Top 300 Bach Quotes & Sayings - Page 4

In a way, the highest praise you could give to a composer like Bach was to take and make your own arrangement; it was sort of an homage to that composer and to his work, so it wasn't considered sacrilegious to do something like that.

There is more to life than increasing its speed. Gandhi gave my life to become the person I am right now. Was it worth it? Richard Bach Life exists for the love of music or beautiful things.

In Bach there is still too much crude Christianity, crude Germanism, crude scholasticism; he stands on the threshold of European (modern) music, but he looks back from there to the Middle Ages.

I don't get so much inspiration from other musicians. Especially alive musicians. Late musicians are good - Bach, Beethoven - yes, good.

A man who is eating or lying with his wife or preparing to go to sleep in humility, thankfulness and temperance, is, by Christian standards, in an infinitely higher state than one who is listening to Bach or reading Plato in a state of pride.

Bach, Mozart, Beethoven and Tchaikovsky were not classical musicians while they were alive and active, they were the rock stars of their day.

Creativity is more than just being different. Anybody can plan weird; that's easy. What's hard is to be as simple as Bach. Making the simple, awesomely simple, that's creativity.

Lurch's quietness is a result of personal dignity. He appreciates things of quality. His greatest joy is playing Bach on the harpsichord, and he recognizes the music as the result of 'a great human effort to express.

The best picture has not yet been painted; the greatest poem is still unsung; the mightiest novel remains to be written; the divinest music has not been conceived, even by Bach. In science, probably ninety-nine percent of the knowable has not yet been discovered.

I saw the dance as a vision of ineffable power. A man could, with dignity and a towering majesty, dance. Not mince, cavort, do "fancy dancing" or "showoff" steps. No: Dance as Michelangelo's visions dance and as the music of Bach dances.

You play Bach your way, and I’ll play him his way.

Trying to be a first-rate reporter on the average American newspaper is like trying to play Bach's St Matthew Passion on a ukulele: The instrument is too crude for the work, for the audience and for the performer.

I realised at the age of 16 that unless I read the gospels, I would never have access to Renaissance art, to the music of Bach or the novels of Dostoevsky. So in the evenings, when the other boys went to play basketball or chase girls - I had no chance in either - I found my comfort in Jesus.

I'm too busy playing. When I'm playing I don't pay attention to who's listening. When I was listening I listened to symphony orchestras, Beethoven, Bach, Brahms, Stravinsky. You don't listen to one instrument; you listen to music.

There's nothing I really wanted to record more than Bach. It's wonderful music. It's - on a grand scale, there's a lot to it. There are - I can work on it for a long time and keep discovering more things, you know, that surprise me every time.

Ray grew up in Chicago so he had the blues, Muddy Waters and all that. He also had classical training. That was pretty cool. That was invoked in the intro to 'Light My Fire,' which was very kind of Bach-like.

I bring my classical training - some of it, but not all of it - and also my background and culture, to spirituals. And I try to leave room for that unpredictable factor, where the feeling of the song is allowed to come through. The same ethos can be applied to singing Mozart, or Schubert, or Bach. It's not just about what's on the page.

Bach is like an astronomer who, with the help of ciphers, finds the most wonderful stars . . . Beethoven embraced the universe with the power of his spirit . . . I do not climb so high. A long time ago I decided that my universe will be the soul and heart of man.

I began to realize that some of the things Ornette Coleman had said about things being played three or fours ways, independently of each other, were true because Bach had also composed that way.

If we look at the works of JS Bach ... on each page we discover things which we thought were born only yesterday, from delightful arabesques to an overflowing of religious feeling greater than anything we have since discovered.

I grew up in a family that was very musical, learned the blues and everything like that. And I became a little bit frustrated with the simplicity of rock n' roll and blues. I started listening to a lot of classical music - mainly Bach, Vivaldi.

In my study I can lay my hand on the Bible in the pitch dark. All truly inspired ideas come from God. The powers from which all truly great composers like Mozart, Schubert, Bach and Beethoven drew their inspirations is the same power that enabled Jesus to do his miracles.

A lot of Viners do more relatable stuff, but I try to stay away from that. I try to maybe take a relatable situation and Bach it up.

Has it struck you that the music which is regarded as the most sublime in western civilization, which is the music of Bach, is called baroque?

You have to open the music, so to speak, and see what's behind the notes because the notes are the same whether it is the music of Bach or someone else.

It's important to play the pieces that you feel you can play well. It was always my dream to play Bach - my first love and fascination - Chopin, and Szymanowski.

I find that Bach is appealing to a lot of different audiences. It really hits people at their core in different ways, but it also creates a meditative space. I just feel like I can play it, and it reaches people.

If you look at somebody like Bach, he didn't need collaborators to write for keyboards, cello, violin or anything else. I feel the same way about my music. The times that I have worked with other people, I've been very unhappy with the results.

I grew up on Bach and Beethoven, and now I'm listening to more modern composers who I can't even name. But since I'm constantly doing music, it's difficult to have that quality time to listen to music and do classical stuff.

But it wasn't just a technical approach towards the piano, studying the music for this film was also a way of approaching the soul of the film, because the film is really about the soul of Schubert and the soul of Bach.

My mind and fingers have worked like the damned. Homer, the Bible, Plato, Locke, Lamartine, Chateaubriand, Beethoven, Bach, Hummel, Mozart, Weber are all around me. I study them. I devour them with fury.

Being a classical musician, you're doing many things anyway. One day you're doing Bach concerto and the next you're doing some avant-garde thing. It's just another hat that I'm allowed to wear.

I grew up on Bach and Beethoven and now I'm listening to more modern composers who I can't even name. But since I'm constantly doing music, it's difficult to have that quality time to listen to music and do classical stuff. That's the only reason I'm thinking of going on.

I'll never forget the first time I heard Johann Sebastian Bach's 'Partita in E Major' for violin. It was in a late-1980s television commercial, of all things. As a young violinist at the time, it enchanted me - it was so pure, precise, and unadorned.

Go Green, Live Rich is the ultimate toolkit for greening the planet and our wallets at the same time. No one does a better job than David Bach in showing us the practical strategies for how to enjoy living sustainably.

Bach is the supreme genius of music... This man, who knows everything and feels everything, cannot write one note, however unimportant it may appear, which is anything but transcendent. He has reached the heart of every noble thought, and has done it in the most perfect way.

Eventually I had so many little melodies and ideas that, you know, that they were all songs to me and I threw in a few cover songs like Enya's "Watermark," Bach, and my dad's song, "Song for the Whales."

Bach is how buildings got taller. It's how we got to the moon.

If you have a piece by Bach, he often develops the piece to such a high level that you can hardly do much more to it. But Saint-Luc wrote very simple baroque music, and so if you do not embellish it, it just falls apart. It's way too simple.

I listen to lots of music, especially Bach, opera (all periods), German lieder, chamber music, and rock, old and new. I can't listen to music while I write. It's too absorbing.

One does not play Bach without having done scales. But neither does one play a scale merely for the sake of the scale.

We are huge Bach fans, and huge Glenn Gould fans.

I have some good books of Bach keyboard music transcribed for guitar, and there's always a nylon-string guitar hanging on the wall in my house and a bunch of classical guitar books to grab. I kind of do that just for fun.

I was fifteen years old, and I hardly knew how to play a simple Bach prelude on the piano when I began to compose music, and at the most advanced level. I had never studied such things as harmony.

I think that if I were required to spend the rest of my life on a desert island, and to listen to or play the music of any one composer during all that time, that composer would almost certainly be Bach.

I had no idea of the historical evolution of the civilized world's music and had not realized that all modern music owes everything to Bach.

I own a fart CD. It has, I believe, over 100 fart sounds. A lovely variety, from the up-close and personal to the more experimental and dissonant. Some people prefer to listen to Bach when they go to sleep... not me.

Puffy's the only guy who's jealous. All drummers want to be singers. I think it's a myth that the singer needs to be the focus. Bands perpetuate that myth. With somebody like Sebastian Bach it makes sense. Look at him. He could be in an Avon ad.

Whether the angels play only Bach praising God, I am not quite sure. I am sure, however, that en famille they play Mozart.

In my younger days, I used to visit record shops and covet boxed sets of Beethoven symphonies, Wagner operas, Bach cantatas, Mozart piano concertos. Only rarely was I able to find the money for such luxuries.

Art forms of the past were really considered elitist. Bach did not compose for the masses, neither did Beethoven. It was always for patrons, aristocrats, and royalty. Now we have a sort of democratic version of that, which is to say that the audience is so splintered in its interests.

I became interested in AI in high school because I read 'Goedel, Escher, Bach,' a book by Douglas Hofstader. He showed how all their work in some ways fit together, and he talked about artificial intelligence. I thought 'Wow, this is what I want to be doing.'

For one person, Haydn is most exciting. Or Bach is the most exciting. For another, it's Carter or Strauss. For me - and for any musician - all of the music is exciting. And if you don't approach it with excitement, we can't be musicians.

From it's inception Beat poetry was hailed as "something NEW" and "like all good spontaneous jazz, newness is acceptable and expected - by hip people who listen." But the newness of jazz has in it the echoes of J. S. Bach.

It's easier to interest a conservative audience in pushing the musical boundaries than to involve a young audience used to very noisy, assertive music in something like Schubert or Bach because the further back you go, the less bells and whistles there are.

Music always stimulates my imagination. When I'm writing I usually have some Baroque music on low in the background chamber music by Bach, Telemann, and the like.

I'd like to get something together - like a Handel, Bach, Muddy waters, flamenco type of thing. If I could get that sound, I'd be happy

The fact that Stravinsky used the classics as a major influence is obvious. What is interesting is how he used them, how he turned Bach into Stravinsky.

Jazz isn't as profitable for labels like Hip hop or Rap. Jazz needs subsidies to continue, just like European classical works of Bach and Beethoven are subsidized.

I love classical. I have a lot of, like, Bach and Mozart and stuff. Then you flip on over, and I've got, like, Kanye West and, you know, just a bunch of - I am very eclectic. I love every sort of music.