Top 1200 Auto Tune Quotes & Sayings

When I first used Auto-Tune, I never used it to sing. I wasn't using it the way T-Pain was. I used it to rap because it makes my voice sound grittier.

I love 808s - not only the Auto-Tune but just ,in general, the embrace of a kind of digital style of working.

I listen to a lot of the people that use Auto-tune.

I think some people are born to Entertain. They just have those personalities and they are great at it. Their forte isn't singing so they use auto tune, etc... But they have a lot of talent in entertaining.

It took me five years to realize what I could do with my voice. No Auto-Tune - cut all that off.

What is auto-tune? I don't even know what auto-tune is.

Cranking the Auto-Tune is so easy to do that there's almost no systemic resistance to trying it. So when someone's stuck for an idea, that's what they do. I mean, to the extent that it's been embraced by an entire idiom of club music and culture.

I think Eminem should use Auto-Tune.

The greatest records in the world were made without going to Auto-tune or Pro Tools, or having some click track. If they could do it, why can't we? Something's been lost in music. It's all been over-produced, squashed down, totally compressed.

I've got a song on every album, two songs as a matter of fact on every album without Auto-Tune, and that's the song that nobody talks about. It's weird.

TV is tricky. You can do some stuff and people will tune out and never tune back in. It's sort of like putting a bad taste in somebody's mouth. Some people may not ever tune in again. And then there's some people that will tune in just to tune in and see what's gon' happen.

I don't see anything wrong in using auto-tune.

In Delhi, I have never taken an auto, while in Mumbai, if there is an auto strike, my life will come to a full stop.

Every single country that has an auto industry is stepping forward to help that auto industry. Why wouldn't we help this industry too, because it needs 3.5 million jobs.

It's fine to keep releasing tune after tune if you can keep up with that pace but I can't. I'm not the guy that will have the hot tune every month. That's not me!

I don't have to have talent. I just need to have auto-tune and be allowed to have the hottest track in the game, and my swag.

For me, when I want to be emotionally moved by a vocal, I don't want to hear auto tune on it, I want to hear the beautiful imperfections.

Popular culture is a place where pity is called compassion, flattery is called love, propaganda is called knowledge, tension is called peace, gossip is called news, and auto-tune is called singing.

While many people are trying to be in tune with infinite, what they really are is in tune with the indefinite.

Anytime people read my tweets, they hear it in Auto-Tune.

I don't really like the sound of Auto-Tune. I don't like when it's extremely audible, when you're able to detect it easily. I don't like that.

The game's the thing. That's why people tune in. They don't tune in to hear an announcer.

I think everyone uses Auto-Tune.

No disrespect to people that don't use music theory or don't know it. It does help to be able to figure out what key a song is in, even though with your scales you can figure it out so you can set your Auto-Tune right. So many songs with Auto-Tune are off or have the wrong note playing on the 808. And they pass it off as being hood.

People got a little too self-conscious about the techniques that go into recording because sometimes, if you sing too well in tune, people accuse you of auto-tuning. It's like you have to use auto-detuning or something.

I use Auto-Tune but it's not to mask anything. If you come to see me live, I can sing on the spot. Auto-tune is just for the recording. It keeps everything really precise.

Time has changed and artists release more songs in a short span of time and that's where the auto-tune steps-in. One doesn't have to record a song multiple times to make it better.

When young people hear auto-tune, they think that's real R&B. You have to get rid of all of the gimmicks.

This is where the guys who copy me are planted: I do not use auto-tune, I sing. That's my advice!

I'm in tune with the universe, the sun, moon, and stars. I'm in tune with the jinns that are all around us.

To make a genuine record, it takes more than a cool beat and some auto tune.

There's a lot of stuff you've gotta know about Auto-Tune before you can start using it, because it's the hot thing to do.

The Auto-Tune makes everybody sound the same and takes away all of the emotion because you're singing through this machine, and of course your taking all of this emotion out of your voice for the most part.

Auto-tune is good to keep your notes intact, but it doesn't do much for the feel of your voice.

I love musical theater because it's live. There is no Auto-Tune. There's no second chance. What you see is what you get. You have to be amazing every night.

Finally, let's keep well in mind the most important lesson of the auto rescue: While government should stay away from the private sector as much as possible, markets do occasionally fail, and when they do government can play a constructive role, as it did in the case of the auto rescue.

Keep in mind, you can use Auto-Tune and you can know how to work it perfectly, but you still have to know how to write a good song.

It was more just about serving the song, which is sort of the way that we work in general. We wanna do the best that we can with it and make it the most interesting to our ears. And putting auto-tune on 'California English', was just one reflection of that.

The music on the radio is fine, it's just not my type of music. You don't play an instrument, and you don't need to be able to sing. You just need to be able to make a beat and use auto-tune. It's crazy!

The blues is deceptively simple. Verse and chorus. Sometimes not even a chorus. Four bars that repeat, no Auto-Tune, electricity optional. It is the most direct, bare-bones of content. There is no interference between the head and heart.

I think whatever an artist does, it just has to be quality and good. I think the way Kanye's doing what he's doing with the Auto-Tune is actually creative because he just writes good melodies. He just writes good songs. He's just gifted.

Most of the time when we do a tune, Bad Blake, it's a tune no one's heard of to begin with.

I put my name into the Google search bar. Justine Bateman... And the auto-complete comes up. The auto-complete says that the top option is, 'Justine Bateman looks old.'

I have never used Auto-Tune in a live television performance, and I have never used Auto-Tune in any of my concerts. That is a promise.

The best way to use the auto-tune is not to! And that's what I do: I do not use auto-tune!

Even with so many artists using auto-tune, there's still a growing group of artists rising up and going in the opposite direction, making music that's real and fresh. And those cats are getting back to the basics without auto-tune. And a lot of those cats are packing out venues without getting played on the radio!

One of my strict, strict rules is a no auto-tune policy.

I have to be in tune. All the time. I have to be in tune with my husband, where he is, how he's feeling. I have to be in tune with where my family is.

A lot of R&B cats are doing a lot of auto-tune. Tyrese went back to the basics. I love classic soul music and Ginuwine. Ginuwine and Usher laid the foundation back in the '90s. There's no one doing that anymore.

Drake, the way he uses that Auto-Tune has always been attractive, hasn't it?

You can take a bad singer and make them sound decent; you couldn't do that in the past... With things like Pro Tools and all the other things you have available; like auto tune, and pitch correction you can make someone who can't sing into someone who can.

My own rapping skills are quite good, actually. You get this thing, I think it's called Songify or AutoRap, and you talk into them, and they auto-tune it and make it into a quite interesting musical number. And I got one where it builds it into a rap.

If you put lots of auto-tune on your voice on the album, people are going to be disappointed when they come to see you live. The imperfections make it better, more natural.

The thing about Auto-Tune is it can't fix everyone. It only fixes pitch. Everything else - the emotion and the attack and the energy? That's what a singer is.

I once asked a studio guy in Toronto, "How many people don't use auto tune?" and he said, "You and Nelly Furtado are the only two people who've never used it in here." Even though I'm not into Nelly Furtado, it kind of made me respect her. It's cool that she has some integrity.

Evil or not, the recording industry kept Auto-Tune on the down-low. Cher's producer forced Auto-Tune to jump suddenly from one pitch to the next.

In the studio you can auto tune vocals, and with drums, you can put them on a grid and make them perfect. I hate that sound. When someone hands me a record and the drums are perfectly gridded and the vocals are perfectly auto tuned, I throw it out the window. I have no interest in rock music being like that.

These days, I find it harder to listen to really trebly lo-fi recordings. At the same time, without the old limitations, these new technologies require self control. So much of the software seems to be about correcting imperfections - quantizing, Auto-tune - and, to me, those corrections can really drain the life out of a performance.

I like me some of Wayne stuff. I think he's the one exception as far as the auto-tune thing goes.

The difference between Reggie Noble and Redman is that this 'Reggie Noble' album is more conceptual. It got concepts on it, it got auto-tune on it, it got a pop record on it. I had fun on it.