Top 1200 Beautiful Poetry Quotes & Sayings - Page 12

If your heart is beautiful, your face will be beautiful, your life will be beautiful, everything will be beautiful.

I think of everything that I want to say and then I think of the way that I can say it most precisely. And this has to do with poetry too, to me, that poetry helps me focus on the details of language.

Poetry is meant to inspire readers and listeners, to connect them more deeply to themselves even as it links them more fully to others. But many people feel put off by the terms of poetry, its odd vocabulary, its notorious difficulty.

The joy of poetry is that it will wait for you. Novels don't wait for you. Characters change. But poetry will wait. I think it's the greatest art.

For a lot of people, poetry tends to be dull. It's not read much. It takes a special kind of training and a lot of practice to read poetry with pleasure. It's like learning to like asparagus.

I'm not an expert in the deck at all. My interest lies somewhere near a sense that words are like tarot cards, and that a poem manipulates unpredictable depths with its words. . . . I like the tarot because it works like poetry and because you don't really have to 'believe in' anything. It's there to be used. The symbols are remarkably durable and beautiful; they float out to encompass all kinds of meanings.

She was beautiful, but she was beautiful in the way a forest fire was beautiful.

Whenever poetry and politics are mentioned in the same breath, we tend to miss the point entirely - as I often have - and we ask ourselves whether poetry and politics even belong together, because they're often so poorly married that we think of them as oil and water.

I had no one to help me, but the T. S. Eliot helped me. So when people say that poetry is a luxury, or an option, or for the educated middle classes, or that it shouldn’t be read at school because it is irrelevant, or any of the strange stupid things that are said about poetry and its place in our lives, I suspect that the people doing the saying have had things pretty easy. A tough life needs a tough language – and that is what poetry is. That is what literature offers – a language powerful enough to say how it is. It isn’t a hiding place. It is a finding place.

I love poetry. It's at the heart of everything I do. Poetry transforms what we call language, and uses language as the stuff to become something else. I get spun around by what happens in words. When that occurs, it inspires images that seem so original to me as an artist, even though I'm following what the poem has offered.

I ask to be made beautiful like the trees are beautiful, each growing according to a unique plan. Lop off a limb and and the tree will accommodate it's loss, still growing and still beautiful. It is my hope to be able to flourish in a similar fashion, taking on the shape and dimensions that is intended for me.

Poetry is as vital as ever. The teaching of poetry reading, however, is sluggish and, often, slovenly. It needs to be expanded in the school curriculum and be more a feature of society at large. The newspapers should all be carrying a daily poem. It should be as natural as reading a novel.

Anyone reading contemporary poetry - especially contemporary African-American poetry - will quickly see that race is an enduring subject. What some don't realize is just how diverse the handling of that subject is. It's as diverse as blackness.

As poetry is the highest speech of man, it can not only accept and contain, but in the end express best everything in the world, or in himself, that he discovers. It will absorb and transmute, as it always has done, and glorify, all that we can know. This has always been, and always will be, poetry's office.

When I just started my career, of course, I always try to look very good, and I changes the dress all the time on the performance. And people came to me and said, 'Oh, beautiful dress. Your dress is so beautiful, and you look so beautiful.' That's it. And I was so upset nobody saying anything about my singing.

Another trouble with poetry - and I'm gonna stop the list at two - is the presence of presumptuousness in poetry, the sense you get in a poem that the poet takes for granted an interest on the reader's part in the poet's autobiographical life, in the poet's memories, problems, difficulties and even minor perceptions.

If you were making poetry out of convictions - trying to convince other people - you were in the territory of rhetoric, and that wasn't the territory of poetry. I think that's pretty smart. I think that it doesn't need to be altogether true, but that was my starting place.

Prose-it might be speculated-is discourse; poetry ellipsis. Prose is spoken aloud; poetry overheard. The one is presumably articulate and social, a shared language, the voice of "communication"; the other is private, allusive, teasing, sly, idiosyncratic as the spider's delicate web, a kind of witchcraft unfathomable to ordinary minds.

If you call painting dumb poetry, the painter may call poetry blind painting.

Much of the magical effect that poetry gives of rendering everything it touches pellucid comes from the necessity of compression that it imposes. The impossibility of pausing in poetry as long as may be needed to make sense clear causes many a set of words actually deficient in linguistic workmanship to pass for an eloquent brevity.

Do you think I'm pretty? I think you're beautiful Beautiful? You are so beautiful, it hurts sometimes.

I know there's some poetry that sort of sounds like daisies, but most of the good poetry is also [political], you can feel the heartbeat; it's about some situation that concerns human beings under duress. It's suggesting a solution, or just acknowledging that [the situation] exists. Art does that.

There's always - somehow a red carpet everywhere. And I think that, you know, it's a fantasyland out here, you know. It's beautiful. It's sunny all the time. You know, there are beautiful people everywhere because you're not allowed to cross the Los Angeles city lines unless you're beautiful or skinny - joking kind of.

I liked Yeats! That wild Irishman. I really loved his love of language, his flow. His chaotic ideas seemed to me just the right thing for a poet. Passion! He was always on the right side. He may be wrongheaded, but his heart was always on the right side. He wrote beautiful poetry.

All the stories I have told you are finally as useless as all ancient knowledge is to man and to us. Its images and its poetry can be beautiful; it can make us shiver with the recognition of things we have always suspected or felt. It can draw us back to times when the earth was new to man, and wondrous. But always we come back to the way the earth is now.

To start telling people that you're beautiful, or just feel beautiful, just start acting like you are the most beautiful woman in the world. And it really improves everything! Because your sort of psyche responds to it - like this is truthful!

It is absurd and anti-life to be part of a system that compels you to listen to a stranger reading poetry when you want to learn to construct buildings, or to sit with a stranger discussing the construction of buildings when you want to read poetry.

I thought a bit of poetry might be interesting - I even write a few lines myself. I composed a short poem for my mum's 70th birthday recently. When I recited it I saw the glint of a tear in her eye...although I guess it wasn't the quality of the poetry was that making her cry!

That's another pompous expression that is out of fashion, to say that poetry is a gift. It sounds pompous because you say, 'Who gave you the gift, and what is this gift?' And the gift is where I am; the gift is what I have come out of, the people around me who, I think, are beautiful people.

I used to watch nature shows and laugh at them. Everyone thought I was crazy. "Why are you laughing at a nature show?" Isn't it beautiful? Isn't it beautiful watching hyenas eat their young? This was crazy! What's beautiful about nature is just insane. A bunch of crazy stuff happening.

I've been writing fiction as long as I've been writing poetry. It's just that the poetry took off, and it took me a lot longer to figure out how to write a story.

I listen to a lot of hip hop artists, and I think hip hop and poetry go hand in hand. The 'Def Jam Poetry' on HBO is just so sick to me.

I also learned to tell a story. I think I learned from poetry how to time a story. Poetry's timing, beats and pauses. That white space on the page is as important as the black. The bottom of the page is blackout. It's performance.

Everything in art depends on execution: the story of a louse can be as beautiful as the story of Alexander. You must write according to your feelings, be sure those feelings are true, and let everything else go hang. When a line is good it ceases to belong to any school. A line of prose must be as immutable as a line of poetry.

You've got to give kids really beautiful children's books in order to turn them into revolutionaries. Because if they see these beautiful things when they're young, when they grow up they'll see the real world and say, 'Why is the world so ugly?! I remember when the world was beautiful.' And then they'll fight, and they'll have a revolution. They'll fight against all of our corruption in the world, they'll fight to try to make the world more beautiful. That's the job of a good children's book illustrator.

Above all I am not concerned with Poetry. My subject is War, and the pity of War. The Poetry is in the pity.

I was twenty when I discovered war and photography. I can't say that I wanted to bear witness and change the world. I had no good moral reasons: I just loved adventure, I loved the poetry of war, the poetry of chaos, and I found that there was a kind of grace in weaving between the bullets.

It is important for women to feel beautiful when she looks in the mirror, and I tell women, 'If you don't feel beautiful, find one thing that you can look in that mirror and say, 'That is beautiful.'

For most Americans, poetry plays no role in their everyday lives. But also for most Americans, contemporary painting or jazz or sculpture play no role either. I'm not saying poetry is singled out as a special thing to ignore.

The most beautiful thing in Tokyo is McDonald's. The most beautiful thing in Stockholm is McDonald's. The most beautiful thing in Florence is McDonald's. Peking and Moscow don't have anything beautiful yet.

Comic strips introduced me to metaphors. They are pure metaphor, so you learn how to tell a story with symbols, which is a very valuable thing to learn. And I learned that from motion pictures, too, and from poetry. Poetry is mainly metaphor. If it doesn't have a metaphor, it doesn't work.

While poetry was less professionalized than it is now, I still had this urge to win prizes and see my work in magazines, to get an "A," as though poetry could be graded. I wish I had been more patient and less frantic about getting published.

It's something we, guys, have all done. Made tapes for girls, trying to impress them, to meet them on a shared plane of aesthetics. Read them someone else's poetry because they do poetry better than you could do it, because you're too awkward to do it.

One of the primary differences for me between fiction and poetry is that fiction uses every sort of tool that poetry does but hides it much, much more. Fiction doesn't necessarily reveal what it's doing with rhythm and sound and patterning.

Poetry carries its history within it, and it is oral in origin. Its transmission was oral. Its transmission today is still in part oral, because we become acquainted with poetry through nursery rhymes, which we hear before we can read.

But I liked Yeats! That wild Irishman. I really loved his love of language, his flow. His chaotic ideas seemed to me just the right thing for a poet. Passion! He was always on the right side. He may be wrongheaded, but his heart was always on the right side. He wrote beautiful poetry.

I was already writing poetry, so I transitioned from writing poetry a cappella to writing over beats, and it was way more exciting to me that way.

All Art is a gift of the Holy Spirit. When this light shines through the mind of a musician, it manifests itself in beautiful harmonies. Again, shining through the mind of a poet, it is seen in fine poetry and poetic prose. When the Light of the Sun of Truth inspires the mind of a painter, he produces marvellous pictures. These gifts are fulfilling their highest purpose, when showing forth the praise of God.

I think poetry will survive and I don't think it will be the end of poetry. Our tremendous onslaught of mass media all the time that we're suffering and we don't really know how to think about, I think that puts certain things at risk.

I found poetry at 12 and 13 and, lo and behold, learned that my attorney father had a background in poetry - as he wore dashikis and Afros in the '70s and named his kids Arabic names. He was a poet and a lot like The Last Poets and Gil Scott-Heron and all of these folks. He definitely was an artist.

In poetry you can express almost inexpressible feelings. You can express the pain of loss, you can express love. People always turn to poetry when someone they love dies, when they fall in love.

An intelligent man, a man who has a little meditative consciousness, can make his life a beautiful piece of art, can make it so full of love and full of music and full of poetry and full of dance that there are no limitations for it. Life is not hard. It is man's stupidity that makes it hard.

It can be a work by Mondrian, a piece of music by Schönberg or Mozart, a painting by Leonardo, Barnett Newman or also Jackson Pollock. That's beautiful to me. But also nature. A person can be beautiful as well. And beauty is also defined as 'untouched'. Indeed, that's an ideal: that we humans are untouched and therefore beautiful.

Poetry is not the proper antithesis to prose, but to science. Poetry is opposed to science, and prose to meter. The proper and immediate object of science is the acquirement, or communication of truth; the proper and immediate object of poetry is the communication of immediate pleasure.

There's been no poet, no great poet in the history of poetry who hasn't also been a great reader of poetry. This is sometimes distressing to my students when I tell them this.

I've seen beautiful art on the sides of buildings. I've seen beautiful art in museums. I've seen beautiful art in galleries. Beautiful art is everywhere.

After Pope, in the beginning of Romanticism, people developed the idea that imagination rather than reason was a special form of knowledge and its best expression is through poetry. Therefore, poetry should not try to do the stuff that mere prose does: convey information or make arguments about ideas.

If there is poetry in my book about the sea, it is not because I deliberately put it there, but because no one could write truthfully about the sea and leave out the poetry.

If the poetry world celebrate its female stars at the true level of their productivity and influence, poetry would wind up being a largely female world, and the men would leave.

We were made to enjoy music, to enjoy beautiful sunsets, to enjoy looking at the billows of the sea and to be thrilled with a rose that is bedecked with dew… Human beings are actually created for the transcendent, for the sublime, for the beautiful, for the truthful... and all of us are given the task of trying to make this world a little more hospitable to these beautiful things.