is, when you're an unemployed actor, it's the only time you get to act, and it can be quite fun. If you feel in control of the material and you feel that the people are pleased to see you and are excited by you auditioning for them, it can be a really rewarding process. But it can also be a very humiliating process.

My dad took me for an audition once, to show me, 'OK, you want to be a child actor, this is what it's like.' I sang a folk song about donkeys on this West End stage with this big director, and there was a queue of 200 girls all singing 'Memory.' I was terrible. Terrible.

I got into acting in high school mainly because I wasn't doing anything else and started to hit a few bumps in the road. And there was a conference with my parents who said either you find something to do with your time or we will. And so, I don't know why I thought this was the thing to do, but I went to audition for the school play.

I think the process of 'SNL' is still pretty formal. You make an audition tape, your agent sends it in, they watch people's tapes, and then they invite people to perform at a comedy club in Los Angeles or New York. But I don't know how much actual scouting they do online.

When my first play was produced, I had this sudden feeling that I feel powerful. Like, the next time I go into an audition room, and it's me and the same eight girls as always, I will have this thing that no one can take away from me. They can see us all as interchangeable. But I am not interchangeable.

But I certainly know a lot of people that existed at that level and are always kind of pining for more, always thinking that the next big break, the next opportunity, the big role are just around the corner of the next audition.

My job is to go into that audition and be good enough of an Asian actor - or an actor in general - to land that role so they don't have to go out and hire a white guy. My job is to make sure I capitalize on these opportunities that other people created.

I was homeschooled until I was 14, and then when I was 14, I began attending college. Mom was not playing about that education. She always said, "Acting is a privilege not a priority. Education is the priority. If you're not bringing home As and Bs, you can't go on the audition."

I had agents in Australia; I just never had any auditions. And if you can't audition, then you can't work. I studied there. I did classes there. I learned how to act. Growing up there, I discovered my love for acting, but I just wasn't getting the opportunities to work professionally.

I was given an opportunity to do sports in college and get a degree because of it. I ran track for the University of Texas and was studying to be a petroleum landman. And I was gifted an opportunity to audition for a film during my last semester in college, which I discovered while jogging around campus.

I didn't know what acting school was, so I went onto the computer and typed 'acting school.' I found one in Berlin, and I found ones in Vienna, Zurich, and London. I went to all of those places to audition. You were supposed to have two monologues, and I only had one.

Initially, when I'd heard of 'Teen Wolf,' I had never actually sat down to watch the series. But during my audition process, before I had a clue that I would even be considered, I started watching the show to get a feel for it and to see what type of show it was.

I'm in so many videos. There was a period of about two years where I danced for everyone: Kylie Minogue, Ed Sheeran, Jessie J, Taio Cruz. It got to the point where my fees were double the other girls', and I wouldn't even have to audition. They'd call my agent directly and say, 'We want twigs to come in.'

I remember auditioning for something where the woman was supposed to be 42, and I was 33 or something, and they were like, 'No women over 35 can audition.' That was in the breakdown. I don't think they would do that anymore - I would like to hope that they wouldn't put that in writing - but it's mind-boggling.

I think a lot of people are getting bored of audition-based shows, along the lines of 'Strictly Come Dancing' or 'The X-Factor'. I know I am. But 'Dragons' Den' will have a longer shelf-life than all of them because it's fundamentally real in a way that other shows aren't.

Me, Jesy and Jade were all told at our first audition that they could see us in a girl group. All of us were a little bit disappointed because they thought we weren't good enough on our own.

For every successful actor or actress, there are countless numbers who don't make it. The name of the game is rejection. You go to an audition and you're told you're too tall or you're too Irish or your nose is not quite right. You're rejected for your education, you're rejected for this or that and it's really tough.

The best thing I ever learned when I first started acting is that you audition, and then you forget about it when you walk out the door. Even when you have a callback, you can't bank on things until you actually book that job, or your heart will just be broken over and over again.

In a perfect world we'd want gay people to play gay people, but I think that's a good rule of thumb: Whoever gives the best audition should get the part. My problem is getting anybody to hire me for anything other than queens.

I don't find imitating other people's music easy at all. I remember being fifth in line for a Rolling Stones tour, early '90s, when Bill Wyman left, and I was hoping against hope that I wouldn't get the call to audition. I wouldn't be able to play a Stones song if you put a gun to my head.

The best thing about having my very first audition lead me to an Oscar nomination means that I don't have to struggle the rest of my career to be nominated for an Oscar, to prove that I'm a great actress, because I've already done it. Now I can do things that just make me happy.

Whenever I get an audition to do something that is sci-fi-related, it makes me really happy because I realize that I can continue doing the work that I'm doing and continue meeting people all over the world. It does baffle my management team sometimes, though!

I feel that being comfortable - being yourself - when you walk into an audition room is a really important thing. I think being able to own every aspect of your life is only going to make you be more comfortable in front of a table of people you don't know.

When you graduate is when you start to find yourself looking at the information in the audition breakdown and it says tall black African - or African-American built such and such. And you start seeing these character descriptions and seeing that, oh, you're only going in for the ones that are described as your look.

You deal with failure - strike, strike, strike - all the time. Acting is like that. You have to have a very thick skin in a way - your hair is too dark, you're too ugly for the part, your audition wasn't good.

I got the pilot for 'Scrubs' sent to me, and in the margin for Dr. Cox, it said 'a John McGinley type.' So when I went in to audition, I said to Billy Lawrence, who's a dear friend of mine, I said, 'Well, I'm John McGinley.'

For me when I go in and audition for things, I just let them go as soon as I leave. I can 't take them home with me. That's something that my mom actually taught my sister and me from the time we were kids.

I just saw dialogue, in the audition, and had no backstory. I was like, "I'm just going to be myself because I have no idea who this is or where he's coming from." The typical questions that actors have to ask themselves were very hard. I had to imagine, a little bit, and just made it work.

The first time I didn't get called back at an audition, I cried. My mom told me, 'We're doing this for fun, and if it's not fun anymore, we're not going to do it. So if you ever cry again, we're going to stop.' I never cried from then on, and I kept that lesson for the rest of my life.

I wanted to be a therapist if the acting didn't work. I also did a lot waitressing and odd jobs. I'd audition but couldn't get hired to save my life. I'd do Off-Broadway theatre and that was great and I was excited and thrilled, feeling like, 'Well, it's Off-Broadway, but there's still the Broadway in there.'

I think, so often, people go quick to that nepotism: 'I should be OK; my cousin's a producer. I can get into the movie.' How about audition, earn the part, and feel confident in knowing that the director felt you were the right person for the job versus hiring you because you know somebody?

I started acting when I moved to California when I was nineteen. I started auditioning. I was waiting on my manager at the time. I was waiting on her table, and she sent me on an audition. From there, I just kept auditioning and, luckily, got parts.

When you're trying to look pretty, it's a lot easier to compare you to other people. I always felt intimidated in pilot season trying to audition for 'the girlfriend.' Whereas when it's like, 'you're auditioning for the part of this meth addict, trailer park whatever,' it's like, 'Great!'

When I was about ten years old, I was brought to London to watch a production of 'The Lion, The Witch, and the Wardrobe.' I think it was at Sadler's Wells in maybe 2000. I watched it because my school was putting on a production of it, and it was the first school play that I was able to audition for a speaking part.

All of my favourite actors are American and I grew up watching American movies. It's weird, but I used to do a New Jersey accent in every audition in the States just because I liked to do it, really. It's completely bizarre. Everybody would ask: 'Where are you from?' And I would say, 'Oh, I'm from London.'

I would love to [do theater], but there are go-to girls for theater. I am learning that, upon moving to New York and inquiring. There are go-to girls that will get the role any day of the week. It's true. Some people won't even let me audition.

I think our sense as actors of what we've just done - whether or not it be in an audition - is usually really not connected to any truth. I'm always asking for more takes and more goes. I think I just need to shut up and listen.

When I get really passionate about something, the audition process is really strenuous and hard on me because I feel so much for the project, and I become so attached to it. It's hard. It's stressful because you want it so badly, and you're crafting this character that you're falling in love with.

Coming from L.A. to D.C., I'm always impressed that in D.C., people are doing the things that the people in L.A. are pretending to do. Whenever I'm in D.C., I ask people what they do, and they say, 'I'm with the agency, or I'm with State.' In L.A., I ran into a guy who said, 'I'm working on an audition for a guy who happens to be with an agency.'

Being an actor is definitely not about sitting around on set and having a cigarette or something. It's about acting. The more you can audition, then that's the best thing ever because you learn so much and you get your face out there and you grow your confidence.

Ask questions. Listen. Be quiet. Be willing to make a fool of yourself. Be willing to be completely exposed and to give all you've got and to be rejected for your troubles. But expect magic to happen. It just might. And don't worry about winning the audition, just win the room.

A couple months before I got the audition for 'Arrow,' my husband and I had just sold everything we owned, packed our dogs and belongings into a truck, and moved to Los Angles with a prayer and almost no money. When I ended up booking the role, we both cried from joy and gratitude for a week straight.

I'm persistent. In the early '60s, when I first started making the rounds in New York for theater work, I became more and more enraged every time I had an interview or audition that went nowhere, and became more determined. I haven't lost that.

You're sent scripts, and for some, as soon as you start reading them, you feel an instant connection to the character. You know who they are, you know how to play them, and there is instant enthusiasm. Then, at the audition, you don't have nerves because of that natural affinity.

Improv definitely made me a better auditioner, without a doubt. We did do an audition semester in grad school, and that was helpful for those times that you have a script and you have a few days to prepare it, to really work on sides. But the auditions I was doing in New York, if you got it the night before, you were very lucky.

First and foremost, at drama school it gets drilled into you that you say yes to anything. If they say, can you tap-dance with a monkey on your head in your audition, you say yes.

When you audition for something, and you book it, you think, 'Okay, well, I got the job, and now I actually have to show up on set and do it.' So, you show up on set, and you don't know, 'Am I going to get swallowed up by these people?'