I hate bands that hang around, like, 10 years too long - they're like the drunk at a party you can't get rid of.
Bands such as LiLiPUT and Essential Logic were just as unorthodox as Gang of Four or Wire, even taking their sounds a step further with shrieking vocals and saxophone.
We just wanted to get as far away from the rap-rock scene as possible, because its been done and other bands do it better than us anyway.
The first songs I learned was 'Crazy' by Patsy Cline and 'At Last' by Etta James. I had been growing up with the Beatles, Pink Floyd, great bands.
Music lives in my mother - she's played in bands in Detroit and toured and did the whole thing. So I have somebody who's done it all to just talk to. And we write songs together.
You didn't have to worry that marauding bands would come and seize everything in your factory and hire someone to protect against this because of the work the rest of us did.
Boys in bands are more difficult to deal with than one-year-old babies. I've been one of them, and I am one of them, but it is the truth.
I got into Nirvana, and it was my sort of awakening into the idea that music could be like rough and crazy and local. And so I started to realize that there were bands playing in my town, Anacortes.
A big problem for me was opening for Limp Bizkit and Linkin Park, two bands that wouldn't exist if it weren't for me, straight up!
There's no judgment on bands that continue on who aren't popular; some people get enjoyment out of it. I'm just not one of those people. I wanted attention.
My dad and mom were in bands: the Soda Jerks, Fat Time, Girls at Play - which is a play on Men at Work.
From a very young age I had an ambition to be a musician, and to do that professionally. That's what I pursued until I was about 20, playing in bands that were taken pretty seriously at that stage.
I've got a couple of bands that I'm working on. The one I'm really excited about, we're called London The Child. It's folky music and it's really cool.
Bands like Kraftwerk and Tangerine Dream, who I respect, have a very robotic, dehumanised approach. They're almost an apology for machines. It's very German.
I play the ukulele. I have a great group of friends, and we do things like have battles of the bands - me sometimes on ukulele, but mostly on drums.
When I play solo, that's when I put it all together. I go through all of the songs that I've written wtih all of the different bands; that, for me, tells its own story, and the DVDs really enforce that.
But I think bands that rolled in with a big attitude, like they were some big deal, I just found that very strange.
With a pop album you can listen to one or two songs from it, but a music album is really an experience. It's not something a whole lot of rock bands do.
I wish there were more good new bands that would light a fire and offer a little friendly competition that would be welcomed.
It's hard for bands to stick it out because people grow up, and it never really pays off. If you're looking for some sort of payoff, it's not gonna happen
Even when I interviewed bands, it was about asking them about writing songs, so it was more for me than anybody else.
The kundalini is the energy that opens up the bands of perception. It is also the power that allows us to travel mentally from one dimension to another, from one experience to another.
For a lot of bands, the London club scene very much starts to become more important than the music they create. Which we never want to happen.
I don't get boy bands these days. Thye don't write their own songs and everything is choreographed from their dance moves to how they have sex with each other after the show.
Being in the bands of a hurricane, it's not like a tornado that's going to pass very quickly. It's the most serious thing that you will ever experience next to, I'm sure, an earthquake.
This has got to be the greatest school for lab bands in the country. It's great because Leon Breeden and his staff have devoted their lives - not just their time and talent - to build it.
It's a gas, just phoning up some bands and saying: 'You don't know us but we love you and would you come play with us?'
It's hard for bands to stick it out because people grow up, and it never really pays off. If you're looking for some sort of payoff, it's not gonna happen.
In a world of bands called Limp Bizkit and Hoobastank, Electric Sheep rolls off the tongue like a Shakespearean love sonnet. Leave me alone.
I like bands for a long time, even when they're not trendy anymore. I still like Arcade Fire. I've always liked Stevie Wonder.
Rock bands are a lot like football teams: If a guy is on drugs and messes up, get someone else who's proud to wear the uniform and be part of the team.
I find myself a lot more open to bands if I just hear their song. It gives you an opportunity to engage with the thing itself and not be overwhelmed by everything else that surrounds it.
I still think of myself as punk, because the way I became empowered to play music is entirely due to punk bands.
The New Orleans bands, you see, didn't play with a flat sound. They'd shade the music. After the band had played with the two or three horns blowing, they'd let the rhythm have it.
Suicide was such a formative band for me, so influential in the development of my taste. They're one of those bands that operated in absolute isolation for so long that they developed a completely unique world view.
I would go see local bands play, and noticed how many girls were there to see the band, and that's what inspired me.
True fans stick behind bands through thick and thin and we've been lucky enough to have some amazing fans.
I think once I started writing my own music and having my own bands, that's when I got more of a focus on what I wanted to do, personally.
As a kid, you put musicians on a pedestal - well, I did. The more you meet bands, and the more you hang around them, you can have normal conversations.
I've always worn jewellery but for a time it went out of fashion. Like grungy and punk bands didn't wear jewellery because it was stupid.
It seems like the older bands are bigger than ever. We get a mixed crowd where you have kids and old blokes like me.
The federal government needs to make it clear that recognition of Indigenous rights means that when Indigenous bands and their leadership approve projects, we listen.
We were into Hendrix and Cream, who were like the heaviest bands around at that time. We just wanted to be heavier than everybody else!
Growing up I used to love bands like Free and ELO and the Rolling Stones. When Robert Plant got in touch it made perfect sense to me.
Some New York bands you'll see rocking Ones or Dunks and things like that, but it is weird that the sneakerhead thing has become so massive. Personally, I think it's really silly.
I'm very excited that my yelling will be featured on the next Evile disc; they're one of my favorite new-ish bands and, in my not-so-humble opinion, the British saviors of thrash metal.
Good records - from my point of view, where I grew up which was Led Zeppelin and Jethro Tull... bands that were pushing the envelope a little - musically and in production.
When I think of nu-metal, I think of Linkin Park, Limp Bizkit, Slipknot and even Chevelle - those types of bands.
It was only in the second year of my Ph.D. that I started acting. I wasn't in school plays or anything; I was in bands, but I wasn't cool. There's no such thing as a cool physics person, is there?
Best two rock voices I've heard in a last few years both have been from grunge bands: it's Eddie Vedder and the other one is Chris Cornell from Soundgarden.
We were one of the hottest bands in Jersey, but I was burning up because I knew I'd never be a star in Newark. I knew the action was in Nashville and that's where I wanted to be.
There are reasons that bands and musicians make demos and outtakes - because they are not good enough to make the record. A lot of people forget that.
I definitely listened to country music. I don't think I listened to hair bands as much as I did Bruce Springsteen and U2 and Aerosmith.
I kind of idolized older punk-rock and hip-hop bands, and I was, like, 15 when I started the Beastie Boys. And what business did we having doing that at that age?
I'm always put in the unfortunate position of asking people to donate money and people I know in bands to play benefit concerts and all this stuff.
I think now, more than anytime I can remember, bands are sounding pretty similar whether they're English or American, from Manchester or London... or Leeds or Welsh or Irish.
I think EDM and metal and rock have been together already for a long time. Bands like Nine Inch Nails, Linkin Park, the Prodigy - they all have influences from both.
Bands have good nights, and they have bad nights. I'm not going to cover up anything or pretend. For me, personally, that's just my thought process.
My favorite bands were Emerson, Lake & Palmer, Jethro Tull, Uriah Heep, Grand Funk Railroad. If you listen to some of my early music, you can hear it.
I didn't have bands that I was playing with growing up, so I learned to try to adapt and play these songs that were guitar songs on the piano, and sing them.
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