Top 1186 Authors Quotes & Sayings - Page 16

Children's authors have to pick words that reflect the spirit of a book and convey its message but also words that light children up, that children will recognize. Words that inspire and comfort. Words that challenge yet don't patronize. Words that, well, mean something to them.

Authors all have at least one thing in common, which is that when we finally get finished copies of our books, we get giddy as kindergartners. We touch them constantly, and build towers with them, and take pictures of our cats and dogs reading them.

When you read a history or biography you are entitled to imagine that it is as accurate as the authors can make it. That research has gone into it and we say "This is a history of the civil war, this is a biography of Lincoln" whatever. But you don't make any such supposition when you say "This is a historical novel."

Technically, web browsers can control what users see, and sites using Javascript can overwrite anything coming from the original authors. Browsers heavily utilize Javascript to create an interactive Internet; sites like YouTube, Facebook, and Gmail could be crippled without it.

You couldn't buy any English authors or anything that came from America, like jeans. It was impossible. So we had to do our own clothes if we had weird ideas like wearing long scarves like the French people did. You had to knit them yourself.

The books, the authors who matter the most are those who speak to me and speak for me all those things about life I most need to hear as the confession of myself

Agents are deal makers, and they're really, really good at making deals. But they're also exceptionally helpful after the deal is made - agents act as a good intermediary between authors and publishers whenever disagreements come up.

A characteristic of older folksongs, in most cases, is that we don't know their composers or authors. Older folksongs were written often with no commercial purpose in mind. They were passed down by word of mouth, from generation to generation.

I was at the table with three Europeans, and we were having lunch. And they were talking about their role as lead authors. And they were talking about how they were trying to make the report so dramatic that the United States would just have to sign that Kyoto Protocol.

I always write authors after I read their books. I've been doing it for years. I write a formal letter and send it to them in care of their agent. My mother always taught us to write thank you notes, and if an author puts themselves out there, they like to hear that their book connected with someone.

In a best-selling book, 100,000,000 Guinea Pigs (reprinted nine times by 1935), a pair of consumer-advocate authors complained that American citizens had become test animals for chemical industries that were indifferent to their customers' well-being. The government, they added bitterly, was complicit.

I sense that, without sensitivity to physical pain and pleasure, man would not have known self-interest, and consequently know just or unjust acts. Thus, physical sensitivity and self-interest are the authors of all justice.

A lot of readers ask me, "Do you ever get emotional while writing the book?" or "Did you cry when you killed this character?" And the truth is, no, I didn't. That's not really the way I approach it. I don't get emotional while writing, but then there are plenty of other authors who do.

Literary lineage is part of your autobiography. The authors are the literary base, the image base, the character base that you bring into your civilian work. Same with film, architecture, music, sports. That's one tributary of the autobiography.

I can hear the library humming in the night, a choir of authors murmuring inside their books along the unlit, alphabetical shelves, Giovanni Pontano next to Pope, Dumas next to his son, each one stitched into his own private coat, together forming a low, gigantic chord of language.

With many countries on the verge of redefining a basic social institution, What Is Marriage? issues an urgent call for full deliberation of what is at stake. The authors make a compelling secular case for marriage as a partnership between a man and a woman, whose special status is based on society's interest in the nurture and education of children.

Authors are not a special case, deserving of more sympathy than many other groups. We are a particular case of a general degradation of the quality of life, and we are not going to stop pointing it out, because we speak for many other groups as well.

When I became thoroughly acquainted with the Greek and Roman authors, I thought it incumbent upon me to do something towards the honor of the place of my nativity, and to vindicate the rhetoric of this ancient forum of our Metropolis from the aspersions of the illiterate by composing A Treatise of the Alercation of the Ancients; wherein I have demonstrated that the purity, sincerity, and simplicity of their diction is nowhere so well preserved as amongst my neighbourhood.

Also, I've spent an entire week without reading any books or talking about them too loudly. I'm learning to work my apparat's screen, the colourful pulsating mosaic of it, the fact that it knows every last stinking detail about the world, whereas my books only know the minds of their authors.

Authors should do multiple submissions to agents. I mean, that's the way the business world works and whether or not the industry likes it or not, they can't stop you from submitting to multiple agents and you know what? If an agent misses out on you because they took too long with your query letter, tough luck for them.

I started to read James Baldwin very early on in my life. At a time, as a young adult in the Sixties, when there were not that many authors in whom I could recognize myself, he was an important guide and mentor to me, as he was to many others. He helped me understand who I was and decipher the world around me.

A Path Appears is an insightful book focused on how individuals can contribute to positive change and the remarkable people behind the organizations that make it happen. The authors' desire to motivate people to support good causes, learn about the situation in other countries, and find the best way to help their fellow men and women is inspiring.

If I had my way books would not be written in English but in an exceedingly difficult secret language.... This plan would have the advantage of scaring off all amateur authors, retired politicians, country doctors...who would not have the patience to learn the secret language.

When it comes to locations, I'm one of those crazy authors who has to see it, touch it, taste it, before I trust myself to recreate it for my readers. Having said that, visiting a locked-down pediatric psych ward was the most intimidating research I've ever done - and I've visited maximum security prisons, shooting galleries, bone collections, etc.

J. K. Rowling is one of my favourite authors, and I really admire how she created this big wizarding world. But I think our books are very, very different, and I don't think there can be a next J. K. Rowling. She is one of a kind.

I'm a novelist who read a lot as a kid. When you grow up on books and then grow up to write books, famous authors are a lot more meaningful to you than TV and movie stars.

The laws keep up their credit, not by being just, but because they are laws; 'tis the mystic foundation of their authority; they have no other, and it well answers their purpose. They are often made by fools; still oftener by men who, out of hatred to equality, fail in equity; but always by men, vain and irresolute authors.

Paper is cheap, and authors need not now erase one book before they write another. Instead of cultivating the earth for wheat andpotatoes, they cultivate literature, and fill a place in the Republic of Letters. Or they would fain write for fame merely, as others actually raise crops of grain to be distilled into brandy.

The biggest takeaway for anyone seeking to write is this: don't go looking for the way other authors do their work. You won't find many who are consistent enough to copy, and there are enough variations in approach that it's obvious that it's not like hitting home runs or swinging a golf club. There isn't a standard approach, there's only what works for you (and what doesn't).

Some authors have conceptualized depression as a "depletion syndrome" because of the prominence of fatigability; they postulate that the patient exhausts his available energy during the period prior to the onset of the depression and that the depressed state represents a kind of hibernation, during which the patient gradually builds up a new story of energy.

There is more ado to interpret interpretations than to interpret things, and more books upon books than upon any other subject; we do nothing but comment upon one another. Every place swarms with commentaries; of authors there is great scarcity.

I think authors are just realizing there's no real reason to feel limited to a narrow set of genre rules in their writing. There's no reason a mystery novel can't have fantastic elements in it. Similarly, there's no reason why your epic fantasy series can't have elements of a mystery.

Ridley Pearson also plays bass guitar and sings with the Rock Bottom Remainders, a band made up of such successful authors as Amy Tan, Stephen King, and Dave Barry-a band that, according to Barry, "plays music as well as Metallica writes novels".

[Confiscating a book and punishing its author] is a sign that one does not have a good case, or at least doesn't trust it enough to defend it with reasons and refute the objections. Some people even go so far as to consider prohibited or confiscated books to be the best ones of all, for the prohibition indicates that their authors wrote what they really thought rather than what they were supposed to think . . .

For every Steven King, there are a dozen guys like me who make a good living. For every David Brin, there are a dozen authors who have managed to make it their day job. For each of them, there are a dozen more for whom writing is a terrific supplement.

We want to believe. Young students try to believe in older authors, constituents try to believe in their Congressmen, countries try to believe in their statesmen, but they can't. Too many voices, too much scattered, illogical ill-considered criticism.

I studied English Literature. I wasn’t a very good student, but one thing I did get from it, while I was making films at the same time with the college film society, was that I started thinking about the narrative freedoms that authors had enjoyed for centuries and it seemed to me that filmmakers should enjoy those freedoms as well.

If writing is thinking and discovery and selection and order and meaning, it is also awe and reverence and mystery and magic....Authors arrive at text and subtext in thousands of ways, learning each time they begin anew how to recognize a valuable idea and how to reader the texture that accompanies, reveals or displays it to its best advantage.

They [intellectuals] coined most of the slogans that guided the butcheries of Bolshevism, Fascism, and Nazism. Intellectuals extolling the delights of murder, writers advocating censorship, philosophers judging the merits of thinkers and authors, not according to the value of their contributions but according to their achievements on battlefields, are the spiritual leaders of our age of perpetual strife.

My own experience is that once a story has been written, one has to cross out the beginning and the end. It is there that we authors do most of our lying . . . one must ruthlessly suppress everything that is not concerned with the subject. If, in the first chapter, you say there is a gun hanging on the wall, you should make quite sure that it is going to be used further on in the story.

Holden Caulfield is the embodiment of what we mean by the phrase “young adult” – too young to be a grown-up, but too wise to the world to be completely innocent. He’s caught in the in-between, and that in-between is what all young adult authors write about.

Let the Bible be the Bible. It's not about science. It's not accurate history. It is a grab bag of religious fantasies written by many authors. Some of its myths, like the Star of Bethlehem, are very beautiful. Others are dull and ugly. Some express lofty ideals, such as the parables of Jesus. Others are morally disgusting.

The society of dead authors has this advantage over that of the living: they never flatter us to our faces, nor slander us behind our backs, nor intrude upon our privacy, nor quit their shelves until we take them down.

The proper education of the young does not consist in stuffing their heads with a mass of words, sentences, and ideas dragged together out of various authors, but in opening up their understanding to the outer world, so that a living stream may flow from their own minds, just as leaves, flowers, and fruit spring from the bud on a tree.

[I began to unload] the pyramid of honors, civic and literary, which had been heaped on me by the headlong process of rewarding a popular success. One day, I sat down and wrote a wholesale lot of letters of resignation. When I finished, I didn't belong to a single authors club or patriotic society. I was myself again, whatever that was.

Now that I understand how publishing schedules work, I can understand why many authors have the sophomore slump. A year is a long time to wait for a sequel, but it's a short, short time to WRITE a sequel.

Knowing about authors' beliefs helps you understand how those beliefs influence their writing, and things you thought meant one thing, once you've got enough information about that writer, you suddenly realize mean an entirely different thing. That makes a difference.

There are, first of all, two kinds of authors: those who write for the subject's sake, and those who write for writing's sake. ... The truth is that when an author begins to write for the sake of covering paper, he is cheating the reader; because he writes under the pretext that he has something to say.

The National Book Festival is a great way for families and friends to share the creative works of some of America's most-loved authors, .. Readers of all ages can listen to favorite writers speaking about their books, have books autographed, meet many storybook characters and enjoy a day on the National Mall.

I think a lot of awesome stuff is coming out with smaller presses. Small presses don't have to have huge board meetings to talk about how to market their books or what to publish - they can take more chances. They can help new authors grow in a healthier, often more artistic way.

Books have their destinies like men. And their fates, as made by generations of readers, are very different from the destinies foreseen for them by their authors. Gulliver's Travels, with a minimum of expurgation, has become a children's book; a new illustrated edition is produced every Christmas. That's what comes of saying profound things about humanity in terms of a fairy story.

I want to offer a word of encouragement to authors: You have to feel called to the message of your book enough that you want people to get that message. When you get to that place, your passion goes through the roof, and then the other stuff happens.

That whole idea of chick lit being a thing that you just lump all the commercial female writers into - it went on for years.I'd switch on the radio, and I'd hear, 'Two female authors are here to discuss chick lit - is it dead?' and I'd think, 'Argh, no, not again. Are we seriously still having this conversation?'

It is a good thing for an uneducated man to read books of quotations. Bartlett's Familiar Quotations is an admirable work, and I studied it intently. The quotations when engraved upon the memory give you good thoughts. They also make you anxious to read the authors and look for more.

To be fair, much of the Bible is not systematically evil but just plain weird, as you would expect of a chaotically cobbled-together anthology of disjointed documents, composed, revised, translated, distorted and 'improved' by hundreds of anonymous authors, editors and copyists, unknown to us and mostly unknown to each other, spanning nine centuries

Some books and authors are best sellers, but most aren't. It may be easier to self-publish than it is to traditionally publish, but in all honesty, it's harder to be a best seller self-publishing than it is with a house.

The phrase 'academic freedom' is often used carelessly: here is a work that will allow a more careful conversation about those many crucial issues facing the academy, in which a well-worked out understanding of conceptions of academic freedom is, as its authors show, an essential tool.

It's one of my biggest memories of my father reading. I had pneumonia, remember, but I was a little better now, and madly caught up in the book, and one thing you know when you're ten is that, no matter what, there's gonna be a happy ending. They can sweat all they want to scare you, the authors, but back of it all you know, you just have no doubt, that in the long run justice is going to win out.

You have a very open relationship with your fans." "Yes. We have an open relationship. Obviously they can see other authors if they want, and I can see other readers.

Edited by mostly unknown scholars in A.D. 367, compiled from documents written 30 to 110 years after the Christ event by no one who was present at the events, and composed for the most part by unknown authors in the Greek language that Jesus never spoke, it is held up as the only true record of the Christ story.