Top 1200 Ballet Dance Quotes & Sayings - Page 2

Explore popular Ballet Dance quotes.
Last updated on November 23, 2024.
Dance, my darling dance! If you dance then death can't catch you! Nothing bad can touch you! Dance!
The worst thing about me is my toes. I've thick joints from wearing pointe ballet shoes - I went to a dance school from the age of 11 and danced every day.
I've always loved dancing. As soon as there is good music, I've got to get up and dance. I was passionate about ballet as a little girl. — © Cherie Lunghi
I've always loved dancing. As soon as there is good music, I've got to get up and dance. I was passionate about ballet as a little girl.
My years of ballet and jazz dance lessons didn't make me any more graceful - they just helped keep me from bumping into the furniture on stage.
The ballet embodies the notes of music. And sometimes you almost feel like you can see the notes dance up there on the stage.
Slashing its way to the finish line, Black Swan is the first ballet movie for highbrow horror fans for whom ballet itself signifies little to nothing. Those of us who know and love ballet can only look on it with a different kind of horror.
In a ballet company, you're trying to create unison and uniform when you're in a cour de ballet.
The first time I took a plane to dance in front of an audience outside France was when I was in the Paris Opera Ballet School, and we flew to Japan.
My first ballet class was on a basketball court. I'm in my gym clothes and my socks trying to do this thing called ballet.
It's hard to be the one that stands out when, you know, in a ballet company, you're trying to create unison and uniform when you're in a corps de ballet.
I went away when I was 9 to a ballet school. I thought I wanted to be a dancer, but eight years of ballet cured me of that.
I trained in every form of dance - started as a tap dancer when I was a kid, then contemporary, ballet, ballroom, everything. Russian, Swedish.
If there were a ritual dance of the androgyne, Tai chi as performed by this master could be that dance. It is neither a masculine dance nor a feminine dance. It has the strength and grace of both.
Making the ballet really taught me how to get things moving. Ballet dancers don't stand still. — © Guy Maddin
Making the ballet really taught me how to get things moving. Ballet dancers don't stand still.
I love dancing and practiced ballet for ten years until I realized I wouldn't make it professionally - then I started taking salsa classes. I learned to dance samba in Rio and Salvador when I lived in Brazil.
Dance is very, very old. With Louis XIV at Versailles is where ballet started.
I started dancing ballet when I was very young, so my background really is dance. But I remember loving the feeling of being on a stage and having a love for performing from a young age.
I can state that I created a ballet company of which everyone said: St. Petersburg has the greatest ballet in all Europe.
Dance and I are synonymous, and nobody can take away dance from my life. Also, I cannot look at dance in an inert way; it's my passion, and I get keen on being part of any show or film that has dance!
I used to dance for seventeen years -classical ballet, which was very disciplined. I like yoga and Pilates, but I don't have the discipline to go to the gym.
My parents were passionate about the ballet. They always played ballet music at home.
At 35 years of age, I realized that my ballet career wasn't going to last for ever. As a parent of three young children, I had to start to plan my future after dance even though I dreaded about.
I did ballet at the Menlo Park Academy of Dance from age 4 to 11, but then I switched to ballroom, and I've been doing that ever since.
We dance to difference genres such as krumping, ballet and hip-hop, together with invited foreign choreographers who are well-known internationally.
I love ballet. Ballet is its own being. It has its own vocabulary. I feel as if I am in a different world when I am in the ballet studio.
To have a platform like So You Think You Can Dance, where you're reaching this audience that's been created over the 10 years that they've been on the air. People who didn't know anything about dance and aren't going to go to the theater are learning about it, even if it's ballroom and jazz, by just turning their television ono. They're building this audience that's advanced and educated enough to introduce them to ballet.
Coco Chanel was always doing things with ballet, so it is a tradition clashing fashion and ballet.
One of my sisters was doing dance, and I'd watch from the back of the classroom in my trainers. Slowly, I started integrating myself into the fraught south Oxford ballet culture.
I was a dancer for long time. And you always hear that ballet is the core of dance, and that - once you have that down - you can do everything else. For me, jazz is like that for music.
You dance love, and you dance joy, and you dance dreams. And I know if I can make you smile by jumping over a couple of couches or running through a rainstorm, then I'll be very glad to be a song and dance man.
How can you live the high life if you do not wear high heels? I don't understand why women wear these ballet pumps. They are only good if you walk like a ballet dancer, and only ballet dancers do that.
I was born in Toronto and studied with the National Ballet of Canada. I went to school to study dance, slept on the floor, ate nothing, waitressed - and then there was a Mary J. Blige audition.
I attended Professional Children's School in Manhattan because my ballet and modern dance schedules were intensive and had started to interfere with regular school hours.
In the ballet studio, it was such an organized and disciplined environment, like I'd never had in my life. Seeing myself in the mirror, surrounded by the classical music, that's when I started to fall in love with dance.
I started ballet in my early 20s. I studied for about ten years. Ballet is probably the one of the hardest things I've done, almost like MMA. People don't give it a lot of credit and think it's easy, but it's very difficult. For an athlete, you use muscles you really don't use, and ballet is something I really respect.
I had classical training at London's Royal Ballet School, and my first job was with the Semperoper Dresden ballet company in Germany.
A lot of people insisted on a wall between modern dance and ballet, that the two disciplines were totally separate, and if you did one, you couldn’t do the other. I’m beginning to think that walls are very unhealthy things.
I realize how much ballet gave me, and because of ballet, I’m known as a graceful gymnast. — © Svetlana Boginskaya
I realize how much ballet gave me, and because of ballet, I’m known as a graceful gymnast.
I've been with Semperoper Ballet in Dresden, Germany, for five years - I wanted to escape the competitive dance world and go somewhere where I felt appreciated for my talents. Stateside, it was always kind of a struggle. And the competition? Not into it.
Twyla Tharp set her sights on ballet, and ballet, hungry for major talent, succumbed.
I'm not fond of the idea of doing ballet for ballet's sake, because dancers get exploited and they're not paid well. They do it for the love.
Dance is a universal language, and whether you know how to dance or grew up training in dance, you have a respect for people who love to dance, and it's also visually very entertaining to watch a great dancer.
Ballet is the body rising. Ballet is ceremonial and hieratic. Its disdain for the commonplace material world is the source of its authority and glamour.
Slashing its way to the finish line, 'Black Swan' is the first ballet movie for highbrow horror fans for whom ballet itself signifies little to nothing. Those of us who know and love ballet can only look on it with a different kind of horror.
I'm the first one out on the dance floor. In college I had to take jazz, ballet and tap dancing, but, before that, it was just social.
A lot of people insisted on a wall between modern dance and ballet. I'm beginning to think that walls are very unhealthy things.
I had never picked up a basketball before. I went through a grueling audition process. It was almost as if I was learning to walk. It would be like teaching somebody to dance ballet for a role.
I know a lot of choreographers prefer to do abstract dance and not be bothered with a story, but even when I'm asked to do classical ballet or a modern piece, I still want to tell a story.
My grandmother had a Miss Margaret's School of Dance to teach tap and ballet to kids, but I never studied it. I was raised a Mormon and they're dancing fools. It's the only vice they have - dancing.
I actually was a ballet dancer - I studied ballet from three until 13 - but like very seriously, that's what I wanted to do. I wanted to be a contemporary ballet dancer. I wanted to go to Juilliard.
I really enjoyed watching a ballerina named Denise Dabrowski who used to dance at California Ballet. She was a beautiful ballerina and role model for a lot of young dancers.
I am NOT a belly dancer. I have never been one, and never will be. What I do is not what Hollywood vulgarly calls 'belly dance', but it's art. I have traveled the world to prove that my dance is not a dance of the belly but a refined, artistic dance full of tradition, of dreaming and beauty. Oriental dance is primarily an expressive dance; in that resides the beauty.
Before founding Ballet Beautiful, I was a ballerina with the New York City Ballet. — © Mary Helen Bowers
Before founding Ballet Beautiful, I was a ballerina with the New York City Ballet.
I started ballet in my early 20s. I studied for about ten years. Ballet is probably the one of the hardest things I've done, almost like MMA. People don't give it a lot of credit and think it's easy but it's very difficult. For an athlete, you use muscles you really don't use and ballet is something I really respect.
You have to be able to cut off from the ballet and relax, or you have anxiety dreams at night, worrying about what you're going to dance the next day, going over every little detail.
My genuine passion for dance was born watching Ballet Rambert perform Christopher Bruce's harrowing 'Ghost Dances.'
I did ballet, tap and modern dance - I loved Janet Jackson with a passion - and I was good enough to star in lots of amateur shows.
When I was 3 years old, my parents put me in ballet and I really thought I was gonna be a ballet dancer for a long time.
I took several years of dance lessons that included ballet, tap and jazz. They helped a great deal with body control, balance, a sense of rhythm, and timing.
I have a sister who is a dancer and dance teacher. We grew up dancing together. I wanted to become a ballerina when I was a kid, so she and I were always at ballet conservatories and going to school with our hair in buns.
This site uses cookies to ensure you get the best experience. More info...
Got it!