Top 1200 Beautiful Voice Quotes & Sayings - Page 18

Explore popular Beautiful Voice quotes.
Last updated on December 21, 2024.
Do not always run away from the darkness! Remember the beautiful lakes which are hidden inside the dark caves! In the least expected places, there exist the most beautiful treasures!
TV is all about learning to write in someone else's voice, so if you do it long enough without selling your own project, they assume you don't have your own voice; you're just a good mimic.
The Voice did not consider itself a conventional magazine. It took me awhile to realize that it was named The Voice for a reason. They wanted voices. At the time, good magazine stories were still believed to be written in the third person based on the false belief they were more objective. Of course some conventional stories require third person, but in the really interesting stories - the ones I got do to at The Voice and Esquire - were about subjectivity, subjectivities.
The song and the drumming were like this: Behold, a sacred voice is calling you; All over the sky a sacred voice is calling. — © Black Elk
The song and the drumming were like this: Behold, a sacred voice is calling you; All over the sky a sacred voice is calling.
So many people are campaigning, fighting, and even dying to make a statement in the name of humanity. These people have no voice that can be heard by many. I wish more celebrities would take the initiative to be that voice.
I've been singing since I was a kid, but I take my voice a lot more personally than my acting. I feel a lot more personal criticism when somebody tells you that you don't have a good voice.
Phil Cousineau has created a fine companion book to accompany the important film he and Gary Rhine have made in defense of the religious traditions of Native Americans. [Native Americans] are recognized the world over as keepers of a vital piece of the Creator's original orders, and yet they are regarded as little more than squatters at home. This book features impressive interviews, beautiful illustrations, and gives a voice to the voiceless.
I really like IU... I just think she has the most adorable everything. Her voice is beautiful; she's talented at writing music, guitar, everything. I fell in love with her when I watched her on that drama 'Dream High.' That's probably when I first really fell in love with her.
[Miles Davis] learned from everyone. He was incredible. He took the best from everyone and threw away the rest. He was brilliant. One of the things he told me he loved about my voice was how I used space-both in music and between my voice and the mike.
I love fashion. What I love is the ability to express yourself, to be able to make a product and shoot an ad campaign that tosses you out into the world and lets you have a voice in contemporary culture, iconography. I felt a little bit neutered not having that voice.
When you film in Africa, it's almost like a character in and of itself because it is so beautiful and has this special magic that I've never experienced anywhere else. There is something so incredibly beautiful about the light.
I must have read every issue of 'Punch' published in the 20th century, and I think in the process I picked up the true voice of English humour - that amiable, fairly liberal, laconic voice which you find in something like 'Three Men in a Boat.'
The dreams of the left are always beautiful - the imagining of a better world, the damnation of the present one. This faith, this luminescent anger - these are worthy of being called human. These are the Beautiful that an age produces.
The voice gets to the soul of a person more than any other instrument. Because it's the voice. It sings talks, it cries, it laughs, it squeals, it barks, it shouts it whispers, There is no other instrument that can do that. We're born with it.
Do I love you because you're beautiful, or are you beautiful because I love you? Am I making believe I see in you, a woman too perfect to be really true? Do I want you because you're wonderful, or are you wonderful because I want you? Are you the sweet invention of a lover's dream, or are you really as beautiful as you seem?
I loved the opportunity to just transform my voice. I loved the idea of doing impressions and mimicking and playing around with the spectrum of your own voice. That's what I enjoy most about doing voiceovers.
The attention I get has been great. It has opened so many doors for me. It's nice that people are accepting beautiful women as athletes. It's encouraging to girls that muscles don't mean you can't be beautiful.
The things, good Lord, that we pray for, give us the grace to labour for', as Sir Thomas More expressed it. The inner voice of prayer expresses itself naturally in action, just as the inner voice of my brain guides all my bodily actions.
I think, when I started writing songs, my voice just became another tool. It wasn't something that I was going to try desperately to woo a listener. As long as I'm using my voice in a way that helps people understand what I'm trying to say, then I feel like I'm doing all right.
Love is of something, and that which love desires is not that which love is or has; for no man desires that which he is or has. And love is of the beautiful, and therefore has not the beautiful. And the beautiful is the good, and therefore, in wanting and desiring the beautiful, love also wants and desires the good.
It's so beautiful at this hour. The sun is low, the shadows are long, the air is cold and clean. You won't be awake for another five hours, but I can't help feeling that we're sharing this clear and beautiful morning.
[Writing] books is really fun because your "voice" is pretty undiluted. There is a very direct connection between yourself and your audience. You will have an editor, but their job is to help you clarify or improve your voice, not change it.
Our voice is an independent voice to represent the dignity and the search for peace and the reformulation of the international system; to denounce persecution and aggression of hegemonistic forces on the planet. This is how Venezuela has presented itself. Bolivar's home has sought a nonpermanent seat on the Security Council.
She liked his tears so much that she put out her beautiful finger and let them run over it. Her voice was so low that at first he could not make out what she said. Then he made it out. She was saying that she thought she could get well again if children believed in fairies.
Art and activism seem to go together naturally, the idea being that if you're an entertainer, you can have a voice, and if you have a voice, you can make a difference. But if I were not an actress, I would still try to extend myself beyond my little micro-universe of my job, family and personal joy.
My mother was an actress and my voice teacher, an incredible voice teacher. My biological father is an actor, and my stepfather, who raised me along with my mother, is a psychotherapist. I was always supported in creative ventures.
As the nation is aware, I have been doing charity movements through the Beautiful Foundation and Beautiful Stores, and carrying out projects to promote hope and governance of our society.
I think the best thing is having a voice and being able to give people a different perspective and a different opinion and voice my emotions and how I feel. To be heard by people, it feels good.
What I like about modelling is that it has given me that opportunity to travel and experience different cultures, work with creative people, and now it's given me a voice, and with that voice hopefully I can do good things with it.
But the appeal to antiquity is both a treason and a heresy. It is a treason because it rejects the Divine voice of the Church at this hour, and a heresy because it denies that voice to be Divine. How can we know what antiquity was except through the Church? ... I may say in strict truth that the Church has no antiquity. It rests upon its own supernatural and perpetual consciousness. ... The only Divine evidence to us of what was primitive is the witness and voice of the Church at this hour.
The voice of the people has been said to be the voice of God; and, however generally this maxim has been quoted and believed, it is not true to fact. The people are turbulent and changing, they seldom judge or determine right.
What is a barrier to one person to creativity is a springboard for another. And the thing that makes the difference from one person or another is how they deal with and are affected by their inner voice of blame and criticism, so-called the VOJ or Voice of Judgment.
I really enjoyed working with New Zealanders as crew members, as teammates. They're great, and it's a beautiful country. It's one of the most beautiful places I've ever been, and I've traveled quite a bit.
I had a real stage school voice and I could do loud things, but it's not about being loud, it's about sensitivity and subtlety in music. You can do so much more with a quiet voice than with a belter.
I try not to talk during the day when I have a show that night. My voice is my instrument, just like a saxophonist's instrument is his saxophone, plus also his voice, if he's the one between tunes that makes announcements.
My last album as J. Tillman, 'Singing Ax,' that was really a premeditated death rattle of the aesthetic precedent I had set. I realized I wasn't creating spontaneously; I was enforcing all these parameters. I was too self-loathing or something, and there was this obvious dissonance between my conversational voice and creative voice.
I felt that everything is beautiful, but that which man tries intentionally to make beautiful; that the work of an ordinary bricklayer is more valid than the artwork of all but a very few artists.
The most amazing set where I've shot 'Game of Thrones' is definitely Croatia, in Dubrovnik. It's such a stunning country with lots of good watersports there as well. Just a beautiful, beautiful place.
Music enabled me as a fragile young person to give voice to emotions I could barely name, and how it enables me to give my voice the unique and mysterious power to speak to others.
I spent lockdown back in Yorkshire with my parents, which was... tricky! But it did remind me how beautiful my hometown of Bridlington is, with its beautiful beaches, wildlife, and lovely locals.
The text for me is the musical score. I'm the instrument. My voice is the instrument. My voice is articulating the sounds which are coming through the imaginings and visitations in my head, and I'm making these sounds but I've selected them from an ocean of sound.
I wish I could adjust my voice, but it's just what's happened to me. It's because I've lived abroad for a long time, and my wife is English and my kids all have English accents, and every voice I hear is English. I've never intentionally changed my accent at all.
You listen to Charlie Parker or John Coltrane before they found their voice, they sounded different. And when you listen to them after they found their voice on their instruments, they sound more confident and in control. Artists have that, too.
Better to be miserable with her than happy without her. Let our hearts break provided they break together. If the voice within us does not say this it is not the voice of Eros.
Geoffrey's personal style was very different from mine. He has a lovely speaking voice, a quiet speaking voice. But at Cabinet we always reported on foreign affairs - we always had this quiet voice. It was so quiet sometimes I had to say 'speak up'. And he gave it in a way which wasn't exactly scintillating. And you know, foreign affairs are interesting. They affect everything that happened to our own way of life, and they are exciting. And so we just diverged.
Later she sat on the ground in the forest between school and home, and spring was so bright and beautiful, the warm air touched her so tenderly, she could almost feel herself changing into a flower. Her light dress felt like petals. "I love everything," she heard herself say. "So do I," a voice answered. Pearl straightened up and looked around. No one was there.
As you get older, your voice changes, as well. Your voice should be able to last as long as you last. — © Betty Buckley
As you get older, your voice changes, as well. Your voice should be able to last as long as you last.
What intrigues me most about the human voice, is its ability to make all things transparent through its power of transformation. The voice is not just a conduit for words. For me it is like an abstract dream in which everything makes perfect sense.
When you're doing voice work, you're in a bubble where you just think about the story and the words. They record you on video while you're doing the voice work, so they capture how your face is moving and the gestures you make.
The world was so beautiful when regarded like this, without searching, so simply, in such a childlike way. Moons and stas were beautiful, beautiful were bank and stream, forest and rocks, goat and gold-bug, flower and butterfly. So lovely, so delightful to go through the world this way, so like a child, awake, open to what is near, without distrust.
Ella knows her way around her voice as very few people today. But there are times when she seems to be unaware there are things the human voice just doesn't do. She does them.
What's fascinating about D.C., the exteriors are these elaborate structures, this gorgeous architecture and beautiful stonework, and then you go inside and it's crap-looking - apart from the White House, which is beautiful.
Books are really fun because your 'voice' is pretty undiluted. There is a very direct connection between yourself and your audience. You will have an editor, but their job is to help you clarify or improve your voice, not change it.
I know that composers know my voice type and what songs will suit me. I have been able to mould my voice according to the nature of the song given to me, be it rock, pop or jazz.
There is a still small voice telling us what is right, and if we listen to that still small voice we shall grow and increase in strength and power, in testimony and in ability not only to live the gospel but to inspire others to do so.
All of us have a 'voice' inside where all inspired thoughts come from. When I talk to children and aspiring writers, I always ask them to turn off the TV and listen to that voice inside them.
I definitely get my artistry and my vocal talent from my mother and mother's side. She sang in a jazz trio band so growing up my dad would always take me to see her play and she has a beautiful voice. When I was little and started to sing, she supported me and let that fire burn. She always knew what it took as a support system.
The voice of women, the voice of those most closely involved in bringing forth new life, has not always been listened to when it pleaded and implored against the waste of life in war after war.
When you write, it's just a much more crystalline, compressed version of the voice you think with - though not the one you speak with. I think your writing voice is your laser-guided missile. It's the poetry part of you.
I'm just concerned that if I get older, people aren't going to enjoy me as much as when I was younger, because I had a great voice for a little girl, but I mean, my voice can't get any bigger when I'm older.
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