Top 1200 Baker Street Quotes & Sayings - Page 7

To get our economy back on track and keep it functioning properly without the problems of our financial institutions, we need reasonable regulations that will protect Main Street while at the same time allow Wall Street to do what it does best - make money for American investors.

Generally, if you're a baker who's still learning the ropes, substitutions can be risky. It's always best to make a recipe the first time as written, and only after that initial success should you make substitutions.

When you're walking down a street and you are a brown-skinned person or you're a person that lives in an immigrant community, there's no differentiating on - solely on the basis of what you look like. They don't walk down the street saying, hi, I'm an immigrant; I'm here legally or not.

Census data influences decisions made from Main Street to Wall Street, in Congress and with the Federal Reserve. Not to mention, the American people who look to, and trust, the data the government releases on our nation's unemployment, state of our economy, and health insurance coverage.

I'd like a stocking made for a giant, And a meeting house full of toys, Then I'd go out in a happy hunt For the poor little girls and boys; Up the street and down the street, And across and over the town, I'd search and find them everyone, Before the sun went down.

If you make a street poster and literally paste it on the street in a city like New York, where it's such a mixed population and so densely populated, and it stays up for a full week and doesn't get covered up by something else or pulled down, you will have fifty thousand people who will have seen it. It will be the poorest of the poor - some homeless man who lives on the street will see it and probably appreciate it, or some businessman or landlord will see it. Everyone will see it. And whether or not they even realize that they saw it, on some level it's affecting their consciousness.

Let's talk about why, in the 1990s, Wall Street got deregulated. Did it have anything to do with the fact that Wall Street provided - spent billions of dollars on lobbying and campaign contributions? Well, some people might think, yeah, that had some influence.

I have a street mind. My whole mindset when I first got to the NBA was, 'I'm bringing that street to the game,' and, 'I'm going to be the hardest guy on the court; I'm going to be the hardest guy on the planet.'

I was always going to act, literally ever since I was tiny. In fact, I have Doctor Who to thank for that. I wanted to become an actor after being obsessed with Tom Baker, the fourth Doctor Who, in the 1970s. His was the definitive performance of all time in anything.

Interfacing street sculpture in public space creates an installation environment that turns regular space into art space. Signs and people and everything around a street sculpture-they all become part of it. A two-dimensional work, being confined to surfaces, doesn't have as much of a capacity.

When I was with the Giants, I played for Dusty Baker, and I love Dusty to death. I think he's a great manager and great person, but he platooned me. His reasoning was to get everybody in the lineup. It wasn't that I couldn't play every day.

Teller and I worked Renaissance Festivals and street performing - actually more real, no kidding around, Philadelphia street performing than we did Renaissance Festivals.

We tried the first evening to go down Division Street and Rush Street, but we couldn't get in anywhere because they didn't like [ Emilio Estevez] sneakers and they didn't like my boots. This was 1983 or '84, so it was ridiculous. We ended up at a jazz club, where you go downstairs and there's a very cool place.

I saw young women in the street dressing in a way that I thought was influencing the designers. Fashion was being influenced by all sorts of different people, and culture and also across the street. So I saw more as a trickle up, than a trickle down influence. When I came to Vogue, that's what I wanted it to reflect.

In Orphan Train, Christina Baker Kline seamlessly knits together the past and present of two women, one young and one old. Kline reminds us that we never really lose anyone or anything or – perhaps most importantly – ourselves.

I kind of got really, really into 'Hill Street Blues' when it came out. I used to leave a class early just to make sure I could watch the episode of 'Hill Street Blues' that day.

I'd say street skating is the most fun of the six skateboarding events for me personally. It's also because you can do it anywhere. You don't need a specific ramp or competition; you can just go shred anywhere around your hometown and have a blast with it. That's the best part about street skating.

I'm really not the biggest metal fan as it is. I'm more of a hard-street-punk kind of kid, but I also loved hip hop and reggae music, so we have always sort of refused a street style that is something that we are used to. Something that makes us comfortable and sounds good to us.

I was filming in Roscrea in Co Tipperary. I had great fun watching monks in the monastery there making bread. They even offered me a job as their main baker. One of them said I would make a good monk, but I told him there was a slight problem because I was married.

I think it's just funny, the things that come out of people's mouths, whether it's a politician, whether it's an average person on the street - and to be honest with you, sometimes these politicians sound like average people on the street.

As this world becomes increasingly ugly, callous and materialistic it needs to be reminded that the old fairy stories are rooted in truth, that imagination is of value, that happy endings do, in fact, occur, and that the blue spring mist that make an ugly street look beautiful is just as real a thing as the street itself.

I think the large part of the function of the Internet is it is archival. It's unreliable to the extent that word on the street is unreliable. It's no more unreliable than that. You can find the truth on the street if you work at it. I don't think of the Internet or the virtual as being inherently inferior to the so-called real.

Think both big and small. Loving to bake doesn't only mean becoming a baker. It could mean starting a blog, becoming a food photographer, or going into organic chemistry.

I have been a baker for more than 30 years now, and in terms of equipment, all I really need is flour. It still amazes me what a versatile commodity it is, as you can do so many different things with it, and I never tire of trying new blends and recipes.

I have been in Wall Street all of my life. I love it. It has been good to me. I know many wonderful, decent, honorable, ethical, hard-working people that were in Wall Street with me.

I want to know a butcher paints, A baker rhymes for his pursuit, Candlestick-maker much acquaints His soul with song, or, haply mute, Blows out his brains upon the flute.

At some point during my travels, I had a slight change of focus which would end up defining the rest of my career. I began taking pictures of people. In addition to all the buildings, street signs and fire hydrants, I started photographing some of the interesting humans that passed by me on the street.

By playing in the street, the level of Asian football can absolutely improve, as you will get more technical players. They will be quicker, more creative, and after succeeding in the street, it will be a piece of cake for them to do well eleven a side.

I think when something becomes a comfortable genre, it's against what street art stood for in the beginning - breaking out of genres and taking art out of galleries. Now street art is in the gallery, and it's all made up into a nice, packaged concept.

A part of the placidity of the South comes from the sense of well-being that follows the heart-and-body-warming consumption of breads fresh from the oven. We serve cold baker's bread to our enemies, trusting that they will never impose on our hospitality again.

Main Street, U.S.A. is America at the turn of the century--the crossroads of an era. The gas lamps and the electric lamp--the horse-drawn car and auto car. Main Street is everyone's hometown- the heart line of America.

It feels dangerous when people say, 'Oh, Sean Baker focuses on marginalised people.' And offensive. As if I'm standing there with my planner thinking, 'OK, where's the next marginalised group I can make a movie about?'

Hillary Clinton and Donald Trump have deep ties to corporate money. They both have a detailed and complexed view of how some on Wall Street manipulate the game. They know where the excesses are and who is to blame. If willing to take on their friends, they both could reform Wall Street from the inside.

I go out every day. When I get depressed at the office, I go out, and as soon as I'm on the street and see people, I feel better. But I never go out with a preconceived idea. I let the street speak to me.

I'm street smart. You can't con me. But that's just from living in New York. Now if a guy came from Mississippi somewhere, Ohio somewhere, to New York City for the first time, he don't have the street smarts. You can take him.

I was in Fort Lauderdale from about age 7 to 14. And that's where I learned the most about music. My favorite DJ was this guy named DJ Laz and the Miami bass guys. I was super into, like, Arthur Baker, that kind of stuff.

When Walt Whitman writes in seeming defiance of tradition, he needs tradition for his protection, for the butcher and the baker and the candlestick-maker grow merry over him when they meet his work by chance.

...We have seven people who knew the skewers were there: the wedding planner, the reception hall manager, the dressmaker, the florist, the veil-maker, the cake-maker, and the caterer. I haven't ruled out the butcher, the baker, and the candlestick maker, either.

Years ago, I saw a job for head baker for The Dorchester Hotel in London, and I didn't want to move away from the North West. But then I thought, 'I've got to do this for my career,' because I was very ambitious. So I went for it and got the job.

The street's alive as secret debts are paid, Contacts made, they vanished unseen. Kids flash guitars just like switch-blades Hustling for the record machine. The hungry and the hunted explode into rock'n'roll bands That face off against each other out in the street, down in Jungleland.

Yesterday from my office window I saw a crippled girl negotiating her way across the street, her shoulders squarely braced. At each jerky movement her hair flew back like an annunciatory angel, and I saw she was the only dancer on the street.

The fruition of the year had come and the night should have been fine with a moon in the sky and the crisp sharp promise of frost in the air, but it wasn't that way. It rained and little puddles of water shone under the street lamps on Main Street. In the woods in the darkness beyond the Fair Ground water dripped from the black trees.

Science is a hobby, and I'm really into it, but it's not my job. My job is to learn about comedy and to make people laugh. Science, for me, is probably a bit like Danny Baker's love of football or Rod Stewart's obsession with train sets.

In the normal world, the residents of Scream Street would not be welcome - they would be seen as freaks and ghouls, so it wouldn't be OK for them to be there. Scream Street is a haven for them; it's their own little place where they can be safe.

When a man looks across a street, sees a pretty girl, and waves at her, that's not a rendezvous, that's a passing acquaintance. When he walks across the street and nibbles on her ear, that's a rendezvous!

Listen, here's reality. It is completely unfair and absolutely necessary that people who have been oppressed and marginalized have to lead everybody. That is MLK, that is Dolores Huerta, that is Fannie Lou Hamer, that is Ella Jo Baker, that is Nelson Mandela. You walk down the line.

I'm not pro-Wall Street or anti-Wall Street. I'm pro-New York City.

I had this funny family. At one end, they were breeding dogs in south-east London - for greyhound racing - and at the other, my uncle was living in Downing Street. And I would actually go to Downing Street, which didn't strike me as funny. I'd get on the number 15 bus.

I think artists should be able to do different things whenever they want and I like the way I am. I'm like - I ain't gonna say the only street rapper, but the only mainstream, new, young street rapper there is right now and I'm doing well with it.

When I was in my late 30s, I lit a figure on fire on Baker Beach in San Francisco. It was me, a friend, and maybe eight people, tops. There wasn't any premeditation to it at all. It was really just a product of San Franciscan bohemian milieu.

Most of the kids that I meet in the street are serious hardened criminals that I meet in the street, never had a mother and a father to love them, to protect them, to teach them right from wrong and lead them out of crime and gangs and stuff like that.

It's funny, our beauty standard has become harder and tougher because we live in a tough age. I don't think anyone wants to walk down the street and feel vulnerable. You want to walk down the street and feel like you're in control.

I'm in the Apple store on Regent Street far too much; I'm obsessed by whatever the latest Apple gadget is. For clothes, I love to shop in Liam Gallagher's shop Pretty Green on Carnaby Street, or Cult Clothing in Crouch End, for Original Penguin and G-Star.

How can I act in an impersonal manner? When a man dies in the street for want of food, how can I ignore him? When I find a starving or naked man in the street, I cannot walk past him. I think no human being can do that.

People assumed we called the record 'Murray Street' because of its proximity to the World Trade Centre, but that wasn't it at all. Before the attacks, I had simply been walking around taking pictures of things, and I had this photograph of the street sign. We felt it was somewhat evocative and decided to use it on the back cover of the album.

As boom- and bust-prone as high finance always has been and remains, the greatest systemic risk to our economy is not Wall Street. It's the growing federal debt (and weakening dollar) being enacted by those Washington politicians - the ones who want to protect us from Wall Street.

Don’t knock on any random door like a beggar. Reach your long hand out to another door, beyond where you go on the street, the street where everyone says, "How are you?" and no one says How aren’t you?

Do you have doubts about life? Are you unsure if it's worth the trouble? Look at the sky: that is for you. Look at each person's face as you pass on the street: those faces are for you. And the street itself, and the ground under the street and the ball of fire underneath the ground: all these things are for you. They are as much for you as they are for other people. Remember this when you wake up in the morning and think you have nothing. Stand up and face the east. Now praise the sky and praise the light within each person under the sky. It's okay to be unsure. But praise, praise, praise.

When it comes to America's economy, the truth is that Mitt Romney believes that the key to our country's economic future lies in the failed policies of the past, the same ones that put banks before people, Wall Street before Main Street, plunging us into recession and devastating the middle class.

I remember, for my fifth birthday, Chet Baker sat me on the upright piano, and he played just for me for a few minutes. I can still remember the pressure of the air on my chest. It was my first physical contact with sound.