Top 1200 Banjo Players Quotes & Sayings - Page 11

I think what Brendan Rodgers did was right; I thought it was successful. He was able to show that he was able to change several players, prove to everybody in the team that no-one's guaranteed a spot, rest a lot of key players, and at the same time walk away with a very reputable result.

My mother played a little bit of the old time clawhammer. She tuned the banjo up and picked one tune for me, and it just become natural to me. When she picked it, I just started and picked it, too.

I like to be able to control which players I'm working with. Because it doesn't matter how good a coach you are if the guys you're working with think they already know it all. You need a response, you need to feel they're trying. I want players who are always striving to improve.

Even my players aren't players.

Baseball is a simple game. If you have good players, and you keep them in the right frame of mind, the manager is a success. The players make the manager. It's never the other way. Managing is not running, hitting, or stealing. Managing is getting your players to put out one hundred percent year after year. A player does not have to like a manager and he does not have to respect a manager. All he has to do is obey the rules. Talent is one thing. Being able to go from spring to October is another. You just got caught in a position where you have no position.

I'm a little skeptical of foreign coaches in our league and in U.S. Soccer just because of how different our league is and our players are than other players around the world.

Now, modern economies have a very effective mechanism for deciding if salaries are really too high: it's called the free market. That's how most people's salaries are set, after all, including those of major-league baseball players and European soccer players.

I had some very good players and some wonderful young players hitting the scene. Rio Ferdinand, Paul Scholes, David Beckham, Michael Owen - we had something tangible to work with and move forward.

For 99.9% of the players there, they are at United because they want to be at United, and it is their dream move. That gives United a little bit of an advantage over other clubs, where some players are maybe there because there was financial pressure for them to be sold.

I did rough hustling, what they call 'playing against the wall.' I just played myself with the players, so I would pay; I would make them shill. I would pay certain players and then take from others.

I think you need people who can advise you; that is more important that an agent. They are important because they help players move, but I have some experience of agents working with players who have done things not to help the player but to help themselves.

In previous experiences of being in the All-Star Games, you know, seeing the hometown players and how the fans get behind the hometown players, it's always been a special moment just watching that from afar and being on the other side.

You hear all the time about European players playing the game. These players that come over at 17, 18 and 19, they just don't all of a sudden become skilled. From the time they were little fellas, they learned the fundamentals of the game. Let them create.

Having a father as a football and a baseball coach, I grew up around college baseball players, college football players, like, I just knew sports my whole life.

When I first started doing my comedy act, I just desperately needed material. So I took literally everything I knew how to do on stage with me, which was juggling, magic and banjo and my little comedy routines. I always felt the audience sorta tolerated the serious musical parts while I was doing my comedy.

Friends ask me to pick the best 11 players, but sometimes the best 11 players are not the best team. So it's something that you have to work together.

When you look across the board at the count of NBA quality players that are on various international teams in Europe, Latin America, the Middle East and Asia, there are good players all over the world now. It's just not in the NBA where America has the most talent.

The speed will increase and the players will be better, but also the players around you will be a lot better. It all cancels itself out.

. . . I wrote a letter to Thomas Pynchon asking, Can I have your permission to try to make an [adaptation] of your book? And I had no idea that he would answer me, because he's pretty elusive. But he did send a letter back that said, Yes, you can do that - as long as the only instrument in the opera is a banjo. I thought, That's an interesting way of saying No.

'Seba' Veron was one of the best players I shared a dressing room with. Not only was he technically gifted and could pass the ball accurately over distance, not only could he anticipate where players would run, but he also ran himself.

Even all the top players going to Europe to play helps soccer in America, as do all the MLS players like Beckham and all that, they're trying to promote it. At the end of the day it's about getting the younger generation interested at an early age so most of them will move on and play.

When you come to Manchester United, in every transfer window - whether the team is doing well or badly - there are always players linked with the club because this club is always linked with the best players.

I love Coach K's passion to coach his players and to coach the game. I examined and watched the interaction between him and his staff, along with the players, and was impressed how hard they played.

If the coach on the sidelines is not that strong, transmitting the kind of spirit he has, players won't always handle it well. Life becomes difficult. But, with Mourinho, everything is good. He knows when to be among his players, as 'one of us' making jokes as a friend, and when to be strong and distant, even severe.

John Fahey, thought during his lifetime to be possibly more than a little crazy, was the author of some thirty albums of gnomically introverted droning guitar instrumentals, which I listened to heavily in my teens and twenties; I even produced an hour or so of banjo music in an imitative John Fahey style.

I always felt if you were going to be successful, make sure you get good people. You win with great players. Coaches don't win games. Players win games.

I am really irked by healthy NBA players resting. I really don't understand it. Players in the past have played all season for years. I just don't love it. I feel like it hurts the integrity and competitiveness of the game. It's got nothing to do with the TV partners; it's about cheating the fans.

Each NFL team has its own policy about their own players dating their own cheerleaders. And in the Raiders there is no policy against it, though it is not encouraged. Yes, there are successful relationships between players and Raiderettes.

My grandfather played a mandolin, so I got my hands on that. Then on down to a banjo, and I found I couldn't play any kind of soft or mournful music with that so I took up the fiddle in my late 20s or early 30s - and that was far too late. But it keeps me off the streets. It has been a love of mine since I was 17 maybe.

I grew up in a family of piano players. Both my sisters were serious players, and they both, as they became more accomplished, aspired to buy a Steinway and asked my dad to buy a Steinway.

I'm not going to lie and say that I'm good at Madden. There are some good players out there. There are some good players on the team. I get skunked all of the time.

You have better players and teams in England, and for myself, it is better to play in a better league against better players.

You don't buy experience at the pharmacy. You acquire it through games over time. Every player must go through that, but when the federation hired me, they told me they wanted new players and young players who will prepare for the future.

Well, you know, the original banjos were all handmade instruments. Gourd - it would be made with gourds and whatever, you know, materials would have been around. And, you know, first hundred years of its existence, the banjo's known as a plantation instrument, as a black instrument, you know?

Only run special plays for special players; find plays that fit your players.

I'm not silly enough to say I don't take note of what other strikers are doing. I was totally aware players were scoring that were in the squad - and of English players scoring who weren't in the squad.

As a player, you model yourself after other players. Kobe takes the same approach as Michael Jordan. But I follow someone like Magic Johnson; he showed emotion, he smiled and jumped around, he was happy for his teammates. There needs to be more players like that.

If the players aren't getting paid, there's something terribly, terribly wrong, and that's true only in the United States. Everywhere else, where money is involved with sport, the players get paid. But these poor kids in college, they're doing it for free, and that's just disgraceful.

For clubs, free movement plays a big role in transfers and players' contracts. Players from the E.U. can sign for U.K. clubs without needing a visa or special work permit, making it quicker and easier to secure top talent from across Europe to come and play in our leagues.

I'm not comparing it with cricketers who get huge money. But getting some financial benefits do motivate players, especially athletes. I appreciate this move by the state government. A state like Haryana has been producing more and more players because of such motivations.

I think the way City spends, I would say it's a lot of money. But they spend it in a responsible way. They attract good players, young players and they cost a lot of money.

It's just something about great players when they play in certain arenas or against other great players. They elevate their play. LeBron is one of those guys. He feels the moment. He understands the moment.

I think coaches are very much guilty of trying to implement players into their schemes as opposed as trying to fit schemes into players. That's the thing that can separate good coaches from bad.

It is important for students to get a - to be exposed to a variety of people. Just like you want football players, you want piccolo players, you want people from all over the country and different backgrounds.

On a basketball court, five players were in the middle of an intense game. They wore assortment of jerseys from different American teams, and they all seemed keen to win—grunting and snarling at each other, stealing the ball and pushing. Oh…and the players were all baboons.

When your great players are team players, everybody else follows their lead. The best team doesn't always win - it's usually the team that gets along best.

In order to understand the history of the banjo, and the history of bluegrass music, we need to move beyond the narrative we've inherited, beyond generalizations that bluegrass is mostly derived from a Scotch-Irish tradition with influences from Africa. It is actually a complex Creole music that comes from multiple cultures.

I think there are a lot of good players in the top 20, top 30 that are top-10 players. You got to get there. You got to earn it.

I have seen some terrifically exciting changes with young players coming into the squad which is reinvigorated. The older players and the whole group has been refreshed by the youth and enthusiasm that has come into the team. I think that has been misunderstood and misrepresented in certain quarters to the detriment of Indian cricket.

I was like, 'Man, bluegrass - that's like Roy Clark playing banjo on 'Hee Haw.' I'm a huge 'Hee Haw' fan. But I didn't know about bluegrass. It seemed like old people's music.

I want players to think: 'OK, this has happened now, what is next for me?' That's a very big target because what are academies about nowadays? Is it really just to find one or two players? But what happened to the others? I'm very, very interested in that.

Some players have 18 years in football. But some players are injured before they start. When I thought like that I said: 'If I compare with that I have been very lucky. At least I had 10 years of a beautiful experience that changed my life for ever.'

Possessing an array of athletic gifts is something most tennis players can only dream about. Most players, if they're lucky, have one attribute that stands out -- either a monster serve, great footspeed, superb touch, superior timing or innate feel for the ball.

I'm always on the players' side, of course. The owners are going to take their fill, but I'm always on the players' side.

Players today can only shoot with their laces. I could shoot with the inside, laces, and outside of both feet. In other words, I was six times better than today's players.

Some players are more physical than others, some play with more finesse. Some are just really great all-around players. So you have to change your game.

Felix Magath works with pressure. At first, we didn't know where we stood with him. That prompted the players to give their best because they wanted to play, but after a while the players knew where they stood and Magath no longer received the same effect.

You should never want to be a one position player. If you're a real basketball player, you should be able to play any position. That's the difference between really good players and average players.

When I first started playing the banjo and miraculously fell into a record deal in Nashville, TN, there was a period when I didn't go to China. It hurt. Like a pain in my gut... that pain you feel when you know it's time to connect with your parents or your God or your child or your past or your future... and you don't do it.

You do see very few English players going abroad and those that do are largely good players otherwise they wouldn't have gone, but I feel a lot of their downfall is in the language. On the pitch you can learn the different basics of 'left,' 'right' and 'behind you' but off the pitch you want to have that influence around the team.