Top 1200 Beauty Myth Quotes & Sayings - Page 2

Whenever Beauty looks, Love is also there; Whenever beauty shows a rosy cheek Love lights Her fire from that flame. When beauty dwells in the dark folds of night Love comes and finds a heart entangled in tresses. Beauty and Love are as body and soul. Beauty is the mine, Love is the diamond.

What is beautiful enchants me. I mean not just physical beauty but a wider concept of beauty. There is beauty in poetry and in great musical or singing performances. There is beauty everywhere if you can just see it.

Historical sense and poetic sense should not, in the end, be contradictory, for if poetry is the little myth we make, history is the big myth we live, and in our living, constantly remake.

Unfortunately, moral beauty in art - like physical beauty in a person - is extremely perishable. It is nowhere so durable as artistic or intellectual beauty. Moral beauty has a tendency to decay very rapidly into sententiousness or untimeliness.

[Kafka] transformed the profoundly antipoetic material of a highly bureaucratized society into the great poetry of the novel; he transformed a very ordinary story of a man who cannot obtain a promised job . . . into myth, into epic, into a kind of beauty never before seen.

Give beauty back, beauty, beauty, beauty, back to God, beauty's self and beauty's giver.

There can't be a pure myth, especially when the myth has been handed down in the oral tradition. As the stories are told, they change. If the stories don't change they just die.

Admixing the inner space of dream, trance, and myth with the events of everyday existence characterized every belief system worldwide before the Greeks.....time meandered back and forth between reality and myth.

If you live with the myths in your mind, you will find yourself always in mythological situations. They cover everything that can happen to you. And that enables you to interpret the myth in relation to life, as well as life in relation to myth.

In 'The Purity Myth,' I not only discuss what the purity myth is and reveal its consequences for women, but also outline a new way for us to think about young women as moral actors, one that doesn't include their bodies.

You have to think of your brand as a kind of myth. A myth is a compelling story that is archetypal, if you know the teachings of Carl Jung. It has to have emotional content and all the themes of a great story: mystery, magic, adventure, intrigue, conflicts, contradiction, paradox.

Spokespeople sell women the Iron Maiden and name her "Health": if public discourse were really concerned with women's health, it would turn angrily upon this aspect of the beauty myth.

The job of a storyteller is to speak the truth. But what we feel most deeply can’t be spoken in words alone. At this level, only images connect. And here, story becomes symbol; symbol is myth. And myth is truth.

The assumption behind any theology that I've ever been familiar with is that there is a profound beauty in being, simply in itself. Poetry, at least traditionally, has been an educing of the beauty of language, the beauty of experience, the beauty of the working of the mind, and so on. The pastor does, indeed, appreciate it.

The experience of beauty is in the eye of the beholder, as they say. The artist's relation to the object of beauty, how the art makes that happen, is a whole other subject. Beauty is an event. Beauty is something that happens. There is no such thing as a beautiful object or a beautiful woman. These things do not come near it - the experience of beauty, the event of beauty. The anxiety about it is what makes it such a central concern of culture and makes us so interested in it.

But if it not be true, the myth itself requires to be explained, and every principle of philosophy and common sense demand that the explanation be sought, not in arbitrary allegorical categories, but in the actual facts of ritual or religious custom to which the myth attaches.

Now the story of Christ is simply a true myth: a myth working on us the same way as the others, but with this tremendous difference that it really happened: and one must be content to accept it in the same way, remembering that it is God’s myth where the others are men’s myths: i.e., the Pagan stories are God expressing Himself through the minds of poets, using such images as He found there, while Christianity is God expressing Himself through what we call 'real things'.

The Navajo have that wonderful image of what they call the pollen path. The Navajo say, 'Oh, beauty before me, beauty behind me, beauty to the right of me, beauty to the left of me, beauty above me, beauty below me, I'm on the pollen path.'

At root, a pearl is a 'disturbance' a beauty caused by something that isn't supposed to be there, about which something needs to be done. It is the interruption of equilibrium that creates beauty. Beauty is a response to provocation, to intrusion. ... The pearl's beauty is made as a result of insult.

It is not expensive to be beautiful. It takes only a little effort to be presentable and beautiful. But it takes some effort. And unfortunately people think of beauty as luxury, beauty as frivolity, ... or extravagance. Beauty is a discipline, beauty is art, is harmony, in the ideological sense and in the theological sense, beauty is God and love made real. And the ultimate reach in this world is beauty.

Myth was regarded as primary; it was concerned with what was thought to be timeless and constant in our existence. Myth looked back to the origins of life, to the foundations of culture, and to the deepest levels of the human mind. Myth was not concerned with practical matters, but with meaning. Unless we find some significance in our lives, we mortal men and women fall very easily into despair. The mythos of a society provided people with a context that made sense of their day-to-day lives; it directed their attention to the eternal and the universal.

There is a thing about beauty. Beauty is always associated with the male fantasy of what the female body is. I don’t think there is anything wrong with beauty. It’s just what women think is beautiful can be different. And there can be a beauty in individualism. If there is a wart or a scar, this can be beautiful, in a sense, when you paint it.

A myth is, of course, not a fairy story. It is the presentation of facts belonging to one category in the idioms appropriate to another. To explode a myth is accordingly not to deny the facts but to re-allocate them.

You need more people to perpetuate a myth because if the people stop the myth is known to all.

Myth, legend, and ritual ... function to maintain a status quo. That makes them singularly bad in coping with change, indeed counterproductive, for change is the enemy of myth.

The myth does not point to a fact; the myth points beyond facts to something that informs the fact

'Friend Monkey' is really my favorite of all my books because the Hindu myth on which it is based is my favorite - the myth of the Monkey Lord who loved so much that he created chaos wherever he went.

I was the British spy who had come out of the woodwork and told it how it really was, and anything I said to the contrary only enforced the myth. And since I was writing for a public hooked on Bond and desperate for the antidote, the myth stuck.

'Love is a myth,' Grandfather Trout said. 'Like summer.' 'What?' 'In winter,' Grandfather Trout said, 'summer is a myth. A report, a rumor. Not to be believed in. Get it? Love is a myth. So is summer.'

Contrary to popular myth, werewolves myth, werewolves are born, not made. No matter how many times they bite someone, that person will not turn, though they will probably bleed profusely and will definitely be annoyed.

The Wheel of Time turns, and Ages come and pass, leaving memories that become legend. Legend fades to myth, and even myth is long forgotten when the Age that gave it birth comes again.

It is cruel, you know, that music should be so beautiful. It has the beauty of loneliness of pain: of strength and freedom. The beauty of disappointment and never-satisfied love. The cruel beauty of nature and everlasting beauty of monotony.

Freud becomes one of the dramatis personae, in fact, as discoverer of the great and beautiful modern myth of psychoanalysis. By myth, I mean a poetic, dramatic expression of a hidden truth; and in placing this emphasis, I do not intend to put into question the scientific validity of psychoanalysis.

A myth... is a metaphor for a mystery beyond human comprehension. It is a comparison that helps us understand, by analogy, some aspect of our mysterious selves. A myth, in this way of thinking, is not an untruth but a way of reaching a profound truth.

Puffy's the only guy who's jealous. All drummers want to be singers. I think it's a myth that the singer needs to be the focus. Bands perpetuate that myth. With somebody like Sebastian Bach it makes sense. Look at him. He could be in an Avon ad.

Beauty is no material thing. Beauty cannot be copied. Beauty is the sensation of pleasure on the mind of the seer. No thing is beautiful. But all things await the sensitive and imaginative mind that may be aroused to pleasurable emotion at sight of them. This is beauty.

A myth is an old lie that people believe in. White people believe that they're better than anyone else on earth - and that's a myth.

Myth is the hidden part of every story, the buried part, the region that is still unexplored because there are as yet no words to enable us to get there. Myth is nourished by silence as well as by words.

There is nothing truer than myth: history, in its attempt to realize myth, distorts it, stops halfway; when history claims to have succeeded, this is nothing but humbug and mystification. Everything we dream is realizable. Reality does not have to be: it is simply what it is.

There's a longstanding myth about the United States that is still very prevalent in Europe [despite recent developments]. Historically the "America" of this myth is an incredible human adventure and an experiment in political democracy. But at the same time, or so we're told, it's the land of extremes where the worst can happen.

Beauty captivates the flesh in order to obtain permission to pass right through to the soul. . . . When the feeling for beauty happens to be associated with the sight of some human being, the transference of love is made possible, at any rate in an illusory manner. But it is all the beauty of the world, it is universal beauty, for which we yearn.

I think we can all agree there's a kind of beauty myth that as soon as a woman cuts her hair she's more empowered. Feels strong. Floats down the street feeling like a Parisian woman during fashion week, all carefree. She doesn't care what anyone else thinks! But that's not always the case.

Some writers may toy with the fancy of a ‘Christ-myth,’ but they do not do so on the ground of historical evidence. The historicity of Christ is as axiomatic for an unbiased historian as the historicity of Julius Caesar. It is not historians who propagate the ‘Christ-myth’ theories.

No I don't think it was a myth at all, anymore than what the recession that the whole country was experiencing was a myth, which obviously seems like it's going to get worse and worse.

The first myth of management is that it exists. The second myth of management is that success equals skill.

The golden age of equal rights in Spain was a myth, and belief in it was a result, more than a cause, of Jewish sympathy for Islam. The myth was invented by Jews in nineteenth-century Europe as a reproach to Christians.

It is not without fear and trembling that a historian of religion approaches the problem of myth. This is not only because of that preliminary embarrassing question: what is intended by myth? It is also because the answers given depend for the most part on the documents selected.

There are truths, that are beyond us, transcendent truths, about beauty, truth, honor, etc. There are truths that man knows exist, but they cannot be seen - they are immaterial, but no less real, to us. It is only through the language of myth that we can speak of these truths.

The teleology of the Universe is directed to the production of Beauty... The type of Truth required for the final stretch of Beauty is a discovery and not a recapitulation... Apart from Beauty, Truth is neither good, nor bad... Truth matters because of beauty.

We must remember that there is a great difference between a myth and a miracle. A myth is the idealization of a fact. A miracle is the counterfeit of a fact. There is the same difference between a myth and a miracle that there is between fiction and falsehood -- between poetry and perjury. Miracles belong to the far past and the far future. The little line of sand, called the present, between the seas, belongs to common sense to the natural.

The reality of Britain is vibrant multiculturalism, but the myth we export is an all-white world of lords and ladies. Conversely, American society is pretty segregated, but the myth it exports is of a racial melting-pot, everyone solving crimes and fighting aliens side by side.

While I generally find that great myths are great precisely because they represent and embody great universal truths, the myth of romantic love is a dreadful lie. Perhaps it is a necessary lie in that it ensures the survival of the falling-in-love experience that traps us into marriage. But as a psychiatrist I weep in my heart almost daily for the ghastly confusion and suffering that this myth fosters. Millions of people waste vast amounts of energy desperately and futilely attempting to make the reality of their lives conform to the unreality of the myth.

In the New Testament, myth stands over against the truth of the history of Jesus Christ ... the decisive die has ... been already cast in the New Testament opposition to myth.

The motive for criticizing myth, that is, its objectifying representations, is present in myth itself, insofar as its real intention to talk about a transcendent power to which both we and the world are subject is hampered and obscured by the objectifying character of its assertions.

Myth is the practical metabolism of our soulish life, the logic of our obsessions and oversights for which we have no language or code. Myth is the "morality" that the ineffable puts upon us, our unaccountable imperatives, our inexplicably selective clarity and obscurity, the mortal one-sidedness of our talents and wits, the passion and apathy that make such a transient passage through our hapless minds; that weave a pattern of fatality others will see before we do. Myth is distinctively human or sublime higher-order instinct, the "reason" in culture that reason knows not of.

It doesn't matter what is true; it only matters what people believe is true... You are what the media define you to be. [Greenpeace] became a myth and a myth-generating machine.

The most natural beauty in the world is honesty and moral truth. For all beauty is truth. True features make the beauty of the face; true proportions, the beauty of architecture; true measures, the beauty of harmony and music.

What passes relentlessly through the years is blood, and time; all the bitterness or warmth along the way is almost incidental. Even blood gets forgotten eventually, bleached into myth which are bleached of all colour into ashes of myth.

The Orpheus myth is my favorite myth, and the prodigal son is my favorite parable.

The myth holds us, therefore, not through its romantic flavor, not the remembrance of beauty of some bygone age, not through the possibilities of fantasy, but because it expresses to us something real and existing in ourselves, as it was to those who first stumbled upon the symbols to give them life.