Top 1200 Bad Movie Quotes & Sayings - Page 2

I've never had a movie that got great reviews. I've had movies that got different levels of good and bad reviews, but you can more or less count on plenty of bad reviews.

There's no thief like a bad movie.

I am committed to writing appropriate books for the middle grades. This means no bad language, no gratuitous or explicit violence, and no sexual content beyond what you might find in a PG-rated movie – expressions of who likes whom, holding hands, and perhaps the occasional kiss. The idea that we should treat sexual orientation itself as an adults-only topic, however, is absurd. Non-heterosexual children exist. To pretend they do not, to fail to recognize that they have needs for support and validation like any child, would be bad teaching, bad writing, and bad citizenship.

Given that most movies are bad, and that there are whole categories and sub-categories of badness - the sequel, the Madonna Movie, the Friday 13th Series, or Movies Starring John Travolta Before Pulp Fiction - it is almost impossible to choose a single film for worst movie of all time. But strangely, I do have a nomination and I believe it is actually the worst movie ever made. It is Boxing Helena. The director is David Lynch's daughter, and the film comes with the almost insane-making faults that the family connection might imply.

I got the idea for the song 'Bad Company' when I saw a poster for the Jeff Bridges movie, and it reminded of an old Victorian picture that I'd once seen, and it said, 'Beware of bad company.' So I sat down at the piano and started to write the song.

Some of the inspirations I had as far as following that story would be, like, say, "The Good, The Bad and The Ugly," the way they use the Civil War in that, or even the idea that - the movie that Leone was going to do before he died was going to be a movie about the battle of Stalingrad.

I would have been content with still playing Inmate #1. I worked on every prison movie made, from 1985 to 1991. I would go from movie to movie to movie.

I had just done a movie prior to 'Employee of the Month' called 'Let's Go to Prison' and Will Arnett got to play the bad guy. I would watch him daily and couldn't wait to get the chance 'til I played a bad guy.

You can go out in a good movie and look bad as well.

The promise of an action movie to a certain audience is not a bad thing.

Belly was not a bad movie. It was visually very interesting.

I certainly don't like to play a bad guy. There are no bad people. It's only shades of grey. Also, I am not a great actor who can transform completely into a totally different character for a movie. I am not a trained actor.

Maybe my movie isn't over, I say, because sometimes moviemakers trick the audience with a false bad ending, and just when you think the movie is going to end badly, something dramatic happens, which leads to the happy ending. This seems like a good spot for something dramatic to happen, especially since it's my birthday.

I now truly believe it is impossible for me to make a bad movie.

'High Stakes' was a very bad movie that I was cast in as a lead.

When I was young, I had a favorite movie star. One day, I saw one of his movies, and it was bad, and he was bad in it. I could tell he didn't care and only did it for the money. I felt betrayed. I never watched another one of his movies again.

A movie is a movie is a movie. But it has to have an adjective in front of it if it's not a white guy's movie.

You can't make a good movie with a bad script, no matter who's involved.

Bad films gave me the courage to try making a movie

A boxing match is like a cowboy movie. There's got to be good guys and there's got to be bad guys. And that's what people pay for - to see the bad guys get beat.

I always tell clients you have to be able to remember why you chose to do a movie: to always be able to look at a movie and know, whether it's good or bad, why you chose to do it.

You could say that Iron Man was a second-tier character, and it turned out very successfully. I simply think it's down to the movie itself, and whether people enjoy the movie, are involved in the movie, and that it entertains them. From that point of view, the movie has to stand alone.

It's too bad about 'Dark of the Sun.' It was really about Tshombe. When I read the script, I thought it was going to be a political movie, and I thought we might even have a hassle. But the director simplified it to brutality and bad taste.

A movie isn't good or bad based on its politics. It's usually good or bad for other reasons, though you might agree or disagree with its politics.

'The Dark Knight,' for me, has the same problem that every other 'Batman' movie has. It's not about Batman. I think Heath Ledger is just phenomenal and the character of the Joker is beautifully written. He has a particular philosophy that he carries throughout the movie. He has one of the best bad guy schemes.

Back in the '70s, like one of my favorite movies ever was 'The Bad News Bears', and that was a kids' movie, but I don't think of it that way. I think of it as just a great movie because Walter Matthau was so funny and so harsh with those kids.

'Scary Movie' has lost its way as a franchise. It has turned into 'Disaster Film' and 'Epic Movie' and 'Date Movie' and that isn't what I wanted. I wanted to do a movie that was just grounded in a reality that went to crazy places.

I tend to look for the good in bad people and the bad in good people, to make them human. 'Cause I don't think that people generally are that black and white. Maybe in movie-land they can be... but that isn't necessarily all there is.

The division needs a guy like me. It's a bunch of good guys, and I'm the only bad guy in the division. There always has to be a bad guy in every movie.

You know you're in a bad movie when the Catholic clergy is being played by Jews.

I got to make 'Trishakti' with Arshad Warsi, who was a newcomer at that time. The movie took three years to complete and became dated by the time it was released. The movie did not even get a proper release and bombed at the box office. It was a very bad patch of my life and a big disaster for my career.

I cannot be a character in a bad movie. I can't be.

No one sets out to make a bad movie or disappoint anybody.

I'm the bad guy on the rest of Jennifer Love Hewitt's 'The Client List,' I'm the bad guy in Renny Harlin's 'Hercules 3D,' and I'm a movie star - finally - on Showtime's new series 'Ray Donovan.' But most importantly, I'm about to be a daddy, so I'm expecting some 'Dark Circles' for real.

I'm going with Charlotte Rampling. In 45 Years [movie], you start out feeling so bad for her, and then it kind of shifts. I don't know how long you have to act to be able to say everything when you say nothing. The acting feels so real. It's not a fluke that a movie that probably no one's heard of, an actress performance comes out of it.

The only thing worse than watching a bad movie is being in one.

As a first movie, 'The Hobbit' is not a bad place to start.

I'm so bad at dancing that I've actually been in two movies where the director of the film saw me dancing and thought it was so funny that in one movie they had me do it as the mental dancing of a real simple person. The other one was, like, to-be-laughed-at dancing. That's how bad my dancing is.

When you're playing a spirit from another dimension, you really can do anything and get as abstract as you want and still have a context that will work within the movie. I wanted Ghost Rider to move in a way where it would be like a bad dream. I thought about cobra snakes, and the way that they will show you their backs and sway in a rhythmic motion and almost lull you to sleep before suddenly attacking. Well, I put that into the movie. And I decided to move my head in the jerky way a praying mantis does. So, I did all these things to give the movie a feeling of otherness.

Certainly, black horror movie fans have, you know, been particularly vocal. I mean, there's the whole Eddie Murphy routine about, you know, black people in a horror movie wouldn't last very long. Right? They just walk in - you hear get out. Too bad we can't stay, baby.

The critics gave me bad reviews on every movie I made.

I'm always feeling like I have to do some bad action movie for money.

Unlike the stage, I never found it helpful to be good in a bad movie.

I bizarrely think that this [Sin City] is the perfect date movie. If a guy took me on a date to see this movie, I would marry him, for sure. It's bad-ass chicks and rad dudes, who are sexy, all over the place, and there's so much cool action.

I'm not a proponent of people watching a movie, and then going out and doing something bad. People have been doing bad things, well before movies.

Just as good books give me the joys of being alive, bad novels depress me, and as I notice this sentiment coming from the pages, I stop. I also do not hesitate to walk out of a movie house if the film is bad.

I want to be in a Tim Burton movie so bad.

I'd rather be playing bridge than making a bad movie.

I was brought into the curiosity of it because with Sony Pictures Classics, which bought the movie, they look into what the feedback is and base that off of how they release it, and you end up hearing the feedback and getting that early talk. So the reviews early on that were "bad reviews," they were kind of reviewing another movie.

It's a good question, because a movie isn't good or bad based on its politics. It's usually good or bad for other reasons, though you might agree or disagree with its politics.

A script is just a script. A good script can be a bad movie, so easily. It's the process that makes it good. You need a good script, don't get me wrong, but you need all those other things to make a good movie. You really do.

There are no bad boys. There is only bad environment, bad training, bad example, bad thinking.

The more romance novelists that are out there, making romanticized ideas of vampirism for the kids, the more people want to see a real action movie, putting the bad guys where they belong, as the bad guys, and looking for a hero to come along and defend our very souls.

In editing, you really face what the movie is. When you shoot it, you have this illusion that you're making the masterpieces that you're inspired by. But when you finally edit the movie, the movie is just a movie, so there is always a hint of disappointment, particularly when you see your first cut.

A good movie with bad music can kill a great dramatic scene.

President Bush said this Iraq situation looks like 'the rerun of a bad movie.' Well sure, there's a Bush in the White House, the economy's going to hell, we're going to war over oil. I've seen this movie, haven't I?

I like to play bad guys, since good guys are always beaten up several times during the movie. Bad guys are beaten only once, in the end.

Everyone remembers the bad guy long after they've seen the movie.

A good movie is a movie that you could see over and over again, not a movie that wins a Oscar, or a movie that makes a lot of money. It's a movie that you personally can watch over and over again. That, to me, is a measure of a good movie.

Writing a good movie brings a writer about as much fame as steering a bicycle. It gets him, however, more jobs. If his movie is bad it will attract only critical tut-tut for him. The producer, director and stars are the geniuses who get the hosannas when it's a hit. Theirs are also the heads that are mounted on spears when it's a flop.