Top 600 Batman Quotes & Sayings - Page 10

I really didn't have any plan for her other than the henchgirl role, who was better at getting laughs out of the other gang members than the Joker was. I gave her the name Harley Quinn because I thought Harley was a fun name for a girl, and a lot of 'Batman' character names have a bit of a pun to them, like E Nygma.

I found myself trying to appeal to the 'Half Baked' crowd and I wasn't that guy. It's like dressing up as Batman every day. It's not Halloween every day. It's fun on Halloween, but I can't dress up in that outfit every day when I'm not that anymore or never was that guy.

Afraid? Batman's not afraid of anything. It's me. I'm afraid. I'm afraid that The Joker may be right about me. Sometimes…I question the rationality of my actions. And I’m afraid that when I walk through those asylum gates... when I walk into Arkham and the doors close behind me... it’ll be just like coming home.

I do believe, especially with the character of Batman, that the tone and the mood of the book is 80% of the job right there. And the more control I had over the story, the more control I had over the tone and the mood.

I'm a little worried about a Batman versus Superman movie just because it's... I just think it's really tough to pull off. I'm very excited about seeing it, but I think it's really tough to balance those two characters in the same movie.

Remember Killer Moth, the most ingenuous rogue ever to defy the dynamic duo, Batman and Robin ?Perhaps you recall how the weird beam from the Moth Signal summoned the Gangland Guardian to the aid of desperate criminals ?And who can forget the eerie Moth Cave where new and startling implements of crime were produced by this evil genius !

I was on Batman with "Superheavy" or "Zero Year" where there was a lot of fun and bombast, but it was also personal. [In All-Star], I wanted to take that to its complete extreme, like the end of the Earth extreme, where it's over-the-top humorous, yet at the same time really deeply about what I think is of this particular moment in time, at least for me. The things I'm terrified of and the things I'm hopeful about. My life is the page.

The Wonder Woman that you see in 'Batman v Superman' is a woman who has been around, and she's very experienced. She understands a lot about man. Whereas, in the standalone movie, we are telling the grown-up story, Diana becoming Wonder Woman, and this was a story that was never told before.

Only one time in my career I had that feeling [that this is not gonna get made], it was for this movie [Life of Pi]. It was right before we started the physical pre-production. I pre-visualized the whole ocean part before we made the movie, I was that prepared. At one point they seemed to want to drop it because it was really risky. The budget we proposed was a lot higher than they expected, they wanted to [drop it]. After all, it's a philosophical book and a literature property, it's not Batman.

What drew me to Batman in the first place was Bruce Wayne's story, and that he's a real character whose story begins in childhood. He's not a fully formed character like James Bond, so what we're doing is following the journey of this guy from a child who goes through this horrible experience of becoming this extraordinary character. That, for me, became a three-part story. And obviously the third part becomes the ending of the guy's story.

I love black and yellow. Black and yellow is Batman; black and yellow is Spongebob!

It's just a great, legendary comic book hero and it's one that has never been kind of been brought back to life after Lynda Carter. I mean, it's a reinvention. When Tim Burton reinvented Batman after Adam West, and when Donner reinvented Superman after George Reeves, it's time to do that with Wonder Woman.

Superman told me... that we needed to make a double... type of record... and so I answered: 'Okay, Superman. We will make... a double type of record but it won't be a double album because... Batman... didn't want a double album'

Were really trying to make Crisis as accessible as possible, which is extremely difficult to do because it involves so many characters. But, again, you dont need to know all the details. Obviously the mainstays are there Superman, Batman, Wonder Woman and heavily focused on. There are a ton of great characters, and a lot happens to them over the course of Infinite Crisis . Some change and evolve, others fall, but it really is about trying to bring everybody on stage. We probably have 90 percent of the DCU showing up, if not more but without losing focus on what the story is.

I think thing that makes Batman so endlessly interesting is that he's one of the most flawed and deeply human characters, even though he seems completely the most inhuman and infallible in costume. Psychologically he's one of the most complicated in both his strengths and his weaknesses. For me, one of his great strengths and weaknesses is that confidence. His emotional self-protection is one of the things that makes him heroic and sacrificing; he doesn't have a personal life. He sacrifices those to be the best hero he can be.

Adults...struggle desperately with fiction, demanding constantly that it conform to the rules of everyday life. Adults foolishly demand to know how Superman can possibly fly, or how Batman can possibly run a multibillion-dollar business empire during the day and fight crime at night, when the answer is obvious even to the smallest child: because it's not real.

The purpose of this is not show that I can do it better, because I think Superman is perfect. The original creation of Superman nobody could have done that better and I think Batman is pretty much a perfect character... The same with all of them. I'm just going to try to find a way to say, "If that wasn't the original idea, what would be another way to do it that would be more in my style?".

The day my father died seemed longer than my entire childhood. The day I felt my first success seemed fleeting, hour-long, not long enough perhaps. I wondered where it went. Even the cycle of time confounds me. I work till dark, until sunrise on most days and fall asleep as the world awakens to light. My friends call me an owl. I like to think of myself as Batman – the prince of darkness.

I just trust the people involved. Marvel and DC for the last 16 years - is that 90 percent of the time it's incredible top talent. Like, this is what makes it different from the pre-2000 superhero movies. I would say, except Tim Burton and Richard Donner, it was generally, comic book movies were done by guys who weren't that into the material and people who didn't really respect the stuff. But as everything, whether it's Wolverine, X-Men, Avengers, Batman, all these things, it's just been done by top-tier people. I have total confidence that they'll continue that tradition of being great.

There's a page in #2 where I did one of the most interesting pages I've ever drawn. I had to think, "This is a big, blockbuster comic book." You're prepared to be more fan service-y or bombastic. Yet I did one of the most challenging pages I've ever drawn, and it was incredibly satisfying to do that on a project like this [All-Star Batman].

I don't think I was particularly in need of superheroes. I never had any fascination with Superman or Spider-Man or a Batman kind of character. If it happened at all, it was imagined characters that I had invented. My dad was a role model for me. He was a fascinating man. There was intrigue and entertainment growing up with him. He gave me an edict that I still pursue: “Life should never be boring."

Some of the things I love the most are when a writer or a visionary takes on sort of an iconic character and then spins it. Like with Frank Miller, Batman was this one thing for basically forty years, and then Frank Miller came along and said he can also be this other thing. And Christopher Nolan came along and said he can also be this other thing. The idea of taking iconic comic book characters or superhero characters or mythic characters and subverting the genre or coming up with a new idea is something that's really interesting to me.

When I was a kid, I remember the first Batman, the first Superman comic books when they came out, thinking how great that was and wouldn't it be great to see a movie like that. They did some cheap serials, but they're not the same as today. But I think younger audiences would like to see a real hero also.

I was on the set of the first Powers pilot, and an actor of color came up to me and said, "When I was a kid, my friends wouldn't let me play Batman or Superman, because I wasn't their color. But they would let me play Spider-Man. And that's the difference." And I realized I had heard this story a hundred times from different people, but I wasn't there in my head yet.

People fantasize about being a hero and helping someone in trouble. Batman is that fantasy realized-not just for Bruce Wayne, but for the audience. Inwardly, Bruce Wayne is still an adolescent watching his parents being murdered. That will never leave him. And people really relate to that.

I think Wonder Woman is a very difficult character to crack. More difficult than Superman, who is also more difficult than Batman. Also, a lot of people in Hollywood believe that it's hard to do a big action movie with a female lead. I happen to disagree with that.

I think a lot of creators are attracted to those toys they got to play with when they were young, and everyone wants to write a Superman story or a Batman story or a Spider-Man story. I don't know, if it's been successful for me, it should be successful for anyone. "Hit the ground with your feet running" is the secret of breaking new characters when it seems like no one else is having any luck.

I think up to this point, it's been difficult to suggest a world where Batman and Superman and Wonder Woman and others could exist in the same universe. That was one of the things I really wanted to try and get at. Not to mention, the amazing opportunity to bring those characters and have those characters tell an important story, their own story, within the confines of a film.

It was a weird reaction to 'Batman Returns,' because half the people thought it was lighter than the first one, and half the people thought it was darker. I think the studio just thought it was too weird - they wanted to go with something more child- or family-friendly. In other words, they didn't want me to do another one.

[A comic book writers' union] will never happen. Someone will always be willing to write Batman for free. ... You sit at a bar with an editor at a show and you see 19 people come up and pitch ideas at them. If everybody writing the top 20 books all quit and demanded, 'Union now, union forever,' those 19 guys would be getting phone calls. There will never be a union. I think things are getting better - I bet things have never been so good - but there will never be a union.

Man's inhumanity to man is as old as humanity itself. Some people just do evil things. Most do not. A billion people have seen 'Batman' movies over the past 20 years, and they have been entertained and inspired. One man saw it as a sick entry point for mass murder. The one is tragic. The billion are not. I choose to write for the billion.

I know, who doesn't want to play a superhero, right? And everyone wants to play Superman or Batman. Everyone wants to play a superhero.

I will say that adapting a character like Da Vinci really wasn't that dissimilar from doing Batman or Superman. Because all three of these guys are really iconic figures, and yes, Da Vinci was historical, but there's clearly been a lot of mythmaking about him, and a lot of things have been attributed to him that may or may not have happened.

I think it's one thing if you are turning out dozens or even a hundred stories a year, you've got to have a great supporting cast behind you. Superman had a family that developed, and it's only natural that Batman has a family of sorts that developed. I think it's a great way to keep the comics interesting and varied, to appeal to different segments of an audience, to bring new perspectives to it.

Batman and the Flash have a whole lot in common behind the mask. They've both experienced loss, know forensic science, and are both a bit introverted. In 'Flashpoint,' Thomas Wayne thinks Barry is crazy, but Barry thinks Thomas is crazy. It'll be really fun seeing those two trying to figure things out.

I always keep some form of cartoon or comic book with me, especially Batman - he's my favorite. The reason I keep them around is that it keeps the kid in me alive. Some older folks, they like to drink - can't wait to get old. Me? I like to stay young. I know I'm going to be get older, but I can at least be young at heart so I read these comic books so I keep myself right on that level of kid to keep me having fun on stage.

When I was born, they didn't work. They're broken, the nerves in my lower left lip. When I was kid, I would talk out of the side of my face. When I was 16 and came up to Hollywood from Orange County, I was in this cattle call audition for Batman and Robin at Warner Bros., and they interviewed me out front of the studio. When I got home, I was like, "Oh, this was exciting!" But then when I watched the news, I was like, "Mom, what is wrong with my mouth?!"

Music didn't really occur to me. Michael Jordan and Batman were my favorite two entities then. Michael Jackson was there, but I didn't really get into Bob Dylan, for instance, until I was in my 20s. The record I heard of his that got me interested in singing was Knocked Out Loaded, which is what many people consider to be his worst record.

When I got my start, I kind of got my big break with The Princess Diaries and during the press rounds for that everyone asked me: "Did you always want to be a princess growing up?" And the truth was, no I wanted to be Catwoman. And I think a lot of women feel that way. And the fact that I am actually her is such a dream come true. It's such a pinch me moment. And the fact that I am Catwoman in Chris Nolan's Gotham to Christian Bale's Batman is unbelievably cool.

I still love Marvel to death and I had a great experience, and it was a really tough decision to leave Marvel. It was a very easy decision to come to DC; it was very difficult to leave Marvel. And I really wanted to draw Batman, and really, that was entirely the discussion when it came to coming to DC.

I really became a hardcore Batman fan when I was eight years old. What was clear to me, the reason I liked him better than Superman or Spider-Man or the Hulk or whoever, was the fact that he was human, and I could identify with him, and I really believed in that character strongly. In my heart of hearts, when I was eight years old, I believed that if I studied real hard, and worked out real hard, and if my dad bought me a cool car, I could be this guy.

I had done a couple TV pilots, and a friend of mine wanted to leave comics and come work in Hollywood, and I said, "Well, you've got to understand that when you sell a TV pilot, imagine if you turned in the best issue of Batman ever, and DC was like, 'Well we love this, but we can't publish it because we have to publish this other thing by this other person." The odds are really long on getting anything made, so if you come from comics and you're still making a living in comics, that really helps because you're not desperate for someone's permission to write for a living.

I make the joke, all the time, that if you have the word "man" and a number in the title, like Batman 2, Spider-Man 2 or Iron Man 12, you'll get it made. The kind of movies I make, studios don't make them. I've made a lot of movies, and at Castle Rock, we've made 125 movies. None of them get made at a studio. I've got to scrounge around for money, every time. I just like to tell stories. I'm a storyteller, so I want the most people to see it.

When I saw Bryan Singer's 'Usual Suspects,' I knew how it was going to end because I'd seen 'Scary Movie.' Which is not the preferred order of things, but that's how it is because my childhood was 'Home Alone,' 'Matilda,' 'Batman Returns,' 'Jumanji,' 'Secret Garden,' 'Jack,' 'Mrs. Doubtfire,' 'Titanic.' Only family films from the '90s.

Before sequels became the most reliable way to make a buck, Bond set the standard for lavish serial adventures. Before Hollywood found gold in multimillion-dollar adaptations of comic-book characters - in the Superman, Batman and Spider-Man blockbusters - Bond was the movies' first big-budget franchise superhero.

I was doing a tour of the 'Batman' live stage production, and I challenged the cast to join me to run. One time, we were running in Switzerland just before Christmas, and it was heavy snow. Another time, we were running down the Seine in Paris on Christmas Day, and we all had Santa hats on.

Certainly as a kid, I grew up with Batman, Superman, whoever - they didn't need to be black for me to relate to them. But when a character like Cyborg came along, I got excited, because he looked a little bit more like me; his experiences were a little bit more like mine.

I took the stool next to him, raising an eyebrow at the coffee and cruller on the counter. "Thought you weren't into internal pollution," I said. Lately Ranger'd been on a health food thing. "Props," Ranger told me. "Didn't want to look out of place." I didn't want to burst his fantasy bubble, but the only time Ranger wouldn't look out of place would be standing in a lineup between Rambo and Batman.

With Marvel and DC, you're working with their pre-established fictional universes and characters. At those places, you're working with characters who will outlive you and maybe your children and your childern's children. Batman will outlive me, Spider-Man will outlive me, the Avengers will outlive me, and so it goes.

I don't believe that there's a good guy and a bad guy. Unless it's like Superman or Batman, there is no good guy and bad guy.

We love being in business with Guillermo [Del Toro]and frankly that movie, if you look it up, did I think more business than the first X-Men, did more than Batman Begins, our first movie, did more than Superman Returns, The Fast and the Furious, Star Trek- so for a movie that was an original property that we made up it's done really well.

I always used to put on plays when I was younger for my family to watch, when I was 10 or something. I used to force older members of my family to watch the plays and younger members of my family to be characters in the plays - and my personal favorite was Batman.

I grew up watching Wonder Woman; I grew up watching Batman. I grew up watching George Reeves as Superman.

I started drawing comics, and at first I was very influenced by the whole pop art movement, you know, Batman was on TV and all that pop art stuff? But then my next influence was in 1966, or maybe it was '65, I don't know. Somebody showed me a copy of the "East Village Other", which was an underground newspaper. And... it had comics in it! And they weren't superhero comics.

Stain Boy Of all the super heroes, the strangest one by far, doesn't have a special power, or drive a fancy car. next to Superman and batman, I guess he must seem tame. But to me he is quite special, and Stain Boy is his name. He can't fly around tall buildings, or outrun a speeding train, the only talent he seems to have is to leave a nasty stain. Sometimes I know it bothers him, that he can't run or swim or fly, and because of this one ability, his dry cleaning bill is sky-high.

Bryn ate her bagel in silence, and by the time she was finished, Liam had already neatly packed her overnight bag and loaded it in MacAllister's car. He even included a new dog bed for Mr. French to travel in confort. Lunch was in moducal little boxes. "I think he is Alfred." "Actually, I often wonder if he's Batman.

I think Anarky's age is right now. He looks like a street protester. He looks like Anonymous. He's like one of these guys who wants to go out there and change the world to what he believes is the better, and I think of all the Batman enemies, and one of the reasons I'm most excited about Anarky, is he feels relevant today.

You know I grew up on the Batman movies, and they had some terrific actors in, but you know a lot of the other ones - it wasn't always the case that you had people the caliber of Jeff Bridges or Robert Downey, so to kind of show up and work with Jeremy Renner or Robert or with Mark Ruffalo, any of them, Chris Evans, Chris Hemsworth, the caliber of people you're acting with, to me, is really fun. From the first day I started doing scenes with Robert, it's been one of the funnest experiences I've ever had.

I put a lot of effort in creating something fictional, yet very personal, because Shook is a defining part of me and my music: the Shook entity is much like the Batman or Superman comics characters. I like the idea that I can have this image that represents a part of me, but isn't really me, kind of like an alter ego.

I wanna begin saying a story about my son. I have a four-year old son who loves superheroes from Spider-Man to Iron Man to Batman. He's got all the costumes. One day he looks at me and says 'Dad, I want to be light-skinned so I could be Spider-Man. Spider-Man has light skin.' That was sort of a shock. This is why I am excited to be a part of the Marvel Universe, so I could be hopefully provide that diversity in the role of the superhero.