Even I just listen to some bands on YouTube. I'll think, "Oh, I quite like that, I should buy it someday," but I don't get around to buying half the stuff I liked.
I was in the De Witt Clinton Hight School marching band. One of the worst bands ever formed. When we played the national anthem, people from every country stood - except Americans.
The first record I ever bought was Kiss's 'Destroyer.' And those classic bands like Black Sabbath were my first loves.
Most bands don't make it past two albums and tours, if that. We pulled it off, and everybody's been happy and cool, but we got to the point where we knew it was time to take a break.
I didn't try out for bands when I was younger. I got into guitars intensely a couple of years into playing so much by the time I was graduating high school I was accepted into Berklee College of Music.
Now I'm having the time of my life being on the road with one of the world's all-time great big bands, and performing with symphonies. I wouldn't trade it for anything.
Most bands, when they sign with a major, are from an indie. They usually start off with a big dilemma. They think they're selling a part of their souls or they're losing control over an aspect of their lives or something.
I've always been an outsider kid. But I had always wanted to be in a group - growing up, I loved bands like the Cranberries and K's Choice.
We didn't go for music that sounded like blues, or jazz, or rock, or Led Zeppelin, or Rolling Stones. We didn't want to be like any of the other bands.
I was fortunate to be connected with bands who later became pioneers for certain genres of music scenes. And my art went along with them for that ride and became associated with it.
I got one of the best sax players in the business - Arno Hecht. He plays with the Uptown Horns and all the great blues bands. He expresses the heart of the Apollo Theatre, let me tell you.
I really got into Three Doors Down - that's the sound that was out when I was 12 or 13. I really loved Breaking Benjamin and bands like that.
I have so many indie bands on my iPod. What I don't really understand is the attitude that if a band is unknown, they're good, and if they get fans, then you move on to the next band.
We'll be reporting music news every week and have real bands coming and performing on 'MyMusic,' interacting with the fictional cast as though they were real.
To be very honest, my reason for getting away from 'Pepsi Battle of the Bands' was because I was on tour. I wanted to be on tour, and the amount I was asking for, they said that they couldn't pay it.
I just feel like bands with the same people, no matter how different the band themselves thinks it is, the listeners go, 'Oh, yeah, it's another Nirvana record.'
Most punk rock bands just have a guitar, bass and drums. The Descendents, the Ramones, you name 'em, it's just how it's always been.
The situation in America is when it starts moving there, all the bands from England move over to America and work from there, so that they're available all the time for everyone that wants them in person.
I've asked these guys in rock bands with all the 18-wheelers driving to the venue how they make money. I just don't understand it. But I don't understand a lot of things.
A bands first albums usually not great. When you made the first album, you had a day job and you were still trying to be serious about it.
In Europe and Britain they seem to be much more accepting and embracing of older bands, whereas in America if you've been out for three years, you're old, and I think that attitude stinks.
I feel sorry for these kids in bands. Everything is so disposable nowadays. These kids don't even get 15 minutes of fame, it's like a minute and a half.
So many of the bands that influenced me growing up were English, even if I didn't realise it. English pop ruled the world in the '80s!
I know that starting out as a young band, it's really easy to get lost with bands that sound the same or with the plethora of music that's out there.
I have never done any other job. I have sung in bands since I was 15. I left school completely unqualified. I have no other training.
Look at the New Kids on the Block, the Back Street Boys and *NSYNC... all those boy bands happened because of New Edition.
It's the most dangerous world for bands nowadays because everybody's branding and trying to steal your vibe as soon as you do anything that anyone cares about. It's very weird.
Under a spreading chestnut-tree The village smithy stands; The smith, a mighty man is he, With large and sinewy hands; And the muscles of his brawny arms Are strong as iron bands.
Pink Floyd are one of a handful of bands I've listened to a lot and whose concerts I've been to. I love the experience. I don't dance; I just jig up and down like everybody else.
My great-grandmother was in one of the first girl bands, in the 1920s. Their outfits were mental: velvet bloomers with big ribbons and headpieces. They were brilliant.
I started going to Madame Louise's, the lesbian club where all the punk bands used to go - the Sex Pistols, the Clash. I remember seeing Billy Idol walk in there; he was gorgeous.
Getting on stage, for me, was a huge thing when I first started. And back in high school, everyone was in rock bands and I was a singer/songwriter. It just seems kind of lame.
There can be a wrong time - it's happened to countless bands where they release their first record on a major label and never learned what they maybe should have learned on an indie.
I've always loved music videos - I used to make my own for bands like Pearl Jam. My favorite directors are Michel Gondry, Spike Jonze, and Patrick Daughters.
The north of the Central African Republic is now a war zone, with rival armed bands burning villages, kidnapping children, robbing travelers and killing people with impunity.
I'm an out and out basic man and AC/DC are one of the best rock'n'roll bands in the world, doing things just to the basics, you know.
There are a lot of bands coming up now that are literally thrusting their soul, their passion into something that fans can pay for a ticket to go see, and they know it's going to be awe-inspiring.
The library companies have made it so that music is so cheap to license. They do sound-alikes of every band, and it makes it harder for the actual bands to get any decent paychecks for licensing.
When we came up, groups and bands and performers were interested in being their own thing. They wanted to make sure that they had their own identity.
My whole life had been bands that were men-centric - and that's a great thing, I know a lot about how to handle myself - but I think I was missing something.
I do try to pay attention to new bands and what's happening within the scene. I try to make sure I give everything a listen - even if I loathe it.
One of my favorite hip-hop artists is Makonnen. One of my favorite bands is Fall Out Boy. You put those two together, and that's Lil Peep.
There were some miles-better bands than us. We were conscious that we weren't the best or the smartest, but we certainly knew how to work the press.
Have pride and entertainment. I think that a lot bands just don't know how to do it anymore or they lost interest in it or don't care and are just cashing a paycheck.
If you look at these bands like The Beatles, they did something that was new for that time, whether it was shocking or just a new direction that they were going.
Ultimately, people do want to buy merch and tickets to support their favorite bands, but they don't want to feel like it's the only thing going on.
The biggest misconception people have about me is that I'm a chancer and they think I'm lucky! They don't realise that I have actually earned it, because I have worked with so many bands. That's all I've ever done is work in music.
I think that the quality of all bands is steadily improving and it is a pleasant thought to me that perhaps the efforts of Sousa's Band have quickened that interest and improved that quality.
People always think I was just playing in a piano bar, but I only did that for about six months. The rest of the time I was playing in bands.
You had bands like D.O.A., or Black Flag, and a whole network opened up to trailblazer a counter culture movement. I'm more interested in the less sensational type of stories.
I was always in bands before, but on 'American Idol,' it was about getting my voice out there. It was always my goal, though, to get a band together again.
It's pretty easy to lose money on tour - most bands do on their first couple of tours. We're more established, but I think it was just poorly booked. It was a mess from the get-go.
There are a lot of bands that my parents used to go see that I haven't necessarily heard of, and asking them to dig up stuff like that is a really fun way to discover music.
There have been people who have categorized the bands of perception in different yogic systems. It gives them pleasure to create names and orders and to make catalogs. Human beings like that.
You want a showman, go see rock 'n' roll bands today. You want to have a shamanistic experience, get psychedelic, then you watch The Doors.
Everybody wants to change the world. But I guess how we want to change it is a little bit more quietly than other bands.
My overnight success was really 15 years in the making. I'd been writing songs since I was 6 and playing in bands and performing since I was 14.
Even when metal was on the radio, it was always the watered down stuff. There were only a couple real metal bands - Metallica is one - that broke through.
With some bands, there's a fear that if people do other things, the band is going to change and not hold it together. That's kind of sad; if you love someone, set them free, right?
Some people would say Counting Crows or Third Eye Blind would be a guilty pleasure, but they're two of my favorite bands - I'm not ashamed of it.
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