I started playing the drums at five years old and used to listen to a lot of screamo bands like Asking Alexandria, Dream Theater, and Attack Attack!
I meet many people, I talk with them, like a TV show host. I show what's going on with Greenpeace, interesing political things, I have artists, musicians and bands.
All my real heroes made instrumental albums. All my own career has been spent playing in bands, but I never forgot that dream of what inspired me to pick up the guitar in the first place.
Wes Craven's 'Shocker' is one of my favorite soundtracks. I don't know where that movie stands in the critical eye of cinema, but it was a really fun movie because of all the bands that were part of it.
Bands are more willing to take risks and we don't need this big label over us anymore telling us what it means to sell records and get into magazines.
I played in a band and attended Grambling University. I think the Mob style funk music I do was patterned after the big college bands. I was also influenced by groundbreaking efforts of Too Short.
You spend more time with your fellow band members than your girlfriend or wife, and you end up at each other's throats. It happens to all bands.
My whole background was with bands, so I always thought of "fashion" as performative. It took me a long time to bridge the gap between my music and what I was studying in school, [which was] dance and being a performer.
We treated it as another acting job. Some of these other bands had been put together, and it was their dream come true to be in a band, and that wasn't really the case for us. It was the next part of what we were doing.
I feel nowadays a lot of bands can be too overly produced. There's something about the leather pants and bare bodies and Axl Rose running back and forth on a stage and going crazy. I love all that.
I create a guise or a band that I can operate within, and within each one of those bands, I've got an M.O. or a set of rules and parameters I can work within.
Bringing exercise bands, ankle weights, and a jump rope is a great way to work out while you're traveling. You can find amazing workout videos online to help with your training.
Poison is one of the first, if not the first, truly independent bands to sell 3 million copies of our first record. It was before we were with a big company.
We've always been fans of groups like Little Feat, Steely Dan, the Eagles, or Dire Straits that have that quality. Bands that sometimes are perceived as not the 'cool' band, because they're so good in a technical sense.
My theory on Manchester and why it produces the bands it
does is that because the world is willing to listen to
them, it gives the kids a confidence and and a belief that
...what has happened before might happen again. It's something
to aim for.
A lot of bands wanna do something new all the time and never repeat themselves, but I'm not so interested in that. If I feel like I can do it better the second time, I'll give it another shot.
Boogie! I hate boogie, God, I mean, not the Chicago boogie like Willie Dixon or Howlin' Wolf, but all those awful white bands.
I have a lot of compact discs. I need them for radio play and convenience. Many bands and artists I am a fan of don't always release their work on vinyl, so I take what they feel like giving me.
Bands rise and surface in the British press so regularly that, for the most part, unless something really catches my ear, I feel like, 'Oh, if they're still around in two years, I'll see what they're up to.'
If I was president, of course I'd want an amendment banning boy bands, but it just wouldn't be right, and I wouldn't do it. Then again... I don't want to paint myself into a corner on this one. Let me think about it.
I like giving music-themed gifts. I've given a couple of music documentaries to boys. Especially if they don't have the same taste as me, I try to infiltrate their mind with my favourite bands.
After performing in various bands, my big break came when I signed for the record label CBS. I had a couple of hits, then my third single, 'Wherever I Lay My Hat,' reached No 1 in 1983.
With girls, everything looks great on the surface. But beware of drawers that won't open. They contain a three-month supply of dirty underwear, unwashed hose, and rubber bands with blobs of hair in them.
Blackfoot was one of the ultimate live bands... there was no pretense, no gimmickry; it was sound, lights, and rock and roll. Our whole goal was to be terrifying... to strike fear and cause havoc in a closing band's minds.
When kids can't afford to see it anymore maybe we'll have a whole resurgence of garage bands all over America and this New Wave thing will start to mean something on a grass roots level.
If you are turning 40, just be graceful, don't get into teenager outfits, put two hair bands and go 'aww.' Don't do that! Don't be stupid. I don't want to live that life. It is so fake, so manufactured. I am not interested.
A lot of times, bands will go on tour, and people only wanna hear the hits. Luckily, our fans are receptive to our new stuff.
The bands that were big in '77, like the Clash and the Sex Pistols and Talking Heads, I got into them in the early '80s. And it changed my life. It got into my DNA.
I feel like a lot of bands have done amazing covers, but whenever we start working on it, whenever we try it in rehearsal, it never feels right for me to do the song.
The music industry is a strange combination of having real and intangible assets: pop bands are brand names in themselves, and at a given stage in their careers their name alone can practically gaurantee hit records.
American rock was, and still is to some extent, a closed shop. REO Speedwagon, Toto, Boston, Foreigner all those bands, and I wouldn't be able to tell which from which.
Some of our favorite bands are, like, Third Eye Blind and Counting Crows, and stuff like Danny Elfman and Jon Brion movie scores.
The bottom line with a lot of bands that funk is being applied to is that they don't really listen to funk and aren't versed in funk. Like, you know, Gordon Lightfoot.
I've built my whole life around loving music. I'm a writer for 'Rolling Stone,' so I am constantly searching for new bands and soaking up new sounds.
I think it's natural for people to see a band and imagine themselves as part of that. That's what I grew up fantasizing about, looking at posters of bands on my wall. There is an allure to a band.
There's this wave of new pop-punk bands that has come out that's bigger than ever. I'm really glad that we got to be a part of helping push that forward, if we did at all. I wouldn't have had it any other way.
There are a lot of undiscovered world-class bands across Asia, and we want to find them, help fulfill their dreams, or at least give them initial exposure.
I always loved bands who would try to change their sound radically album to album, experiment in one album and revert back in another.
It's no longer unusual for real avant-garde composers to have been in a band, and for bands to be interested in a wide range of music. Look at how artists like Aphex Twin are influenced by Nancarrow and Stockhausen.
No one's played on the moon yet. No one's played in zero gravity. Some bands have played at the Pyramids of Giza, but we'd very much like to do that in the near future.
Bonnaroo has kind of become the granddaddy of all American festivals. The thing I love about it most is that it wasn't born out of picking the top ten bands off the Billboard chart and creating a festival around it.
The local music community here was dying for a place to record, so we started doing acoustic, folk and bluegrass and then did rock projects for other bands, as well as for my son Tal and my own work.
The reason for a lot of bands not making it is because they don't really understand that your job is sort of divided into two different things. It's one thing creating it... It's like being an architect but also a construction worker.
The Sex Pistols came through Atlanta, and I got to go see them. That was historic. It blew me away; it was so much fun. I bought 45s of bands you don't hear about anymore.
I come from a long line of teachers. Not only did I not go into the family business; I had an aborted law career and I played in bands. 'Disco Pigs' was my first professional acting experience.
I look back on the early days of Free with Paul Kossoff with the most fondness of any of my bands, because I met him at a time when I was in London and very hungry, and we believed in each other.
Rock never meant the same thing to everyone, but when I was growing up in the late seventies, everyone could identify the five, ten bands that formed the center.
Call it no more free-will, but slavish lust; free to evil, but free from good, till regenerating grace loosens the bands of wickedness.
I'm busier than a busy person. People aren't scared to play this raucous, harsh music over radio speakers, so I think it's the perfect time to get in with some real serious, heavy bands.
Usually bands would make a song to record for an album, but what happens with the deejays you say "Well the album is everything we need. Thanks band. You can go away now."
I always had this dream to make a solo record. I told my mom when I was 7 years old, but I just ended up being in bands. I'm a free spirit. I follow my heart, and it's led me to where I am.
I love what I do and the music I make and the bands I've done, especially Fall Out Boy. I also love what I love, and I don't care if other people like it.
We're in this band, the Foo Fighters, making music for the love of music. We all came from bands that had disbanded, and we were drawn to each other because we missed playing.
The repercussions of what you put out and what people gravitate to in your music never registered at all. I never had that thing that maybe other bands have - a specific idea of what they are and what their sound is.
That's what so sad about a lot of modern music, in my opinion, so many young bands never stay around long enough to fulfill their ultimate promise. They only get halfway there or a quarter of the way there.
It's now taken for granted that women are in bands and you can say feminist things in your songs. But back in the early '90s, there was a lot of violence at Bikini Kill shows that people don't realize happened.
My tastes are pretty varied. For instance, I love Wilco. But it's considered dad rock. It's one of my favorite bands, and yet I find it impossible not to think of myself as a dad-in-training when I listen to it.
One of our biggest pet peeves is listening to bands that use harmony guitars for the sake of it. If you can't figure out how do something different than Maiden, UFO, or even Boston, then what's the point?
I don't know a lot about New Zealand except that it is beautiful! All of my friends in bands who have toured there have said great things about it so I hope I can go perform there soon!
Bands like Nirvana had theatrical sensibilities, playing with image, challenging assumptions people were making about them, the apex being Kurt Cobain in a dress to make a point.
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