Top 1200 Bands Quotes & Sayings - Page 20
Explore popular Bands quotes.
Last updated on November 22, 2024.
Instead, of worrying if something will be a hit, bands need to go out and make good music, get a following, play live. That's how you make a career these days.
I get it from everything - anything that's theatrical, watching the other bands, looking up Vegas shows online... anything that can just inspire me. I'm always searching for inspiration.
I love a lot of people in bands and people doing weird art stuff, but i will always forget someone and i don't really want to be part of stamping the boundaries on a scene.
I'll never forget, I was talking to the singer in one of the heavier rock bands I was in, and it was like a screaming band, and I was like, 'Man, why don't we make a song that's like 'Let's Celebrate!.'
'The Burning Dark' needs a certain kind of soundtrack - something dark and moody, electronic, weird. One of my favourite bands is Ladytron, and I think they'd fit the bill quite well.
If aliens came down and challenged us to a Battle of the Bands to decide the fate of Planet Earth, I would feel very confident putting early Van Halen forward as our champion.
Bands like Metallica never sat around and said, 'We're speed metal,' or 'We're thrash metal.' If it feels good at the end of the day, to me, that's metal.
Write your own music and write frequently. Go to as many live shows as you can as well (of bands you enjoy of course). You can learn a lot watching other performers.
Big companies are like marching bands. Even if half the band is playing random notes, it still sounds kind of like music. The concealment of failure is built into them.
The pirating thing is bad. The people it hurts the most are the ones you least think it hurts. It's not the big Britney Spears albums that are being pirated; it's the indie bands that don't have two cents to their name
I'd always wanted to work in the studio and experiment with sounds. Things that I'm really influenced by and that I love are like The Beatles and Radiohead, and all those records by bands whose music is really involved.
It's time for new bands to step up because KISS and Mtley Cre, Aerosmith, The [Rolling] Stones... we're not always gonna be here. Who's gonna replace us? There's no one out there. It's sad.
Whenever you leave home and your daily routine, it's way too easy to abandon your regular workouts. That's why resistance bands make great travel companions.
There's no real template to follow these days for what a band should and shouldn't be - bands are just becoming these weird little Internet avatars that you either follow or download or interact with in some removed way.
It seems to me that references to bands like Black Sabbath and Led Zeppelin meant more to me a year ago and all those old things are totally losing importance.
Most of the bands that I really like no longer exist. That might just be because I'm in my thirties or whatever. But I also think it's the rare band that doesn't, like, turn into something else.
Playing in my early bands, working as a studio musician, producing and going to art school was, in retrospect, my apprenticeship. I was learning and creating a solid foundation of ideas, but I wasn't really playing music.
I was a studio engineer out in L.A. for about six or seven years, and I played sideman for different people, and played in bar bands. I was an old man of 32 when I made my first album.
But when I started playing in bands, everyone would just have a couple beers at rehearsal, at the shows, or whatever, and alcohol is a great equalizer. It's a great way to make friends and interact with people.
So many people have to struggle for years, very few bands get success with their first record, but I was instantly successful and famous on a very large scale, which was scary.
With Klaxons I had an instrument, so I had a job to play keys. Everyone's roles get defined early in bands, so you're 'that guy who does this one thing' and it felt too restrictive doing that.
When I was a kid growing up, I lived in a little rural village called Woolton Hill, and the nearest town was Newbury. No bands played anywhere near us, so as much as I wanted to be on the grid and in the loop, I never was.
I got fed up with being in bands. I spent a couple of years touring the country in a smoked filled band, doing lots of drugs and being really unhealthy.
I had some proper training, but that was only on snare drum. Learning all the techniques in marching bands and realizing how important it is to play tight set a standard for me for when I did get into a band.
If you started in New York you were dealing with the biggest guys in the world. You're dealing with Charlie Parker and all the big bands and everything. We got more experience working in Seattle.
I think early on in my career, I was heavily inspired by bands like Throbbing Gristle and Test Dept, and films of David Lynch, for example, where the soundscape plays a very important role in the listening experience.
A lot of bands have intense names, like "Rigor Mortis" or "Mortuary". We weren't that intense, we called ourselves "Injured". Later on we changed it to "Acapella" when we were walking out of the pawn shop.
The business of making music is changing so radically because of the Internet. It's become a lot more democratic in one respect, but in another respect there's no one left to guide and mentor young bands.
In a way, I pattern myself after all the bands I used to like as a kid. Every time they put out LPs, they had a whole new look and a new sound.
The original lineup, we got on stage, we had a great chemistry, it was awesome, and then when we left the stage, we never talked to each other. There's a lot of bands that way. Who cares? What's wrong with it?
We really can't go out and party every night like a lot of bands do - we have to keep our voices right for the show. It's a bummer, but you gotta do what you gotta do to live the dream.
The first Decline I did was out of sheer love and appreciation for the music. In 1977, it was more about bands, because punk was a new form of music. It was groundbreaking and political.
Here in Ohio, the hardcore scene is a big thing, so some of our good friends are in hardcore bands. So we've had to figure out how the heck we get these people to respect us.
I've worked as a singer in metal bands for over ten years now, so I've definitely kind of put in my time building that underground family, that underground, loyal fan base.
U2 happens to be one of the world's most celebrated bands of all time, and they have influenced my own music and playlists growing up. In fact, when I was in college, I won a singing competition with a U2 song.
The English scene got more media attention with their emphasis on fashion, with the safety pins and all. There were some really good bands over there. The Sex Pistols were great.
I remember, when I was very young and going to the Fillmore East and watching three of my favorite bands in one night, I'd want a hit. I want to hear the songs that brought them to that pinnacle of success.
If you break down most rock songs and look at the lyrics on a piece of paper, it's all about melody. It's all about presentation. And a lot of bands are really great, but you can't understand a word of what they say.
There were a lot of gifted amateurs in my day. Most of the kids now play fantastically well. I think there are so many bands around now who might get there, but it's a tougher journey.
My dad would play 'The Blue Album' a lot, the first Weezer album, and that influenced my alternative indie thing and that's kind of how I found tons and most of my favorite bands.
A lot of bands just entertain you. I'm all about entertainment - I do it every day - but there's only certain things in your life that stick around. I think P.O.D. has done that for a lot of people, and I'm happy for that.
So by the time the 60s rolled in that became a huge art form in its own right with bands like the Beatles and the Rolling Stones and Hendrix doing total concept albums, same thing with Pink Floyd.
The pirating thing is bad. The people it hurts the most are the ones you least think it hurts. It's not the big Britney Spears albums that are being pirated; it's the indie bands that don't have two cents to their name.
Upwell is one of the most terrifyingly great bands I have ever known out of Seattle. Their musicianship and songwriting is monstrous... They're heavy like Soundgarden or Zeppelin with killer female vocals, but with their own unique style.
I go to see some big shows of other bands, and I feel like I'm so bombarded and over-stimulated that I lose interest in the music. There has to be light and shade, and less stimulating moments. There has to be an arc to the show.
I remember when John Carpenter made 'The Thing;' I saw that in the theater with the Necros. Both of our bands went and nobody said a word until it was over. That's the kind of thing I like.
Bands should definitely pay some dues and go through it, go to small clubs, build a fan base, all that kind of stuff, because it's not real, otherwise.
The Seventies was a golden era. Back then we had some incredible talent with bands like the Undertones, the Rolling Stones and artists like Bob Dylan and Paul McCartney.
Maybe if they start playing new rock bands videos, then maybe but there is no point in a guy like me spending 250 grand for a video that no one is ever going to see.
It's valid that the Strokes and the Pleased have been influenced by some of the same bands. But it's invalid in the sense that we listen to the Strokes and try to sounds like them. I think that they are a good band.
Nirvana, Weezer and Smashing Pumpkins, all those bands, at their core, are just really incredible pop music and I think a lot of that stuff has deeply affected the way I approach music.
We weren't listening to guitar bands, we were thoroughly ashamed of being a guitar band. So we bought loads of keyboards and learned how to use them, and when we got bored we went back to guitars.
We make our customs lightly; once made, like our sins, they grip us in bands of steel; we become the creatures of our creation.
I've created several musical trends, really. That's not because I'm so far out and fabulous. It's because most bands have no ideas of their own. They're so desperate they'll grab at any old straw.
James, that's a bad situation. I'm not saying it's not repairable, but it's pretty far. When you go from being in one of the best bands in the world to some cover band... as far as I'm concerned, he was playing down at the pub.
I'm also performing regularly in Southern California with two bands. As a solo artist doing acoustic sets and a member of the Jenerators, my rock n roll band that has been around for a long time now.
Maybe it's because One Direction was just on 'SNL,' or because I'm playing The Wanted on my Top 40 show, but in terms of boy bands, we're seeing this resurgence, and it's happening, whether you like it or not!
I was always proud of the fact that Spandau and Duran Duran were like Oasis and Blur or the Beatles and The Rolling Stones - where you pick two bands of a generation and you're either on one side or the other.
I just think that the way the industry is changing and the world is changing, it might make more sense in two years for bands to have a different band name every time.
It's a balance between getting the right string gauge that's thick enough where it sound good, and not rubber bands - but not too thick where your hands start to get real tired.
