Top 521 Auditions Quotes & Sayings - Page 6

If I had even the tiniest scrap of advice to give to a young actor who was figuring out how to audition, I would say don't memorize the script The reality about auditions is that 98 percent of the results has to do with what you are, not with what you did in the audition.

It's only in acting where I've heard in auditions, 'Can you black it up a little bit? Can you make her a little bit more urban?' And it's just like, 'What?' I don't even know the word for that.

Plow through the weeds. Go to the auditions and go to the meetings and be on time. Stop looking to the left or the right. Keep your head down and keep moving.

Just getting auditions was rough. But also just learning how to act - when I did my first role, in a film I did which was a favour to a friend, I realised I was really bad at it.

I had been playing with my local band, Skinny Cat. I had been to quite a few auditions before UFO, managed to get the gig and then not want to do it!

When I was growing up, I thought I was getting bored of acting, so I left that. Then after a few years, I started missing it. I left my studies mid-way, and I used to give lots of auditions.

I audition for almost every role. I get into auditions even when I am just producing a film. Not that someone would fire me, but I keep trying various tests and keep working till I learn the job.

I wanted to get a formal training before entering the film industry, so I moved to Mumbai. I stayed there for two years, got training and gave two auditions.

Although I started off as a child artist, I left acting in between, as I felt that I was missing the fun of school days. But a little later, I became keen on acting again and started going for auditions.

I know it sounds silly, but in auditions for film or TV, the words aren't as important - you need to get into the character and have the gist of the scene. But in theater, if you don't do it word for word, then you throw off your scene partner.

There are no shortcuts, and you can't wing your way through real hard work. I learned the hard way by not taking auditions seriously when I first came out to L.A. and probably wasted a good seven years.

I used to wear sweats and a T-shirt to auditions, but my agent would yell at me and tell me I had to look nice and presentable. So I had to drop that habit.

I was not getting work, even after auditioning for films. So I started working in a studio as a photographer; I assisted a cinematographer for two ads. I was thinking that I will get into photography or cinematography or assist someone. But then the 'Dangal' offer came, and I was busy with the auditions.

I've been acting since second grade, and I just remember when I first moved to New York and I was living in Washington Heights with three other actors in this tiny apartment and busting my butt to get to the subway, walking to, like, five auditions in a day.

My brother was a radio jockey while I was studying law. I have assisted a lawyer at the High Court. But I decided to give it up. I cleared auditions for radio jockey in the first go, and within a week, I was on air.

I've had some rank auditions where I embarrassed myself to new heights, which is hard for me to do. I was never good at auditioning. There are a number of actors over the years come up the ranks who are horrific at auditioning.

I remind myself: I am the best. I have the best. And I deserve the best. This is one of my personal mantras that I tell myself every morning before auditions, character work, and performances.

I faced many ups and downs, like any other actor: not getting through auditions or even worse - getting shortlisted and not being selected. Most actors go through the process.

My performances in auditions were so inept that I hardly got any jobs in film or TV. I just could not learn the lines and the thought of doing theatre terrified me. What if I forgot my lines in the middle of a scene with an entire audience watching?

Before acting took off, I was a professional kiteboarder training for the world circuit; with a sporting activity, you have to be determined, and it taught me to have a thick skin, which came in use after going to so many auditions and being told 'no.'

I did work hard at auditions, and three years at RADA isn't like a walk in the park. And then it takes a lot of sacrifices, giving certain things up in order to audition, in order to do a play, whatever it may be.

Most of the time, I get auditions for deaf characters where the scene has them communicating in really convoluted ways, like reading lips from across the room when the other person's back is turned or having other people parrot what they say.

Barry Levinson saw me on a tape and put me in 'Rain Man' as the waitress who dropped the toothpicks. The scene was talked about a lot. Then, all of a sudden, I started to get more auditions.

I did auditions at a club called the Comedy Connection. They wanted nothing to do with me. But one night they were doing a night of all women comics, and they invited me to do that.

When you are an actor or trying to be a working actor in L.A., most people have commercial agents, and then they have legitimate agents, and you just end up going on a thousand auditions.

Don't depend on acting as your sole source of income. Work nights, so you can have your days off to attend auditions. Have something to fall back on. That's what my mother taught me, and it's critical in Hollywood.

I totally heard by chance that they were doing the casting for a James Bond movie, and that one of the auditions was taking place in Paris. So I tried myself to contact every name involved in the movie I could possibly find on the IMDb!

It is unfortunate that in every industry, there are people who take advantage of needy people, but I would like to tell all the budding actors not to be vulnerable and always have a backup plan because rejection in auditions and films is not the end of the world.

We watched these auditions and could only pick one. Sometimes we would add new characters 'cause we wanted to use another actress. There were so many people who were just waiting for something like this.

Most of the time, I get auditions for deaf characters where the scene has them communicating in really convoluted ways, like reading lips from across the room when the other persons back is turned or having other people parrot what they say.

It's such an awkward, strange thing that was concocted, to have auditions. Back in the old days, you'd just have a screen test, and they'd say, 'Oh, you seem natural in front of the camera,' and you'd just go do 10 pictures for Paramount or whatever.

When you go to meetings or auditions and you fail to prepare, prepare to fail. It is simple but true.

Im really bad at tests of any kind, so Im bad at auditions. I consider myself educated most of the time, but when Im under the gun, I just fail.

I was just terrified in front of the camera. I couldn't even say my own name. I walked out of a handful of auditions. I mean, ran out in cold sweats. I was just so nervous and insecure.

For the most part, the roles Asians can get aren't necessarily well-rounded, and more often than not, they're stereotypes. But that's all we have. And then we see each other all the time at auditions, because we're all going for the same role. I've made a lot of friends that way.

The good thing about this Casino Royale thing, that I hope and pray, is that I'll have more opportunities. That roles will come up to me rather than going to the auditions. But I still have a lot of things to prove. I haven't, I think, shown all my talent.

If I had even the tiniest scrap of advice to give to a young actor who was figuring out how to audition, I would say don't memorize the script... The reality about auditions is that 98 percent of the results has to do with what you are, not with what you did in the audition.

Sometimes you're not always on or at your best, especially during auditions. So if you go in and you don't nail it, even if they're like, 'We don't need to see you again,' get a friend, get a video camera, and film you doing the stuff again.

To you people out there, you producers and you network owners and you agents and you creative sparks, please give transgender talent a chance. Give them auditions. Give them their story. Do that.

I've been on hundreds and hundreds and hundreds of auditions in my life, so it's not unusual that I went in for 'Glee.' What was unusual is that it was a week, exactly, after I had given birth.

'Red Robin' was just another audition, like a lot of other auditions. I just lucked out, and I got it. It's a great group of people I get to work with. Roger Craig Smith and Will Friedle and a bunch of guys. It's fun!

So many actors are lively-minded, creative people who just tread water in this awful way, waiting for the phone to ring and doing their hair for auditions. It feels like a bit of a dreamer's life - as opposed to a sensible ventriloquist's life.

There were definitely auditions and even bookings and jobs where I played your typical Asian model minority: an IT tech guy or something of that nature. It's tough sometimes, especially when you're starting out, because they make these roles sound as if they won't be a typical nerd.

I had done a couple of auditions for 'Amistad' and didn't feel it was going to go any further - and then the call came about heading to Los Angeles to work with Steven Spielberg. It was surreal: exciting, challenging, overwhelming.

I am sincerely grateful to everyone who did not let me pass my auditions. If I had gotten in too easily, I wouldn't have worked as hard. Thanks to them, I've gained more strength and I've learned what it means to never give up.

I more remember the periods of time when I wasn't getting any auditions. That's more what I find painful in memory; that feeling of not even getting the chance to try and be rejected.

Well, the hard part about doing auditions is that the person reading you the lines, they're not really into it. They're just going, 'Oh really, so why do you think that?' And they're just looking at a piece of paper.

If you have a passion and love for something, it's hard to give it up. I had jobs where the people were helpful and let me go to auditions, and I'd make up the hours another day. I was lucky in that respect: I could afford to get to London.

Practice being happy. Work at it. It's a new role, I realize, but you'll get it. The auditions will be coming up very soon. So get on top of it. I'm sure you will get the part.

Auditions are just torture. I'm trying to get better at it. It's a very difficult thing to do. You go into a tiny room with a camera with somebody who is doing this with 100 other people, and they're so bored, and then you have to be like, 'Hey! I'm gonna show you what I got!'

I thought, 'Oh, acting is going to be great - I get to play different parts.' And then these auditions started coming up for terrorist, terrorist, terrorist, and I'm going, 'Whoa, what's this about?'

I don't get a lot of choices in movies. It's not like I'm Brad Pitt and I can walk in and go here's the film I want to do and everyone runs around... I don't have that. I stand in line and do auditions. I'm there with 80 other guys trying to be that guy. Every once in awhile I luck out.

I have to go through auditions, and my surname has got me into rooms, but I'll never know if it gets me any jobs. There's a lot of sexism and objectification, and a lot of people put you down.

My mom always wanted me to be an actor. And I started going to theater and going on auditions young. I only realized about five years ago that I actually didn’t want to be an actor.

The concept of 'The Voice' has received acclamation worldwide. There will be blind auditions where the coaches will pick contestants without seeing them. It will be a unique concept for the Indian audience.

I would have gone to law school, or gotten a psychology degree. I wasn't interested in sleeping on a futon forever. And what happened is I walked into auditions, and I had nothing to lose, because I had a backup plan.

When I was younger, my dad was making a music video for a band in Montreal. I was goofing around and being a ham. An agent was there and she was telling me, 'Hey, do you think you'd want to go out on auditions?' I was like, 'Yeah, what's an audition? Sure, I'll do it.

When I was little, my mom was an actress, and she still is now, and she'd go on commercial auditions, and if they needed a mom and a son, she'd take me along, and that's how I got started.

I know what it's like to audition, so it's important that everybody who auditions, even if I know right off they're not right for it, has a good experience. So I'll never just have someone do one pass at it and say "Thank you".

It used to be true that to succeed in the creative class, you had to move immediately to where the action was. It was how you made connections, how you got auditions, how you found an audience and funding and some attention for your craft. But not anymore.