Top 1200 Beautiful Objects Quotes & Sayings - Page 2

According to Diotima, Love is not a god at all, but is rather a spirit that mediates between people and the objects of their desire. Love is neither wise nor beautiful, but is rather the desire for wisdom and beauty.

She was beautiful, but not like those girls in the magazines. She was beautiful, for the way she thought. She was beautiful, for the sparkle in her eyes when she talked about something she loved. She was beautiful, for her ability to make other people smile, even if she was sad. No, she wasn't beautiful for something as temporary as her looks. She was beautiful, deep down to her soul. She is beautiful.

I think the Harry Potter movies are proof that audiences love that stuff. They love the idea of magical objects and they like learning the rules of those objects and what they do.

Business reporting is not dealing with objects, it is dealing with relationships between objects.

A museum is like a valuing machine. Museums and the industrial society started at the same moment, and they're really tied into each other. They've been all about displaying objects and the kind of wealth that can be derived from objects and promoting that point.

In the realm of ideas, of mental objects, those ideas whose properties are reproducible are called mathematical objects, and the study of mental objects with reproducible properties is called mathematics.

As life goes on, we accrue more and more loseable objects. Providence dictates that objects that are too large to lose, such as houses, always come with tiny little keys, specially designed to give you the slip.

A good government implies two things; first, fidelity to the objects of the government; secondly, a knowledge of the means, by which those objects can be best attained.

Objects obey quantum laws- they spread in possibility following the equation discovered by Erwin Schodinger- but the equation is not codified within the objects. Likewise, appropriate non-linear equations govern the dynamical response of bodies that have gone through the conditioning of quantum memory, although this memory is not recorded in them. Whereas classical memory is recorded in objects like a tape, quantum memory is truly the analog of what the ancients call Akashic memory, memory written in Akasha, Emptiness- nowhere.

In the consumer economy taste is not the criterion in the marketing of expensive soft drinks, usability is not the primary criterion in the marketing of home and office appliances. We are surrounded with objects of desire, not objects of use.

A thinking that approaches it objects openly, rigorously ... is also free toward its objects in the sense that it refuses to have rules prescribed to it by organized knowledge. It ... rends the veil with which society conceals them, and perceives them anew.

It may be added, to prevent misunderstanding, that when I speak of contemplated objects in this last phrase as objects of contemplation, the act of contemplation itself is of course an enjoyment.

The mind naturally makes progress, and the will naturally clings to objects; so that for want of right objects, it will attach itself to wrong ones.

Beautiful and familiar objects can help us to feel better. Photos of family and friends, which remind us of the people we love and who love us, are important mood-lifters. Items that inspire us or encourage periods of reflection do the same.

The objects that are of moderate energy, like our sun or most of the stars that we see in the night sky with the naked eye, are objects in which relatively moderate energy processes are taking place.

The one thing we should address is how design can play a role in the psychological durability of objects, to think of how objects can be engineered in a way that they will be good over time.

I came to painting through sculpture, to images through objects. I think that images sit in the middle, somewhere between objects and words.

Found objects, chance creations, ready-mades (mass-produced items promoted into art objects, such as Duchamp's "Fountain"-urinal as sculpture) abolish the separation between art and life. The commonplace is miraculous if rightly seen.

Being in church so often, spending those hours sitting in front of a highly symbolic array of objects, hearing those beautiful texts - it teaches a kid that there are important truths beyond the literal ones, and that we have ways to access those truths that are, let's say, super-rational.

It is as much the conversations between objects as between us and objects that make museums so valuable.

Here lies the sense of literary creation to portray ordinary objects as they will be reflected in kindly mirrors of future times. . . . To find in objects around us the fragrant tenderness that only posterity will discern . . .

The most beautiful sea hasn't been crossed yet. The most beautiful child hasn't grown up yet. The most beautiful days we haven't seen yet. And the most beautiful words I wanted to tell you I haven't said yet.

Coordinating there Events and objects with remote events And vanished objects. Making ornaments Of accidents and possibilities.

I believe that the first step in the setting of a real external world is the formation of the concept of bodily objects and of bodily objects of various kinds.

I wanted to make new works of very contemporary objects, which I thought was interesting because many of them are manufactured in China, but these objects are universal, they go across all languages, all cultures.

Beautiful rocks - beautiful grass Beautiful soil where they both combine Beautiful river - covering sky Never thought of possession, but all this was mine.

I've said it before, but I'll say it again because you can't say it enough: Your skin is beautiful - dark, light, in the middle, whatever. Brown is beautiful. Your hair is beautiful. If you wear a weave, it's beautiful. If you choose to be natural, that's beautiful. Also, you are enough.

In this relation, then, the proposed government cannot be deemed a national one; since its jurisdiction extends to certain enumerated objects only, and leaves to the several states, a residuary and inviolable sovereignty over all other objects.

I am a fashion designer. I'm not an environmentalist. When I get up in the morning, number one I'm a mother and a wife, and number two I design clothes. So the main thing I need to do is create, hopefully, exquisitely beautiful, desirable objects for my customer.

There's a real hunger to understand where objects come from, how artists show their understanding of materials. And there's something fascinating about watching people work, whether it's someone engraving a gun or sewing beautiful clothes together. I know that myself; I'll make a piece of furniture and feel the wood's grain talking to me.

Human wisdom remains always one and the same although applied to the most diverse objects and it is no more changed by their diversity than the sunshine is changed by the variety of objects which it illuminates.

I think that each woman, whatever age, needs to recognize something good in her body. Someone has beautiful legs, someone has beautiful hair, someone else has beautiful decolletage or a beautiful waist or beautiful hands. Everyone has something great.

While classical mechanics correctly predicts the behavior of large objects such as tennis balls, to predict the behavior of small objects such as electrons, we must use quantum mechanics.

I don’t have a theoretical language for music. I’m really inspired by sculpture, so I like to say, ‘you’re not making music, you’re creating a space. You’re building a room, putting some objects in it, and seeing what happens to the objects over time.’

I think that each women, whatever age, needs to recognise something good in her body. Someone has beautiful legs, someone has beautiful hair, someone else has beautiful décolletage or a beautiful waist or beautiful hands. Everyone has something great.

We need to empower all women, both financially and socially, to give them the tools to support themselves and their families. We need to start seeing them as contributors to society, as assets, not as objects of pity or, even worse, objects of shame.

Photographs are but one link in a potentially endless chain of reduplication; themselves duplicates (of both their objects and, in a sense, their negatives), they are also subject to further duplication, either through the procedures of printing or as objects of still other photographs.

[Mathematics is] purely intellectual, a pure theory of forms, which has for its objects not the combination of quantities or their images, the numbers, but things of thought to which there could correspond effective objects or relations, even though such a correspondence is not necessary.

Any base heart can devise means of vileness, and affix the ugly shapings of its own fancy to the actions of those around him; but it requires loftiness of mind, and the heaven-born spirit of virtue, to imagine greatness where it is not, and to deck the sordid objects of nature in the beautiful robes of loveliness and light.

Pictures often sit inside of pictures, but the edges of pictures and objects are rarely subjected to serious challenge; we are presented with distinct, whole pictures and objects.

People talk of beauty lightly, and having no feeling for words, they use that one carelessly, so that it loses its force; and the thing it stands for, sharing its name with a hundred trivial objects, is deprived of dignity. They call beautiful a dress, a dog, a sermon; and when they are face to face with Beauty cannot recognise it.

Pinball games were constrained by physical limitations, ultimately by the physical laws that govern the motion of a small metal ball. The video world knows no such bounds. Objects fly, spin, accelerate, change shape and color, disappear and reappear. Their behavior, like the behavior of anything created by a computer program, is limited only by the programmer's imagination. The objects in a video game are representations of objects. And a representation of a ball, unlike a real one, never need obey the laws of gravity unless its programmer wants it to.

The objects in our system are instead a help to the child himself, he chooses what he wants for his own use, and works with it according to his own needs, tendencies and special interests. In this way, the objects become a means of growth.

I believe the geometric proportion served the creator as an idea when He introduced the continuous generation of similar objects from similar objects.

I've never played a character that is just beautiful, but sometimes you can read scripts that sound so shallow, like women are objects. I've never done something like that, though.

The singular point of beautiful objects, and people, is that they are experienced not as parts, or ratios between cheekbones and chin, but as wholes. The experience of beauty is a perception, but it is one that mixes up various other sensations and makes them converge in a particular way.

These two, I say, viz. external material things, as the objects of SENSATION, and the operations of our own minds within, as the objects of REFLECTION, are to me the only originals from whence all our ideas take their beginnings.

I decided I should use the most obvious colours - the basic colours with simple names: red, purple, yellow, pink. I don't distort the objects, I don't change the objects, I draw them exactly as they are. I do the opposite with the colours.

My own efforts at peacemaking have been easy - in fact, rather enjoyable: CND marches, demos, protest meetings in Trafalgar and Grosvenor Squares, and visits to the women at Greenham, especially the glorious day in 1983 when thousands of us embraced the base and pinned beautiful pictures and objects to the ugly wire.

Our thoughts ought by instinct to fly upwards from animals, men and natural objects to their creator. If created things are so utterly lovely, how gloriously beautiful must he be who made them! The wisdom of the worker is revealed in his handiwork.

Objects close to the eye shut out much larger objects on the horizon; and splendors born only of the earth eclipse the stars. So a man sometimes covers up the entire disk of eternity with a dollar, and quenches transcendent glories with a little shining dust.

If everyone used the Internet to share the things they created themselves, what would that look like? I think it makes objects special again. I guess I'm not really advocating for no objects in the world, but rather the idea of creating within our present means.

I don't see a problem with looking at women as beautiful objects. I'm an artist. I don't know how to paint, but I know how to make music, and women are art.

If you are in the country, you should notice landmarks - that is, objects which help you to find your way or prevent you getting lost, such as distant hills, church towers, and nearer objects, such as peculiar buildings, trees, gates, rocks, etc.

Physical objects are conceptually imported into the situation as convenient intermediaries not by definition in terms of experience, but simply as irreducible posits comparable, epistemologically, to the gods of Homer . . . For my part I do, qua lay physicist, believe in physical objects and not in Homer's gods; and I consider it a scientific error to believe otherwise. But in point of epistemological footing, the physical objects and the gods differ only in degree and not in kind. Both sorts of entities enter our conceptions only as cultural posits.

When objects are presented within the context of art (and until recently objects always have been used) they are as eligible for aesthetic consideration as are any objects in the world, and an aesthetic consideration of an object existing in the realm of art means that the object's existence or functioning in an art context is irrelevant to the aesthetic judgment.

Strange the affection which clings to inanimate objects - objects which cannot even know our love! But it is not return that constitutes the strength of an attachment.

That is the great distinction between the sexes. Men see objects, women see the relationships between objects.

Gene told me the next day that I got it wrong. But he was not in a taxi, after an evening of total sensory overload, with the most beautiful woman in the world. I believed I did well. I detected the trick question. I wanted Rosie to like me, and I remembered her passionate statement about men treating women as objects. She was testing to see if I saw her as an object or as a person. Obviously the correct answer was the latter. ‘I haven’t really noticed,’ I told the most beautiful woman in the world.

In studying the action of the Analytical Engine, we find that the peculiar and independent nature of the considerations which in all mathematical analysis belong to operations, as distinguished from the objects operated upon and from the results of the operations performed upon those objects, is very strikingly defined and separated.