Top 521 Auditions Quotes & Sayings - Page 8

Seeing other people perform inspires me. I couldn't be a good performer if just relied on my own talents. Seeing what other brave choices other actors are making gives me the strength to be bold in auditions and to approach roles in different kind of ways.

I once saw JLo's 'Behind the Music' special, and she said she may not get every role she auditions for but her goal is to make every single person a fan. That stuck with me, and I want to do that every time I see a client.

I've grown up seeing the pros and cons but I love it and I've always wanted to act. Throughout all the rejections at auditions, and especially when I finally did get something, both my parents have been so supportive and always told me it is all about passion and, if I was doing it because I love it, there's no wrong choice.

I came out here to do the acting, and then after a year of auditions and not getting anything, I met these Italian guys and they asked me to write lyrics for them. Then they said, "Why don't you just front the band?" I said, "Well, maybe because I can't sing. I've never sang before in my life."

In my last year of drama school, I was Abigail in 'The Crucible' and Nina in 'The Seagull,' and I did some Shakespeare with the RSC. That's what casting directors saw me in, and I got put up for a lot of period drama auditions. I always get told I suit the costumes. I don't think I have a very modern-looking face.

I took 'Grease' to play my trump card, my voice, and get attention that would lead to auditions for serious work like 'Angels in America.' But I backed myself into a corner with 'Grease,' and it took me 17 years to get out.

I grew up in a house where my father went on auditions, and he got some and he lost some, and there were good years and lean years. I didn't expect anything from the business, and that's often a danger in Hollywood, the notion that if you're pretty and have white teeth and just show up for the game then you'll win.

For sure, one moment really defined the path that I was to take in the future, and that was when I won the Metropolitan Opera National Council Auditions in New York in April of 1995. I had just turned 25 two days before the finals concert, and when I won, I had no idea how my life would change because of it.

I was thinking, with the TV exposure I had with WWE - and it's kind of hard to explain to people sometimes how many countless hours you are on television when you've been on the road with WWE - I was thinking that was going to open doors, get me auditions, and get me into a lot of high profile roles.

I've been in auditions without screens, and I can assure you that I was prejudiced. I began to listen with my eyes, and there is no way that your eyes don't affect your judgement. The only true way to listen is with your ears and your heart. (p.251)

I don't like auditions. I feel like they're a very unnatural setting and it's a very unsettling experience. Because you can't help but walk in and feel like you're trying to prove yourself to people. And you should just walk in and be.

I don't know if I could play 'intimidating' in a way that's physically a tough type, and it feels like since 'Mindhunter' came out, auditions have been much more geared toward more intelligent characters. And that's the kind of stuff I like to play.

I started as a child, in this PBS series 'Voyage of the Mimi,' which led to driving down to New York for 'Afterschool Special' auditions, which led to moving to Los Angeles. I wanted to be an actor. But in L.A., I got into film technology, and I was building cheap editing systems and would edit my friend's acting reels.

Don’t look at other people and compare yourself. Just do the work. Because when the opportunity is there, you have to be ready. Make sure your craft is refined and you’re constantly working on it. Plow through the weeds. Go to the auditions and go to the meetings and be on time. Stop looking to the left or the right. Keep your head down and keep moving.

When I was younger, I would go to auditions to have the opportunity to audition, which would mean another chance to get up there and try out my stuff, or try out what I learned and see how it worked with an audience, because where are you gonna get an audience?

My agent told me they were casting for the voice of Gollum. I hadnt read The Lord of the Rings, but I read the script and realized what an amazing role it was. I developed a voice for the audition tape, then met Peter Jackson and Fran Walsh at the auditions and fell in love with them both.

When I was 19, 20 I faced rejections. When I turned 20 I signed my south film and by the time I was 23, I had done three south films. I would go to different production houses everyday for auditions and they would reject me saying you cant talk, smile, dance or act.

I was sitting on top of people and it was just really uncomfortable. There was no place to move. And, I don't like auditioning, anyways. With auditions, you can get so nervous, or other things get into your head and throw you off, and it doesn't really reflect what you can do, as an actor. The whole thing was just really nerve-wracking, but I ended up getting it.

I loved the movie theater so I always saw a lot of movies. And then there was a play, I saw in the local paper, they were having auditions for a play of a book I had read. Which was One Flew Over the Cuckoo's Nest by Ken Kesey. So I said, "oh, I've read this, so I'm perfect for the part of the lead." His name is escaping me.

I've failed a lot, you know, in football, and I've gone on a lot of auditions, been told no, been told I'm not right, so I know what failure feels like. It's about the work.

It's so important that we take auditions less seriously, take your work seriously, but take the industry a whole lot less seriously because it is so fickle.

You might look at my CV and see I've had 12 jobs, but I've been to over 450 auditions so I've heard 'no' a lot more than I've heard 'yes'. So if I go in looking only to meet my own standards, then that will make taking that rejection a little bit easier. And when I do get that job it will seem like icing on the cake.

I had agents in Australia; I just never had any auditions. And if you can't audition, then you can't work. I studied there. I did classes there. I learned how to act. Growing up there, I discovered my love for acting, but I just wasn't getting the opportunities to work professionally.

After watching my Kannada film 'U Turn,' director Kannan narrated the story of 'Ivan Thanthiran,' and wanted me to attend the auditions in Chennai. He selected me after seeing me perform to two difficult scenes I was given during the screen test.

People think that I can just walk into a room and get a job, but of the 200 interviews and auditions I go through a year, I may get three yeses. I just have to use my sense of humour to get me through.

I often feel that my days in New York City, that I was here for five years, didn't get one job, went on a thousands of auditions and literally did not get a job on a soap, not a movie, not TV, not nothing, although I did do some commercials thank God.

I get a lot of butterflies at auditions because I get so scared. It's scary because you've never met the people before. You have to meet them, and you have to hurry up and get to know them in five seconds. And then, you have to spill your emotions out to these strangers. It's funny.

A little secret about actors is that we never think we do a great job in auditions. We kind of just go in and do our work and leave sort of hoping for the best. It's an interesting dynamic - acting is such an interesting job. You never quite know how well you do.

I remember giving auditions for ad films and I used to wait for hours for my turn to come. I used to go for print shoots for Rs 2000. I used to go to the director's office with my portfolio and the receptionists used to tell me to put it in the post box outside.

It's just been a lot of hard work and lot of auditions. A lot of ups and downs, but a lot of ups, and I'm really happy for my downs, too. I'm really thankful.

Some of the best auditions I've ever had have been when my agent called and said, 'They want you 20 minutes ago, in an office in Century City, to see you for something.' I'm not sitting there thinking for a week and a half, before I'm supposed to go in front of a network president to do something. That just gives you time to be nervous.

Sony and Nickelodeon knew they wanted to create a TV show that was a platform for a band they would have for Sony. They knew what they wanted, and it took two years of auditions and screen tests and countless people coming in and out the door until they finally settled on the four of us.

When I was starting out, I didn't know what the hell I was doing and my person who was helping me out, I didn't even have an agent, got me five or six big auditions for leads in movies in 1986 that I had no business auditioning for. I think I ran out of three of them before I'd even finished.

I wouldn't have made it past the first round of American Idol auditions. It was months before our first song was recorded. The guys were like, 'Just seeng!' And I was like, 'I don't know how to seeng! Can't I just play the triangle?'

To be an actor, it's really tough to find your own voice because you're always tied to other characters and going to auditions and trying to get a job, hoping they'll pick you. And I think it's just so important for an actor to have something else that's creative, something that's creative and you're in charge of.

When I was a model at 15, I was eating one red pepper a day, and if I had a big day of castings, I would survive off a bag of Haribo, which gave me the 500 calories a day that would keep me alive. I was congratulated daily on my appearance - the more vertebrae upon my back you could count, the better my auditions went.

If I spend all my time being upset about having lost a job, then the next however many auditions I have are going to be useless. So as you're going through the process, you get excited and put your all into it. But you don't get carried away, because until you do the thing, nothing hasn't happened yet. The rest is just talk.

I don't see myself as competing with other actresses. I mean, I went through a time when I was in New York, and I was going to lots of auditions and trying to get parts, but even then, you're not really competing with the other actresses. There is a competition going on, but it's not like something you can win in that way.

With The Help, I knew folks involved in the project peripherally. I wanted to audition for Hilly Holbrook and part of the initial feedback was: "No, Bryce is too nice." That's part of the reason why I really love auditions as well - you get to try out a character and try out different versions of a character.

America was always a huge goal, if not the goal. I always wanted to move to America. I always wanted to come here and see what opportunities were around. I really only got a couple of auditions a year when I was in Australia, for acting work.

I go to auditions even now and people say, 'Oh, she's too pretty,' or 'She doesn't look like a small-town girl or a girl in high school who would get bullied.' But that's the whole point of being an actress - you can look glamorous when you're on the red carpet, and then bring it all down and be raw onscreen.

I did loads of auditions and I didn't get called back. I still get giddy at all the people I get to work with, and I'm still enjoying the work and enjoying life too much that I don't feel like I've done that much.

I didn't think I had a voice at all, and I still think of myself as an interpreter of songs more than a singer. I thought it was too deep; people thought I was a man. I had a very strong Jamaican accent, too; the accent really messed me up for auditions.

I like going to the matinee. I like taking my daughter there. It's just my favorite place in the world. I go there after auditions. I lived in New York City, I would go to the theater right after because it clears your mind.

Improv definitely made me a better auditioner, without a doubt. We did do an audition semester in grad school, and that was helpful for those times that you have a script and you have a few days to prepare it, to really work on sides. But the auditions I was doing in New York, if you got it the night before, you were very lucky.

I go on at least 2-3 auditions a week in the pursuit of more work. So I'm constantly working on material and constantly honing and trying to perfect a craft that is never perfectible - it's always new, and it's always different. It's always a work in progress.

I've done some awful auditions, and I've really done some horrible work, but it forced me to flex those muscles, and that's what makes you a better actor, just doing bad work and seeing what looks bad and growing from it.

One of the first auditions I had in New York was for a commercial where I had to go in and audition to be a snake charmer... It was either some bank commercial or something where they wanted a guy charming a snake... I remember they wanted to know if I actually knew how to snake charm.

I started off as a recording engineer and a beatmaker. I was this skater kid that would skateboard to auditions, and then I would use the money I'd make and buy a bunch of equipment and make a bunch of beats. I still am that kid, just with a little more money.

I used to visit one production house every day, and I used to take up auditions even for small roles. Before my debut, I must have auditioned at almost every single production house.

I realized that the actors that I liked and admired all went to drama school and got an agent that way. So I started when I was about 16 in drama school, and then I knew I had to wait until I was 18 so I could go on auditions, and I tried to get into one of the ones that I liked and then go from there.

If the script's good, everything you need is in there. I just try and feel it, and do it honestly. I also don't learn things for auditions, because I feel like it's just a test of memorizing rather than being real. Maybe every other actor would think that was terrible, I don't know. But it seems to have worked for me, so far.

I've gone into auditions and I think they have an assumption about me when they see my photo and then I open my mouth and they say, 'Where exactly are you from? And you were born in Ethiopia? But you're Irish, but you also kind of sound English. That's really strange.' They want to put you in a box in LA, that's how they tend to do it there, so if you don't fit in that box, it makes it more difficult.

It's a weird profession, as I don't really consider myself an actor. I did at one point, and I went and started doing auditions, and I was so useless at them and so demoralised by doing audition after audition and not getting them and also not being able to take it in my stride at all. I just felt crushed and worthless.

My father would take me to auditions and put me in the room right in the corner because he was watching me; he couldn't get a babysitter. He'd be at the Nuyorican Poets Cafe in the LES until four in the morning, trying to tell his story and using his craft, but because he had a kid that didn't let him stop.

What's so kind of beautiful about the whole thing was that everything that made me not right for all of those hundreds of commercial auditions that I went on and no one ever wanted me for is what made me perfectly right for 'Real Women Have Curves'.

I remember the days of auditioning and being nervous and so I really didn't want to make people have to jump through hoops to do auditions and be nervous and make them more nervous. I kind of wanted to hire everybody and find something for everybody.

I was on holiday in Ibiza, having a lovely time, writing a book and looking at the stars every night and generally not having a care in the world. Then I got sent the script for 'Death in Paradise.' I couldn't get back to England in time for the auditions, so my girlfriend filmed me on her camera, and I sent it off via email.

I always view auditions as the first and last time I'll ever do a character, so that's how I like to see the joy in it. Assuming I don't ever book this, I get to play this character this one time and give it my all because I'll never play it again.

There are so many ways to get involved with 'The Voice.' There is the open call, which tons of people are from. Of the people that you saw that made it past the Blinds, the majority are from open call auditions. They went through every round before you see the Blinds. But weirdly enough, I received a phone call.