Top 1200 Beauty Poetry Quotes & Sayings

Beauty saves. Beauty heals. Beauty motivates. Beauty unites. Beauty returns us to our origins, and here lies the ultimate act of saving, of healing, of overcoming dualism.

Poetry is the breath of beauty.

Sometimes I feel too transparent in my poetry, but that's what I think the beauty of poetry is, because as transparent as the author can be, it's usually only a reflection of what the reader can interpret, and based on their own personal experiences.

Poetry gets to be the poetry of life by successfully becoming first the poetry of poetry.

I'm a storyteller: the crux of the matter is to reach beauty, poetry; it doesn't matter if that is comedy or tragedy. They're the same if you reach the beauty.

Poetry is not efficient. If you want to learn how to cook a lobster, it’s probably best not to look to poetry. But if you want to see the word lobster in all its reactant oddity, its pied beauty, as if for the first time, go to poetry. And if you want to know what it’s like to be that lobster in the pot, that’s in poetry too.

Happily there exists more than one kind of beauty. There is the beauty of infancy, the beauty of youth, the beauty of maturity, and, believe me, ladies and gentlemen, the beauty of age.

It is quite clear that beauty does depend on one's culture and upbringing for certain kinds of beauty, pictures, literature, poetry and so on...But mathematical beauty is of a rather different kind. I should say perhaps it is of a completely different kind and transcends these personal factors. It is the same in all countries and at all periods of time.

Is beauty a reminder of something we once knew, with poetry one of its vehicles? Does it give us a brief vision of that 'rarely glimpsed bright face behind/ the apparency of things'? Here, I suppose, we ought to try the impossible task of defining poetry. No one definition will do. But I must admit to a liking for the words of Thomas Fuller, who said: 'Poetry is a dangerous honey. I advise thee only to taste it with the Tip of thy finger and not to live upon it. If thou do'st, it will disorder thy Head and give thee dangerous Vertigos.

It's just poetry, beauty and love. How hard can that be to act?

Palestinian society is filled with poetry, but not experimental poetry. The Palestinian poetry that people know is not the modernist experimentations, it's certain kinds of poetry that lends itself to recitation and song and things like that.

German poetry is going in a very different direction from French poetry.... Its language has become more sober, more factual. It distrusts "beauty." It tries to be truthful.

You'll find i-poetry, you'll find that you can download poetry, that you can stuff your i-pod with recorded poetry. So just to answer the question that way, I think that poetry is gonna catch up with that technology quite soon.

We especially need imagination in science. It is not all mathematics, nor all logic, but it is somewhat beauty and poetry.

To different minds, poetry may present different phases. To me, the reverent faith of the people I lived among, and their faithful everyday living, was poetry; blossoms and trees and blue shies were poetry. God himself was poetry.

But the gravest difficulty, and perhaps the most important, in poetry meant solely for recitation, is the difficulty of achieving verbal beauty, or rather of making verbal beauty tell.

But poetry, beauty, romance, love, these are what we stay alive for.

Beauty makes one lose one's head. Poetry is born of this decapitation

That's one of those questions that would just love to have a pat answer. You know, poetry's job is to make us feel good. Poetry exists to allow us to express our innermost feelings. There isn't one role for poetry in society. There are many roles for poetry. I wrote a poem to seduce my wife. I wrote a poem when I asked her to marry me. Poetry got me laid. Poetry got me married.

Let my name perish, -- the poetry is good poetry and the music is good music, and beauty dieth not, and the heart that needs it will find it.

Poetry is the rhythmical creation of beauty in words.

Homosexuals are delicate and bad poetry is delicate and [Allen] Ginsberg turned the tables by making homosexual poetry strong poetry, almost manly poetry; but in the long run, the homo will remain the homo and not the poet.

I have made a long enough descent into the void to speak with certainty. There is nothing but beauty--and beauty has only one perfect expression, Poetry. All the rest is a lie.

My feeling is that poetry is also a healing process, and then when a person tries to write poetry with depth or beauty, he will find himself guided along paths which will heal him, and this is more important, actually, than any of the poetry he writes.

Poetry is something I love to do. Good poetry has an amazing ability to be communicative before it's even understood. I get emotional just from the beauty of words.

The assumption behind any theology that I've ever been familiar with is that there is a profound beauty in being, simply in itself. Poetry, at least traditionally, has been an educing of the beauty of language, the beauty of experience, the beauty of the working of the mind, and so on. The pastor does, indeed, appreciate it.

The beauty of poetry is that the creation transcends the poet.

Poetry is the most informative of all of the arts because everything comes down to poetry. No matter what it is we are describing, ultimately we use either a metaphor; or we say "that's poetry in motion." You drink a glass of wine and say, "that's poetry in a bottle." Everything is poetry, so I think we come down to emotional information. And that's what poetry conveys.

All poetry and music, and art of every true sort, bears witness to man's continual falling in love with beauty and his desperate attempt to induce beauty to live with him and enrich his common life.

Poetry is like air. It's one of the necessary things. Everyone benefits from poetry. And as you know, poetry is international. There are only two things that are truly international, poetry and wine.

I myself have never called what I write anti-poetry. I also think that my poetry should not be only known as the poetry of Ernesto Cardenal but rather as Nicaraguan poetry.

I've never thought of my poems as violent. Violence, to me, has so much negativity attached to it - maybe that's my trouble with the word. But ferocious - indeed, I'll take it. And yes, poetry does need a bit of ferocity. Poetry needs to be alive, unabashedly, and, for me, that entails seeing its complexity - the grit and grimness and jubilance and beauty.

But most love poetry is awful; nobody knows how to write good love poetry either. But that's not a reason not to write love poetry. Some of the best poetry ever written has been love poetry, and some of the greatest poetry ever written has been political poetry.

I read a lot of poetry. All types of poetry, but mostly Catalan poetry, because I believe poetry is the essence of language. Reading the classics, be they medieval or contemporary, gives me a stylistic energy that I'm very interested in.

We desire to possess a beauty that is worth pursuing, worth fighting for, a beauty that is core to who we truly are. We want beauty that can be seen; beauty that can be felt; beauty that affects others; a beauty all our own to unveil.

I didn't ever consider poetry the province exclusively of English and American literature and I discovered a great amount in reading Polish poetry and other Eastern European poetry and reading Russian poetry and reading Latin American and Spanish poetry and I've always found models in those other poetries of poets who could help me on my path.

A definition of poetry can only determine what poetry should be and not what poetry actually was and is; otherwise the most concise formula would be: Poetry is that which at some time and some place was thus named.

Poetry is concerned with using with abusing, with losing with wanting, with denying with avoiding with adoring with replacing the noun. It is doing that always doing that, doing that and doing nothing but that. Poetry is doing nothing but using losing refusing and pleasing and betraying and caressing nouns. That is what poetry does, that is what poetry has to do no matter what kind of poetry it is. And there are a great many kinds of poetry.

I would define, in brief, the poetry of words as the rhythmical creation of Beauty.

Beauty is startling. She wears a gold shawl in the summer and sells seven kinds of honey at the flea market. She is young and old at once, my daughter and my grandmother. In school she excelled in mathematics and poetry. . . Beauty will dance with anyone who is brave enough to ask her.

Pound described poetry as original research in language, and just as formal experiment in poetry has to try things and has to go too far, so does experiment with writing about politics in poetry and what the politics of poetry is.

The subject of Finnish poetry ought to have a special interest for the Japanese student, if only for the reason that Finnish poetry comes more closely in many respects to Japanese poetry than any other form of Western poetry.

The poetry of art is in beholding the single tower; the poetry of nature in seeing the single tree; the poetry of love in following the single woman; the poetry of religion in worshipping the single star.

Poetry has an indirect way of hinting at things. Poetry is feminine. Prose is masculine. Prose, the very structure of it, is logical; poetry is basically illogical. Prose has to be clear-cut; poetry has to be vague - that's its beauty, its quality. Prose simply says what it says; poetry says many things. Prose is needed in the day-to-day world, in the marketplace. But whenever something of the heart has to be said, prose is always found inadequate - one has to fall back to poetry.

My erotic poetry is not poetry that uses vernacular words. It is a very erotic poetry, but I never use anything, for example, that is not in the dictionary. I don't like to be ugly, I seek out what is beautiful, and if my great search is for freedom and beauty, I can't be vulgar, ordinary.

Poetry was syllable and rhythm. Poetry was the measurement of breath. Poetry was time make audible. Poetry evoked the present moment; poetry was the antidote to history. Poetry was language free from habit.

Poetry should describe itself, and always be simultaneously poetry and the poetry of poetry.

Poetry, my dear friends, is a sacred incarnation of a smile. Poetry is a sigh that dries the tears. Poetry is a spirit who dwells in the soul, whose nourishment is the heart, whose wine is affection. Poetry that comes not in this form is a false messiah.

It is through beauty, poetry and visionary power that the world will be renewed.

As we speak of poetical beauty, so ought we to speak of mathematical beauty and medical beauty. But we do not do so; and that reason is that we know well what is the object of mathematics, and that it consists in proofs, and what is the object of medicine, and that it consists in healing. But we do not know in what grace consists, which is the object of poetry.

There's no difference between lyrics and poetry. Words are words. The only difference is the people who are in academic positions and call themselves poets and have an academic stance. They've got something to lose if they say it's all poetry; if there's not music to it, and you have to wear a certain kind of checkered shirt or something like that. It's all the same. Lyrics are lyrics, poetry is poetry, lyrics are poetry, and poetry is lyrics. They are interchangeable to me.

There is only beauty / and it has only one perfect expression / poetry. All the rest is a lie /except for those who live by the body, love, and, that love of the mind, friendship. For me, Poetry takes the place of love, because it is enamored of itself, and because its sensual delight falls back deliciously in my soul.

Poetry is truth dwelling in beauty.

When we relate to our bodies as having soul, we attend to their beauty, their poetry and their expressiveness. Our very habit of treating the body as a machine, whose muscles are like pulleys and its organs engines, forces its poetry underground, so that we experience the body as an instrument and see its poetics only in illness.

We do have to learn poetry at school. Poetry is interesting to me, particularly Chinese poetry. It's like an ancient form of song. There's five sentences, seven sentences - they're very different from English poetry. Chinese poetry is much more rigorous. You can only use this many words, and they will form some kind of rhythm so people can actually sing it. To me, poetry is quite abstract but also quite beautiful.

What is beautiful enchants me. I mean not just physical beauty but a wider concept of beauty. There is beauty in poetry and in great musical or singing performances. There is beauty everywhere if you can just see it.

No doubt, the poetry, overjoyed by swallowing the beverage of passionate thoughts, delights the mind. But she does not realize the sorrows and troubles of the poor. Forget depicting the beauty of passions and present your poetry as a necklace of thought gems to swell the soul.

There's a sameness about American poetry that I don't think represents the whole people. It represents a poetry of the moment, a poetry of evasion, and I have problems with this. I believe poetry has always been political, long before poets had to deal with the page and white space . . . it's natural.

Such discussions help us very little to enjoy what has been well done in art or poetry, to discriminate between what is more and what is less excellent in them, or to use words like beauty, excellence, art, poetry, with a more precise meaning than they would otherwise have.

Beauty is not all there is of poetry. It must contain the truth. It is not simply an oak, rude and grand, neither is it simply a vine. It is both. Around the oak of truth runs the vine of beauty.