Top 1200 Bad Character Quotes & Sayings - Page 14

Explore popular Bad Character quotes.
Last updated on April 21, 2025.
You have to play the character in the best way you know how and do what you need to do in order to bring that character to life and not worry about the millions of people that you may be disappointing!
One of my first acts will be to get all of the drug lords, all of the bad ones - we have some bad, bad people in America that have to go out. We're going to get them out; we're going to secure the border.
I don't have a preference for bad people, no. I have an interest in playing a broad range of characters. Obviously, I'm mostly identified with a character who is very responsible, very solid and very intelligent, but there are plenty of questionable characters in my past career. I'm interested in exploring theatricality and characters with some dimension.
Winning takes character. Workers get the most out of themselves. When a body has limited talent, it must muster all its resources of character to overcome adversity. — © Pete Carril
Winning takes character. Workers get the most out of themselves. When a body has limited talent, it must muster all its resources of character to overcome adversity.
That's one of the things I find really bad, is when people not only do injuries to others, but then lie about the others to justify it. It's not bad enough just being bad to someone, but then lying about it.
Football doesn't build character, it reveals character.
I want to be true to the character and maintain some consistency and give the audience what they love while at the same time keeping things fresh and grow the character.
In 'The Trip,' I play the character named Ananya Makhija, a Delhi girl who wants to get married. This is a different character from whatever I have portrayed onscreen so far - of a sweet, small-town girl. Most importantly, you will not find a trace of my character from 'Masaan.' So, I think this will change my image of a small-town girl.
As a young actor, I was advised to bide my time. Back then, there weren't good roles for someone like me. There were handsome leading men and character actors for smaller supporting roles. But I was told to hang in there, and it was good advice. We're all character actors now. Even a handsome man is a character actor at my age.
A mob pelting pilloried wrongdoers with rotten vegetables would seem to have little in common with one doing the same with 140-character invective, except of course the most important thing: the belief that they are in the right, and are even doing good by making the object of their contempt feel really, really bad.
There is something in the character of every man which cannot be broken in--the skeleton of his character; and to try to alter this is like training a sheep for draught purposes.
The philosophical underpinnings of my approach to acting are that there are universal human qualities, and that every character is actually available within each one of us, that if we tap down into that universal humanness, we can find whatever character it is that we need to play already there within ourselves, and it's just a matter of peeling apart the onion that is you and finding that character within you, because of this universal human quality.
I really believe that when you're playing a character that everything is contained in the script. If I'm pulling from things from my own life, then I think I'm being disingenuous to the character and the story.
Playing a TV character for seven years is almost like when you do a play. You live, breathe, and everything else with that character 24-7 for six months or four months or whatever, and that gets very deep in your blood. When you do a TV character for seven years, that's a long time. It becomes a seminal era in your life.
You know, when you see a haircut of yourself from around 12 or 13, it's rough. I also had really bad acne. Where I had to take this medicine - serious medicine - with warning on the label, like, "Do NOT take this if you are pregnant." Thank God I wasn't pregnant at the time. But yeah, I just had bad haircuts, bad acne, and bad clothes for a long time. And probably still right now.
The Olympics were produced absolutely the same way from 1960 through 1988. It was always the Western World against the Eastern Bloc. You didn't even have to spend one second developing the character of any of the Eastern Bloc athletes. It was just good guys and bad guys.
I never agree to do a character that molests a woman. I have been very conscious not to do such roles. I believe that even a villain should have character, which people can remember.
The most important thing you can do as an actor is bring as much of yourself to the character to ground the character in some sort of reality, and then you build around it and on top of it.
Girls liking bad boys is the cookie jar complex. When somebody tells you you can't have a cookie, you want a cookie. But I live in a bad-boy world, artistically. All the jazz boys are bad boys.
A character who is thought-out is not born, he or she is contrived. A born character is round, a thought-out character is flat. — © Rex Stout
A character who is thought-out is not born, he or she is contrived. A born character is round, a thought-out character is flat.
A cartoon character isn't a specific person. It isn't Tom Cruise or George Clooney playing the part, it's a character that could be you. It's easier for you to get drawn into it in a special way.
Though I'm considered a leading man, I still consider myself a character actor. Because acting, to me, is creating a character, not playing the same thing all the time.
Discrimination is a bad bad bad thing.
If you do a character, always make the character with a big question mark. Even if the character is very enigmatic and all over the place, make him always with a question mark, because if you turn a question mark upside down, like they do in South America in Spanish, then it becomes a hook.
Adam and Eve - and especially Eve - are victims of the greatest character assassination the world has ever known. Eve is not secondary. Eve, if anything, is the great initiator in the story. She's the first independent woman. For me, rediscovering that Eve was the greatest bad**s women of all time was a revelation.
Just because you are a character doesn't mean you have character.
There's a pressure to be the wrestler that you are, that character that you've created 24 hours a day 7 days a week. It's tough for wrestlers sometimes to sort of have that separation between person and character.
The characters are born from repetition, from repeatedly thinking about them. I have their outline in my head. I become the character and as the character I visit the locations of the story many, many times. Only after that I start drawing the character, but again I do it many, many times, over and over. And I only finish just before the deadline.
[And on going from character to leading actor] I don't approach anything differently; I just approach it as a character. I'm always astounded at the fact that I've ever played a leading character in anything [Laughs]. And my wife concurs with that, frankly. She always thought I would be, at best, the wacky neighbor on a sitcom, so this is all just a surprise and a joy.
I think as an actor... I don't like to compare a character to anybody else, just because I respect other people's work, and I want that character to have his own identity.
When our embassy is attacked in Benghazi by terrorists and there is no response, you get more bad behavior. When Russia invades Ukraine and there is no response, you get more bad behavior. When Syria crosses the red line and there is no response, you get more bad behavior. When Iran launches tests of ballistic missiles and there is no response, you get more bad behavior. When North Korea attacks Sony Pictures and there is no response, you get more bad behavior. In other words, Mrs. Clinton, you cannot lead from behind. We must respond when we are attacked or provoked.
If it ever seems to us that the world is a place where bad things only happen to good people, it is because we still believe that bad things happening to bad people is a good thing.
If you do a character that resonates enough, people are always going to see you as that character. It will just be up to me to make choices where I can flex other muscles.
The history and baggage of certain actors and characters - it goes into the movie and becomes part of it. If Keanu Reeves wasn't Keanu with all the things that make him Keanu, it wouldn't be the same for him to come in and become his Bad Batch character The Dream. It's kind of meta or next-level interesting for me.
Bad debt is debt that makes you poorer. I count the mortgage on my home as bad debt, because I'm the one paying on it. Other forms of bad debt are car payments, credit card balances, or other consumer loans.
[John Musker] got me reading the mythology and we very early on we worked up a basic storyline centered around the character of Maui. He just seemed like a great character to kind of build a movie around. He's this mythic demi-god, bigger than life character. He pulled up islands with his magical fishhook. He slowed down the sun. He's Pan Pacific.
A little girl thought I was mean like my character on 'Zoey,' and I convinced her that 'Logan' is just a fake character and I am really a nice guy.
And a lesson in this movie is dig beneath the surface. And so with my words, with my character, I purposely created a character that was away from how you've known me thus far in my career.
It is not necessary for a man to be actively bad in order to make a failure in life; simple inaction will accomplish it. Nature has everywhere written her protest against idleness; everything which ceases to struggle toward an ideal, the constant effort to get higher and further, which develops manhood and character.
When I'm given a role, I'm consumed by a passion to bring to life a character that exists only on paper. I mull over the character for days and internalise his feelings.
Contradiction is the heart and soul of character and drama. You're always looking for it. I loved her so much I hit her; that's character. I loved her so much I hit her again; that's even more character.
It wasn't until 'Double Take' that I was in a movie as the leading man, in a character that was more straight and less broad than the other character, and where the story is really about him.
Very little of what America does is actually bad, and I don't think it ever does anything anywhere that is intentionally bad. I mean, sometimes we make mistakes and bad judgments and kind of back the wrong regimes and things, but by and large what America does is really good.
The true athlete should have character, not be a character — © John Wooden
The true athlete should have character, not be a character
The old woman was not only ugly with the ugliness age brings us all but showed signs of formidable ugliness by birth - pickle-jar chin, mainsail ears and a nose like a trigonometry problem. What's more, she had the deep frown and snit wrinkles that come from a lifetime of bad character.
Camp taste turns its back on the good-bad axis of ordinary aesthetic judgment. Camp doesn't reverse things. It doesn't argue that the good is bad, or the bad is good. What it does is to offer for art, and life, a different - a supplementary - set of standards.
Usually I start with a concept, which I then sketch out so that I can get a feel for the character. The character doesn't really become real to me until I draw them.
There's a theory in gameplay, particularly in first person shooters, that sometimes you don't want to have that much of a character because then it destroys the experience of the player being that character.
I make a playlist for every character I portray. Music plays a huge part in helping me understand a character. Every time I get a new role, I will take a chunk of time to just sit and listen to a bunch of songs and select the ones that make sense in my mind for that character. I can't even explain how much it helps me.
A good interpreter can take a piece of bad music and make it sound pretty decent, while a bad interpreter can take good music and make it sound cheap. I can tell that some people have a bad taste, and unlike on the piano, they smear around a lot, that is bad taste.
One of my problems with terrorism is that it's self-evidently bad. The main thing that makes it complicated is the fact that it works. When you go at it with a moral hammer, it's really, really bad. It's so bad you wouldn't believe it because you don't accomplish anything. I think the one thing terrorists themselves are vulnerable to is mockery. It's an excellent weapon.
For me acting is passion, emotion, and creating the character and the whole world around the character. We enjoy all that. Sleeping on time, eating healthy, you are what your lifestyle is.
Now, being a POW certainly doesn't qualify anyone to be president. But it does reveal character. This is the kind of character that civilizations from the beginning of history have sought in their leaders.
I think you've got good people and bad people in everything you do. If you start making a big deal of it, then it's a problem. It's like in life. We've got bad doctors and lawyers. We've got bad priests! We don't target every priest and say he's bad. You have to go to church and you have to go see some doctors. Some people have to be good.
As it can be maintained that all the great advances have come from men under forty, so the history of the world shows that a very large proportion of the evils may be traced to the sexagenarians, nearly all the great mistakes politically and socially, all of the worst poems, most of the bad pictures, a majority of the bad novels and not a few of the bad sermons and speeches.
The character of a generation is moulded by personal character. — © Brooke Westcott
The character of a generation is moulded by personal character.
Everyone has bad days, and when you're having a bad day, you think, 'Here I am being singled out by a hostile, malicious universe that is picking exclusively on me.' And then you read a book about bad days and realize they happen to everyone, not just tormented, persecuted you.
Mystery is great, that's what art is and I think when you can leave your imagination to grow, it's good. I just don't like it if it's super bad because I'm a loving person, I love everybody and human beings. I do have a darkness to me, but I would never do bad things or wish bad things on people, or hurt anything or anyone.
Sometimes an actor performs a character, but sometimes an actor just performs. With writing, I don't think it's performing a character, really, if the character you're performing is yourself. I don't see that as playing a role. It's just appearing in public.
Your choices are very important. The only thing you have as actors are your choices: the option to say no to something. You don't want to take on a really bad job and be terrible in something - especially in film, because if you're bad in it, you're bad in it forever.
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