Top 1200 Banjo Players Quotes & Sayings - Page 10

In the '70s... there were rock players, and there were jazz players.

I'm not friends with my players, but I am very close to my players. When I speak to them, I want to speak to the man, always the man.

Ben [Peeler] and I have known each other for a decade. He trusts my crazy ideas and spontaneous combustion and he gets the players I want and knows the kind of personality players I like. He has taste that I trust and that to me is more important than any technical things.

I just loved the guitar when it came along. I loved it. The banjo was something I really liked, but when the guitar came along, to me that was my first love in music

I'm one of the best players in the world in that No.10 position. Fans, coaches, players, and everyone knows that my best position is playmaker.

Many times, the game comes down to the final possession, the final shot. I want to become a better clutch performer. That's what separates the really good players from the really great players.

I used to come out and say I was targeting certain players in the opposition team, particularly players I had had success against in the past: Gary Kirsten, Brian Lara and Michael Atherton, for example. It is a mental part of the game.

Shoving with K-Q is a tactic that does work well for Internet players and weak players. In the old days, though, grizzled pros would have eaten up those guys by utilizing the traditional, more conservative style of poker that emphasizes play on the flop.

There are a lot of great players... a lot of great players around, but Louie Bellson is really something special.

It's unfortunate that you don't see the loyalty from management to players and players to management like we used to see in the old days.

I am happy at Leeds and I want to stay. There has been talk that Leeds might sell some players, but all the players believe we can win some silverware next season and it is important that we are all kept together.

You know, I only claim to play three instruments. My dad is a banker, but a drummer at heart; and my mom used to teach piano lessons when she was younger. So I can play some piano, play a little drums, and fake the bass - but banjo, mandolin, and guitar are my thing.

I'm into old-time music, I'm not very interested in modern, popular music at all. And if I'm really into some particular old-time musician, some fiddler or banjo player, I'm always dying of curiosity to see what they look like.

I believe in work, in connections between the players, I think what makes football great is that it is a team sport. You can win in different ways, by being more of a team, or by having better individual players. It is the team ethic that interests me, always.

I really do care about the health of the players. That's one of the tough things about the NFL - it's so physically tough on the players.

On a good team there are no superstars. There are great players who show they are great players by being able to play with others as a team.

If you want to continue to be good and perform at a high level and be deep in all areas, you still have to hit on some undervalued players, too. You can't just go out and sign marquee free agents or trade for players when they're at the peak of their value. That's not a formula for long-term success.

No matter how good you are, your mentality has got to be right. A lot of young players, that's where they go wrong, and that's what I've always seen when I was growing up - players who are almost there but couldn't quite get there because the mentality wasn't right.

We're dealing with men here. What we're trying to do is help them become the best players they can be, and we're all collectively trying to win games. So what I always tell people is that the way you earn these players' respect is, do you make them a better football player?

You're always trying to motivate your players. There's a time and a place for a speech that would try to motivate your players, especially if as a coach you knew that the cards were stacked against you a little bit.

To my surprise I found that when other top players in the precomputer age (before 1995, roughly) wrote about games in magazines and newspaper columns, they often made more mistakes in their annotations than the players had made at the board.

I'm happy with the confidence that Tite has shown me. He and his coaching staff have been doing a great job. My relationship with him is the best I can hope for and I always say that he cares about all the players equally, giving the same level of attention to first-team players and reserves.

Mind you, I've always been musical... Mother used to sit me on her knee and I'd whisper, 'Mummy, Mummy, sing me a lullaby do,' and she'd say: 'Certainly my angel, my wee bundle of happiness, hold my beer while I fetch me banjo.'

There were so many stories and so many instances where I had guys telling me that this game was for two-handed players and not for one-handed players, and I'll go out here and get myself hurt.

At the end it's not too important to speak too much. The important thing is what you do on the pitch, that you are an example for the young players, for the old players, that everybody knows that this guy will help us.

The players get no respect around here. They (the Yankees) give you money, that's it, not respect. We get constantly dogged and players from other teams love to see that. That's why nobody wants to play here.

We draft mostly high school kids and we have one of the finest, if not the finest, player development programs and coaching staffs and we teach our players the right way to play. We also have a game plan in scouting, and there are certain types of players that we look for.

Misdeeds of a few players and certain people cannot and should not bring bad name to hundreds of players who participated in the I.P.L. with full honesty. The reputation of the I.P.L. cannot be tarnished by a few greedy individuals.

I just saw over the years that the times that we did remarkable things, it was always because players didn't want to let each other down. Players wanted to lift each other up.

Role-playing games are contests in which the players usually cooperate as a group to achieve a common goal rather than compete to eliminate one another from play.... Role games ... bring players together in a mutual effort.

When you look at the best players in the world, they can play all the formats. I don't think it's an easy thing to do and that's why they're the best players in the world.

Duke recruits the best basketball players. They don't recruit dunkers or highlight makers. They recruit good basketball players.

Leadership is diving for a loose ball, getting the crowd involved, getting other players involved. It's being able to take it as well as dish it out. That's the only way you're going to get respect from the players.

When I got out of school, I spent two years just hitchhiking around. Every time I met some old farmer who could play banjo, I got him to teach me a lick or two. Little by little, I put it together.

If we can't find the next technological breakthrough, well, maybe we can be better than anyone else with how we treat our players and how we connect with players and the relationships we develop and how we put them in positions to succeed.

I grew up not really listening to guitar players. Especially when I was studying music, I was just interested in piano players and arrangers and composers; I came to playing in a band from the perspective of someone who never expected to play guitar in a band.

When we have the ball, we're all offensive players. When we lose the ball, we're all defensive players.

We want the best sort of 500 players or so that we can possibly get, and the best 500 players typically have a very similar background. They've played three or four years of college football. They're mature. They're professional.

Players come to Belle Rock's casinos to have fun, find excitement, or play in a safe environment, but no matter what the reason, they all come to win. In February, we want to reward our loyal players by making the chances of winning big that much greater.

I remember that, often, Mike Phelan would just nip down to the touchline for a message to one or two players. It was usually just a tactical thing. But when Sir Alex comes to the touchline, all the players know that it's serious stuff.

A lot of players were going to Europe, but there were always stories of teams not being able to pay, and the players and girls were stuck with no money for airfare to come home. So I got a nice contract from Japan and decided to play there.

I know about the sweet home. I went to school with 'em boys, what became Lynyrd Skynyrd; I knew Allen Collins, the skinny girl-beautiful guitarist. I put Allen Collins in every travel piece I do. Travel writing is harrowing, going to Bermuda with a banjo on my knee.

I think the NBA just, overall, when you need somebody to blame, the first person that you go to is the coach. But at the end of the day, you need the right players that match each other. Not just the best players. Chemistry helps.

It is important to have face-to-face meetings, so when the players have things on their mind we talk. It is important to have a good relationship with your players. If they like you and love you - and the other way around - you will be successful.

I have a feeling we are going to be world champions, I can't really explain why. Brazil are probably the best team in the world in terms of individual players. But the team with the most gifted players do not always win.

I do not understand players going to China at the age of 27 or 28. Those guys are at the peak of their career. That is a waste, really. You only get one career. I sort of understand players who are already in their 30s.

I just loved the guitar when it came along. I loved it. The banjo was something I really liked, but when the guitar came along, to me that was my first love in music.

I think the game has grown so much and I was definitely there a lot. I'd say more so less the style of play, but more knowing individual players and their tendencies and knowing which players are going to be key threats for them.

All my future plans are related to Real Madrid, and there are no other clubs on my mind. I'm so happy here along with my family. Few players have ended their career here, Zidane being one of the exceptions. I'd like to be one of those players, too, but time will tell what the future holds.

I think in the future we need to look at our youth department to provide more players for the first team think it is important for a club to have a good amount of players that have roots with the club and region.

When you sit with people you love, if you say something stupid, they call you on it - because they're honest with you and they're making you better. That's what we're as couches going to have here with our players. We're going to have an honest respect for one another, to make everyone maximize the potential they have. I expect the players to listen to me, and I'm going to listen to them. We've got to make each other better, and it's the way to create safety, because the players know you've got their backs. When you tell a player what you want, he will try to please you.

I always wanted to play for AC Milan or Real Madrid. Real Madrid, of course, because when I was young, the players that played there were the top players. I was looking at Real Madrid as the best of the best. And AC Milan, they also had good players when I was young, so I looked at AC Milan the same way as Real Madrid.

It is going to be difficult for the West Indies to get back to the top, but we got to start somewhere, and if playing young players is the way we have decided to go, these young players must be given the chance to mature and develop and not be discarded at an early age.

Am I a control freak? No. Do I believe in organization? You bet. In discipline? In being on time and making sure everything at the hotel is ready and right? Definitely. I don't control players. I try to control the environment around the players so they can flourish.

My son, Walker, has a band called The Dust Busters. You know, he plays banjo, fiddle, guitar, and mandolin, so a lot of my interest in that kind of music comes from him constantly listening to this stuff. He's taught me the history of it. It's remarkable how these young kids are now turned on to more traditional old-time music.

I dreamed of being an NHLer the first day I played. Sometimes the other kids would say there are not many black players in the N.H.L. So I really followed as many black players as I could.

When I first joined the team, I was playing with the likes of Mia Hamm, Shannon MacMillan, Tiffeny Milbrett - all those big-time players. It was very intimidating. I had some of these players' posters on my wall growing up, and now I was able to play with them.

I thrive on quick players getting to the byline and sending over crosses. I just have to be quick enough to get on the end of things. In that regard, my job has always been the same, but if we have more wide, quick players, that can only be good for me.

In my team, I don't want selfish players. I prefer to lose a game than have selfish players. I don't want that in my club. Never.

The way the Premier League is now we have a lot of foreign players. A lot of very good foreign players.