Top 1200 Bedtime Stories Quotes & Sayings - Page 20

While many alternate reality stories ask, 'What might have been?' parallel universe stories literalize the war between good and evil that plays inside each of us every day. It's what makes this type of story so perfect for many fantasy tales: we're all just a coin flip away from being entirely different people.

The argument for '12 Years a Slave' was that - yes, it's a beautiful film. Beautifully shot, beautifully acted. It's a real story, and these stories should be told. The problem is, if they're the only stories being told, then it makes Americans of African descent - it puts them into that victim category. And that was my problem with the movie.

As far as I'm concerned, the world is composed of stories. For architects, the world is composed of buildings, for actors the world is composed of theatres, or whatever... For me, the world is simply composed of stories, when I look, that's what I see.

I've got a general callout with the Caribbean world in which I'm interested in helping in any way to get their well-written good stories out to the rest of the world. I am really interested in helping those stories get to a completion and public viewing.

Nobody knows what will work until they try it. Some of comics' biggest success stories in recent years have explored subjects that no one was writing about at the time - stories no one had any reason to think would succeed. My advice? Write what you want to read. You'll have more fun doing it - and if all else fails, you'll always have at least one loyal reader.

Borges said there are only four stories to tell: a love story between two people, a love story between three people, the struggle for power and the voyage. All of us writers rewrite these same stories ad infinitum.

There's stories and then there's stories. The ones with any worth change your life forever, perhaps only in a small way, but once you've heard them, they are forever a part of you. You nurture them and pass them on, and the giving only makes you feel better. The others are just words on a page.

I really want to do film, but I want to do the right film. The truth for me is that I'm really driven by stories. So there are stories I want to tell, and if it's a good story then I want to do it, whatever genre it is.

What's this?" Nick said. "Bedtime?" No one answered him. I kept my eyes closed. You look positively content, Clayton," Nick continued, thumping down on the floor. "That wouldn't have anything to do with the fact that Elena is cuddled up with you, is it?" It's cold in here," I murmured. Doesn't feel cold." It's cold," Clay growled. I could start a fire." I could start one too," Clay said. "With your clothes. Before you get them off.

I'm a teller of stories. I put bloody skins on my back and dance around the fire, and I say what the hunt was like. It's not erudite; it's not intellectual. I sail, run dogs, ride horses, play professional poker, and tell stories about the stuff I've been through. And I'm still a romantic; I still want Bambi to make it out of the fire.

What I really love is modern political history. I love the research process, whether it's digging through old newspaper stories, artifacts from election campaigns or TV stories and being able to recreate moments in history that - when you look back at them now - you can get to that question of how did we get here.

There are stories told to him only at this time of year. Fantastic, magical stories, the old Hollier in the woods finding only three red berries, which peel back in the night to reveal gifts of frankincense, gold and myrrh, Christmas in hot deserts, dust-blown countries, the necklace of tears, and the story of the robin.

I just like good stories. I like really interesting scripts, I love really great filmmakers. And I'm open to all genres and all stories. But, there's certain ones that attract me, and I don't really sort of look at what I think is going to be successful, I look at more so, you know, is this what I want to do regardless of what everybody else thinks?

I come from a family of Russian immigrant Jews who were all big storytellers, who would get together, and one would try to top the others' stories, and stories would get bigger and bigger. And the lying aspect, the exaggeration, would get large.

The hardest lesson to learn always is to just have faith in that you will always have something to say or a story to tell. I have faith that I'll be able to continue to tell stories, write and tell stories. You just need to keep going at it.

The accidents of my life have given me the ability to make stories in which different parts of the world are brought together, sometimes harmoniously, sometimes in conflict, and sometimes both - usually both. The difficulty in these stories is that if you write about everywhere you can end up writing about nowhere.

I drew the same things that most boys drew - airplanes and cars and fire engines. Then later on I discovered comic books, and I began to create my own comic stories. I was a comic writer, even when I was five or six years old. I would just make up stories because I thought it was fun.

If I had not been successful as a director, then I'm sure I would still be telling stories. I would have continued on 16mm or found a different medium through which to tell them. Maybe they would have been less glamorous than films, but I would continue to tell stories.

I've been religiously reading the O. Henry Prize anthologies every year since college, when I first began trying to write stories. Many of the authors whose work I cherish the most were people I first learned about through The O. Henry Prize Stories - and then I'd go search for their books.

I have always been infatuated with country music. Country music tells stories, and I've always loved to tell stories. I said that when I establish myself as an artist that can do pretty much anything I want to do in music, I'm going to make a country album.

Stories ought not to be just little bits of fantasy that are used to wile away an idle hour; from the beginning of the human race stories have been used - by priests, by bards, by medicine men - as magic instruments of healing, of teaching, as a means of helping people come to terms with the fact that they continually have to face insoluble problems and unbearable realities.

And as he spoke, I was thinking, 'the kind of stories that people turn life into, the kind of lives people turn stories into.

I've got a number of stories written so far in that mythos, more lined up to be written, and a narrative arc taking shape between them. I was experimenting with releasing the stories online for Paypal donations, so the existing ones are currently available via the blog for free download, but the ball didn't keep rolling in terms of meeting the targets I was setting.

The first week I was in Iraq, I said, "This is what I want to do. I want to be a reporter and to tell stories of people whose stories would not be told if we don't gather them." It's part of what I think of as the one-two punch of journalism. You're trying to give voice to the voiceless, and then you're also trying to hold those in power accountable, regardless of what party they're in.

Growing up, I didn't have television. My dad would make up stories and tell me stories, so my imagination ran wild. When I did see films, which was very few and far between, that was such an interesting medium that was so new to me. It wasn't something that was just part of my life, so it was really appealing and so different that I enjoyed that.

Almost every week, there are stories in the press or on Chinese social media about what even the official Chinese media call 'hot online topics:' stories about how people in a particular village or town used Weibo to expose malfeasance by local or regional authorities.

After graduation, I wanted to work for 'Sassy', which I loved, but it had folded. So I wound up at 'Seventeen' for three years on staff and two as a contributor, and I wrote these great stories that nobody ever believes 'Seventeen' does. Serious stories for teens about social justice issues - gun control, migrant farm workers.

Luckily, my limited attention span is well suited to the velocity of the news cycles. There's an assault of stories coming at you on even a slow-ish news day, but certain things just tend to stick out. Certain stories just seem to have an odd sort of electricity. It does get tricky when you're pitching an image that won't hit the newsstands for another week. Not only can other, bigger stories break in the mean time, but other daily cartoonists, can also come up with the same idea - this is the most depressing thing - and put it out there so yours looks old by the time it's published.

You read in any war stories - World War II, whatever - that there are many, many heroes. There are the main stories you always hear about, but there are all these other little people that did things that were very important that we don't always know about.

We're always just telling stories, and stories are always just approximations of the truth. It's never the truth exactly.

You and I are standing this very second at the meeting place of two eternities: the vast past that has endured forever, and the future that is plunging on to the last syllable of recorded time. We can't possible live in either of those eternities - no, not even for a split second. But, by trying to do so, we can wreck both our bodies and our minds. So let's be content to live the only time we can possible live: from now until bedtime.

It is natural that our minds replay old stories, because that is our own mechanism for trying to work out unresolved problems. Yet rerunning those stories will be a fruitless looping until we learn how to move from the story into our body. This is why therapy alone often doesn't bring full healing and awakening.

It has been suggested that Tiptree is female, a theory that I find absurd, for there is to me something ineluctably masculine about Tiptree’s writing. I don’t think the novels of Jane Austen could have been written by a man nor the stories of Ernest Hemingway by a woman, and in the same way I believe the author of the James Tiptree stories is male.

I believe that stories find writers, writers don't find stories. With the 'Pendragon' series, I actually had multiple story ideas and decided that instead of writing them individually, I would create a character whose journey would thread them all together.

For girls and women, storytelling has a double and triple importance. Because the stories of our lives have been marginalized and ignored by history, and often dismissed and treated as 'gossip' within our own cultures and families, female human beings are more likely to be discouraged from telling our stories and from listening to each other with seriousness.

I chose philosophy because it sounded like something I ought to be interested in. I didn't know anything about it, I didn't even know what it was talking about. What I really spent my time doing in those years was writing short stories. There were all sorts of interesting courses, but what I really wanted to do was make stories one way or another.

She was witchy, yes, and in charge of a cauldron roiling with ideas and stories, but she always gave the impression that the stories, the ones she wrote and wrote so very well and so wisely, had simply happened, and that all she had done was to hold the pen. (On Diana Wynne Jones)

Stories can encourage us and embolden us to face ourselves and to feel. Stories can make us feel less alone. If we're reading a story that moves us, we can feel that emotion that I feel towards my father or mother or girlfriend. So they can give us late-night company.

When we let ourselves respond to poetry, to music, to pictures, we are clearing a space where new stories can root, in effect we are clearing a space for new stories about ourselves.

I've heard stories of other people that are similar stories to me - their mother or father passing away. People have come out to me on Instagram. It's amazing that they can tell me and confide in me. I always want to take the time and write these long messages telling them how much that means to me.

Most of the complexity of the stories has developed as the stories came along (and may be a product of the principle that "nothing is what it seems"). I did start with some essential ambiguousness in the aliens' motivation and the questions this raises in human minds, which I consider to have been disregarded in Contact (novel and film). That, in part, may be what has delayed the writing of the fifth and sixth novelettes in the series.

I couldn't run from that desire to tell stories, that desire to tell stories about us, and about the people I loved.

The table is the number one place we pass on family stories and it's the knowledge of where your family came from that helps build self-esteem and resiliency in kids. When we stop having dinners, we stop passing on those stories. And, of course, when you make food at home you actually know what's in the food you are eating. It is the healthiest, greenest thing you can do!

Perhaps it is partly that we need to love books ourselves as parents, grandparents and teachers in order to pass on that passion for stories to our children. It's not about testing and reading schemes, but about loving stories and passing on that passion to our children.

We live in a time of short attention spans and long stories. The short attention spans are seen as inevitable, the consequence of living our lives in thrall to flickering streams of information. The long stories are the surprise, as is the persistence of the audience for them.

I grew up feeling 'less than.' I was the sad, shy child hiding in the hall closet beneath coats. I'd wait for my grandmother's voice to call, 'Jewell, Jewell.' I was lost, waiting to be found. I thought being found, I'd be happier, better. All the while, I read stories. Stories with both truth and lies.

The way that the stories go in the Snicket books is just the way stories naturally go to me. They're full of misery, and yet the misery ends up being slightly hilarious. And in terms of the warnings on the back of the books, that really started as an honest assessment of their marketability.

The other night I was walking down the stairs behind one of my daughters. I was tired, and she was goofing around, you know like kids do, doing all this stupid stuff on the stairs. And I was thinking, please just go down the stairs and let's get you to bed. It's after your bedtime. I've had enough for one day. And then I sort of caught myself. I snapped out of it. I was like, 'dude, you should be dancing down the stairs behind her'!

There's something really unique about Orphan Black is that it has a lot of female leads, so it's about a lot of women's stories, but it's not women’s stories in terms of trying to find a guy or keep a guy; it's about entirely other things.

I used to write stories a lot because you had to fill your hours some other way than watching television. So my imagination was vivid, and I used to write a lot of stories. I wrote a novel, which I still have, which is so awful.

There's something really unique about 'Orphan Black' is that it has a lot of female leads, so it's about a lot of women's stories, but it's not women's stories in terms of trying to find a guy or keep a guy; it's about entirely other things.

Stories are not about ideas, gimmicks, or places. Stories are about people. People are about feelings!

We all love to hear a good story. We save our stories in books. We save our books in libraries. Libraries are the storyhouses full of all those stories and secrets.

The heart will listen when the eyes are closed. The heart will hear when the mind is shut. The heart will move you when you feel you have nothing left. Stories talk to the heart. Our stories will rescue the heart of America.

There is a certain embarrassment about being a storyteller in these times when stories are considered not quite as satisfying as statements and statements not quite as satisfying as statistics; but in the long run, a people is known, not by its statements or its statistics, but by the stories it tells.

When I was writing stories about Chinese American characters in my fiction classes, I'd get comments like, 'You should consider writing more universal stories.' But anything can happen to a Chinese American girl - just as much of the canon of English literature involves white men or women.

I have wandered many roads that I have never traveled; touched many things that my eyes have never seen. It is through stories that life is made, and through stories that life is saved.

If you stop to think about it, you’ll have to admit that all the stories in the world consist essentially of twenty-six letters. The letters are always the same, only the arrangement varies. From letters words are formed, from words sentences, from sentences chapters, and from chapters stories.

The thing that probably frustrated me and hurt me the most was when there were inaccurate stories written about me or stories that were written that were trying to imply or infer things that weren't true.

I want to continue to make beautiful movies. The most important thing is to be a part of beautiful stories, that's all I want. So I don't care if it's a Hollywood movie or an independent movie or a Spanish or American movie. I care about telling stories.