Top 1047 Beats Quotes & Sayings

The addition of Beats will make our music lineup even better, from free streaming with iTunes Radio to a world-class subscription service in Beats, and of course buying music from the iTunes Store as customers have loved to do for years.

A lot of the stuff I've accumulated over the last few years of touring I thought was really interesting. Like sounds, sound bites, and beats even, but they weren't good dance beats they weren't ones anyone would want to rap over or anything.

Allow God to continually soften your heart so that it beats for what his heart beats for - people.

Emily Dickinson seems rather tame because she pretty much uses the same meter every time. It's called 'common meter.' It's a line of four beats that's followed by a line of three beats.

Thus when a barber and a collier fight, The barber beats the luckless collier-white; The dusty collier heaves his ponderous sack, And big with vengeance beats the barber-black. In comes the brick-dust man, with grime o'erspread, And beats the collier and the barber-red: Black, red, and white in various clouds are tost, And in the dust they raise the combatants are lost.

Maybe the only thing that hints at a sense of Time is rhythm; not the recurrent beats of the rhythm but the gap between two such beats, the gray gap between black beats: the Tender Interval.

I feel like I've gotten myself comfortable making beats in front of people, so like, if I'm in a big room of people, I'm not like, nervous. I wanna be able to make beats on the spot.

I definitely feel excited to be able to put really hard beats - like hip-hop beats - behind my music, more than I did before.

I think we know this much about Donald Trump so far: He believes he's a deal-maker. He likes to bargain. Part of bargaining is that you talk really tough. You ask for the moon, you settle for the topsoil. He says - he beats up on the Mexicans, he beats up on the Canadians, but the point is not to abrogate the treaty and have the two of us basically putting up walls and blocking trucks at the border.

I never made beats to make beats; I only made them when there was a record to make them for. That's one of the things that has changed in hip-hop that's made me like it less. It feels much more like it's a producer-driven medium, where there are all these tracks that are completely interchangeable.

It's the way I enjoy making art - I like sitting down and making five beats; I enjoy that process. I can go two weeks without making a song and just making beats and I'll be OK.

How can you build a relationship when you're just sending out beats? Most people will come in and play their beats, but I like to make mine on the spot.

When I was first introduced to the music business, I learned how to make beats. All my friends rapped, but nobody made beats. So since I didn't do either at the time, I thought it would make more sense and I would be more valuable to the team as the in house producer.

I started playing instruments before I started making beats, and I was never the best guitarist or the best pianist or the best drummer. And when I started making beats, I was not the best beatmaker, and when I started making hooks, I was not the best vocal melody person. When I first started rapping, I wasn't the best rapper at all.

Sometimes you're with a producer who just makes beats and you can kinda do your thing to whatever beats they come up with. But sometimes you get with a producer who really produces you and the music together, not just the beat then you can kinda throw in your ideas and vibe off each other.

I don't play beats. I hate playing beats. I'm an orchestration drummer. I'm a musical drummer.

That's the clarinet I used to use... but it's just a piece of wood, you know, with holes in it and they put these clumsy keys on it and you're supposed to try to take that and manipulate it with throat muscles and chops... and try to make something happen that never happened before. And when you do, you never forget it. It beats sex, it beats anything.

Future's the guy, like, where, if I send him some beats while he on the road, and there's a pack of beats that he really like, if there's a new vibe or new wave, he's like, 'Man, keep feeding me more. Feed me more of this every day.'

Anybody running beats anybody walking, and anybody walking beats anybody sitting.

In '96, I was in a very specific place with my own music - I was only listening to beats. You would come to my house, and I would just play beats all day.

The beats change, I mean you got a lot of artists out there advancing new sound, new technology, new beats everything sounding very futuristic, so I feel it would have been boring for me to do another hip-hop record.

Implementation beats oration.

Before anything, I wanted to be a rapper. I used to make beats and I would start singing to layer my beats and that's kind of how I realized I could sing.

Artists are controlled by the life that beats in them, like the ocean beats on the shore.

I don't shop beats. That was never my method coming up. I think it's very strange to have a CD of 30 or 40 beats and then just pick one.

I made my entire first tape using Beats headphones - the studio headphones and halfway through the second one, because I finally started making a home studio. But I record and make all my beats with the Beats headphones.

A lot of young producers will stay at home and make beats all day but making beats is only about 20 percent of the job. The other 80 percent is networking; that's what I feel like a lot of people are lacking.

I started off making beats when I was like 12. Then when I linked with people who make beats full time, I was like, 'Bet, now I can focus on writing and singing.'

I don't have a hand in a lot of my own beats. I like all types of music and all types of beats though.

Mentality beats quality.

'Welcome to Atlanta' was a song I wanted to do on my first album. The idea was for me and Outkast to do it, but I could never come up with a beat for us to do it. Outkast beats and my beats were very different.

Genetics and beats? I feel like the drumbeat is a natural thing. Our heartbeat moves at a certain BPM. The drumbeat, being the first instrument, the platform for us, being that we all kind of come from that - it's all beats.

I don't wanna forget the fact that I wanna be one of the best rappers. I feel like some of the best rappers ever - 2Pac, namely, one of them - could take sub-par beats or average beats and turn them into incredible songs.

I was joked by a lot of older musicians because I was playing saxophone over trap beats or future bounce beats, and it just wasn't what you do. They were just like play some John Coltrane and get in the corner. But that's just not how I work.

When Migos flew me out to see if I was actually making the beats, they didn't expect a white kid from Canada to be making harder beats than the guys in Atlanta. Being white in that environment, it was definitely different.

None of my songs sound the same. None of them. I take R&B beats and put it as a rap song or hip-hop beats and put them as a R&B song. A lot of people are boring. I don't like boring music. Everybody sounds the same, like they copying.

I like challenging myself. I like the challenge of rapping to fast beats, rapping to beats that are super slow, whatever. I like the challenges, so I'm not afraid to take on any piece of music and create a song to it if it feels right to me.

For people who love Tribe, I'm the defector. They say, 'You should get back with Ali to do the beats.' But a lot of people don't realize I did all the music in Tribe. In the first three albums, I did all the beats!

More data beats clever algorithms, but better data beats more data.

Whether the bear beats the wolf or the wolf beats the bear, the rabbit always loses.

It's really important to me that my sound is a combination of beats and melody. I love hearing strong, confident beats in music because I love to dance. At the same time, melody is really important to me because I love singing.

Not anyone can rap to my beats.

My two young producers, Fernando Perdomo and Chris Price, had to explain to me that there's a division right now between the two sides. They took three living, breathing percussionists to do the beats on the song "Intensity". We've got all kinds of layers, because I kept saying we didn't get all the beats. If you hear a synth, it's because I put my foot down. But I had to fight for it because they wanted it all totally organic.

Different identity groups hold specific levels of power over others when their battles play out in the media. To wit: Black beats white. Gay beats white. Black beats gay.

The gift of the Truth beats all other gifts. The flavour of the Truth beats all other tastes. The joy of the Truth beats all other joys, and the cessation of desire conquers all suffering

Your heart beats 72 times a minute. Every time it beats, it does so with the permission of its Creator.

The simplest beats, on what rock music or any music has been formed on, can be the toughest beats to execute and perform, because it's really easy to not respect a simple 4/4 beat, because people always want to play fast.

I used to put like, 'Yo Gotti type beats,' 'Future type beats' on YouTube. And uhh, I started getting paid off YouTube. Like YouTube started giving me Google AdSense checks.

When I first starting making beats, I didn't know samples were being used in any beats. I had no idea where producers were getting the real string sounds or the voices on their tracks. I knew nothing about loops or sampling off of records. So, by me knowing nothing about this it made me concentrate on my chords on the keyboard.

What I feel for you can’t be conveyed in phrasal combinations; It either screams out loud or stays painfully silent but I promise — it beats words. It beats worlds. I promise

I don't look at it as, 'Oh, I'm gonna keep making beats, and I'm gonna do that until I die.' But that's how some people look at it - gonna just keep making beats, get placement after placement.

At the beginning when you're writing and building the beats of the story, everything that you put in there seems very essential to the story. However, when you have the movie finally edited and it's 4 four hours long, you realise that some of the events and some of the beats can be easily lifted but the essence of the story remains intact.

Often, I go and see films where I can see the beats coming. So, if I read something where I don't see the beats coming and it takes me somewhere unexpected, that's a great thing to build upon.

I'm not trying to make beats that are better than somebody else's. I'm trying to make beats that are genuine to me.

I could do beats with a million sounds, and I could do beats with two sounds. Which one is going to make the most sense, and which one is going to sell the most records? Most of the time, it's the simplicity.

Sometimes I go in and try to write beats, but I just trash 'em, and then the next time I go in, I'll make like six beats - six legit, nice beats. I'm really particular with how it needs to sound.

Even after rowing in all these pieces, it's often hard to determine who will be selected because the decisive factor in seat racing is speed not margin. Boat X beats boat Y by two lengths over 1000 meters in a time of 2:54. After exchanging "Dave" from X to Y for "Scott," Boat X beats boat Y by one length in a time of 2:51. From the rower's perspective, the result is that Dave beats Scott by a length. But in Mike's eyes, Scott beats Dave because on the second piece, X was three seconds faster-even though it only beat Y by a length.

Rhythms, beats, etc., are fundamentally central to my creative drive: my first instrument was the drums, nearly every band I have been involved in or at the helm of, is driven by rhythm, my band is driven entirely by rhythm, machine rhythm, and the purpose of the rock instrumentation is literally to speak the beats, to emulate the rhythms with guitars and bass, with very little articulation, and without being 'progressive'.

I hope to incorporate more variety of beats, more syncopation. It becomes very easy to play straight beats; straight rock is alluring.

I'm a damned sight smarter than Grant; I know more about organization, supply and administration and about everything else than he does; but I'll tell you where he beats me and where he beats the world. He don't care a damn for what the enemy does out of his sight but it scares me like hell.