Top 1200 Be Real Quotes & Sayings - Page 19

I have stared long enough at the glowing flat rectangles of computer screens. Let us give more time for doing things in the real world...plant a plant, walk the dogs, read a real book, go to the opera.

You have to record as many details as possible and achieve an order, without taking away the complexity of the real. To voice the real and at the same time to create an image that is a world in itself, with its own coherence, its autonomy and sovereignty; an image that thinks

My job in MTV was my first real presenting job and I had no real idea what I was doing, but you kind of learn just by doing.

I try to use models at least for the main characters because of the nature of my art. I tend to focus on the humanity of my subjects, the details of expression that add a certain reality to the work. Real faces = real art. That's the goal anyway.

I have real good parents. They poor. They have regular, poor jobs and what not. They real good people and what not; I was just raised in a bad society.

Your body is not the real you. It's just the physical house you live in. The real you is your spirit, which will live on forever.

We are but shadows: we are, not endowed with real life, and all that seems most real about us is but the thinnest substance of a dream,--till the heart be touched. That touch creates us--then we begin to be--thereby we are beings of reality and inheritors of eternity.

I think of clothes a lot like costumes. I think of what I wear in real life as being my real life character's costume.

That scene that I have with Brad Pitt in Meet Joe Black is one of my favorite scenes that I've ever done. He's very modest. He's a real hardworking actor. I think he was going through something difficult at that time, and he never brought his personal stuff - not once! - on the set. He was a real pro. I remember doing that scene, and as I was acting, I thought, "I understand why this guy's a movie star." Because there was just something that he did when the cameras rolled. There was some kind of energy that was really magnificent, a real aura about him.

For me as an audience member, it makes the characters more relatable and interesting if they're evolving and changing - it makes them feel more real in a way. But not every cartoon is trying to be real.

When I got older I decided I wanted to be a real writer. I tried to write about real things. I wanted to describe the world, because to live in an undescribed world was too lonely.

Never ask, "Who is my real friend?" Ask, "Am I a real friend to somebody?" That is the right question. Always be concerned with yourself.

The real struggle is about you: you, a person who has to learn to live in the real world, to inhabit her own skin, to know her own heart, to stop waiting for life to begin.

The real power of a wolf isn't in its fearsome jaws, which can clench with fifteen hundred pounds of pressure per square inch. The real power of a wolf is having that strength, and knowing when not to use it.

I'm realizing that the people who criticize what I'm doing, their intentions and comments are not actually real.There's nothing happening in the real world outside of whatever they're writing on the internet. Whereas for the people who feel inspired by what I'm doing, there's something so concrete and powerful in what's happening when they feel empowered. There's actually some kind of growth or self-acceptance, some kind of self-love that's actually being triggered, hopefully. And that's real.

Where the real world changes into simple images, the simple images become real beings and effective motivations of hypnotic behavior.

It's not about how much movement you do, how much interaction there is, it just reeks of credibility if it's real. If it's contrived, it seems to work for a while for the people who can't filter out the real and unreal.

Fitzcarraldo is that metonymic character that's unwilling to give up on his dreams. Meeting Walter was the point in which all of these dreams coalesced into a very real person with a very real story.

When you play a videogame, you could be a completely different person than you are in the real world, certain aspects of the way your brain works can be leveraged for something you could never do in the real world.

Soft things are terrifying. They're the real signals of death. Images of strength can never be that terrifying. It's the images of weakness that are a real apocalypse.

You know the difference between a real science and a pseudoscience? A real science recognizes and accepts its own history without feeling attacked. When you tell a psychiatrist his mental institution came from a lazar house, he becomes infuriated.

What's that man's real name anyway? It's not will.i.am, is it? He thinks he's got all the answers, but if he didn't have Fergie in the band, where would he be? Fergie is the real star. I would love her on 'The X Factor,' and to be a judge on the show.

Government has really been growing, a lot of largesse, but the people in the real world aren't. And that's what has to change. Government has no conformity at all with the real world.

The real meaning of things lies deep down and the real meaning of things is always beautiful because it is simply love.

You don't forget who the real Iron Sheik is. Who the real world champion, hall of fame Jesus of the twitter is. Only one Iron Sheik.

Eventually we realize that not knowing what to do is just as real and just as useful as knowing what to do. Not knowing stops us from taking false directions. Not knowing what to do, we start to pay real attention. Just as people lost in the wilderness, on a cliff face or in a blizzard pay attention with a kind of acuity that they would not have if they thought they knew where they were. Why? Because for those who are really lost, their life depends on paying real attention. If you think you know where you are, you stop looking.

With the type of actor I am, which includes really diving into a role and making it as real as possible, there's nothing better than working in a real environment on location. It forces you to feel what the character's feeling, and it allows you to live in the space of the character.

As a professional entertainer in sports, you get a lot of real-world experience in a world that's not very real - which is a lot of what politics are.

I'm not sure we're presenting ourselves as real role models. I don't think literature has ever been a real place for role models.

I have no time for real horses, so I have a plastic horse. Large size. Called Max Von Sydow. For photographs it looks real. If I do a photo shoot and it stands in the background, you think it's a horse. A horse is a horse.

Twenty-first-century food is going to be real food. Real food is food that is truly nourishing for the consumer, the community, and the planet.

My dream career would be to be in things that have real heart and are telling real stories but while doing that, you're getting really big laughs. I don't necessarily love the straight crazy comedies. 'Caddyshack' is amazing, but there's not a lot of new 'Caddyshack's.

I told her about the man, not my daddy, she said, He was only making you into a real girl. I didn’t understand. But I made myself believe her. I was a real girl now. But what was I before?

And I like a good horror story as much as the next person so long as they kill off some men too and not just girls. But the voices Joan heard were real. There’s clear and substantiated proof they were real.

There is almost no limit to the possibilities of the imagination, but to get the full power of it, one must trust one's imagination. If you say to yourself constantly, as the mother says to the child, 'But this is only play; this is not real,' you never can make real the things you have created in thought.

The scariest thing about screening a comedy ... if you screen a drama, you know, there's no real way to tell in real time if people are enjoying it or not. But in a comedy, it's like, if people aren't laughing, it's sort of scary.

At the heart of any drama, there's conflict. When you are acting, you get to play out the confrontations you want to have in real life but can't. Or the emotions that you would want to have in real life, but sometimes they are too difficult.

I'm basically a pretty shy person and I don't dance or get into fights. But there are all these things inside me that get out when I perform. It's like a real world when I play, here I can do all the things that I can't do in real life.

Eliza Factor's first novel, 'The Mercury Fountain,' explores what happens when a life driven by ideology confronts implacable truths of science and human nature. It also shows how leaders can inflict damage by neglecting the real needs of real people.

We need to have real science, and real science doesn't happen under the hand of lobbyists with a conflict of interest. So get the revolving door done and over with and get the big money out of politics.

Unlike 'real relationships', 'virtual relationships' are easy to enter and to exit. They look smart and clean, feel easy to use, when compared with the heavy, slow-moving, messy real stuff.

People don't need Christians to act like we always have it together. People need us to be real! What kind of healing would come if we all just got real before God and others?

I like jumping around perspective. It keeps things alive and makes you realize that your personal perspective on anything is very misleading and it's real hard to get a real sense of anything.

If you're a documenter, you're taking a video of something in the real world you want to capture. If you're a director, you're trying to create something in the real world.

Some music comes from a real place; some music comes from your imagination. It's difficult to find out what's real and what's not, especially with the gangster stuff.

My first real showbiz job was on a Nickelodeon show called 'Hey, Dude.' That was my first real paid scriptwriting job.

The real University... has no specific location. It owns no property, pays no salaries, and receives no material dues... The real University is a state of mind. It is that great heritage of rational thought that has been brought down to us through the centuries.

Over the years, Cajun music has always calmed me down, or if I'm feeling real sick or feeling real unsettled, I can put that music on and try to get focused again.

Christine O'Donnell is making a mockery of running for public office. She has no real history, no real success in any kind of business. And what that sends to my generation is, one day, you can just wake up and run for Senate, no matter how [much] lack of experience you have.

We know that Xabi Alonso has done a lot for Real Madrid, but this is Real and when a good player leaves, another good player comes in.

A disturbing possibility exists that the television experience has not merely blurred the distinctions between the real and the unreal for steady viewers, but that by doing so it has dulled their sensitivities to real events. For when the reality of a situation is diminished, people are able to react to it less emotionally, more as spectators.

I've got more bruises and scars on my legs than should be there. And I'm a physical person. That's why I like action movies. I like to get real into it all and get real down and dirty.

It's the same assignment on every part: you want to create a real world, and the tone of it is a little different on each movie. You have to find your tone and work within that to make it as real so the audience can really engage in the story you're telling.

I began playing Monopoly for real when I was 26 years old. Today, my wife and I have approximately 1,400 little green houses - each paying us monthly. You do not have to be a rocket scientist or have a Harvard degree to play Monopoly for real.

I think the best thing about my short-lived political career was that I saw the interiors of Bihar and UP. That is the real India, and, being an Indian, it was really sad to see our own people living in such dismal conditions. It was a real eye-opener.

I think really good drama comes down to real human emotion. That's what makes us all tick, and that's what I've always been drawn to when it comes to scripts is real human emotion and dealing with that.

The real revelation of a player's character is not in his social life but in how he plays. In my social life I can hide my real personality.

One might think this means that imaginary numbers are just a mathematical game having nothing to do with the real world. From the viewpoint of positivist philosophy, however, one cannot determine what is real. All one can do is find which mathematical models describe the universe we live in. It turns out that a mathematical model involving imaginary time predicts not only effects we have already observed but also effects we have not been able to measure yet nevertheless believe in for other reasons. So what is real and what is imaginary? Is the distinction just in our minds?

Real vectoring in space, real orbital mechanics, is very counterintuitive, very strange, and very hard to render. It's expensive, and there's a learning curve. Some of it is about raising audience literacy to the point where they understand that.

One of the real dilemmas we have in our country and around the world is that what works in politics is organization and conflict. That is, drawing the sharp distinctions. But in real life, what works is networks and cooperation. And we need victories in real life, so we've got to get back to networks and cooperation, not just conflict. But politics has always been about conflict, and in the coverage of politics, information dissemination tends to be organized around conflict as well.