Top 1200 Bad Character Quotes & Sayings - Page 17

Explore popular Bad Character quotes.
Last updated on April 19, 2025.
Usually viewers are attached to a character or that character's personality. But, in my case, I have been exceptionally lucky as I have been accepted as Shweta.
The day people around me stop questioning my character is the day my character begins to grow vulnerable.
That's kind of my ideal sequel - a movie that continues the story, takes one character and moves on, and moves forward with that character that survived with the first one.
I think if you find that you're making a judgment on the character, than your audience will make a judgment on the character. — © Michelle Monaghan
I think if you find that you're making a judgment on the character, than your audience will make a judgment on the character.
Faith in God... produces character; character will produce courage, courage to face the challenges of the day.
Our estimate of a character always depends much on the manner in which that character affects our own interests and passions.
I wanted to do something about a really optimistic character: a character who was so optimistic, no one could burst her bubble.
Character develops in stream of struggle and adversity. Character is foundation of your inner beauty which reflects in your personality.
What fascinates me as a writer is the stuff underneath, To me, what drives a novel is the curiosity behind the character and the depths that you want to find in that character.
Fate is a funny character. She puts obstacles in your path to see what character ye have. Life isn't fair,life is a test.
I love actors. I enjoy their company, and I get excited each and every time they bring a character I've written to life. Every so often a talented actor doesn't hook in correctly to a character; or someone gets lost in a labyrinth of over-complicated thoughts, and the character and play suffer. However, most of the time I find actors either end up doing exactly what was in my head, or sometimes do something even better.
The way it works for us is, when I watch a character and I connect to a character, I'd love to bring them back and see them again.
When you're playing a character, you don't really want to have an opinion about where you're going to end up. Otherwise, you can't really stay in the moment and in your character.
Whenever we've approached a story, it's always started with the character, and the idea of some character struggling with some part of himself. That's what gets us in.
I like actors who just are who they are, with a little bit of qualification to adapt to their character. But mostly they just use their own personality to embody the character.
One of the things that I love so much about the character of Sally Bowles is that she is such a huge character - she is so roomy. — © Barrett Wilbert Weed
One of the things that I love so much about the character of Sally Bowles is that she is such a huge character - she is so roomy.
One of the things I like about a character: I always think it's fascinating when a character can turn on a dime and go from one emotion to another. I like watching that.
A lot of times, scripts are written so the character is all one way. Even with 'Bringing Out the Dead,' the character was written a little more generic.
If someone puts a character in front of me - no matter what it is, whether there has been a film or not - I want to be that character, not imitate it. There's a difference - a big difference.
I'm so critical, especially of the movies I do. If the movie flows and I buy it, that's important. Beyond it working, if I buy the character, especially if I'm close to the character.
You don't realize how much a part of your character is part of yourself until you are no longer playing that character.
Filming a movie is different from a TV show because film is a lot quicker, you get to see the character progress and grow all in one script, and in television, you wait for a weekly update on each character.
It's more difficult playing a real-life person than a fictional character - you can go easy on yourself with a fictional character.
As a character actor, you have to understand that it's not about you. You have to remember it's about someone else's life. And your character is just passing through.
When I'm inside the character, I feel like I'm a different person, and then when you see that character on screen and I see that it's me, I find that disappointing.
An actor doesn't change thought, theme, or mood unless the character does, and the character only does it within the words of the play.
The character and mentality of the keepers may be of more importance in understanding prisons than the character and mentality of the kept.
You could say I'm a character actress. Or maybe a character actress who does peculiar, interesting lead roles.
I always think change is important in a character. The most dynamic choices that you can make for a character are always the best ones.
Pain and suffering are in themselves bad and should be prevented or minimized, irrespective of the race, sex, or species of the being that suffers. How bad a pain is depends on how intense it is and how long it lasts, but pain of the same intensity and duration are equally bad, whether felt by humans or animals.
Every character is a baby. You can't choose between them. If you can, you didn't do your job. You have to fall in love with every character.
The same way that you are the main character of your story, you are only a secondary character in everybody else’s story.
Every character I do is something special to me. Every time you score with a great character relationship in a movie, it becomes your baby.
I don't want to be a nobody in a film. It's okay if it is not a lead character, but it should be a central character and it should make an impact.
People in Seattle and Tacoma know who I am as a person, and I don't think I am a character risk or have a character issue at all.
I love to be a working actor, and I love to read scripts as they come in. If I find the script or character that is interesting, I want to transform myself into that character.
No, I don't have to practice that grunt. You just do it. Once you're in character, you're in character. You don't sit there purposely thinking, Well, I'll grunt here, or I'll groan there.
When you go for something because you're curious about it, you get psyched up about the chance of getting into it. It's like an actor meets a role, and you slip into that body and see what happens, to experience certain conditions, to adopt a certain character. Even shooting is a study of the character. I think both the character and the actor, and eventually the filmmaker - myself - are finding a way to accept their environment and being accepted and feel comfortable of themselves.
Christopher Guest, he'll call and say, 'We're doing this movie, and I'd like you to play _' and he gives you the character, then I always like to enlarge on the character.
For me, one thing I love is having an arc for a character. I love being able to see a character go through something and to learn. — © Mae Whitman
For me, one thing I love is having an arc for a character. I love being able to see a character go through something and to learn.
People often believe that character causes action, but when it comes to producing moral children, we need to remember that action also shapes character.
I did take some voiceover classes. I always loved the idea of doing a voice for a cartoon character. I just voiced the character of Suzi X in the upcoming 'The Haunted World of El Superbeasto.'
If the character is really well-rounded, and it's a really strong character, and if the writing is just fantastic, that's the thing that will hook me in, certainly.
I'm not really a Method actor. I'm always afraid of working with someone who's afraid to [break character] and won't talk to anyone because they're in character.
Character in many ways is everything in leadership. It is made up of many things, but I would say character is really integrity.
I'm a character actor but unlike a lot of character actors, I don't look radically different from film to film and there was a bunch of them at once.
The same way that you are the main character of your story, you are only a secondary character in everybody else's story.
When you play a non-fiction character it is more responsibility than when you are playing a fiction character because that person lived, and you do want to pay respect to that.
I don't have very complete scripts for my films. I have a general outline and a character in my mind, and I make no notes until I find the character who's in my mind in reality.
The character wherewith we sink into the grave at death, is the very character wherewith we shall re-appear on the day of resurrection.
Playing Marcia was a double-edged sword; it always will be whenever you play a character like that. You will be known as that character forever. — © Maureen McCormick
Playing Marcia was a double-edged sword; it always will be whenever you play a character like that. You will be known as that character forever.
There are elements of myself in every character I do, just because you take from your real life experiences and sprinkle those into your character.
I just don't play a character for the heck of it. Rather, I always look for a human element in every character that I play.
Think of every character as a main character. They believe they're the main characters in their stories. No one should just be an obstacle.
I play a character every day of my life, and I don't want to play a character as myself. They can judge me as an actress, not as a person. I'm not a spokeswoman for Anna.
I guess I'm the perfect young lead actress. I'm not Chloe Sevigny - I'm not really a character actress. Some actors have "character" faces.
I try mainly to just focus on character and what my character's point of view is, with each person, and try to figure out story.
Hip-hop is so much about character and caricature that people just see you as a character. Very rarely are you flesh and bone to people.
Every time you see someone saying a character's too this or too that, those are the things that make a character.
The power of the Latin classic is in character , that of the Greek is in beauty . Now character is capable of being taught, learnt, and assimilated: beauty hardly.
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