Top 262 Autograph Quotes & Sayings - Page 5

I experimented with different roles, but they didn't work, despite being fantastic films like 'Naa Autograph,' 'Sambo Siva Sambo,' 'Neninthe'... etc. I was very satisfied doing those roles. Had those films worked for me, I perhaps would not have tried anything different further. I like to experiment once in a while if it works.

The competitiveness, playing in front of 18-19,000 people every single night, people asking for my autograph, getting recognized, being able to do something like this with Sega and being on the front of a box, and being involved in video games, and listening to movies where they reference my name like in Swingers. All these things they make life so exciting, you don't know what to expect next.

Entertainers are nothing special. Maybe we have a talent for singing a song, but other people have talents. I wish fans would just come up and say 'hello' before asking for an autograph. I wish they would just say, 'Hello, I'm so and so, and I just want to shake your hand.' I'm impressed when I find people like that. Most people just say, 'Sign here,' and treat you like a statue.

I was born in the same town as Richard Burton, the actor, and I saw him, he used to come - he and his wife drove by in the car in my father's shop and Burton would come home from Hollywood and ask him for his autograph, and I thought, I want to be like him. And that's all I said to myself, I want to be like that. I want to get out of this environment of my own empty mind.

When a kid smiles because you take an extra 30 seconds, minute, minute and a half to go over and ask them what their name is, give them the shirt you just wore to the ring, you just see them light up. We've all been kids before; we've all had our heroes, been fans of somebody and needed that autograph.

I don't look at women as groupies. To me, a groupie is a stalker. If you're a fan, then you're a fan. But I can look at a woman and become a fan of hers instantly. I'll tell a woman, "Look, I don't want your phone number. Just give me your autograph. Can I take a picture with you?"

You never know when the next person to shake your hand at an autograph session, or the next guy you bump into on line at the pizza parlor, that could be your best friend for the rest of your life. Or it could be the person that two years later pushes you out of the way of a speeding bus. I mean, you just don't know.

The same fans that want to rip you up are the same fans that want to talk you up and want your autograph.

The whole acting and Hollywood [thing], it's just work to me. Stand-up comedy ruins you so badly for doing television. I don't really need to be known anymore than I am. The slight sliver of fame I do have is hard to deal with. If I was actually well-known - I don't even know what to say to people who are at my show when I walk into the venue, much less having waitresses in diners asking for my autograph.

It's exciting when kids look up to you or kids come up to you and ask for your autograph. When grown ups come up to you, that's really not exciting. Why would a grown man be excited for meeting another grown man?

I posted some story about the Arizona State baseball coach getting into a fight with an autograph hound, and it was a disastrous thing. The guy rescinded his story. It proved to me that I'm not cut out to be a proper journalist. I'm much better sitting around and making fun of journalists and telling them what terrible journalists they are than being an actual journalist.

Once at a record store in San Francisco, over a thousand kids showed up. They pushed forward and broke a window. A big piece of glass fell on top of this girl. And the girl's throat was slit. She just got slit. And I remember there was blood everywhere. Oh God, so much blood. And she grabbed her throat and was bleeding and everyone just ignored her. Why? Because I was there and they wanted to grab at me and get my autograph. I wonder whatever happened to that girl.

There was a shop in Birmingham called Autographs, where I'm from in Birmingham. My uncles and dad used to shop there. They played professionally, too. When I started, I went to Autograph, and they had brands like Rick Owens. There are loads of brands, like my go-to brands that I will go to if I want to buy jeans, like DSquared or Balmain.

My mom always says, "Pack your smile," but [the sound guy] articulated it beautifully, because he saw me go from Joe Schmo who had been on food stamps to Adam Richman from Man V. Food. He said, "For you, it may be your 50th or 100th selfie, autograph, or whatever of the day. But for that person, it may be the first or the only time in their life that they've seen someone they enjoy on television. Never lose sight of that."

If I walk on the street, if I go to a restaurant, people come to me and say: "Can we take a photo together? Can you give me your autograph?" They would bring their expensive Armani or Prada wallet to sign. Other people who are desperate show me a photo of their dead daughter and ask: Can you support me? I tell them: How can I? Morally, of course, I sympathize with you. But I cannot support you and you cannot support me. This is the condition of this society. We are separated.

A presentation copy...is a copy of a book whoch does not sell, sent you by the author, with his foolish autograph at the beginning of it; for which, if a stranger, he only demands your friendship; if a brother author, he expects from you a book of yours, which does not sell, in return.

When people visit me at autograph conventions and signings, they always say, 'You just don't know how you scared me!' These people are grown up. They say, 'When I was a kid, I just couldn't sleep at night.' Sometimes they will have babies with them. And they give me their babies, and they take pictures of me holding their baby.

Part of me goes back to being 8 years old and going on the train 45 minutes to wait at a bank to get Ernie Banks' autograph. Or when I was a ball boy, becoming best buddies with some of the undrafted or late-drafted guys, them becoming like our big brothers, and then the pain of cut day and watching them get cut.

I go out and I meet people after the show, I take every picture that they ask for, I sign every autograph that they want. You know, there's merchandise for sale, but people don't have to buy anything. I'll sign their tickets, I'll sign whatever they want me to, I'll get a picture with them and I'll stay there with them as long as they want.

When I think about the things that cause me pain or the things that cause me trouble or frustration, it's not people asking for my autograph; it's people breaking my heart. That happens to you whether you've sold millions of records or whether you're taking classes at college. You're going to believe people when they say that they love you. I don't leave out details when I write songs about that. I try to make my songs as personal as possible because, ultimately, my music started out as just trying to turn my diary entries into something that was a piece of music. And that has never changed.

I think it's because if I have the time I take the time to sign every autograph I can after a show. I'll go out of my way when a lot of other guys wouldn't do this. Things like that create so much longevity in your career because that guy or girl you met that night will go home and talk about how cool Jeff Hardy was that night and then that makes their friends want to come out to the show next time you're in town.

The visual world has blown up, the world of writing has blown up; there's so much text online. Anyone and everyone can express themselves. It's a lot to think about as an artist. Also, that the persona of the artist might actually be of some importance. When I came of age, it was important to be quiet and hang back and be mysterious. I knew artists who didn't even want to show up at their own openings. They never wanted to have their picture taken, didn't want to autograph a book, didn't want to answer a question. I came of age in a world where it was "Let the work speak for itself."