Top 981 Ballet Quotes & Sayings

Explore popular Ballet quotes.
Last updated on September 18, 2024.
Ballet is a healthy world despite what people might think. There's a perception that ballet dancers are skinny and unhealthy, but that's rubbish. You have to be strong, so eating regularly and healthily is essential.
Ballet is the body rising. Ballet is ceremonial and hieratic. Its disdain for the commonplace material world is the source of its authority and glamour.
In a ballet company, you're trying to create unison and uniform when you're in a cour de ballet. — © Misty Copeland
In a ballet company, you're trying to create unison and uniform when you're in a cour de ballet.
Being in ballet class, being on the stage, being surrounded by my peers at American Ballet Theater every day, keeps me so humble and grounded. Being in ballet class, I feel, is like this meditation for me every morning.
I can state that I created a ballet company of which everyone said: St. Petersburg has the greatest ballet in all Europe.
It's very difficult for me to do fund raising for my own organization if I'm working for other companies because sponsors will say, 'Well, hey, man, if she's doing a ballet for Ballet Theatre, we'll give money to Ballet Theatre.'
I grew up in Honolulu. It's not the ballet cultural mecca by any stretch of the imagination. People are much more familiar with hula than they are with ballet.
Before founding Ballet Beautiful, I was a ballerina with the New York City Ballet.
My sisters did ballet when we were younger and I remember sitting in the car with my dad and going 'can we hurry up and go surfing!?, I'm sick of waiting for my sisters and their ballet classes.'
Ballet Hispanico is a mixture of ethnic, ballet, social, jazz - you name it, it's doing it. The company has been going strong for more than 20 years, and you can see why: It may not be refined, but it's full of beans.
Kids are always told that they can be anything that they want. But what if you want to be a ballerina, and you're terrible at ballet? Or what if you're gifted at ballet, but you don't like doing it?
I started ballet in my early 20s. I studied for about ten years. Ballet is probably the one of the hardest things I've done, almost like MMA. People don't give it a lot of credit and think it's easy but it's very difficult. For an athlete, you use muscles you really don't use and ballet is something I really respect.
I want the ballet world to be given the respect that it deserves and to be seen by more people - for so many to experience the beauty that I've received from the ballet world.
I grew up learning ballet, and then I took up contemporary as I got older. I probably thought I was going to be a ballet dancer when I was younger, but at a certain age, I really was more interested in acting.
The moment the curtain rose on that first ballet, I knew something wonderful and new had come into my life. I can still see the first scene. The ballet was Divertimento No. 15.
My first ballet class was on a basketball court. I'm in my gym clothes and my socks trying to do this thing called ballet. — © Misty Copeland
My first ballet class was on a basketball court. I'm in my gym clothes and my socks trying to do this thing called ballet.
My parents were ballet dancers, and I did a lot of ballet, too, so I think I learned quite early on how to hold my body. Although I do recall desperately wishing I was shorter at school.
I originally wanted to be a ballet dancer and trained for years, but when I was around 18, I realized I wasn't going to be as good a ballet dancer as I'd hoped I'd be and decided to become an actress instead.
When I was filming in Budapest for ITV's 'Titanic,' I realised I'd never been to the ballet before so decided to see a production of 'Giselle.' I went on my own. As it was my first ballet, it was a very bizarre and interesting experience but very enjoyable.
My parents were passionate about the ballet. They always played ballet music at home.
I think American Ballet Theatre is setting that standard now for classical ballet, that you can dream big, and it doesn't matter what you look like, where you come from, what your background is.
I found at a young age that emotions aren't always handled with talking and other emotions. I started ballet, seriously around fourteen, and let me tell you, nothing can give you an emotional reset like a good ballet barre.
I started ballet in my early 20s. I studied for about ten years. Ballet is probably the one of the hardest things I've done, almost like MMA. People don't give it a lot of credit and think it's easy, but it's very difficult. For an athlete, you use muscles you really don't use, and ballet is something I really respect.
I love ballet. Ballet is its own being. It has its own vocabulary. I feel as if I am in a different world when I am in the ballet studio.
How can you live the high life if you do not wear high heels? I don't understand why women wear these ballet pumps. They are only good if you walk like a ballet dancer, and only ballet dancers do that.
When I was 8, I began to study ballet. In seventh grade, my mother took me into New York to study at the School of American Ballet. I loved ballet - its precision, the escape from uncertainty, and the music.
The life of a dancer is tragically short. What is remarkable about the New York City Ballet is that it makes us forget that. Because it keeps the ballet alive.
I went away when I was 9 to a ballet school. I thought I wanted to be a dancer, but eight years of ballet cured me of that.
Twyla Tharp set her sights on ballet, and ballet, hungry for major talent, succumbed.
The choreographer cannot deliberately make a ballet to appeal to an audience, he has to start from personal inspirations. He has to trust the ballet, to let it stand on its own strengths or fall on its weaknesses. If it reaches the audience, then he is lucky that round!
It's hard to be the one that stands out when, you know, in a ballet company, you're trying to create unison and uniform when you're in a corps de ballet.
I'm not fond of the idea of doing ballet for ballet's sake, because dancers get exploited and they're not paid well. They do it for the love.
One of the few things in dance to match the Royal Ballet's curtain calls is the Royal Ballet's dancing.
So I'm studying ballet every day and really training so people will see me as a ballet dancer, which no one's seen before.
When I was 3 years old, my parents put me in ballet and I really thought I was gonna be a ballet dancer for a long time.
I always knew I wanted to dance and when I was eight, I started ballet lessons at a church hall. They all wore pink ballet shoes but I wore green, as they were cheap, and I remember everyone staring at me.
I started taking ballet lessons when I was 4, and I was performing in ballet companies when I was 10, and I did summer stock in Miami Beach when I was 12, and finally I said, 'I gotta go to Broadway.'
I think that ballet and skating definitely go hand in hand, especially growing up at Ballet West, which is an incredible academy. — © Nathan Chen
I think that ballet and skating definitely go hand in hand, especially growing up at Ballet West, which is an incredible academy.
I grew up going to see my sister dance, both at the ballet and later as a modern dancer, and have always been a big fan of the ballet. So I have had a long relationship with dance.
I was sent to ballet classes when I was a little girl. I wasn't very good, but it's that thing where little girls always try ballet, or whatever.
Dancing for the length of time that I did, it centered me in such a way to be really in tune with my body, and I just feel like I'm physically able to do things because of my ballet background. Without ballet, I don't think I'd look graceful at all on screen.
Fitness has been a part of all my life since I was a young child. I started dancing ballet and doing yoga when I was three, before stopping ballet at five to start playing soccer and tennis instead. That lasted until my early teens.
The first time the Kirov ballet was seen in America was on Sept. 11, 1961. The ballet was 'Swan Lake.' The ballerina was Inna Zubkovskaya. The place was the old Met, on what must have been one of the hottest nights of the year, and there was no air-conditioning.
Slashing its way to the finish line, 'Black Swan' is the first ballet movie for highbrow horror fans for whom ballet itself signifies little to nothing. Those of us who know and love ballet can only look on it with a different kind of horror.
Slashing its way to the finish line, Black Swan is the first ballet movie for highbrow horror fans for whom ballet itself signifies little to nothing. Those of us who know and love ballet can only look on it with a different kind of horror.
I actually was a ballet dancer - I studied ballet from three until 13 - but like very seriously, that's what I wanted to do. I wanted to be a contemporary ballet dancer. I wanted to go to Juilliard.
My first ballet class was on a basketball court. I'm in my gym clothes and my socks trying to do this thing called ballet. I didn't know anything about it.
I've never danced professionally as a ballet dancer, but all of my training is ballet, and I am a Fosse dancer.
I trained as a ballet dancer till I was 18, so I would really like to get back to it. I'd love it if there was a part that meant I could do both acting and ballet, as they're both so close to my heart.
I realize how much ballet gave me, and because of ballet, I’m known as a graceful gymnast.
The last time I had to make a career decision, I was 17. I could have gone to Ballet Theatre or National Ballet of Canada. There were options. But as I became exposed to the Robbins repertoire, I realized that there was a living genius in the house.
I'm a classical ballet dancer, and at the end of the day I want to be with American Ballet Theater, performing classical ballets. — © Misty Copeland
I'm a classical ballet dancer, and at the end of the day I want to be with American Ballet Theater, performing classical ballets.
I was a very rotund child with short hair, and for some reason, I always had black ballet shoes. I was like the Wednesday Addams of ballet.
I had classical training at London's Royal Ballet School, and my first job was with the Semperoper Dresden ballet company in Germany.
I announced at the dinner table when I was 11 that I wanted to be a ballet dancer. But my goal changed to musical theater after the choreographer Robert Joffrey saw me perform while I was on scholarship at the San Francisco Ballet School.
I knew I wanted to be a ballet dancer, but what kind, I wasn't sure. My two dream companies had been New York City Ballet and American Ballet Theater.
Coco Chanel was always doing things with ballet, so it is a tradition clashing fashion and ballet.
I grew up learning ballet and then I took up contemporary as I got older. I probably thought I was going to be a ballet dancer when I was younger, but at a certain age, I really was more interested in acting.
Making the ballet really taught me how to get things moving. Ballet dancers don't stand still.
The moment the curtain rose on that first ballet, I knew something wonderful and new had come into my life. I can still see the first scene. The ballet was Divertimento No. 15
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