Top 1200 Beautiful Picture Quotes & Sayings - Page 8

What's different with Cambridge Analytica and more broadly with social media is that you are the target. People want to harvest your information in as granular a way as possible in order to, like, create a picture, a complete picture of who you are, ultimately to either sell you things or make you believe things.

I think my pictures are really about a kind of tension between my need to make a perfect picture and the impossibility of doing so. Something always fails, there's always a problem, and photography fails in a certain sense... This is what drives you to the next picture.

The viewer who sees only a study in the picture of the glass jug illuminated from behind fails to appreciate the masterly composition, the noble purity of the lines, the rich plasticity of the form and consequently also the poetry and beauty of the picture, and still more important, its specifically photographic qualities.

Beautiful is difficult. I admire very much the courage of the people who have said, 'Let's do something different. Let's try to see if our environment will be more beautiful and our city will be more beautiful.'

I think of writing--particularly of writing picture books--as a kind of choreography. A picture book must have pace and movement and pattern. Pictures and text should, together, create the pattern, rather than simply run parallel.

The systems of stereotypes may be the core of our personal tradition, the defenses of our position in society. They are an ordered more or less consistent picture of the world, to which our habits, our tastes, our capacities, our comforts and our hopes have adjusted themselves. They may not be a complete picture of the world, but they are a picture of a possible world to which we are adapted. In that world, people and things have their well-known places, and do certain expected things. We feel at home there. We fit in. We are members.

Understand where it is you want to go. Then picture yourself there. If you can picture yourself there, then you can be there. Bottom line.

Someone on Twitter sent me a page from a textbook. It had a picture of a football player next to a picture of me. The juxtaposition was meant to illustrate two meanings of "offensive." Seriously. It broke my heart. It's that accepted what I do is offensive?

There's been no major motion picture released by a studio, no independent motion picture, in theaters, with King at the center, in the 50 years since these events happened, when we have biopics on all kinds of ridiculous people. And nothing on King? No cinematic representation that's meaningful and centered.

Over the years I have developed a picture of what a human being living humanely is like. She is a person who understand, values and develops her body, finding it beautiful and useful; a person who is real and is willing to take risks, to be creative, to manifest competence, to change when the situation calls for it, and to find ways to accommodate to what is new and different, keeping that part of the old that is still useful and discarding what is not.

I don't know that I'm beautiful or glamorous. I'm a pretty artificial looking person. I sure am flattered when people think I'm beautiful, but I think I'm leaning towards more cartoonish than beautiful. But I'm comfortable with who I am. And since I wasn't born as a natural beauty, I just make the most of what I've got.

The most beautiful girl in the room not only gets the guy, she lands the job, gets better service at a restaurant, rises through the social ranks before her friends. Doors open for the beautiful woman that may not for a female who is twice as smart but half as beautiful.

Beautiful sentences pop into my head. Beautiful sentences that aren't always absolutely accurate. Then, I have to choose between the beautiful sentence and being absolutely accurate. It can be a difficult choice.

You get a little picture that reflects the whole. You can get readers interested in the life of one guy, and he can reflect the whole life around him. And it's a better picture than the politicians give you.

The reason for my painting large canvases is that I want to be intimate and human. To paint a small picture is to place yourself outside your experience, to look upon an experience as a stereopticon view or with a reducing glass. However you paint the larger picture, you are in it. It isn't something you command.

The world clings to its old mental picture of the stock market because it’s comforting; because it’s so hard to draw a picture of what has replaced it; and because the few people able to draw it for you have no interest in doing so.

I've seen beautiful art on the sides of buildings. I've seen beautiful art in museums. I've seen beautiful art in galleries. Beautiful art is everywhere.

There's always - somehow a red carpet everywhere. And I think that, you know, it's a fantasyland out here, you know. It's beautiful. It's sunny all the time. You know, there are beautiful people everywhere because you're not allowed to cross the Los Angeles city lines unless you're beautiful or skinny - joking kind of.

When someone says to you, 'Oh, I don't take a good picture,' what they mean is they haven't come to terms with how they look. They take a fine picture, it's just that their image of how they think they look is not in touch with the reality.

My favorite thing is when we lift a trophy. Afterward, we can have a picture of us lifting a trophy. And that picture shows a lot of work, a lot of difficulty and a lot of sacrifice together.

I write books, I write for comic books, I give lectures... I live. And when the opportunity comes to do a picture, I do a picture.

It can be a work by Mondrian, a piece of music by Schönberg or Mozart, a painting by Leonardo, Barnett Newman or also Jackson Pollock. That's beautiful to me. But also nature. A person can be beautiful as well. And beauty is also defined as 'untouched'. Indeed, that's an ideal: that we humans are untouched and therefore beautiful.

'The Lion' all began with a picture of a faun carrying an umbrella and parcels in a snowy wood. This picture had been in my mind since I was about sixteen. Then one day, when I was about forty, I said to myself, 'Let's try to make a story about it.'

People get numbed when they see picture after picture, year in and year out, of people starving.

I never wanted to make portraits - to photograph celebrities, beautiful people, beautiful landscapes, beautiful buildings, or people in distressing situations.... I have always been interested in everyman - average, ordinary people in everyday situations.

Everybody is constantly putting themselves under a microscope in terms of their productivity and their financial success and this whole idea of 'Picture Me Better,' like picture me, you know, who I'm supposed to be versus, you know, just accepting who we all are.

I just couldn't have people thinking that I only believe thin is beautiful. Thin is beautiful, but it's not the only kind of beautiful. I didn't want people to get the wrong message because of some retouching.

Sitting for a picture is morbid business. A portrait doesn't begin to mean anything until the subject is dead. This is the whole point. We're doing this to create a kind of sentimental past for people in decades to come. It's their past, their history we're inventing here. And it's not how I look now that matters. It's how I'll look in twenty-five years as clothing and faces change, as photographs change. The deeper I pass into death, the more powerful my picture becomes. Isn't this why picture-taking is so ceremonial? It's like a wake. And I'm the actor made up for the laying-out.

In the mirror of your mind all kinds of pictures appear and disappear. Knowing that they are entirely your own creations, watch them silently come and go. Be alert, but not perturbed. This attitude of silent observation is the very foundation of yoga. You see the picture, but you are not the picture.

The pictures come to me in my mind, and if to me it is a worthwhile picture I paint it I do over the picture several times in my mind and when I am ready to paint it I have all the details I need.

The American motion picture is the greatest unconscious carrier of propaganda in the world today. It is a great distributor for ideas and opinions. The motion picture can standardize the ideas and habits of a nation. Because pictures are made to meet market demands, they reflect, emphasize and even exaggerate broad popular tendencies, rather than stimulate new ideas and opinions. The motion picture avails itself only of ideas and facts which are in vogue. As the newspaper seeks to purvey news, it seeks to purvey entertainment.

You mean guys don't get injured in spring training? Guys get hurt walking down the street. All the managers, pitching coaches are very sensitive. Look, you can always pick at something, but there's a broader picture, a grander picture.

To start telling people that you're beautiful, or just feel beautiful, just start acting like you are the most beautiful woman in the world. And it really improves everything! Because your sort of psyche responds to it - like this is truthful!

I spent two years telling studio heads that it wasn't a cancer picture. I hate cancer pictures. I don't want to see a cancer picture. There is only one thing worth saying about cancer, and that is that there are human beings in cancer wards.

Glamour is all about transcending this world and getting to an idealized, perfect place. And this is one reason that modes of transportation tend to be extremely glamorous. The less experience we have with them, the more glamorous they are. So you can do a glamorized picture of a car, but you can't do a glamorized picture of traffic.

My brother was a great audience, and if he liked the picture, he would laugh and laugh and laugh, and he would want to keep the picture. Making people laugh with an image I had created... what power that was!

Never shop alone for your bridal dress. Take a friend and bring a camera to take a picture of you. Make sure to get a picture of the back view: that's the part of the dress most people are going to see for the longest time.

It is a great honor for me to be compared to Henri Cartier-BressonBut I believe there is a very big difference in the way we put ourselves inside the stories we photograph. He always strove for the decisive moment as being the most important. I always work for a group of pictures, to tell a story. If you ask which picture in a story I like most, it is impossible for me to tell you this. I don't work for an individual picture. If I must select one individual picture for a client, it is very difficult for me.

It takes me about two hours to run into Target. People always want a picture. They hem and haw, and they can't spit the words out, so they waste about five minutes of my time just standing there getting ready for a picture. Just do it!

I can picture in my mind a world without war, a world without hate. And I can picture us attacking that world because they'd never expect it.

I actually carry a little picture of a wolf in my wallet, rather like people carry a picture of their kids. The reason I do that is to remind myself why I'm doing this, to remind myself of the story.

And, since the model he faithfully copies is not going to be hung up next to the picture, since the picture is going to be there on its own, it is of no interest whether it is an accurate copy of the model.

You've never in your life seen a picture, I bet any one of you, never seen a picture of one of these old Pilgrims praying when they didn't have a gun right by the side of them. That was to see that he got what he was praying for.

I'm prepared to try to talk to a very beautiful girl. I learned a fantastic secret, which is that the most beautiful woman in the room is not being spoken to because she's too intimidating. They're not looking for somebody beautiful; they're looking for somebody to amuse them.

Is your life beautiful? Do you live in surroundings that you have made beautiful through your own unique, creative ideas? To expect and lovingly require beauty to be apparent in all areas of your life is to be deeply loving to yourself, your soul, your world, and shows reverence to God and all of life. There is always something beautiful to be found, right where you are, if you will look for it. Concentrate your thoughts on the good, the beautiful, and the true things in life.

A story is told that Whistler once painted a tiny picture of a spray of roses. The artistry involved in the picture was magnificent. Never before, it seemed, had the art of man been able to execute quite so deftly a reproduction of the art of nature.

I am so beautiful, sometimes people weep when they see me. And it has nothing to do with what I look like really, it is just that I gave myself the power to say that I am beautiful, and if I could do that, maybe there is hope for them too. And the great divide between the beautiful and the ugly will cease to be. Because we are all what we choose.

I didn't know anything about film when I first started - I was a painter - but I [always] felt that sound was just as important as the picture. The sound, picture, and ideas have to marry. If an idea carries with it a mood, sound is critical to making that mood.

While prepping 'Smokey,' I saw a picture in a magazine of a Pontiac Trans Am that gave me a product placement idea. I could picture Burt Reynolds behind the wheel with Jackie Gleason on the chase. I called Pontiac and asked if they would like to have the car in the movie.

Some hate broccoli, some hate bacon I hate having my picture taken. How can your family claim to love you And then demand a picture of you?

Any point of view is interesting that is a direct impression of life. You each have an impression colored by your individual conditions; make that into a picture, a picture framed by your own personal wisdom, your glimpse of the American world.

I dislike a picture that is too suave or too skilfully done. But, contrariwise, I also dislike a picture that looks too inept or blundering.

Why do we as a people choose to live in beautiful and risky places? Beautiful places are relatively dangerous; the forces that made them beautiful are the same forces that will ultimately destroy them.

Life is a million different dots making one gigantic picture. And maybe the big picture is nice, maybe it's amazing, but if you're standing with your face pressed up against a bunch of black dots, it's really hard to tell.

What mortal is there of us, who would find his satisfaction enhanced by an opportunity of comparing the picture he presents to himself of his doings, with the picture they make on the mental retina of his neighbours? We are poor plants buoyed up by the air-vessels of our own conceit.

I know I didn't like that dress 'cause it didn't fit but I thought it was a great picture. We weren't the first band to do a picture in drag; The Rolling Stones were. If it was good enough for them then it had to be good enough for us.

Almost inevitably there are tensions in the picture, tensions between the outside world and the inside world. For me, a successful picture resolves these tensions without eliminating them.

You've got to give kids really beautiful children's books in order to turn them into revolutionaries. Because if they see these beautiful things when they're young, when they grow up they'll see the real world and say, 'Why is the world so ugly?! I remember when the world was beautiful.' And then they'll fight, and they'll have a revolution. They'll fight against all of our corruption in the world, they'll fight to try to make the world more beautiful. That's the job of a good children's book illustrator.

When you make motion pictures, each picture is a life unto itself. When you finish and the picture is over, there's an understanding, a realization that we'll never be assembled this way again. That these relationships are severed forever and ever. And each of these films is a little life.

I think that's the nature of representation. No matter what it will disappoint, it will fail in some way.But that's also part of the magic of art. If every picture met my expectation in exactly the right way, there'd be no mystery; there'd be no gap between what's in my head and the picture I make.