Top 1200 Bad Impression Quotes & Sayings - Page 2

Life is like a film screen: pictures come, make an impression, go, and then make a place for new pictures with new impressions which obscure the previous ones. Some of those old pictures fade, but the impressions they leave will never pass away. Such an impression is the image of Hein Sietsma -- a joyful Christian who loved life so much but was still willing to give it to the great, good, and holy cause.

Hamburger bad fries bad, coca-cola bad….There I said it. Drink your water people.

To me, bad taste is what entertainment is all about. If someone vomits while watching one of my films, it's like getting a standing ovation. But one must remember that there is such a thing as good bad taste and bad bad taste.

I guess I just feel bad that I'm still going on bad dates when I should really be in a bad marriage by now.

Close encounters are bad. Bad for the animal, as it causes stress, and bad for me for exactly the same reason.

'Sarfarosh' has made people realize that I can act. This film has made me grow as an actor. There was a general impression among the people that I can only play a bad guy without any dialogues. But this film has given me a break and I have proved myself as an actor.

It's becoming apparent that I like bad boys. That's one of my problems. They've all been bad boys. You're one too. You're a bad boy. But, I think you're a good bad boy.

Yet we didn't fix anything. Our roads are bad, our bridges are bad, our tunnels are bad, our schools are bad, our hospitals are bad.

I think comedy directors tend to feel a need to justify the bad behavior, and I just never think that. I like bad behavior, I've always liked bad behavior, I'm a fan of bad behavior, and I don't think you have to justify bad behavior.

It's just immensely frustrating that things like Breaking Bad get made that are kind of perfect! There's not even a bad episode of Breaking Bad, let alone a bad season. I want to be able to say, "Hey everybody, it's impossible to make a show where every episode is great!" No it's not.

In general, I think writing characters, no one is 100 percent good or bad, and certainly, the bad characters never think they're bad themselves. Even the worst characters don't feel like they're bad guys on the inside.

Skepticism's bad rap arises from the impression that, however necessary the activity, it can only be regarded as a negative removal of false claims. Not so... Proper debunking is done in the interest of an alternate model of explanation, not as a nihilistic exercise. The alternate model is rationality itself, tied to moral decency--the most powerful joint instrument for good that our planet has ever known.

A bad cause will ever be supported by bad means and bad men.

And what we students of history always learn is that the human being is a very complicated contraption and that they are not good or bad but are good and bad and the good comes out of the bad and the bad out of the good, and the devil take the hindmost.

What makes 'The Wire' a beautiful story is how true to life it is. In other shows, you have a good guy and a bad guy. In 'The Wire,' bad guys are trying to be good, good guys are doing bad. You have real life. The people who do bad get bad things done to them.

A novel with a bad middle is a bad book. A bad ending is something I've just gotten in the habit of forgiving.

If you do something bad, it doesn't mean you're a bad person. It means you had bad judgment.

Bad facts make bad law, and people who write bad laws are in my opinion more dangerous than songwriters who celebrate sexuality.

Domestic happiness is the end of almost all our pursuits, and the common reward of all our pains. When men find themselves forever barred from this delightful fruition, they are lost to all industry, and grow careless of all their worldly affairs. Thus they become bad subjects, bad relations, bad friends, and bad men.

And you're a bad boy?" I asked. Ollie's grin was contagious. "Oh, I'm a bad, bad boy." Cam shot his friend a look. "Yeah, as in bad at spelling, math, english, cleaning up after yourself, talking to people, and I could go on.

Today's business model is bad for people, bad for the economy and bad for stability and democracy.

Since the early days, [the church] has thrown itself violently against every effort to liberate the body and mind of man. It has been, at all times and everywhere, the habitual and incorrigible defender of bad governments, bad laws, bad social theories, bad institutions. It was, for centuries, an apologist for slavery, as it was an apologist for the divine right of kings.

When the news is slow, or when there's just so many other responsibilities bearing down on me that I don't have the time to do it right, that's when it gets frustrating. As an artist, you just don't wanna put bad work out. So when you have to do it seven days a week, you're just gonna have some bad days and bad weeks and bad months and bad years.

One might get the impression that I recommend a new methodology which replaces induction by counterinduction and uses a multiplicity of theories, metaphysical views, fairy tales, instead of the customary pair theory/observation. This impression would certainly be mistaken. My intention is not to replace one set of general rules by another such set: my intention is rather to convince the reader that all methodologies, even the most obvious ones, have their limits.

If you ever watch me at theatre rehearsals, you will know what a bad actress I am. I am bad... bad... bad... and then, by opening night, it all just falls into place.

I don't get the impression that most sources of media - like television and movies - are trying to get out a positive message, necessarily. My impression is they're trying to get a message out that promotes their personal opinion, position or belief and they're trying to do something that makes money. They want to turn a buck.

To say 'He played bad' is different from 'He is a bad player.' You understand? I make a mistake. It does not mean I am a bad person.

There are some people that aren't into all the words. There are some people who would have you not use certain words. Yeah, there are 400,000 words in the English language, and there are seven of them that you can't say on television. What a ratio that is. 399,993 to seven. They must really be bad. They'd have to be outrageous, to be separated from a group that large. All of you over here, you seven. Bad words. That's what they told us they were, remember? 'That's a bad word.' You know bad words. Bad thoughts. Bad intentions.

The gist of the matter is this: Every impression that comes in from without, be it a sentence which we hear, an object of vision, or an effluvium which assails our nose, no sooner enters our consciousness than it is drafted off in some determinate direction or other, making connection with the other materials already there, and finally producing what we call our reaction. The particular connections it strikes into are determined by our past experiences and the 'associations' of the present sort of impression with them.

Everyone likes to be the heel. Everyone wants to be the bad guy. I mean, I love being the bad guy, but the crowd doesn't want me to be a bad guy. In real life, I'm too much of a good guy to be a bad guy.

There's too much bad. The worst is mediocre. Bad is easy. There's high quality, there's pornography, and then there's bad.

I would argue that stupidity is born out of bad reading, bad teaching and bad thinking!

A preacher who doesn't believe he's that bad will attract people who don't think they're that bad. And that's bad.

If we're honest, most of us would accept that a bad boss is a little bit like a bad father or a bad husband ... you find that he tends to do more good than harm. He might be a bad boss but at least he's employing someone while he is in fact a boss.

L.A. is like an oil rig. It's not pretty. It's awful. The air is bad, the view is bad, the people are bad.

The artist gazes upon a reality and creates his own impression. The viewer gazes upon the impression and creates his own reality.

I'd like to think I am a good coach but I've called bad plays. I've coached bad practices. I've made bad substitution choices.

All my life I have painted pictures so that certain people would drop dead when they looked at them, but I have not succeeded yet. The worst painting cant hurt you, but a bad driver can kill you, a bad judge can send you to the chair, a bad politician can ruin an entire country, That is why even a bad painting is sacred.

My sight is bad, my hearing is bad, I feel bad, but I don't suffer, I don't complain.

No one really has a bad life. Not even a bad day. Just bad moments.

Attacking bad books is not only a waste of time but also bad for the character. If I find a book really bad, the only interest I can derive from writing about it has to come from myself, from such display of intelligence, wit and malice as I can contrive. One cannot review a bad book without showing off.

You have to be careful so you don't make your character dull and predictable. Sometimes you have to bend the script a little... The bad guys are mostly the same on the paper... A bad guy wouldn't think of himself as bad.

I can get a black eye, a bloody nose. I can have a bad day in the gym. At the end of the day, I don't have a bad payday, and I don't have a bad night under the lights... I get bumps, bruises... but I don't have a bad night.

People think bigger movies are bad, and that's just not true - there's bad big films, and there's bad little ones. The bad big ones have to make their money back, so they'll push them down your throat, but the little ones just disappear if they're bad.

In the movies first impressions are everything. Or, to put it less drastically, in the movies there are no later impressions without a first impression, because you will have stopped watching. Sometimes a critic persuades you to give an unpromising-looking movie a chance, but the movie had better convey the impression pretty quickly that the critic might be right.

I am just coming out of five years of night, and this orgy of violent lights gives me for the first time the impression of a new continent. An enormous, 50-foot high Camel billboard : a GI with his mouth wide open blows enormous puffs of real smoke. So much bad taste hardly seems imaginable.

It is bad enough to be bad, but to be bad in bad taste is unpardonable.

The bad guys are not typical; they are not just bad, they are interesting. They might be good or bad.

But the Milanese have made bad choices, bad fashion, and bad jewelry.

You know, I think a lot of times what happens when we as actors know we're playing a bad guy is we get into bad guy mode. You know what, man? In real life, bad people do good things too and good people do bad things. So you don't necessarily have to be the stereotypical bad guy to still do bad things.

Exclusives are bad for artists, bad for consumers, and bad for the whole industry.

The bad guys are not typical, they are not just bad, they are interesting. They might be good or bad.

Every impression that I do is just a terrible variation on an awful Bill Cosby impression. You're doing an Australian accent, but it's just Australian Bill Cosby; or that's just British Bill Cosby; that's Pirate Bill Cosby.

Really, how bad is eating a piece of cake? Being bad is murdering someone. That's bad. Don't do that.

I'm bad at baking. I'm bad at letting go of things. I'm probably bad at reading.

When you spend time with your friends, what do you talk about? Those things which made an impression on you that day, that week ... I write stories the same way. Events at home, in school, at work, in the street, these are the bases for a story. Some experiences leave such a deep impression that instead of talking about them at the club I work them into a novel.

I was in college, but I got kicked out. It was a very free school, but I created a "bad impression." Like I was a bit more fiery in those days. At the time I got kicked out, I knew exactly what I was going to do and didn't even bother to go back for a leaving certificate. Then I was singing in folk clubs around Birmingham and playing jazz in clubs on Sundays.

The problem is that it has become politically awkward to draw attention to absolutes of bad and good. In place of manners, we now have doctrines of political correctness, against which one offends at one's peril: by means of a considerable circular logic, such offences mark you as reactionary and therefore a bad person. Therefore if you say people are bad, you are bad.

A bad day on the course doesn't have to mean a bad night and a bad week and you get to scream at your agent.

I usually experiment with posture and physical attributes that may inform the character. Next, my impression gets a nice injection of inspiration when the costumes arrive and I can see his silhouette in the mirror. Then I go memorize all the lines and try and connect each line to a thought I think he might have. Then I show up on the day, wait my turn, and when the director calls "action," I trust that I have done enough work on my impression that I can just believe it strongly enough to play with abandon from inside that character.