That's the attraction of the conference circuit: it's a way of converting work into play, combining professionalism with tourism, and all at someone else's expense. Write a paper and see the world! I'm Jane Austen - fly me!
Jane Austen easily used half a page describing someone else's eyes; she would not appreciate summarizing her reading tastes in ten titles.
Because I had grown up with Jane Austen novels and period dramas, I was very familiar with that period and that world.
I won't be attempting to write Jane Austen-style prose - that would be suicidal. But I will attempt to bring the highest level of my own prose, and to make it sparkle.
Who would not spout the family teapot in order to talk with Keats for an hour about poetry, or with Jane Austen about the art of fiction?
Jane Austen is at the end of the line that begins with Samuel Richardson, which takes wonder and magic out of the novel, treats not the past but the present.
I believed in happily ever after as much as anyone, because Jane Austen, Prince Charming, and Hugh Grant promised me it could happen. But maybe that particular delusion was universal.
Now I was more certain than ever of my decision. I could not love a man who did not love Jane Austen.
The great thing about Jane Austen - the reason we're all still obsessed with her - is that she gets inside a woman's mind and she taps into our fantasies of wanting to be accepted and loved for who we are.
I love that topic, the whole relationship thing, and I think that's why I love all this stuff, the Jane Austen stuff.
I did a cover for Rolling Stone the other day and it was a kind of crazy lack of outfit. I thought, "Oh, Lord. I'm never going to be Jane Austen in a film now!" 'Cause that's what I'd really like to do.
'Pride and Prejudice' is often compared to 'Cinderella,' but Jane Austen's real 'Cinderella' tale is 'Mansfield Park.'
I think Jane Austen is like Shakespeare, in a slightly different way. I think people will continue to revisit these stories because they remain relevant, regardless of how you do them.
I'm not a big Austen reader. I wouldn't say I dislike her, but if I had to choose between her and Eliot to bring to a desert island, it would definitely be Eliot.
I read "Pride and Prejudice" [by Jane Austen]. I was gobsmacked by it - it's so funny and so modern. Unbelievable. You don't expect funny to come through after 200 years - humor doesn't transcend decades, let alone centuries.
'Bridgerton' is something a bit like if Jane Austen met Gossip Girl' and maybe like 45 Shades of Grey.'
[ Lady Susan novel by Jane Austen is] extremely difficult to adapt. I worked on it for years, for, like, ten years, before I started showing it to people. This was my back-burner project.
I must confess I love female writers: Jane Austen, Isak Dinesen, Colette, Willa Cather, Dawn Powell, Joan Didion. I grew up on the Bronte sisters, and Daphne du Maurier.
If you look at my personal library, you will notice that it ranges from Henry James to Steig Larsson, from Margaret Atwood to Max Hastings. There's Jane Austen and Tom Perrotta and volumes of letters from Civil War privates. It's pretty eclectic.
I boast of being the only man in London who has been bombed off a lavatory seat while reading Jane Austen. She went into the bath; I went through the door.
People love Jane Austen, even though those books are absurd to us, because we like the clarity of it: we can see very clearly what Elizabeth Bennett has to overcome, what she has to deal with.
I always say that the characters in Jane Austen's original books are rather like zombies because they live in this bubble of immense wealth and privilege and no matter what's going on around them they have a singular purpose to maintain their rank and to impress others.
Jane Austen was writing about boring people with desperately limited lives. We forget this because we've seen too many of her books on screen.
There's a history of English literature where the best boils to the top, and Jane Austen stands right at the top of that.
I've always loved books by the Bronte sisters. I love Jane Austen, too. I'm more influenced by people like her than by pop culture.
To paraphrase Jane Austen, it is a truth universally acknowledged that a married man in possession of a vast fortune must be in want of a newer, younger wife.
I think I made a mistake with [Jane] Austen by reading all six in a row. There are similarities to the plots so by the time I got to the last one I could anticipate what was happening too easily. But her characterizations are amazing.
I think as far as the action genre goes, I like when it has a sense of humor. I'm a Jane Austen/Jane Eyre kind of girl.
Jane Austen's characters for women are always very strong, opinionated and elegantly written, so they're always great for an actress to have a chance to do.
I'm quite jealous of my Scottish relations, in whose culture everyone, in a Jane Austen kind of way, got married very young, when you're too young to be cynical or jaded and just started having children.
Cooper wrote a novel which is absolutely indistinguishable from Austen, completely from a female point of view, completely English, no sense that he was an American.
I loved reading 'Anne of Green Gables' and 'Little Women' and Jane Austen. Those were times when people really did have only one true love in their life.
Like everyone else, I grew up loving the Anne books, but L.M. Montgomery is so much more. Like Jane Austen, she has an eye for the absurd and a gift for the 'mot juste.'
Jane Austen can in fact get more drama out of morality than most other writers can get from shipwreck, battle, murder, or mayhem.
I always advise children who ask me for tips on being a writer to read as much as they possibly can. Jane Austen gave a young friend the same advice, so I'm in good company there.
I think the success of 'Downton' is partly because there are effectively 18 leading characters, all given equal importance, so it's enormously involving on many levels. But also, it's a new story. It's not like Dickens or Austen, where everyone knows the denouement.
Look at Austen. In her novels, you get a dance, followed by an encounter, followed by a letter, then a period of solitude. No flashbacks and no backstory. Let's have no more back story!
I did a cover for 'Rolling Stone' the other day and it was a kind of crazy lack of outfit. I thought, 'Oh, Lord. I'm never going to be Jane Austen in a film now!' 'Cause that's what I'd really like to do.
I remember, when I was a teenager, 'Pride And Prejudice' came out. We hadn't had a period drama for ages, and were all glued to it, and for the next three years, Jane Austen series were being made.
I think Jane Austen builds suspense well in a couple of places, but she squanders it, and she gets to the endgame too quickly. So I will be working on those things.
I imagined being a famous writer would be like being like Jane Austen.
All reading is good reading. And all reading of Jane Austen and Charles Dickens is sublime reading.
I write about violence as naturally as Jane Austen wrote about manners. Violence shapes and obsesses our society, and if we do not stop being violent we have no future.
[On Austen Chamberlain:] He is more loyal to his friends than to his convictions.
What’s ready? Was Steinback ready? Hemingway? Shakespeare? Dickens? Jane Austen? They just did it, didn’t they?
I don't think there's anything cliche feminine about Jane Austen. And, anyway, her earliest champions were Sir Walter Scott and the Prince Regent.
Ever since I was young, I've read Austen and the Brontes. My friends laugh, but those books are always so tragic and wonderful - those stories, they're just incredible.
Deep in my cortex, the year is divided into reading seasons. The period from mid-October to Christmas, for instance, is 'ghost story' time, while Jane Austen and P. G. Wodehouse pretty much own April and May.
Jane Austen may not be the best writer, but she certainly writes about the best people. And by that I mean people just like me.
Jane Austen: Getting into her books is like getting in bed with a cadaver. Something vital is lacking; namely, life.
[Henry] James is much more complex than Jane Austen. That's why it's not so easy to adapt him. People expect a nice period piece, but that's not always the case. There's a deep human mystery in his work.
Jane Austen's books, too, are absent from this library. Just that one omission alone would make a fairly good library out of a library that hadn't a book in it.
Growing up in the English countryside, I feel like I'm in a Jane Austen novel when I walk around. I just feel comfortable and confident in those surroundings.
If there is a heaven, Jane Austen is sitting in a small room with Mother Teresa and Princess Diana, listening to Duran Duran, forever. If there's a hell, she's standing.
I wasn't allowed to watch regular television when I was growing up, only PBS, so I watched 'Masterpiece Theatre' and a lot of Jane Austen. I loved stories where the girl is attracted to a man and it looks like it's not going to work out.
Every housemaid expects at least once a week as much excitement as would have lasted a Jane Austen heroine throughout a whole novel.
I'm a Jane Austen/Jane Eyre kind of girl.
Poetry is the most subtle of the literary arts, and students grow more ingenious by the year at avoiding it. If they can nip around Milton, duck under Blake and collapse gratefully into the arms of Jane Austen, a lot of them will.
The difficulty with poetry is that it doesn't have the life that Shakespeare or Jane Austen have beyond the page. You can't make a costume drama out of it. There's no place for it to go except trapped inside its little book.
I've done my share of period stuff. I'm not sure why, but people say I have a period face. The bread and butter of British TV is Jane Austen adaptations and bridges and bonnets and boats and horses.
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