Top 1200 Being Played Quotes & Sayings - Page 17

The way I was taught, being black was a plus, always. Being a human being, being in America, and being black, all three were the greatest things that could happen to you. The combination was unbeatable.

Institutional Christianity has had clear secular benefits to American life for hundreds of years. It's played both a prophetic role in terms of generating moral critiques of American excesses, and so on, and also a communal role, in terms of building community as the country moved westward to the role my own Catholic Church played in assimilating generations of immigrants.

I have a bad reputation in England, and I don't know why. Maybe it's something that has just followed me. But one thing I always say is that 90% of the people I've played with would say I'm an amazing guy, a great teammate. Other people, those who work on the gate at every stadium I've played at, will tell you I am a humble guy and a nice person.

You have to understand, I don't play golf for fun. It's my business. When the mailman starts delivering mail on his off day, that's when I'll start playing golf for the hell of it. I like to play in tournaments. There are many great courses around the world that I have never played that are next door to tournaments. I have not played them because I don't play for fun.

There are certain times in a concert when I'll call an audible because I feel like God is calling me to play a different song. But truthfully, I feel called to play for the church whether it's song being played on Christian radio or it's concerts I'm doing primarily in churches.

When I played football, basketball and baseball, I was always a starter. I played baseball as the number three or number four hitter. Playing baseball, I was the third baseman or pitcher. Football, I was the quarterback. I was always versatile. It came to me naturally. It was always easy.

'So Icy' is always going to be one of my favorites because this is a song that blew my mind. I was just making beats for the fun of it. I went to the club and heard the song being played, so I asked the DJ to stop playing the song, and the whole club started rapping word for word.

But between the images, we are privy to the real-life action being played out on the set. Peeta's attempt to continue speaking. The camera knocked down to record the white tiled floor. The scuffle of boots. The impact of the blow that's inseparable from Peeta's cry of pain. And his blood as it splatters the tiles.

The last game I played in college was in the NIT against St. Mary's. That was the first time I had come to the Oakland area. So, the last game I played in college and the first game of my NBA career were out here in the Bay Area. It's pretty cool.

Sometimes when I hear commentating, it's sickening. People who never played the game, people who never played in the league have an opinion, and that's all it is. You are here to educate the watcher or the viewer. Sometimes it comes off as personal. I don't ever want to come off like that. My opinion is my opinion about someone.

The real joke that history played on American women is not the one that makes people snigger, with cheap Freudian sophistication, at the dead feminists. It is the joke that Freudian thought played on living women, twisting the memory of the feminists into the man-eating phantom of the feminine mystique, shriveling the very wish to be more than just a wife and mother.

When you did impressions on 'MADtv,' the producers gave you a Walkman that played huge sections of whatever movie was being parodied, with your character's catchphrases recorded on a loop. You'd wear this thing around during rehearsals and for a week listen to the voice you had to impersonate over and over again. It drove all of us crazy.

I started singing Folksongs with my mother when I was 6 years old. We sang at Folk festivals and concerts and schools. There was always music being played either on record, Jazz and Folk, by musician friends of my mother. I took to singing very early, I believe it has been a Gift I was born with.

I'll only work on TV shows that have a 'Sookie' on them! Those are the only shows that will cast me. And I've never even met a Sookie in my life. Sookie on 'Gilmore Girls' was played by Melissa McCarthy. And Sookie, played by Anna Paquin, is number one on the call sheet on 'True Blood.' Somebody should write another script with a Sookie in it.

We've played with Black Flag, Bad Brains, Minor Threat, The Ramones. You name any punk band and we've probably played or toured with them all the way up to and including Soundgarden, who we've toured with three times now. We also toured with Metallica for a year. But yeah, Megadeth was the only one we were a little sketchy about because um, it was a little sketchy.

My brother played the game with his friends, so I thought I was a pretty smart kid and I played this friend of mine and he just crushed me and this was Brooklyn Tech High School in Brooklyn where I still live, in Brooklyn, New York and this guy beat me so bad it wasn't even funny. I couldn't understand why he beat me.

I played a lot under John Wright, he's been a great influence on how I'll go about the job, in terms of being in the background. When I became a mentor for Mumbai Indians, I brought John in because he understood a lot about Indian culture and then the way coaches work.

I came from Long Island, so I had a lot of experience at the stick. I played in junior high school, then I played in high school. The technical aspect of the game was my forte. I had all that experience, then I had strength and I was in good condition.

When I went to Australia on the India A tour in 2014, I played on flat pitches against batsmen, some of whom were Test players. That experience taught me a lot, as I also was playing with a lot of Test players in our side as well, and I learned about being mentally tough.

It's different the way the game is played now and the way we played the game.

I see what those people are doing with computers and it's just the new way of doing things and I don't look down on them for it, it's kind of funny that there are a lot of people - and I don't even care, this isn't me being like "well I do this" - but there are definitely people who are like: "Yeah I played all that."

When they played, it wasn't music. It was the sound of chaos. I knew it was the sound of chaos because you could hear pigs being slaughtered. Women were weeping and men were gnashing their teeth, and there were sounds so horrible that I cannot repeat them to you, or you would flee from this room in horror!

My dad worked 12-hour shifts in the Kodak factory - I remember creeping about when he was on nights - but he was also lead singer in a band playing in British Legion and working men's clubs. My earliest memories are of being sat at the back of a pub, falling asleep on the bench while my dad played.

We've played it [Milquetoast] a million times. When you play a song that much you sort of become disconnected with the lyrics. It's just another song essentially about people's opinions and being told how to live your life even though they may have less life experience than you have.

In high school, I had a wonderful teacher who, coincidentally also taught Meryl Streep before me. At the same time I had my own rock band, I played bass and sang. I was one of those kids who really enjoyed being with my friends and doing rather insane, but fun, creative things.

Mark Jackson played 19, 20 years in the NBA. Shouldn't even have probably been in the league, and he's the third-ranked assist guy in the NBA. But you describe his game: Can he jump? No, not really. How's his outside shot? Eh, it's inconsistent. Can he defend? Nah, he can't stay in front of guys. And he played 19 years!

He's only 4 years old, so I don't think he realized, you know, that I played so many years. Of course, we watch tapes here from the Stanley Cup years, but I don't think he realized how many years I played.

The problem is, Mahadev is the Supreme Being, the Ultimate God. I've already played the Supreme Power. After one climbs the Himalayan peak, one can only go down from there. Any thing I do, any God I play would be a climb-down.

Everyone is different. Everyone has different teams they've played on, coaches they've played for.

Being attractive for a few hours some evening is hardly worth being that unattractive all day (in hot rollers). Being yourself and being natural with a man is wonderful, but being downright unattractive with him is foolish.

When I was young, as a fan of Independiente, my idol was Enrique Bochini. He was a playmaker and a total legend at the club. He never played for another club in his career. Maradona was a fan of Bochini too. So when I think that I have only played for Inter in Italy, I feel a little like Bochini. Only with far fewer assists!

Ministry of Sound was actually the first club I ever played in the UK, it must have been around 1993. Being invited to play was a big thing and visited many times since - The Gallery always has a great crowd, great sound system and just a great night.

Being human signifies, for each one of us, belonging to a class, a society, a country, a continent and a civilization; and for us European earth-dwellers, the adventure played out in the heart of the New World signifies in the first place that it was not our world and that we bear responsibility for the crime of its destruction.

In the process of them developing this instrument, I've been playing the melodica in the style I would like the harmoniboard to be played, which is a mix between a harmonica and keyboard. I play with trumpet style techniques. I really like the mobility of being able to step off the piano and bring the music to the audience.

I was the center on our fraternity team, but I was a center-eligible, so I was known for my ability to go out, and I was pretty sure-handed catching a pass in the flat about ten yards down the field. My father played high school football and was pretty good. He also played center, so I always relished the idea that we both ended up playing center.

In the the late seventies and early eighties, I played background roles in thirty movies... Woody Allen movies, Scorsese films, you name it. Whatever was being shot in New York, I was doing stand-in and background work because I wanted to be close to the camera; I wanted to see what was going on.

I don't want to live and die with every point that's being played out there now. I'm going to let my coach live and die with every point.

I love to talk about the drums and music. I started playing drums when I was probably six and played a lot until I was about ten or eleven years old. So, I guess five or six years where I played. I had a drum set at home, and I would just bang on it. I'd even go on the Internet and study basic beats and so forth.

I can't dance to save my life, really - proper, proper dad dancing - but I was once at a wrap party for a show, and at the end of the night, they still hadn't played 'Dancing Queen'. So we extended the wrap party for 40 minutes and played 'Dancing Queen' 11 times in a row.

Something I worked very hard on, especially last year, was being more outgoing on the court: recognising good points I'd played and trusting myself and my skills on the court. The fist pumps weren't necessarily to let my opponent know I was here, more to let myself know that I'm here.

I played a little football when I was really young, but I didn't start until my junior year. My cousin, who was a big influence in my athletic career over time, said you should go out for receiver. I said let's give it a shot. I went out and played a little and caught a couple balls over a couple dudes heads.

I played football for a team called the East Dragons on the east side of town. We only had six regular season games. And six games I played tail back and I had 18 touchdowns in six games. That's when I knew I had some athletic ability.

There are only so many instruments you can layer on top of each other that aren't perfectly electronically programmed. "Long Vermont Roads" just cannot be performed live, because it's just too cluttered if it's played by humans. Synthesizers stay out of each other's way in a way that hand-played instruments never can.

I saw a DJ from Germany called Sven Vath. I saw him in the club, he played for six hours and I was just totally intrigued, because everything he played I'd never heard before and everything he did I'd never seen before. I was so blown away by what he did.

I think he is marvellous. I think he will fit in whatever category of Cricket that has been played or will be played, from the first ball that has ever been bowled to the last ball that's going to be. He can play in any era and at any level. I would say he's 99.5% perfect.

I played the character knowing that she was knocked down, 100 percent, dead-in-front-of-a-bus in love with her boss. Every scene, I did not care if it was about taxes or about, you know, getting rid of the penny, it was all about me being in love with him.

My thing was, I loved music. I played music: I played the saxophone. So the little bit of music knowhow I had, I tried to implement that in every thing I did, from my style, my cadence, the way I tried to pause and stagnate it; that all came from John Coltrane and listening to jazz albums. Trying to rhyme like a jazz player.

I would love to hear all types of Christian artists played all over the world. I'd love to hear good, positive mainstream music played all over the place. I'd love to be able to bring music together. But I have not deserted Christ. I have not deserted my faith.

When I was a young person working, everybody was older than me, so I had to kind of keep up. I'd see every movie and listen to everything played, and read all the relevant books. Being an actor, it's kind of your job to know what came before you and how big your feelings are allowed to be.

I haven't played men's Test cricket, I've played women's Test cricket.

I never used golf as a job. I used it as a game. I always thought if I played the game well, my financial rewards would be there, but it came from, because I played well. But I had to play well to get the financial rewards.

I went through eight years of classical piano lessons without being able to read notes. I only have to hear a melody to be able to play it. It used to freak my piano teacher out when he finally noticed that notes don't make any sense to me and that I played by ear.

I've played with a couple good shooters, but I've never been on a team where there's been three, four, five, six good shooters. And I've always thought that nothing gets you open more than being surrounded by good shooters.

When I played Robert Howard in 'The Whole Wide World', I was struggling with it. There's this dual thing where you feel real good about being able to play this juicy part, and then there's constant shame: 'Who am I to pretend to know who this guy was? Who am I to represent this guy for people who never knew him?'

I once did something right. I played first-rate basketball. I really did. And after you're first-rate at something, no matter what, it kind of takes the kick out of being second-rate.

Well I was on the one hand, the more I played the guitar the more I began to really love the guitar and to love virtually any kind of music that anybody played well on guitar.

The first thing I think I ever played in public, aside from singing in church, would have been - and this is a true story - when I was about nine or 10 years old, I was obsessed with Twin Peaks. I played the theme from Twin Peaks on a little tiny Casio keyboard. People politely applauded. I just fell in love with that song and thought it was very heartbreaking.

I thought we had energy out there. I thought the guys were, they played good, they were excited. We were almost dynamite out there today. Just a flicker away from being dynamite.

I get more out of life just being myself, by just being a human being. Not by being a rock star, not by being whatever. Sometimes I act like a jerk, but I think people respect me for being myself. That's the ultimate thing about the Smashing Pumpkins.

I played one game, and one game played me.