Top 1200 Baby Pictures Quotes & Sayings - Page 13

Explore popular Baby Pictures quotes.
Last updated on December 12, 2024.
Let's just call what happened in the eighties the reclamation of motherhood . . . by women I knew and loved, hard-driving women with major careers who were after not just babies per se or motherhood per se, but after a reconciliation with their memories of their own mothers. So having a baby wasn't just having a baby. It became a major healing.
Dreams were the worst. Of course I dreamed of food and love, but they were pleasant rather than otherwise. But then I'd dream of things like slitting a baby's throat, mistaking it for a baby goat. I'd have nightmares of other islands stretching away from mine, infinities of islands, islands spawning islands, like frogs' eggs turning into polliwogs of islands, knowing that I had to live on each and every one, eventually, for ages, registering their flora, their fauna, their geography.
I hope and dream the time will come when serious artists will make marvelous pictures that will love and live in life-like manner and be far more interesting and wonderful than pictures you now see on canvas. I think if Michelangelo was alive today he would immediately see the wonders...The artist can make his scenes and characters live instead of stand still on canvas in art museums.
You see, cuckoos are parasites. They lay their eggs in other birds' nests. When the egg hatches, the baby cuckoo pushes the other baby birds out of the nest. The poor parent birds work themselves to death trying to find enough food to feed the enormous cuckoo child who has murdered their babies and taken their places." "Enormous?" said Jace. "Did you just call me fat?" "It was an analogy." "I am not fat.
I lay my tasks down one by one; I sit in the silence of twilight grace. Out of the shadows, deep and dun, Steals, like a star, my Baby's face. .... I will take up my work once more, As if I had never laid it down. Who will dream that I ever wore, In triumph, motherhood's sacred crown? .... Nevertheless, the way is long, And tears leap up in the light of the sun. I'd give my world for a cradle-song, And a kiss from Baby?only one.
You lay your hand against his skin and just rib his back. Blow into his ear. Press that baby up against your own skin and walk outside with him, where the night air will sourround him, and moonlight fall on his face. Whistle, maybe. Dance. Hum. Pray. (how to calm a crying baby)
So many faces in and out of my life Some will last Some will be just now and then. Life is a series of hellos and goodbyes I'm afraid it's time for goodbye again. Say goodbye to Hollywood Say goodbye my baby Say goodbye to Hollywood Say goodbye my baby.
Finnish forests: Let us remind the satellite pictures of the 1970's winter in which the old forest appeared black and young forest and cut downs white. Already then the Finnish borders were like drawn on the map: White Finland between black Karelian and black Sweden. Finnish Forest Research Institute hicced up some time and then decided that the pictures are fake.
Protection of the life of the mother as an excuse for an abortion is a smoke screen. In my 36 years of pediatric surgery, I have never known of one instance where the child had to be aborted to save the mother's life. If toward the end of the pregnancy complications arise that threaten the mother's health, the doctor will induce labor or perform a Caesarean section. His intention is to save the life of both the mother and the baby. The baby's life is never willfully destroyed because the mother's life is in danger.
The TiVo is really an amazing machine. Like everyone who has one, I totally recommend it. Just as everyone who's married will tell you to get married, and everyone who has a baby tells you to have a baby, everyone who owns a TiVo will tell you to get a TiVo, and they'll say things like 'Your life will be completely different.' It's true.
Words create pictures, and pictures in your mind create words. And then the words come back out your mouth....And when that spiritual force comes out it is going to give substance to the image that's on the inside of you. Aw, that's that visualization stuff! Aw, that's that New Age! No, New Age is trying to do this; and they'd get somewhat results out of it because this is spiritual law, brother.
I wasn't a dancer learning to play Baby Houseman. I was Baby Houseman learning to play a dancer. I was someone who'd never done any Latin dance. I'd taken jazz classes and ballet growing up in New York, so I had dance in me, and I knew I loved it, but I'd never done a dance audition.
When a baby comes into the world, its hands are clenched, right? Like this?" He made a fist. "Why? Because a baby not knowing any better, wants to grab everything, to say the whole world is mine. But when an old person dies, how does he do so? With his hands open. Why? Because he has learned his lesson." "What lesson?" I asked. He stretched open his empty fingers. "We can take nothing with us.
There is a neuron in your brain that will respond only to pictures of Jennifer Aniston - provided you have had prior visual exposure to the actress. That neuron does not respond to pictures of Bill Clinton or Halle Berry. Only Jennifer. I used the story to explain the almost ridiculous plasticity of the organ. There is no such thing as Jennifer Aniston in our evolutionary history - she was born in 1969, for heaven's sake - but we are flexible enough to devote an entire cell to her if we have previously encountered her in some fashion.
One day, a pretty, fresh-faced young lady - intelligent and sincerely concerned - asked me if abortion wasn't preferable to making a young, unmarried girl have a baby she didn't want and which would, therefore, grow up unloved and probably turn out to be a criminal. I gave an answer which apparently she hadn't considered. I told her there were literally millions of people in this country who wanted but could not have children and who waited eagerly, sometimes for years, to adopt the baby she had described.
Welcome baby it's your turn to live they're laying for you chicken pox whooping cough smallpox malaria TB heart disease cancer and so on unemployment hunger and so on train wrecks bus accidents plane crashes on-the-job injuries earthquakes floods droughts and so on heartbreak alcoholism and so on nightsticks prisons doors and so on they're laying for you the atom bomb and so on welcome baby it's your turn to live they're laying for you socialism communism and so on.
I did not know there was any controversy. I don't get a lot of time to read the fan forums, etc. I was thrilled to have the opportunity to have more storylines. I was just so happy to step in and pick up some of the slack for Emily while she was pregnant. It was so important for Emily to concentrate on her health and the well-being of her baby. In the end ... she is a great mother and her baby is adorable. I did not realize there was any controversy. LOL!
The whole entire album is about Cry Baby, you know, being super insecure and kind of like going through her emotions until she finally realizes that she's comfortable with how crazy and insane she is and I think that I've made the exact same kind of progression , and the growth...and I don't know, like I feel like I've definitely grown into who I am and, like, I think Cry Baby is just me.
When we trust the makers of baby formula more than we do our own ability to nourish our babies, we lose a chance to claim an aspect of our power as women. Thinking that baby formula is as good as breast milk is believing that thirty years of technology is superior to three million years of nature's evolution. Countless women have regained trust in their bodies through nursing their children, even if they weren't sure at first that they could do it. It is an act of female power, and I think of it as feminism in its purest form.
I’m no part time dilettante photographer, unlike the bartenders, shoe salesmen, floorwalkers plumbers, barbers, grocery clerks and chiropractors whose great hobby is their camera. All their friends rave about what wonderful pictures they take. If they’re so good, why don’t they take pictures full—time, for a living, and make floor walking, chiropractics, etc., their hobby? But everyone wants to play it safe. They’re afraid to give up their pay checks and their security they might miss a meal.
Every time I caught a fish, I wondered how something so small could have such clear, pure strength. It kept reminding me of another sensation, from another realm. The fish on the line, I eventually realized, felt like the baby, kicking inside you. Or the shocking, life-hungry pull of the baby on the breast. Perhaps fishing is like quickening for men, a long and patient wait for a few electric moments when they feel connected to another life.
England has been praised for turning out intelligent, adult pictures whereas Hollywood has been severely censured for turning out junk. I don't think criticism is a valid one because, in defense of Hollywood, we have censorship problems England doesn't have. I'm not speaking of the license to do sexy stuff. I'm speaking of the license to present adult ideas and viewpoints, which we lack and which means in turn that many of our pictures lack intelligent content.
Making photos is helpful of course to master the craft. To get comfortable with the camera. Learn what a camera can do and how to use the camera successfully. Doing exercises for example if you try to find out things that the camera can do that the eye cannot do. So that you have a tool that will do what you need to be done. But then once you have mastered the craft the most important thing is to determine why you want to shoot pictures and what you want to shoot pictures of. That's where the thematic issue comes to life.
I was playing bass when I was a kid; I play bass now. I used to draw pictures when I was a kid, and I draw pictures now. I talked backwards and weird when I was a kid, and I talk backwards now.
The energy that gets the baby in is the energy that gets the baby out. — © Ina May Gaskin
The energy that gets the baby in is the energy that gets the baby out.
The children of baby boomers should take very seriously the consequences for them of the inadequate funding for them of the baby boomer generation. This is a huge economic problem for the nation, not just for individuals or individual families. Think about it for a minute - if retirees become 20% of our population and their purchasing power falls below what has been normal for retirees in the past, one important engine driving our economy will be diminished.
The element of discovery is very important. I don't repeat myself well. I want and need that stimulus of walking forward from one new world to another. There is something demoralizing about going back to a place to retake pictures. You can no longer see your subjects in a fresh eye; you keep comparing them with the pictures you hold in your memory. [The] world was full of discoveries waiting to be made...(as a photographer) I could share the things I saw and learned...you would react to something all others might walk by.
I've had and probably still have a lot of bad haircuts. My mom just sent me some pictures - I don't know why she did this - but she sent me some pictures of me when I was probably like 12. I grew up in the D.C. area and I used to wear a Redskins jersey just walking around. I just had kind of a bowl haircut for a long time and no sense of style or personal hygiene.
Tell the angels no, I don’t wanna leave my baby alone I don’t want nobody else to hold you That’s a chance I’ll take Baby I’ll stay, Heaven can wait No, if the angels took me from this earth I would tell them bring me back to her It’s a chance I’ll take, maybe I’ll stay Heaven can wait
I dream of a world where people from different backgrounds are praying and working for the flourishment of communities different from them, and I find my sustenance not only in these stories in scripture, but in stories of human existence also - the story of the Bosnian Muslim man who took to a Serbian couple with a new baby a liter of milk every day during that horrible struggle in the former Yugoslavia, because he said even if our tribes, our nations, are at war with each other, there is something deeply human about me wishing that your baby survives and is secure.
The original interest in making pictures that don't directly depict came around '97 or '98, when I felt there was such an acceleration of images in the world, and that was before Flickr and so on. So I felt a need to slow down how one consumes photographs. With the abstract pictures, I was engaged in trying to find new images, but in practice, it was a bit like throwing a wrench in the spokes. The omnipresence of photography is at a level that it has never been in the history of the world. I feel really curious to now reengage and see what the camera can do for me.
I've had small parts in big pictures and big parts in small pictures.
In exchange for his first taste of powdered milk, Pascal showed me a tree we could climb to find a bird's nest. After we handled and examined the pink-skinned baby birds, he popped one of them into his mouth like a jujube. It seemed to please him a lot. He offered a baby bird to me, pantomiming that I should eat it. I understood perfectly well what he meant, but I refused. He did not seem disappointed to have to eat the whole brood himself.
People often ask me, "What's the difference between couplehood and babyhood?" In a word? Moisture. Everything in my life is now more moist. Between your spittle, your diapers, your spit-up and drool, you got your baby food, your wipes, your formula, your leaky bottles, sweaty baby backs, and numerous other untraceable sources-all creating an ever-present moistness in my life, which heretofore was mainly dry.
Most of the photographs I make are personal pictures and never end up in print. Even the magazines I shoot for on assignment publish very few of the actual selects. Sometimes these personal pictures will end up in a book of my work. Oftentimes, however, they are simply photographs which I hope resonate, yet rarely find a publication home. I do a lot of personal work in Rio de Janeiro, and this of a parkour artist making a jump on Ipanema Beach is such a moment.
Clearly, there is some invisible force that is moving every aspect of reality to its next best expression. And the universe is not only self-organizing, it is also self-correcting. The embryo becomes a baby; the baby is born; its lungs continue to breathe - not only were they created but then they continue to breathe. The heart is not only created but it continues to breathe. If there is injury and disease that becomes present within the body, the body is also equipped with an immune system to correct that.
Men's magazines often feature pictures of naked women. Women's magazines also feature pictures of naked women. This is because the female body is a beautiful work of art, while the male body is lumpy and hairy and should not be seen by the light of day. Men are turned on at the sight of a naked woman's body. Most naked men elicit laughter from women.
A pretty girl is better than a plain one. A leg is better than an arm. A bedroom is better than a living room. An arrival is better that a departure. A birth is better than a death. A chase is better than a chat. A dog is better than a landscape. A kitten is better than a dog. A baby is better than a kitten. A kiss is better than a baby. A pratfall is better than anything.
As a newborn baby breathes and cries, so the signs of life in a newborn Christian are faith and repentance, inhaling the love of God and exhaling an initial cry of distress. And at that point what God provides, exactly as for a newborn infant, is the comfort, protection, and nurturing promise of a mother. "If God is our father, the church is our mother." The words are those of the Swiss Reformer John Calvin ... it is as impossible, unnecessary, and undesirable to be a Christian all by yourself as it is to be a newborn baby all by yourself.
I was after a set of pictures, so that when people looked at them they would say, ‘This is war’-that the people who were in the war would believe that I had truthfully captured what they had gone through I worked in the framework that war is horrible. I want to carry on what I have tried to do in these pictures. War is a concentrated unit in the world and these things are clearly and cleanly seen. Things like race prejudice, poverty, hatred and bigotry are sprawling things in civilian life, and not so easy to define as war.
Some people are so afraid of losing their individuality. Wouldn't it be better for the pig to lose his pig-individuality if he can become God? Yes. But the poor pig does not think so at the time. Which state is my individuality? When I was a baby sprawling on the floor trying to swallow my thumb? Was that the individuality I should be sorry to lose? Fifty years hence I shall look upon this present state and laugh, just as I now look upon the baby state. Which of these individualities shall I keep?
I am about to impart to you the sacred words my father gave to me. It’s the five responses that will get you out of any female problem…I don’t know what you’re talking about. I didn’t do it. Baby, there’s no one else in my world but you. Oops. And Jesus is Lord. Not to mention you can combine them. Such as – I don’t know what you’re talking about, I didn’t do it, or Jesus is Lord, baby, you know there’s no one else in my world but you. (Jesse) (Simone opens the bathroom door.) Oops, Jesus is Lord. (Xypher)
Some people want it all But I don't want nothing at all If it ain't you baby If I ain't got you baby Some people want diamond rings Some just want everything But everything means nothing If I ain't got you, Yeah
What I want is the world to remember the problems and the people I photograph. What I want is to create a discussion about what is happening around the world and to provoke some debate with these pictures. Nothing more than this. I don't want people to look at them and appreciate the light and the palate of tones. I want them to look inside and see what the pictures represent, and the kind of people I photograph.
The Watsons have lost sight of the fact that Mercy Watson is a pig, and they love her truly, madly, deeply. They live next door to two elderly sisters, Eugenia Lincoln and Baby Lincoln. Eugenia Lincoln is horrified that a pig is living in the house next door. Baby Lincoln secretly likes Mercy a great deal.
And that desire-the strong desire to take pictures-is important. It borders on a need, based on a habit: the habit of seeing. Whether working or not, photographers are looking, seeing, and thinking about what they see, a habit that is both a pleasure and a problem, for we seldom capture in a single photograph the full expression of what we see and feel. It is the hope that we might express ourselves fully-and the evidence that other photographers have done so-that keep us taking pictures.
So I tried to get my shot with a 50mm and I did it - this is when we're shooting film, not digital. The guy that hired me looked through the pictures and was like, "Oh, this is pretty good. You did a good job." And I was like, "Yeah, I'm sorry. I only had a 50mm. My girlfriend rented the wrong lens..." and he stopped looking at the pictures and he looked up at me and he said, "You shot this with a 50mm? You're hired."
Anything that looks like an idea is probably just something that has accumulated, like dust. It looks like I have ideas because I do books that are all on the same subject. That is just because the pictures have piled up on that subject. Finally I realize that I am really interested in it. The pictures make me realize that I am interested in something.
Somehow Annie Flanders from the SoHo News heard I was doing pictures and was headed to Paris. She saw my worked, liked it, and asked me to take pictures for her paper while I was there, but told me I would first have to buy a real camera - 35-millimeter. I got a little book that taught me how to load film. I read it on the flight to Paris. Hours later, I found myself at the top of the Eiffel Tower with Yves Saint Laurent and Andy Warhol. It's all been downhill since then.
Annie turned away, her eyes glittering. 'Here's what no one tells you,' she said. 'When you deliver a fetus, you get a death certificate, but not a birth certificate. And afterward, your milk comes in, and there's nothing you can do to stop it.' She looked up at me. 'You can't win. Either you have the baby and wear your pain on the outside, or you don't have the baby, and you keep that ache in you forever. I know I didn't do the wrong thing. But I don't feel like I did the right thing, either.
Quality doesn't mean deep blacks and whatever tonal range. That's not quality, that's a kind of quality. The pictures of Robert Frank might strike someone as being sloppy-the tone range isn't right and things like that-but they're far superior to the pictures of Ansel Adams with regard to quality, because the quality of Ansel Adams, if I may say so, is essentially the quality of a postcard. But the quality of Robert Frank is a quality that has something to do with what he's doing, what his mind is. It's not balancing out the sky to the sand and so forth. It's got to do with intention.
But maybe a man was nothing but a man, which is what Baby Suggs always said. They encouraged you to put some of your weight in their hands and soon as you felt how light and lovely that was, they studied your scars and tribulations, after which they did what he had done: ran her children out and tore up the house. [...] A man ain't nothing but a man,' said Baby Suggs. 'But a son? Well now, that's somebody.
I want the pictures to be working in both directions. I accept that they speak about me, and yet at the same time, I want and expect them to function in terms of the viewer and their experience. With these abstract pictures, although the eye recognizes them as photographic rather than painted, the eye also tries to connect them to reality. There's always this association machine working in the brain, and that is why it is important to me that they are actually photographic and not painted.
I came to terms with living mostly in a world of horror pictures or genre pictures. I have had a few chances to get outside and do something different, like Paris, Je T'Aime or Music Of The Heart, but mostly it's been my lot. And to have created, with a few shocking films, an awareness or a perception of me as somebody dangerous and scary - that can be sold, but trying to sell me for some other kind of picture, like Music Of The Heart, was very difficult.
Consider a movie: it consists of thousands upon thousands of individual pictures, and each of them makes sense and carries a meaning, yet the meaning of the whole film cannot be seen before its last sequence is shown. However, we cannot understand the whole film without having first understood each of its components, each of the individual pictures. Isn't it the same with life? Doesn't the final meaning of life, too, reveal itself, it at all, only at its end, on the verge of death?
They all laughed. I drew their pictures and they asked for copies and I handed them out as if they were my tickets to the show. In the Navy Yard, I could drink with men because I worked with men; in the Parkview, I could drink with men because I drew their pictures. The world was a grand confusion. Finally, when I was bleary, when my hand wouldn't do what I wanted it to do, I went home. I would lie alone in the dark, feeling that I was a character in a story that had lost its plot.
My father collected turtles when he was young. My parent's wedding album, there's two pictures of them getting married and the rest are just pictures of turtles. I remember they had Galapagos tortoises that they had somehow imported illegally and a bunch of other turtles too. I like the animals themselves. They're so self-possessed and self-contained and there's something wise and mysterious about them. I also like that they are prehistoric animals.
The paintings that laughed at him merrily from the walls were like nothing he had ever seen or dreamed of. Gone were the flat, thin surfaces. Gone was the sentimental sobriety. Gone was the brown gravy in which Europe had been bathing its pictures for centuries. Here were pictures riotously mad with the sun. With light and air and throbbing vivacity. Paintings of ballet girls backstage, done in primitive reds, greens, and blues thrown next to each other irreverantly. He looked at the signature. Degas.
One of the greatest things that ever taught me a super lesson was when I seen a baby come out of my woman's womb. The head and body - you know, a baby's born inside a woman's stomach, you know all that. But to watch this thing come out and fight for life, yo, and to see the woman's risking her life at the same time this thing is fighting for life, you know what I mean?
Maybe my work isn't a cry for help. It may just be a baby's need to cry or a dog's need to bark. You know, barks that seem connected to phantom noises and cries that just come; though a baby's cries are usually efficient - something is bothering them. Anyway, I think giving money is a sign of love. If you truly want to help someone, a lot of times giving them money is the best thing you can do.
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